Of the Decorative Illustration of Books Old and New / 3rd ed.

THE EX-LIBRIS SERIES. Edited by Gleeson White.

THE DECORATIVE ILLUSTRATION OF BOOKS. BY WALTER CRANE.




PRINTED AT THE CHISWICK PRESS BY CHARLES WHITTINGHAM & CO. TOOKS COURT, CHANCERY LANE, LONDON, E.C. AND FIRST PUBLISHED DECEMBER, 1896 SECOND EDITION, REVISED, FEB. 1901 THIRD EDITION, REVISED, JAN. 1905


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his book had its origin in the course of three (Cantor) Lectures given before the Society of Arts in 1889; they have been amplified and added to, and further chapters have been written, treating of the very active period in printing and decorative book-illustration we have seen since that time, as well as some remarks and suggestions touching the general principles and conditions governing the design of book pages and ornaments.

It is not nearly so complete or comprehensive as I could have wished, but there are natural limits to the bulk of a volume in the "Ex-Libris" series, and it has been only possible to carry on such a work in the intervals snatched from the absorbing work of designing. Within its own lines, however, I hope that if not exhaustive, the book may be found fairly representative of the chief historical and contemporary types of decorative book-illustration.

In the selection of the illustrations, I have endeavoured to draw the line between the purely graphic aim, on the one hand, and the ornamental aim on the other—between what I should term the art of pictorial statement and the art of decorative treatment; though there are many cases in which they are combined, as, indeed, in all the most complete book-pictures, they should be. My purpose has been to treat of illustrations which are also book-ornaments, so that purely graphic design, as such, unrelated to the type, and the conditions of the page, does not come within my scope.

As book-illustration pure and simple, however, has been treated of in this series by Mr. Joseph Pennell, whose selection is more from the graphic than the decorative point of view, the balance may be said to be adjusted as regards contemporary art.

I must offer my best thanks to Mr. Gleeson White, without whose most valuable help the book might never have been finished. He has allowed me to draw upon his remarkable collection of modern illustrated books for examples, and I am indebted to many artists for permission to use their illustrations, as well as to Messrs. George Allen, Bradbury, Agnew and Co., J. M. Dent and Co., Edmund Evans, Geddes and Co., Hacon and Ricketts (the Vale Press), John Lane, Lawrence and Bullen, Sampson Low and Co., Macmillan and Co., Elkin Mathews, Kegan Paul and Co., Walter Scott, Charles Scribner's Sons, and Virtue and Co., for their courtesy in giving me, in many cases, the use of the actual blocks.

To Mr. William Morris, who placed his beautiful collection of early printed books at my disposal, from which to choose illustrations; to Mr. Emery Walker for help in many ways; to Mr. John Calvert for permission to use some of his father's illustrations; and to Mr. A. W. Pollard who has lent me some of his early Italian examples, and has also supervised my bibliographical particulars, I desire to make my cordial acknowledgments.

WALTER CRANE.

Kensington: July 18th, 1896.


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 reprint of this book being called for, I take the opportunity of adding a few notes, chiefly to Chapter IV., which will be found further on with the numbers of the pages to which they refer.

As touching the general subject of the book one may, perhaps, be allowed to record with some satisfaction that the study of lettering, text-writing, and illumination is now seriously taken up in our craft-schools. The admirable teaching of Mr. Johnston of the Central School of Arts and Crafts and the Royal College of Art in this connection cannot be too highly spoken of. We have had, too, admirable work, in each kind, from Mr. Reuter, Mr. Mortimer, Mr. Treglown, Mr. Alan Vigers, Mr. Graily Hewitt, and Mr. A. E. R. Gill; and Mrs. Traguair and Miss Kingsford are remarkable for the beauty, delicacy, and invention of their work as illuminators among the artists who are now pursuing this beautiful branch of art.

So that the ancient crafts of the scribe and illuminator may be said to have again come to life, and this, taken in connection with the revival of printing as an art, is an interesting and significant fact.

As recent contributions to the study of lettering we have Mr. Lewis F. Day's recent book of Alphabets, and Mr. G. Woolliscroft Rhead's sheets for school use.

I have to deplore the loss of my former helper in this book, Mr. Gleeson White, since the work first appeared. His extensive knowledge of, and sympathy with the modern book illustrators of the younger generation was remarkable, and as a designer himself he showed considerable skill and taste in book-decoration, chiefly in the way of covers. As a most estimable and amiable character he will always be remembered by his friends.

WALTER CRANE.

Kensington: June, 1904.


