Etain the Beloved, and Other Poems |
ETAIN THE BELOVED AND OTHER POEMS BY THE SAME AUTHOR The Quest The Bell-Branch The Awakening The Wisdom of the West Ben Madighan (out of Print) Sung by Six " The Legend of the Blemished King (out of Print) The Voice of One " | JAMES H. COUSINS From a pencil sketch by Florence Gillespie
ETAIN THE BELOVED AND OTHER POEMS BY JAMES H. COUSINS MAUNSEL & COMPANY, LIMITED, 96 MIDDLE ABBEY STREET, DUBLIN 1912
CONTENTS ETAIN THE BELOVED | 1 | POEMS AND LYRICS | | DEATH AND LIFE | 49 | A SCHOOLBOY PLAYS CUCHULAIN | 54 | HOW THE MOUNTAINS CAME TO BE | 56 | LOVE IN ABSENCE | 58 | TREES IN WINTER | 60 | A SPRING CAPRICE | 62 | A SPRING RONDEL | 63 | THE FAIRY RING | 64 | LABORARE EST ORARE | 65 | PARAPHRASES AND INTERPRETATIONS | | DAEDALUS AND ICARUS | 69 | A PARAPHRASE | 71 | HOSPITALITY | 72 | THE STUDENT | 73 | AT A HOLY WELL | 74 | THE PRIEST'S LAKE | 75 | SONNETS | | A PAPER-SELLER | 79 | TO ONE IN PRISON | 80 | A HOME-COMING | 81 | LOVE, THE DESTROYER | 82 | ENVOY | | THE LOVING CUP | 84 | NOTES | 87 |
ETAIN THE BELOVED
TO PENROSE MORRIS
ETAIN THE BELOVED I | Strong in the strength that finds in gentleness A way to peace, King Eochaidh on the throne Of Erin sits. Around his footstool press Clansmen and chiefs. Some wind of thought has blown Their eyes to flame. Some purpose, in the stress Of travailing tongues, to birth finds not a way: What all would utter, none has wit to say. Into their midst one came, an agÉd bard Upon whose flowing hair Wisdom had laid Her gift of silver. On those faces, scarred From old forgotten fights, he looked, and weighed The meaning in their eyes, though sorely marred; And from the tangled fibre of their thought Into the web of speech their purpose wrought. "Thy word, O King, has passed by hill and dale Throughout all Erin, bidding to the Feast Of Tara all thy people, with the tale Of tribute due from greatest and from least. Nor should this word than others less prevail, But that the herald-spear thy will hath sent, Against the shield of custom has been bent. "Thou knowest, O King, that from most ancient years No chieftain wifeless rules for thee the land, Nor mateless at a festival appears; But fixed in all experience doth stand: And thus, made master of all human fears, Fears not, but strongly round the camp-fires goes, Full sharer of thy people's joys and woes. "Equal in yoke and honour, as the day And night, that are but breathings of the soul, They on life's crooked journey take their way Diverse in gift, in essence one and whole. This is the custom, King! Yet custom may, If but of man, be as a smith who twists An iron chain to bind upon his wrists. "But custom may, if fashioned to the Law That made the world, be as the straitened string From which the Master of the Feast may draw Majestic speech, a living, wondrous thing To rid the brow of pale contention's flaw, And passing like the honey-cup along, Gather their wandering lips to one great song. "And such the custom that thy people plead: For when of old the deathless Lord of Life Dagda came forth, and knew the immortal need That burned within his heart, he took to wife Dana the Mother of all human seed. In her his breath found music and a name. In her his fire has blossomed into flame. "Throughout the world that fire and music run One sings within the maiden's wondering heart: One stirs the veins of manhood, as the sun Sets the spring's fingers thrilling with the smart Of keen, ecstatic life that's but begun. In every seed that breaks and wind that blows, Each in the other seeks and finds repose. "Wherefore, O King, since thou art yet unwed, And thus in kingship standest incomplete, Unfurnished in thy heart, from whence are fed The streams of power and wisdom, it is not meet That unto thee thy people bow the head, And here thy sovereignty with tribute own Till thou hast set a Queen upon thy throne." He ceased, and all the faces of the crowd Shone with the light that kindles when the boon Of speech has eased the heart; as when a cloud Falls from the labouring shoulder of the moon, And all the world stands smiling silver-browed. King Eochaidh for a moment bent his head In thought; then smiling he arose and said: "I am not careless of the ancient need That moves your minds. Within my own it moves Like a long-hidden, unforgotten seed The spring has touched uneasily: like