Isang butil na palay sikip sa buony bahay, One rice-corn fills up all the house.—The light. The rice-corn with the husk is yellowish. Matapang akÓ so dalawÁ, duag akÓ sa isÁ, I am brave against two, coward against one.—The bamboo bridge. When the bridge is made of one bamboo only, it is difficult to pass over; but when it is made of two or more, it is very easy. DalÁ akÓ niya, dalÁ ko siya, He carries me, I carry him.—The shoes. Isang balong malalim puna ng patalÍm, A deep well filled with steel blades.—The mouth. Heading of the Filipino-Madrid review “La Solidaridad.” Heading of the Filipino-Madrid review “La Solidaridad.” From the Philippines came news of a contemptible attempt to reach Rizal through his family—one of many similar petty persecutions. His sister Lucia’s husband had died and the corpse was refused interment in consecrated ground, upon the pretext that the dead man, who had been exceptionally liberal to the church and was of unimpeachable character, had been negligent in his religious duties. Another individual with a notorious record of longer absence from confession died about the same time, and his funeral took place from the church without demur. The ugly feature about the refusal to bury Hervosa was that the telegram from the friar parish-priest to the Archbishop at Manila in asking instructions, was careful to mention that the deceased was a brother-in-law of Rizal. Doctor Rizal wrote a scorching article for La Solidaridad under the caption “An Outrage,” and Staff of “La Solidaridad.” JosÉ Rizal, Marcelo H. de Pilar, Mariano Ponce. Staff of “La Solidaridad.” JosÉ Rizal, Marcelo H. de Pilar, Mariano Ponce. That the union of Church and State can be as demoralizing to religion as it is disastrous to good government seems sufficiently established by Philippine incidents like this, in which politics was substituted for piety as the test of a good Catholic, making marriage impossible and denying decent burial to the families of those who differed politically with the ministers of the national religion. The following are part of a series of nineteen verses published in La Solidaridad over Rizal’s favorite pen name of Laong Laan: To my Muse(translation by Charles Derbyshire)
Rizal’s congenial situation in the British capital was disturbed by his discovering a growing interest in the youngest of the three girls whom he daily met. He felt that his career did not permit him to marry, nor was his youthful affection for his cousin in Manila an entirely Other regretful good-bys were said to a number of young Filipinos whom he had gathered around him and formed into a club for the study of the history of their country and the discussion of its politics. Rizal now went to Paris, where he was glad to be again with his friend Valentin Ventura, a wealthy Pampangan who had been trained for the law. His tastes and ideals were very much those of Rizal, and he had sound sense and a freedom from affectation which especially appealed to Rizal. There Rizal’s reprint of Morga’s rare history was made, at a greater cost but also in better form than his first novel. Copious notes gave references to other authorities and compared present with past conditions, and Doctor Blumentritt contributed a forceful introduction. When Rizal returned to London to correct the proofsheets, the old original book was in use and the copy could not be checked. This led to a number of errors, misspelled and changed words, and even omissions of sentences, which were afterwards discovered and carefully listed and filed away to be corrected in another edition. Possibly it has been made clear already that, while Rizal did not work for separation from Spain, he was no admirer of the Castilian character, nor of the Latin type, for that matter. He remarked on Blumentritt’s comparison of the Spanish rulers in the Philippines with the During his stay in Paris, Rizal was a frequent visitor at the home of the two Doctors Pardo de Tavera, sons of the exile of ’72 who had gone to France, the younger now a physician in South America, the elder a former Philippine Commissioner. The interest of the one in art, and of the other in philology, the ideas of progress through education shared by both, and many other common tastes and ideals, made the two young men fast friends of Rizal. Mrs. Tavera, the mother, was an interesting conversationalist, and Rizal profited by her reminiscences of Philippine official life, to the inner circle of which her husband’s position had given her the entrÉe. On Sundays Rizal fenced at Juan Luna’s house with his distinguished artist-countryman, or, while the latter was engaged with Ventura, watched their play. It was on one of these afternoons that the Tagalog story of “The Monkey and the Tortoise”1 was hastily sketched as a joke to fill the remaining pages of Mrs. Luna’s autograph album, in which she had been insisting Rizal must write before all its space was used up. A comparison of the Tagalog version with a Japanese counterpart was published by Rizal in English, in TrÜbner’s Magazine, suggesting that the two people may have had a common origin. This study received considerable attention from other ethnologists, and was among the topics at an ethnological conference. At times his antagonist was Miss Nellie Baustead, who had great skill with the foils. Her father, himself born Rizal fencing with Luna in Paris. Rizal fencing with Luna in Paris. The teaching instinct that led him to act as mentor to the Filipino students in Spain and made him the inspiration of a mutual improvement club of his young countrymen in London, suggested the foundation of a school in Paris. Later a Pampangan youth offered him $40,000 with which to found a Filipino college in Hongkong, where many young men from the Philippines had obtained an education better than their own land could afford but not entirely adapted to their needs. The scheme attracted Rizal, and a prospectus for such an institution which was later found among his papers not only proves how deeply he was interested, but reveals the fact that his ideas of education were essentially like those
