| PAGE | Portrait of William Morris. From a photograph by Emery Walker | 2 | Pen-Sketch of Morris Speaking from a Wagon in Hyde Park. By Walter Crane | 14 | Design for Wall-paper. "The Daisy" | 17 | Design for Wall-paper. "Rose Trellis" | 20 | Woollen Hanging. "The Peacock" | 21 | Design for Silk Hanging | 23 | Cotton Print. "Evenlode" | 24 | Kelmscott House. Meeting Room of the Hammersmith Socialist Society | 27 | Pages from Morris's MS. of Omar KhayyÁm | 30, 31, 32, 33 | Pen Design by Walter Crane | 47, 83 | Progressive blackboard practice in Bi-Manual Training from "New Methods in Education" by Liberty Tadd | 108 | Patterns of Roman Mosaic Pavement, from the Baths of Caracalla | 130, 130, 132 | Patterns in Plain Leading, from "The Glazier's Booke" | 143 | Russian Peasant Embroidery: Blouse in Cross Stitch | 151 | Cretan Embroidery | 153 | Embroidered Cover from Bokhara | 154 | Original Design for Embroidered Hanging, by Walter Crane | 156 | Examples of Early Italian Gesso Work (Victoria and Albert Museum) | 167, 169, 171, 173, 175, 175, 175, 177, 182, 182 | Egyptian Treatment of Birds. Eighteenth dynasty, Hieroglyphics. Thebes | 185 | Assyrian Lion | 188 | Persian Lion | 188 | (TN: These corrections have been applied.) Page 50, line 4 from foot, for "Burgess" read "Burges." Page 92, line 2, for "Le Thangue" read "La Thangue." Page 134, line 14, for "give" read "gives." Page 190, line 7 from foot, for "Fringe" read "Frieze." Page 198, line 2 from foot, for "Central Provinces" read "Central India."
WILLIAM MORRIS AND HIS WORK
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