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hapter I.—OF THE EVOLUTION OF THE ILLUSTRATIVE AND DECORATIVE IMPULSE FROM THE EARLIEST TIMES; AND OF THE FIRST PERIOD OF DECORATIVELY ILLUSTRATED BOOKS IN THE ILLUMINATED MSS. OF THE MIDDLE AGES.     1.

CHAPTER II.—OF THE TRANSITION, AND OF THE SECOND PERIOD OF DECORATIVELY ILLUSTRATED BOOKS, FROM THE INVENTION OF PRINTING IN THE FIFTEENTH CENTURY ONWARDS.     45.

CHAPTER III.—OF THE PERIOD OF THE DECLINE OF DECORATIVE FEELING IN BOOK DESIGN AFTER THE SIXTEENTH CENTURY, AND OF THE MODERN REVIVAL.     125.

CHAPTER IV.—OF RECENT DEVELOPMENT OF DECORATIVE BOOK ILLUSTRATION, AND THE MODERN REVIVAL OF PRINTING AS AN ART.     185.

CHAPTER V.—OF GENERAL PRINCIPLES IN DESIGNING BOOK ORNAMENTS AND ILLUSTRATIONS: CONSIDERATION OF ARRANGEMENT, SPACING AND TREATMENT.     279.

INDEX.     329.


