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Portrait of William Morris. From a photograph by Emery Walker | 2 |
Pen-Sketch of Morris Speaking from a Wagon in Hyde Park. By Walter Crane | 14 |
Design for Wall-paper. "The Daisy" | 17 |
Design for Wall-paper. "Rose Trellis" | 20 |
Woollen Hanging. "The Peacock" | 21 |
Design for Silk Hanging | 23 |
Cotton Print. "Evenlode" | 24 |
Kelmscott House. Meeting Room of the Hammersmith Socialist Society | 27 |
Pages from Morris's MS. of Omar KhayyÁm | 30, 31, 32, 33 |
Pen Design by Walter Crane | 47, 83 |
Progressive blackboard practice in Bi-Manual Training from "New Methods in Education" by Liberty Tadd | 108 |
Patterns of Roman Mosaic Pavement, from the Baths of Caracalla | 130, 130, 132 |
Patterns in Plain Leading, from "The Glazier's Booke" | 143 |
Russian Peasant Embroidery: Blouse in Cross Stitch | 151 |
Cretan Embroidery | 153 |
Embroidered Cover from Bokhara | 154 |
Original Design for Embroidered Hanging, by Walter Crane | 156 |
Examples of Early Italian Gesso Work (Victoria and Albert Museum) | 167, 169, 171, 173, 175, 175, 175, 177, 182, 182 |
Egyptian Treatment of Birds. Eighteenth dynasty, Hieroglyphics. Thebes | 185 |
Assyrian Lion | 188 |
Persian Lion | 188 |
(TN: These corrections have been applied.) Page 50, line 4 from foot, for "Burgess" read "Burges." Page 92, line 2, for "Le Thangue" read "La Thangue." Page 134, line 14, for "give" read "gives." Page 190, line 7 from foot, for "Fringe" read "Frieze." Page 198, line 2 from foot, for "Central Provinces" read "Central India."
WILLIAM MORRIS AND HIS WORK
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