hooves Long captive, when the trumpet has decreed A royal pilgrimage, and in the liss They dance to taste the highway's ringing bliss. "So have I watched for that sure sign that fills The horn of fate, that bending this our realm Unto the Will that works behind our wills, It may remain; as when storms overwhelm, And leafy spray whirls over the roaring hills, The swaying pine bends as the storm wars by, And lives to shake proud arms against the sky. "But now the horn is full, the hour is here. Our wills as one move onward to their end. Here now I lift on high the royal spear, And thus through Erin proclamation send: 'Search for the promised maiden far and near Whom the high Gods have destined at my side To reign.' Go forth. The King awaits his bride. "She shall be found in some most quiet place Where Beauty sits all day beside her knee And looks with happy envy on her face; Where Virtue blushes, her own guilt to see, And Grace learns new, sweet meanings from her grace; Where all that ever was or will be wise Pales at the burning wisdom of her eyes. "When you at last, far off like worshippers Within some holy circle, bow your heads, You shall await till on that face of her's A smile like spring's first morning slowly spreads; And when her lip with wondrous music stirs, Bear hither like the wind her deathless name, That I may light my heart at its white flame." Scarce had he ceased when from the royal tent Broke the full tide of their loud ecstacy, And through the woods like summer thunder went, Full of great rumour of mighty things to be That died far off like twilight breezes spent. Then sang the bard in hidden wisdom skilled: "Thus is the purpose of the Gods fulfilled. "Lift now the hands that may not bless A wifeless feast, a queenless throne, A court or council womanless, Or life one-limbed and sideways grown, That holds the hands that may not bless. "The starry Virgin of the east Steps up the sky to lead the sign Where most has kissed and mixed with least, And one-in-twain life's torches shine Behind the Virgin of the east. "Then lift the hands that gladly bless Full life, to life's great fulness grown, A power to stand through shock and stress, And rear an everlasting throne Held high on hands that gladly bless." Then on a night when on his hearth the gleam Of crackling faggots flung a wavering glow Along his red-yew roof from beam to beam Like glancing eyes, King Eochaidh to and fro Turned on his couch, dreaming a happy dream Of snapping stems, and crisp leaves crushed by feet With high desire made musical and fleet. Out of the fire a swift and slender shaft Of yellow flame pierced through the King's dropped lids, And woke a murmur of bees whose eager craft Rifled the treasures of blossomy pyramids; Whereat the King, raising his hand, low laughed, Then passed like some worn swimmer on the sweep Of strong waves toward the unfathomed gulf of sleep. At length in that white hour when dewy wings Stir with new day's delight, there came a sound As though a passion of voices and smitten strings Mingled and swelled and flew along the ground, Till at the utmost of its triumphings, Through the King's sleep and on his door the dawn Broke, and a mighty shout: "Etain! Etain!" | | II | Thereafter, on a morning rich with spring, When round his feet new-opened flowers looked up Wide-eyed and wet at some most wondrous thing, And crystal draughts from many an odorous cup Were spilled by winds in playful rioting, King Eochaidh stood beside a quiet shore, Dumb with a joy he never knew before. From league to league alone his path had lain On windy hills, through forests dark, or deep In dank, sonorous glens. Through every vein A burning joy had drunk the mists of sleep, And sung "Etain, Etain," till the refrain Irked, and he slept, and when he sprang awake Saw that which made his heart with rapture shake. There by the sea, Etain his destined bride Sat unabashed, unwitting of the sight Of him who gazed upon her gleaming side, Fair as the snowfall of a single night; Her arms like foam upon the flowing tide; Her curd-white limbs in all their beauty bare, Straight as the rule of Dagda's carpenter. Her cheeks were like the foxglove when it glows At noon: her eyes blue as the hyacinth. Like moonlight struck to marble, nobly rose Her neck upon her shoulder's polished plinth; And like the light that swiftly comes