GERMAN SCHOOL, XVTH CENTURY. PAGE
  "Leiden Christi." (Bamberg, 1470) 3
  Boccaccio, "De Claris Mulieribus." (Ulm, 1473) 7, 11
  "Buch von den sieben TodsÜnden." (Augsburg, 1474) 15
  "Speculum HumanÆ VitÆ." (Augsburg, cir. 1475) 17
  Bible. (Cologne, 1480) 21
  Terrence: "Eunuchus." (Ulm, 1486) 27
  "Chronica HungariÆ." (Augsburg, 1488) 35
  "Hortus Sanitatis." (Mainz, 1491) 39
  "Chroneken der Sassen." (Mainz, 1492) 41
  Bible. (LÜbeck, 1494) 47
  "Æsop's Fables." (Ulm, 1498) 53
FLEMISH AND DUTCH SCHOOLS, XVTH CENTURY.  
  "Spiegel onser Behoudenisse." (Kuilenburg, 1483) 25
  "Life of Christ." (Antwerp, 1487) 31
FRENCH SCHOOL, XVTH CENTURY.  
  "La Mer des Histoires." Initial. (Paris, 1488) 37
  "Paris et Vienne." (Paris, cir. 1495) 51
ITALIAN SCHOOL, XVTH CENTURY.  
  "De Claris Mulieribus." (Ferrara, 1497) 54
  Tuppo's "Æsop." (Naples, 1485) 55
  P. Cremonese's "Dante." (Venice, 1491) 56
  "Discovery of the Indies." (Florence, 1493) 57
  "Fior di VirtÙ." (Florence, 1498) 58
  Stephanus Caesenas: "Expositio Beati Hieronymi in Psalterium." (Venice, 1498) 59
  "Poliphili Hypnerotomachia." (Venice, 1499) 63, 65
  Ketham's "Fasciculus MedicinÆ." (Venice, 1493) 295
  Pomponius Mela. (Venice, 1478) 297
ITALIAN SCHOOL, XVITH CENTURY.  
  Artist Unknown. Bernadino Corio. (Milan, Minuziano, 1503) 67
  School of Bellini: "Supplementum Supplementi Chronicarum, etc." (Venice, 1506) 69
  "The Descent of Minerva": from the Quatriregio. (Florence, 1508) 71
  Aulus Gellius. (Venice, 1509) 73
  Quintilian. (Venice, 1512) 75
  Ottaviano dei Petrucci. (Fossombrone, 1513) 77
  Ambrosius Calepinus. (Tosculano, 1520) 121
  Artist unknown: Portrait title: Ludovico Dolci, 1561. (Venice, Giolito, 1562) 133
GERMAN SCHOOL, XVITH CENTURY.  
  Albrecht DÜrer: "Kleine Passion." (Nuremberg, 1512) 81, 83, 85
  Albrecht DÜrer: "Plutarchus Chaeroneus." (Nuremberg, 1513) 87
  Albrecht DÜrer: "Plutarchus Chaeroneus." (Nuremberg, 1523) 89
  Hans Holbein: "Dance of Death." (Lyons, 1538) 91, 92
  Hans Holbein: Title-page: Gallia. (Basel, cir. 1524) 93
  Hans Holbein: Bible Cuts. (Lyons, 1538) 95, 96
  Ambrose Holbein: "Neues Testament." (Basel, 1523) 97
  Hans Burgmair: "Der Weiss KÖnig." (1512-14) 99
  Hans Burgmair: "Iornandes de Rebus Gothorum." (Augsburg, 1516) 101
  Hans Burgmair: "Pliny's Natural History." (Frankfort, 1582) 103
  Hans Burgmair: "Meerfahrt zu viln onerkannten Inseln," etc. (Augsburg, 1509) 105
  Hans Baldung GrÜn: "Hortulus AnimÆ." (Strassburg, 1511) 107, 108, 109, 110
  Hans WÄchtlin: Title Page. (Strassburg, 1513) 111
  Hans Sebald Beham: "Das Papstthum mit seinen Gliedern." (Nuremberg, 1526) 113
  Reformation der bayrischen Landrecht. (Munich, 1518) 117
  Fuchsius: "De Historia Stirpium." (Basel, 1542) 123
  Virgil Solis: Bible. (Frankfort, 1563) 131
  Johann Otmar: "Pomerium de Tempore." (Augsburg, 1502) 147
FRENCH SCHOOL, XVITH CENTURY.  
  Oronce FinÉ: "Quadrans Astrolabicus." (Paris, 1534) 127
MODERN ILLUSTRATION.  
  William Blake: "Songs of Innocence," 1789 137
  William Blake: "Phillip's Pastoral" 139
  Edward Calvert: Original Woodcuts: "The Lady and the Rooks," "The Return Home," "Chamber Idyll," "The Flood," "Ideal Pastoral Life," "The Brook," 1827-29 141, 143
  Dante Gabriel Rossetti: "Tennyson's Poems," 1857 151
  Dante Gabriel Rossetti: "Early Italian Poets," 1861 153
  Albert Moore: "Milton's Ode on the Nativity," 1867 155
  Henry Holiday: Cover for "Aglaia," 1893 157
  Randolph Caldecott: Headpiece to "Bracebridge Hall," 1877 158
  Kate Greenaway: Title Page of "Mother Goose" 159
  Arthur Hughes: "At the Back of the North Wind," 1871 160, 161
  Arthur Hughes: "Mercy" ("Good Words for the Young," 1871) 304
  Robert Bateman: "Art in the House," 1876 162, 163, 164, 165
  Heywood Sumner: Peard's "Stories for Children," 1896 167, 170
  Charles Keene: "A Good Fight." ("Once a Week," 1859) 169
  Louis Davis: "Sleep, Baby, Sleep" ("English Illustrated Magazine," 1892) 171
  Henry Ryland: "Forget not yet" ("English Illustrated Magazine," 1894) 173
  Frederick Sandys: "The Old Chartist" ("Once a Week," 1861) 175
  M. J. Lawless: "Dead Love" ("Once a Week," 1862) 177
  Walter Crane: Grimm's "Household Stories," 1882 179
  Walter Crane: "Princess Fiorimonde," 1880 181
  Walter Crane: "The Sirens Three," 1886 183
  Selwyn Image: "Scottish Art Review," 1889 187
  William Morris and Walter Crane: "The Glittering Plain," 1894 191, 290, 291
  C. M. Gere: "Midsummer" ("English Illustrated Magazine," 1893) 195
  C. M. Gere: "The Birth of St. George" 197
  Arthur Gaskin: "Hans Andersen," 1893 199
  E. H. New: "Bridge Street, Evesham" 201
  Inigo Thomas: "The Formal Garden," 1892 204, 205
  Henry Payne: "A Book of Carols," 1893 209
  F. Mason: "Huon of Bordeaux," 1895 211
  Gertrude, M. Bradley: "The Cherry Festival," 213
  Mary Newill: Porlock 215
  Celia Levetus: A Bookplate 217
  C. S. Ricketts: "Hero and Leander," 1894 219
  C. S. Ricketts: "Daphnis and Chloe," 1893 223
  C. H. Shannon: "Daphnis and Chloe," 1893 224
  Aubrey Beardsley: "Morte d'Arthur," 1893 225, 226, 227
  Edmund J. Sullivan: "Sartor Resartus," 1898 228
  Patten Wilson: A Pen Drawing 229
  Laurence Housman: "The House of Joy," 1895 231
  L. Fairfax Muckley: "Frangilla" 233
  Charles Robinson: "A Child's Garden of Verse," 1895 235, 237, 239
  J. D. Batten: "The Arabian Nights," 1893 241, 242
  R. Anning Bell: "A Midsummer Night's Dream," 1895 243
  R. Anning Bell: "Beauty and the Beast," 1894 245
  R. Spence: A Pen Drawing 247
  A. Garth Jones: "A Tournament of Love," 1894 249
  William Strang: "Baron Munchausen," 1895 251, 253
  H. Granville Fell: "Cinderella," 1894


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