| The Origin of Outline | f002 |
| Silhouettes | f003 |
| Coast and Mountain Lines—Gulf of Nauplia | f004 |
| Proportions of Roman Capital Letters and of lower-case German text. From DÜrer's "Geometrica | f005a |
| The Progressive Method of Drawing in Line | f006a |
| The Calligraphic Method | f007a |
| The Tentative Method | f007b |
| The Oval and Rectangular Methods | f008 |
| Lines of Characterization in the Form and Feature of Flowers: Lily and Poppy | f009 |
| Silhouette of Beech Leaves and Line Rendering of the same | f010a |
| Lines of Movement | f010b |
| Effect of Wind upon Trees | f011 |
| Line Arrangement in ribbed Sea-sand | f012 |
| Lines of different Textures, Structures, and Services | f013 |
| Lines of Exaltation and Rejoicing in Unison. The Morning Stars, after William Blake | f014 |
| Lines of Grief and Dejection: Designs from Flaxman's Homer | f015 |
| Landscape | f016 |
| Scale of various Degrees of Linear Weight and Emphasis | f017 |
| Curvilinear Scale of Direction | f018 |
| Rectangular Scale of Direction | f018 |
| Picture Writing | f019 |
| Olive Branch, from Nature | f020 |
| Olive Branch, simplified in Decorative Treatment | f021 |
| Study of Horned Poppy | f022 |
| Adaptation of Horned Poppy in Design: Vertical Panel for Needlework | f023 |
| Question and Answer in Line | f024, f025 |
| Diagram showing the Use of a Geometric Basis in Designing a Repeating Pattern | f026 |
| Use of Controlling Boundaries in Designing Sprays | f027 |
| Method of Testing a Repeating Pattern | f028 |
| Sketch to show how a Pattern of Diverse Elements may be harmonized by Unity of Inclosing and Intermediary Lines | f029 |
| The Principle of Counterbalance in different Systems of Design | f030 |
| Border Units and Border Motive | f031 |
| Recurring Line and Form in Border Motives | f032 |
| Radiating Principle of Line in Natural Form | f033 |
| Radiating Lines of the Pectoral Muscles and Ribs | f034 |
| Vaulting of Chapter House, Westminster | f035 |
| Lines of Characterization of Feathers and Shells | f036 |
| Pen Drawing of Fruit | f037 |
| Effect of different Emphasis in Treatment of the same Designs | f038, f039 |
| Effect of different Emphasis in the Drawing of Landscape | f040 |
| Example of Page Treatment to show Ornamental Relation between Text and Pictures | f041a |
| Suggestion for a Carpet Pattern and Abstract Treatment of the same on Point Paper as detail of Brusse
href="@public@vhost@g@html@files@25290@25290-h@25290-h-6.htm.html#f134" class="pginternal">f134 |
| Ver Meer of Delft: Lady at a Spinet | f135 |
| Botticelli: The Nativity | f136 |
| Holbein: The Ambassadors | f137 |
| Botticelli: Madonna and Child | f138 |
| Crivelli: The Annunciation | f139 |
| Perugino: The Virgin in Adoration with St. Michael and St. Raphael, and Tobias | f140 |
| Titian: Bacchus and Ariadne | f141 |
| Madox Brown: Christ Washing St. Peter's Feet | f142 |