and goes Through breaking waves, among her hair her hands Broke into wavy gold its plaited strands. Then came her maidens, bright and blossoming With beauty, and before her beauty bowed, And stood around her in a laughing ring To robe her starry splendour like a cloud. And as her hair they twined, the hidden king Scarce knew if on her lips, that knew no wrong, Or in his own hushed heart he heard this song. The king comes riding from the north, From battles won, with marching men. Ah, whose white eager arms go forth To bid him welcome home again When he comes riding from the north? The king comes riding from the south, And halts beside the royal liss. Ah, whose the happy smiling mouth That gives and takes a long warm kiss When he comes riding from the south? The king comes riding from the east. O night how dark! O way how long! Ah, whose dear eyes shall light the feast? Ah, who shall lift his heart with song When he comes riding from the east? The king comes riding from the west, And smiles unto himself, and sighs. Ah, whose the white and easeful breast Where he shall close his kingly eyes When he comes riding from the west? Small wonder now that Eochaidh's leaping heart Strained like a hound in leash: yet through his bliss There passed a thin cold blade with sudden smart Of doubt that he but dreamed, of dread that this Was but a vision that would soon depart: But when the song had ceased, there stood the maid Flushed with keen joy, and like a queen arrayed. A mantle of bright purple, waving, wound Her form, and from her shoulders white as milk Fell in reluctant folds and touched the ground. Upon her breast the flash of emerald silk— As though the glory of earth had wrapped her round— Mixed with the glow of red embroidered gold That seemed with light her body to enfold. A sudden breeze came singing from the sea And broke with sunlight through the leafy shade. Then came King Eochaidh forth, and on his knee Bent low before the silent, trembling maid. "The king," he said, "has come, and kneels to thee, Foredoomed to share the burden of his throne, And glorify its glory with thine own." Then through her frame a gentle tremor went And lit her face with exquisite swift fire That woke forgotten dreams, whose shaken scent Sweetened the quiet winds of her desire With some divine, unuttered ravishment, Some earnest of great doom that filled her heart With sorrow, joy's majestic counterpart. Upon his head she gently laid her hand, And said, "Arise! To thee my heart has bowed When minstrel after minstrel, tired and tanned, Has supped beside our hearth, and sung the proud High song that bears thy greatness through the land. For thee from life's clear dawn my love remained Fixed, and at length to thee I have attained." | | III | Across the woods of Meath the bird of day Fell from the boughs of noon with bleeding wing, While dark-browed Balor strode the eastern way, And scattered darkness from his cloudy sling, Till at his feet the hosts of Erin lay Smitten with sleep; then round their dreams he cast The chains wherewith he binds his prisoners fast. From dawn till dark, in many a hero-game Glad eyes had flashed, or bent in pride august To hear the chant of some undying name Whose deeds were strong as wine. Anon the dust Of festive feet stormed in a wild acclaim Around the royal place where, side by side, Sat Eochaidh and Etain his new-made bride. Now ancient Sleep, with Silence for his queen, Reigns o'er those palaces of stately fir That drowse in curtained moonlight's misty sheen. Within, the arras hardly seems to stir Its languorous folds of purple, blue and green, Whose colours part or mix, as rise and fall The pine fire's odorous gleams on roof and wall. No sound, no life, save where with soft salute The wide-eyed sentinels a moment wait And listen sidelong to the passing bruit Of ghostly winds, that murmur at their state And pass, with peevish cry and soundless foot, Where the dead fly upon the waveless moat Makes of the dead dropped leaf a funeral boat. Yet in the midst of silence so profound, One stirred his rushy couch as though in pain, For through his dreams a torrent of swift sound Stumbled in foam about his echoing brain, And all his thought in loud confusion drowned And bore him toward a dim and perilous steep That flung its shadow on a writhing deep. Then like the sun obscured by valley