Early in August of 1890 Rizal went to Madrid to seek redress for a wrong done his family by the notorious General Weyler, the “Butcher” of evil memory in Cuba, then Governor-General of the Philippines. Just as the mother’s loss of liberty, years before, was caused by revengeful feelings on the part of an official because for one day she was obliged to omit a customary gift of horse feed, so the father’s loss of land was caused by a revengeful official, and for quite as trivial a cause. Mr. Mercado was a great poultry fancier and especially prided himself upon his fine stock of turkeys. He had been accustomed to respond to the frequent requests of the estate agent for presents of birds. But at one time disease had so reduced the number of turkeys that all that remained were needed for breeding purposes and Mercado was obliged to refuse him. In a rage the agent insisted, and when that proved unavailing, threats followed. Rizal’s parents during the land troubles. Rizal’s parents during the land troubles. The justice of the peace of Kalamba, before whom the case first came, was threatened by the provincial governor for taking time to hear the testimony, and the case was turned over to the auxiliary justice, who promptly decided in the manner desired by the authorities. Mercado at once took an appeal, but the venal Weyler moved a force of artillery to Kalamba and quartered it upon the town as if rebellion openly existed there. Then the court representatives evicted the people from their homes and The Writ of eviction against Rizal’s father. (Facsimile.) The Writ of eviction against Rizal’s father. (Facsimile.) Weyler’s motives in this matter do not have to be surmised, for among the (formerly) secret records of the government there exists a letter which he wrote when he first denied the petition of the Kalamba residents. It is marked “confidential” and is addressed to the landlords, expressing the pleasure which this action gave him. Then the official adds that it cannot have escaped their notice that the times demand diplomacy in handling the situation but that, should occasion arise, he will act with energy. Just as Weyler had favored the landlords at first so he kept on and when he had a chance to do something for them he did it. Finally, when Weyler left the Islands an investigation was ordered into his administration, owing to rumors of extensive and systematic frauds on the government, but nothing more came of the case than that Retana, later Rizal’s biographer, wrote a book in the General’s defense, “extensively documented,” and also abusively anti-Filipino. It has been urged (not by Retana, however) that the Weyler rÉgime was unusually efficient, because he would allow no one but himself to make profits out of the public, and therefore, while his gains were greater than those of his predecessors, the Islands really received more attention from him. Owing to a schism a rival arose against the old Masonry and finally the original organization succumbed to the offshoot. Doctor Miguel Morayta, Professor of History in the Central University at Madrid, was the head of the new institution and it had grown to be very popular among students. Doctor Morayta was friendly to the Filipinos and a lodge of the same name as their paper was organized among them. For their outside work they had a society named the Hispano-Filipino Association, of which Morayta was president, with convenient clubrooms Just before Christmas of 1890, this Hispano-Filipino Association gave a largely attended banquet at which there were many prominent speakers. Rizal stayed away, not because of growing pessimism, as Retana suggests, but because one of the speakers was the same Becerra who had feared to act when the outrage against the body of Rizal’s brother-in-law had been reported to him. Now out of office, the ex-minister was again bold in words, but Rizal for one was not again to be deceived by them. The propaganda carried on by his countrymen in the Peninsula did not seem to Rizal effective, and he found his suggestions were not well received by those at its head. The story of Rizal’s separation from La Solidaridad, however, is really not material, but the following quotation from a letter written to Carlos Oliver, speaking of the opposition of the Madrid committee of Filipinos to himself, is interesting as showing Rizal’s attitude of mind: “I regret exceedingly that they war against me, attempting to discredit me in the Philippines, but I shall be content provided only that my successor keeps on with the work. I ask only of those who say that I created discord among the Filipinos: Was there any effective union before I entered political life? Was there any chief whose authority I wanted to oppose? It is a pity that in our slavery we should have rivalries over leadership.” And in Rizal’s letter from Hongkong, May 24, 1892, to Zulueta, commenting on an article by Leyte in La Solidaridad, he says: “Again I repeat, I do not understand the reason of the attack, since now I have dedicated myself to preparing for our countrymen a safe refuge in case of persecution Room in which “El Filibusterismo” was begun. Room in which “El Filibusterismo” was begun. (Pencil sketch by Rizal.) Early in ’91 Rizal went to Paris, visiting Mr. Baustead’s villa in Biarritz en route, and he was again a guest of his hospitable friend when, after the winter season was over, the family returned to their home in Brussels. During most of the year Rizal’s residence was in Ghent, where he had gathered around him a number of Filipinos. Doctor Blumentritt suggested that he should devote himself to the study of Malay-Polynesian languages, and as it appeared that thus he could earn a living in Holland he thought to make his permanent home there. But his parents were old and reluctant to leave their native land to pass their last years in a strange country, and that plan failed. Facsimile of the first page of the MS. of “El Filibusterismo.” Facsimile of the first page of the MS. of “El Filibusterismo.” (Property of Mr. Valentin Ventura, of Barcelona.) He now occupied himself in finishing the sequel to “Noli Me Tangere,” the novel “El Filibusterismo,” which he had begun in October of 1887 while on his visit to the Philippines. The bolder painting of the evil effects Cover of the MS. of “El Filibusterismo.” Cover of the MS. of “El Filibusterismo.” Rizal had now done all that he could for his country; he had shown them by Morga what they were when Spain found them; through “Noli Me Tangere” he had painted their condition after three hundred years of Spanish influence; and in “El Filibusterismo” he had pictured what their future must be if better counsels did not prevail in the colony. These works were for the instruction of his countrymen, the fulfilment of the task he set for himself when he first read Doctor Jagor’s criticism fifteen years before; time only was now needed for them to accomplish their work and for education to bring forth its fruits. |