A Terrible thing in nature is the fall of a horse in his harness. It is a tragedy. Despite their skill in skating there was that about the pavement on the rainy evening which filled me with expectations of horses going headlong. Finally it happened just in front. There was a shout and a tangle in the darkness, and presently a prostrate cab horse came within my cylinder. The accident having been a complete success and altogether concluded, a voice from the side walk said, "Look out, now! Be more careful, can't you?"

I remember a constituent of a Congressman at Washington who had tried in vain to bore this Congressman with a wild project of some kind. The Congressman eluded him with skill, and his rage and despair ultimately culminated in the supreme grievance that he could not even get near enough to the Congressman to tell him to go to Hades.

This cabman should have felt the same desire to strangle this man who spoke from the sidewalk. He was plainly impotent; he was deprived of the power of looking out. There was nothing now for which to look out. The man on the sidewalk had dragged a corpse from a pond and said to it,

"Be more careful, can't you, or you'll drown?" My cabman pulled up and addressed a few words of reproach to the other. Three or four figures loomed into my cylinder, and as they appeared spoke to the author or the victim of the calamity in varied terms of displeasure. Each of these reproaches was couched in terms that defined the situation as impending. No blind man could have conceived that the precipitate phrase of the incident was absolutely closed.

"Look out now, cawn't you?" And there was nothing in his mind which approached these sentiments near enough to tell them to go to Hades.

However, it needed only an ear to know presently that these expressions were formulae. It was merely the obligatory dance which the Indians had to perform before they went to war. These men had come to help, but as a regular and traditional preliminary they had first to display to this cabman their idea of his ignominy.

The different thing in the affair was the silence of the victim. He retorted never a word. This, too, to me seemed to be an obedience to a recognized form. He was the visible criminal, if there was a criminal, and there was born of it a privilege for them.

They unfastened the proper straps and hauled back the cab. They fetched a mat from some obscure place of succor, and pushed it carefully under the prostrate thing. From this panting, quivering mass they suddenly and emphatically reconstructed a horse. As each man turned to go his way he delivered some superior caution to the cabman while the latter buckled his harness.