smoke, With some vague trouble glooming in his eye, Ailill the brother of the king awoke And scanned the portents of the morning sky, Till on his mind a mellowing radiance broke, And in his heart there dawned a wondrous face That lit his world with Love's exalted grace. Often in dreams a shadow by his side Had sung of one who came in some great hour With Love—and woe. Now came his brother's bride; And when he bent before her in her bower, Within his heart the shadow rose and cried, And passed away, while all his being shook, Stricken with joy and sorrow in a look. Among the clamours of the festal time His love for ease he hid, again pursued, Finding a solace in the chanted rhyme Of agÉd bards, or youths in merry mood Where angry words were counted as a crime; And fireside friendship staunched his hungry sighs When she no more was banquet for his eyes. But when the marriage festival was past, And restless day gave place to torturing night, His captive passion burst its chains, and cast Its ardours from his brain in living light; Then like the thin voice of a spell-raised blast, A dissonant note from hidden harp-strings drawn Troubled the dreams of Eochaidh and Etain. By day the dream had faded to a mist In some far-folded valley of the mind; But when, heart-charmed in evening's amethyst, The labouring world grew wonderfully kind, And upturned lips by brooding love were kissed; Like silent rain in summer twilight spilled, A wandering thought King Eochaidh touched and chilled. Meanwhile with steps that would and would not shun Bliss craved and spurned; with tongue that might not speak The pain that some strange sweetness now had won, Ailill moved to and fro; and soon his cheek Paled like the austere Servants of the Sun; And day by day his passion's famished flame Nourished itself upon his wasting frame. In vain the king's diviners daily strove To find the spring of Ailill's gathering ill; In vain Etain by stream and murmuring grove Sought for the shadowy hand that held his will; And when dark Balor cracked his whip, and drove His winter herd across the bounds of day, Ailill upon his couch in weakness lay. So when a year had passed, and through the land The king went forth on royal pilgrimage, Unto Etain he gave his last command That she, his brother's sickness to assuage, Withhold no gift, but give with regal hand; And should chill death blow out his flickering blaze, His funeral-stone with honour she should raise. | | IV | From day to day Etain with eager thought Outran sick Ailill's fleetest-footed needs; From sun and wind a subtle medicine caught, And charmed swift healing from the fresh-strewn reeds Upon his floor, which her own hands had brought From ferny hollows, where cool waters laughed That Ailill from her cup with gladness quaffed. Yet with each dawn that came with growing power There grew a cloudy thought in Ailill's mind That gloomed the joy of health's returning hour, And put a sigh in evening's gentle wind, And touched with ill-timed frost life's opening flower, And turned to poverty the proffered wealth In hands that wrought his sickness and his health. And she, in service, found a hidden way To strange new meanings in the eyes of life; And reached a joy beyond the shrill affray Of horns and harps loud with the songs of strife Or little triumphs of a passing day; And grasped, in giving, life's most perfect gift— Love that is raised by that which it doth lift. So moved the twain through sunshine barred with gloom, Finding in each twin solace and despair: He, like a frail and gently tended bloom, Grudged each day's health that took him past her care; And she, o'ershadowed by approaching doom, Watching his need of her grow less and less, Sickened with grief her lips dare not express. Tossed thus on hidden billows of the soul, And swept by winds that warred against the will, They drained the little draught in life's poor bowl, And all unwitting wrought each other ill; Until at last, stung past the heart's control, Marking Etain's white brow and pensive eye, Thus Ailill broke the silence with a cry. "O bitter joy! O sorrow passing sweet! O blossoming life that leads to love's pale death! O gain that speeds to loss on laggard feet! O living voice that kills the word it saith! O cooling touch that kindles quenchless heat! How shall I all my heart's dear burden speak, Or how keep silence at thy paling cheek? "I love thee, Queen Etain, but in such wise As never man loved woman heretofore: Not with the love that lives upon her eyes, And counts her breast the summit and the shore Of all desire, and with tempestuous sighs Flings to the winds the spoils of reason's thrift In barter for her body's utmost gift. "My love, O queen, is that serener kind Whose word outruns the lumbering wain of speech, And springs in light from mind to answering mind; And takes its bliss beyond the body's reach, Thought mixed with thought, as sunlight with sweet wind; And crowds the ways, where human sorrow pleads, With generations of exalted deeds. "Ah, then take back the life that thou hast spent In vain, since thou dost slay and heal my heart; And let quick death beat down my failing tent, And its lone habitant be blown apart Through the wide wastes of night's black firmament, Where move the Powers in whose dread hands may be The source and end of dreams and destiny. "There past the chain of hours my faithful ghost May through thy dreams move silently and dim; And needing then the least, may serve thee most; Or crying seaward from life's misty rim, Call forth thy heart beyond its mortal coast: Happy if in thy spirit's wakening sigh My name one murmured moment live and die." Thus Ailill spoke; and like a summer shower His eager words, tingling on heart and brain, Stirred many a leaf to life, and many a flower; And sank beneath her spirit's thirsty plain, Till hidden springs, touched with a strange new power, Welled in her eyes with flash of sudden streams From hills that crowned some far-off world of dreams. Clear-visioned in her meditative eye Rolled the great world, and lo! a silent moth Shredded its mighty frame, till down the sky It fluttered like a poor discarded cloth From some dead face flung out by hands that die; And thinned like vapours round the lips of day, And like a breath passed utterly away. And as it passed she knew that nevermore Life would be life again; yet in her mind Lurked the dim fear of one who leaves the shore, And on the sightless hazard of the wind Moves into doubt and darkness. O'er and o'er She turned her thought, till softly on her ear There broke a song a bard was chanting near. Because the strong are fallen low, Who deems that Strength himself is slain? Through depth and height his arm shall go, And he shall rear his house again, Although the strong are fallen low. Because the living all are dead, Who deems that Life has found a grave? Among the stars she lifts her head, She dances lightly on the wave, Although the living all are dead. Because the beautiful has passed, Was Beauty but a passing word? Behold, the dust through chaos cast With lovelier loveliness is stirred, Although the beautiful has passed. And if earth's lovers love amiss, Who deems that Love has perished quite? Lo, cloudy lips the mountains kiss, And day is bosomed on the night, Although earth's lovers love amiss. Swiftly and silently her thought's faint wing Sought between wind and wind a certain way; For one was keen with glad awakening In perfumed morn of some ecstatic day; And one was loud with song, and quivering string, And all life's pageantry and noisy breath Wherewith men strive to drown the voice of death. Then said Etain: "King Eochaidh in his might Drew me to bonds of happiness; but thou Art as a voice that calls across the night To where some dawn blows freshly on the brow, And love with love moves freely as the light, Mingling in happy dreams their shadowy wings Beyond these perishing substantial things. "Ah, me, the pain in joy, the joy in grief! Who tells the end when once has moved the foot? Thy hand is on my life's new-opened leaf: Who knows the hand may pluck its ripened fruit? To thee—and past, the journey may be brief. Yet I the king's behest shall all fulfil— 'Nothing withhold to heal my brother's ill.' "So in the gaze of dawn and wondering flowers We shall keep tryst by stream and whispering tree; Perchance to win from life's controlling powers The healing of thy heart's infirmity; Perchance—" "Oh! speed the hazard of those hours," He cried, "that blind the flame of low desire In the white light of Love's transmuting fire." | | V | Hard by the swift-winged star, the moth-like moon Sheds golden dust on waves of day that ebb Into the deep beyond life's wan lagoon. The spider Night now spins his monstrous web, And spots the dark with many a pale cocoon Hung in his vaporous cave, whose phantoms creep In visions round the heavy brain of sleep. Yet one, among the sleepers, never turns To ease his shoulder of the weight of night; But with the shield of sweet oblivion spurns Those wandering shafts that tease with sound and sight; Till in a quiet, deep as kingly urns In buried places, Ailill deadly lies, Blind to the spreading signal of the skies. Now the thick dark, that pressed Etain's calm face Like softest wool, thins out, and moves, and lifts; And like a memory's vague recovered trace The silent world, looming through cloudy rifts, Floats greyly on the grey abyss of space, Then slowly forms, and stands at last in light Built on the crumbled ruins of the night. Soon on a cloud o'erhung with heliotrope Day's harp is lifted, wire on golden wire; And now great Dagda's burning fingers grope From string to string, then reaching high and higher Unto the utterance of some eager hope, Break through the vibrant silences, and spring Into one living voice of leaf and wing. Somewhere the snipe now taps his tiny drum; The moth goes fluttering upward from the heath; And where no lightest foot unmarked may come, The rabbit, tiptoe, plies his shiny teeth On luscious herbage; and with strident hum The yellow bees, blustering from flower to flower, Scatter from dew-filled cups a sparkling shower. The meadowsweet shakes out its feathery mass; And rumorous winds, that stir the silent eaves, Bearing abroad faint perfumes as they pass, Thrill with some wondrous tale the fluttering leaves, And whisper secretly along the grass Where gossamers, for day's triumphal march, Hang out from blade to blade their diamond arch. Forth came Etain, and with a little cry Scattered the councils of the feathery brood; And faced unblenched the red sun's winkless eye That hawk-like hung above the quivering wood; And passed with stately step and head on high Toward a secluded place—where one doth wait Silent and imperturbable as fate. Sweetly the wizard palms of morning sleek Her brow with spells; and when a butterfly Brushes with soft familiar wing her cheek, Through the deep woods she hears a ghostly sigh, As if a hidden god were fain to speak An ancient ageless love that, fold by fold, Wraps her with joy in throbbing arms of old. Now is her sandalled foot upon the edge Of a loud-leaping stream, that flings its damp To cool the sorrel shaking on its ledge Under the squirrel's pine, and in a swamp Goes dumb among the heron-haunted sedge, Where the swift kingfisher, a moment seen, Flashes and fades, a flame of sudden green. At length she stands within the appointed place, Where leafy boughs in odorous dusk are blent. But wherefore now across her trancÉd face Pass the quick fingers of bewilderment, And doubt on doubt like shadows shadows chase? Faintly she speaks, "Ailill I came to see. Who art thou—for thou art yet art not he?" From her soft eye no loosened glances tell Desire or dread, to him whose cloudless gaze Knows from what heights of old her footsteps fell Out of clear light, into this web of days And nights and mystery inscrutable, And marks how in the calm of inner power She moves unmoved to meet her destined hour. "Etain," he whispered, and again, "Etain." Such utter love went throbbing through her name That nigh beyond her doubt her foot had gone; Yet stood she wavering like a lonely flame Outburning night, that feels the shake of dawn; Then said, "Thy name, that doubt aside he cast?" "Mider," he answered, "come for thee at last." "Mider?" she echoed, "Mider?" and the sound Smote upon hidden doors, and roused from sleep Faint eyes that dreamed, vague hands that groped around The thought behind her thought, and from the deep Beneath her thought climbed upward, to the bound Whose shadowy marge like midnight gloom is cast Between the passing moment and the past. Then Mider said, "For no poor worm's desire, Nor aught of earth, thou comest, O beloved! But for another's good thy thoughts conspire; And far from self thy feet have hither moved To the high purpose of the sacred fire That burns thine upward path through joy and pain, Through birth, through life, through death, to me again." Then asked she all bewildered: "Who art thou Whose eyes have read my soul?" And answered he, "Thine am I by the immemorial vow That made thee mine, beloved! eternally, When for a bride-price, on thy peerless brow I set a diadem beyond the worth Of all the crowns of all the queens of earth." Swiftly her thought divining, "Where, and when, And wherefore parted, thou, beloved! shalt know. That land which gleams in the rapt poet's ken, Set in a sea that has no ebb or flow, Beyond the spear-cast of the dreams of men, Is mine, and from all changings far withdrawn There spreads the realm of Mider—and Etain. "And there we loved, till that Almighty Power Who set the heavens wheeling with a nod, Blew thee, a butterfly, from flower to flower, Until beyond our realm, a splendid God Knew thee and cherished in a blossomy bower, And nightly thy fair form in purple laid, And at thy side his couch of slumber made. "But thee again the breath of tempest found, And swept thee forth, and whirled from field to field, And dashed thee where a roar of festal sound Shook brazenly doffed helm and resting shield, And flung thee in a cup that passed around To one who drank it deep in bridal mirth— And thou wert born a daughter of the earth. "From year to year life's pleasures round thee played, And fell behind the question of thine eyes That searched the mysteries of leafy shade, And the blue heron sailing in the skies Cutting the silence with the rusty blade His voice, and sought to spy the subtile might That killed your gathered iris in a night. "Ah, soon I saw sweet longing on thy face, And love's compelling poppy on thy mou
SONNETS
A PAPER-SELLER Clearly, and iterant as a swinging bell, I heard across the surges of the Strand A woman's voice, and saw a woman's hand With "Votes for Women." A sudden vision fell Across my path, and made my pulses swell With agony of joy: I seemed to stand At some far hill, from whence was faintly fanned A whisper, "He descended into Hell." Sister! with foot in gutter, foot on kerb, Tasting humiliations's bitter herb In thy great calm of self laid wholly down! Thine are the thorns of Christly souls who bend To lift the world; and thou too shalt ascend To thine own Heaven and everlasting crown! Strand, London. |
TO ONE IN PRISON Dear! on Love's altar thou hast laid thee down, Priestess and Victim of such Sacrifice As might melt praise from very hearts of ice, But wins the scoff of sycophant and clown. Yet in that band, whose glory is the frown Of sceptred tyranny and stained device, Thou hast a place; and thee it shall suffice To tread with them the path to high renown. And I—even I, unworthy though I be— For these my wounds of utter loneliness, Tired head and sleepless eyes, some part would claim In the deep rubric of thy mystery; So may I, in proud years that rise to bless, Stand in the shadow of thine honoured name. Nov. 23—Dec. 23, 1910. |
A HOME-COMING What flags are these?... what trumpets?... Oh! what drums? What pride august?... what solemn minstrelsy? Hush! drums, ecstatic drums: say who is she That in the midst majestically comes. Is she some queen whose haughty eye benumbs Proud potentates; whose word can lift the sea Of shattering war, and fling red misery Across the world?... Speak, drums! Oh! aching drums! Hush! hush! wild drums, drums in my happy heart! Not thus she comes, my life's exalted queen, But in sweet silence far outlauding praise. Her's not the flaming sword that puts apart, But Right's resistless blade, whose stroke unseen Wounds but to heal, and crown with Freedom's bays! |
LOVE, THE DESTROYER Come from behind those eyes, that I may see Thyself, beloved! not lip, or hand, or brain. These are not thou. These are the servile train That crowd me from thine inmost mystery. Show me thy naked soul!... or it may be That, lacking this, I shall, in Love's mad strain, Shatter the form, and sift it grain by grain To find thine utter Self—thee—very Thee!... Ah! Love, forgive!... Be this my penitence That in my passion I have glimpsed the goal Of all calamity, and surely scanned In flood and flame, earthquake and pestilence, Love raging forth, to find Love's inmost soul, With bridal gifts in Ruin's awful hand! |
ENVOY
THE LOVING CUP I | I raise to you, O Queen, this Loving Cup, this Mether, Filled with Mead Made from honey of the heather, Brought by many a humming wing, And with water from the spring; Mixed by cunning hands together In a foamy ferment Thou would lead Sullen tongues to song, If along Harpstrings now a rousing air went. | | II | But in this our souls' espousal Axe nor skeen Throb and bleed For the spear-clash of carousal, Spoils of slaughter Ravening: No, for peace has mixed our mether, With its Mead, O my Queen, Made from honey of the heather, And with water From the spring. | | III | Ah! but what avail Song and ale, If beneath our quaffing Moves not something deeper than our laughing? | | IV | So to you, O Queen, Here with hands unseen I raise my Heart's deep Mether, Where together, Sweetness brought on Fancy's wing From the flowers Of happy hours, And a draught from Thought's cool spring, Blend in song's melodious ferment, With an undertone Caught in deeper hours alone, When along Life's solemn harp the Spirit's air went. |
NOTES Etain the Beloved:—This poem is founded on an ancient Irish myth. It is not a translation from the Gaelic; but rather is an attempt at transfiguration, by seeking to "unfold into light" the spiritual vision that was the inspiration, and is the secret of the persistence and resilience, of the Celt. Such modifications as I have made in the story have neither archÆological nor philological significance: they arise entirely from whatever measure of insight into artistic necessity, on the side of pure literature, has been granted to me; and also from obedience to a view of the universe which is embodied in the ancient Irish mythology, and whose operations the personages of the story body forth as Psyche bodied forth the soul of humanity to the Greek. The names of the personages may be pronounced thus: Etain—Etawn', Eochaidh—Yo'hee, Ailill—Al'yil, Mider—Mid'yir. Dagda is the Irish God of Day, Balor the Irish God of Night. A dun is a fortified dwelling, a liss is a place for domestic animals. Death and Life:—On Friday, August 13, 1909, the author went by currach from Dunquin to the Great Blasket Island, Kerry, to visit Miss Eveleen Nicolls, M.A., who was spending a holiday on the island. Instead of joining her, as was intended, in music and conversation amongst the islanders, he had to participate in an endeavour, alas! unsuccessful, to restore her to life. She had been bathing with a fisher-girl. The latter got into difficulties in the strong Atlantic current, and an effort by Miss Nicolls to save the girl ended in the heroic sacrifice of her own life. A Schoolboy plays Cuchulain:—Cuchulain, the supreme hero of Celtic romance, who, single-handed, defended his province against the army of Queen Maeve. Maeve had chosen for a foray the time when the Ulster chiefs lay in weakness under a curse by the warrior Goddess, Macha. Hospitality: The Student:—Put into verse from the literal translations of Kuno Meyer in "Ancient Irish Poetry." To One in Prison: A Home-coming:—Occasioned by the imprisonment of the author's wife for taking part in the active movement for the political enfranchisement of women. BOOKS BY JAMES H. COUSINS THE QUEST. Cr. 8vo. Cloth, 2s. 6d. net; paper-cover, 1s. net. "Rarely is it the fortune of the reviewer to meet with verse of such distinction."—New Ireland Review. "An imagination filled with haunting and refreshing images."—Black and White. "His extraordinary imaginative powers, his skill in painting word-pictures, and the glamour which he throws over all, are marvellous."—Irish Independent. THE AWAKENING. Royal 16mo. Cloth, gilt, 1s. net; paper, 6d. net. With decorative borders and cover designed by T. Scott. "Unique mastery of the sonnet."—Irish News. "Ripe thought fitly expressed. A new pleasure on each page."—Glasgow Herald. THE BELL-BRANCH. Foolscap 8vo. Boards, Irish linen back, 1s. net. "Artistically Mr. Cousins can only be put below the two leaders of his movement; he has the calm intensity, the subtle strangeness of simplicity, which seem to be as easy as breathing to an Irish poet."—The Nation. "Mr. Cousins has gradually perfected a method of self-expression, and his verse, exquisitely fashioned, delights with its individual note."—Northern Whig. "Many an English poet would willingly sacrifice a page or two of his consummate verse if he might but catch the charm of such a lullaby as this."—The Times. MAUNSEL AND COMPANY, LIMITED, 96 MIDDLE ABBEY STREET, DUBLIN. TRANSCRIBER'S NOTES: Obvious typographical errors have been corrected. | |
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