Etain the Beloved, and Other Poems

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ETAIN THE BELOVED
AND OTHER POEMS


BY THE SAME AUTHOR

The Quest
The Bell-Branch
The Awakening
The Wisdom of the West
Ben Madighan (out of Print)
Sung by Six               "
The Legend of the Blemished King (out of Print)
The Voice of One                                       "


JAMES H. COUSINS
From a pencil sketch by Florence Gillespie


ETAIN THE BELOVED
AND OTHER POEMS

BY JAMES H. COUSINS

MAUNSEL & COMPANY, LIMITED,
96 MIDDLE ABBEY STREET, DUBLIN
1912


CONTENTS

ETAIN THE BELOVED 1
POEMS AND LYRICS  
DEATH AND LIFE 49
A SCHOOLBOY PLAYS CUCHULAIN 54
HOW THE MOUNTAINS CAME TO BE 56
LOVE IN ABSENCE 58
TREES IN WINTER 60
A SPRING CAPRICE 62
A SPRING RONDEL 63
THE FAIRY RING 64
LABORARE EST ORARE 65
PARAPHRASES AND INTERPRETATIONS            
DAEDALUS AND ICARUS 69
A PARAPHRASE 71
HOSPITALITY 72
THE STUDENT 73
AT A HOLY WELL 74
THE PRIEST'S LAKE 75
SONNETS  
A PAPER-SELLER 79
TO ONE IN PRISON 80
A HOME-COMING 81
LOVE, THE DESTROYER 82
ENVOY  
THE LOVING CUP 84
NOTES 87

ETAIN THE BELOVED


TO PENROSE MORRIS


ETAIN THE BELOVED

I
Strong in the strength that finds in gentleness
A way to peace, King Eochaidh on the throne
Of Erin sits. Around his footstool press
Clansmen and chiefs. Some wind of thought has blown
Their eyes to flame. Some purpose, in the stress
Of travailing tongues, to birth finds not a way:
What all would utter, none has wit to say.

Into their midst one came, an agÉd bard
Upon whose flowing hair Wisdom had laid
Her gift of silver. On those faces, scarred
From old forgotten fights, he looked, and weighed
The meaning in their eyes, though sorely marred;
And from the tangled fibre of their thought
Into the web of speech their purpose wrought.

"Thy word, O King, has passed by hill and dale
Throughout all Erin, bidding to the Feast
Of Tara all thy people, with the tale
Of tribute due from greatest and from least.
Nor should this word than others less prevail,
But that the herald-spear thy will hath sent,
Against the shield of custom has been bent.

"Thou knowest, O King, that from most ancient years
No chieftain wifeless rules for thee the land,
Nor mateless at a festival appears;
But fixed in all experience doth stand:
And thus, made master of all human fears,
Fears not, but strongly round the camp-fires goes,
Full sharer of thy people's joys and woes.

"Equal in yoke and honour, as the day
And night, that are but breathings of the soul,
They on life's crooked journey take their way
Diverse in gift, in essence one and whole.
This is the custom, King! Yet custom may,
If but of man, be as a smith who twists
An iron chain to bind upon his wrists.

"But custom may, if fashioned to the Law
That made the world, be as the straitened string
From which the Master of the Feast may draw
Majestic speech, a living, wondrous thing
To rid the brow of pale contention's flaw,
And passing like the honey-cup along,
Gather their wandering lips to one great song.

"And such the custom that thy people plead:
For when of old the deathless Lord of Life
Dagda came forth, and knew the immortal need
That burned within his heart, he took to wife
Dana the Mother of all human seed.
In her his breath found music and a name.
In her his fire has blossomed into flame.

"Throughout the world that fire and music run
One sings within the maiden's wondering heart:
One stirs the veins of manhood, as the sun
Sets the spring's fingers thrilling with the smart
Of keen, ecstatic life that's but begun.
In every seed that breaks and wind that blows,
Each in the other seeks and finds repose.

"Wherefore, O King, since thou art yet unwed,
And thus in kingship standest incomplete,
Unfurnished in thy heart, from whence are fed
The streams of power and wisdom, it is not meet
That unto thee thy people bow the head,
And here thy sovereignty with tribute own
Till thou hast set a Queen upon thy throne."

He ceased, and all the faces of the crowd
Shone with the light that kindles when the boon
Of speech has eased the heart; as when a cloud
Falls from the labouring shoulder of the moon,
And all the world stands smiling silver-browed.
King Eochaidh for a moment bent his head
In thought; then smiling he arose and said:

"I am not careless of the ancient need
That moves your minds. Within my own it moves
Like a long-hidden, unforgotten seed
The spring has touched uneasily: like hooves
Long captive, when the trumpet has decreed
A royal pilgrimage, and in the liss
They dance to taste the highway's ringing bliss.

"So have I watched for that sure sign that fills
The horn of fate, that bending this our realm
Unto the Will that works behind our wills,
It may remain; as when storms overwhelm,
And leafy spray whirls over the roaring hills,
The swaying pine bends as the storm wars by,
And lives to shake proud arms against the sky.

"But now the horn is full, the hour is here.
Our wills as one move onward to their end.
Here now I lift on high the royal spear,
And thus through Erin proclamation send:
'Search for the promised maiden far and near
Whom the high Gods have destined at my side
To reign.' Go forth. The King awaits his bride.

"She shall be found in some most quiet place
Where Beauty sits all day beside her knee
And looks with happy envy on her face;
Where Virtue blushes, her own guilt to see,
And Grace learns new, sweet meanings from her grace;
Where all that ever was or will be wise
Pales at the burning wisdom of her eyes.

"When you at last, far off like worshippers
Within some holy circle, bow your heads,
You shall await till on that face of her's
A smile like spring's first morning slowly spreads;
And when her lip with wondrous music stirs,
Bear hither like the wind her deathless name,
That I may light my heart at its white flame."

Scarce had he ceased when from the royal tent
Broke the full tide of their loud ecstacy,
And through the woods like summer thunder went,
Full of great rumour of mighty things to be
That died far off like twilight breezes spent.
Then sang the bard in hidden wisdom skilled:
"Thus is the purpose of the Gods fulfilled.

"Lift now the hands that may not bless
A wifeless feast, a queenless throne,
A court or council womanless,
Or life one-limbed and sideways grown,
That holds the hands that may not bless.

"The starry Virgin of the east
Steps up the sky to lead the sign
Where most has kissed and mixed with least,
And one-in-twain life's torches shine
Behind the Virgin of the east.

"Then lift the hands that gladly bless
Full life, to life's great fulness grown,
A power to stand through shock and stress,
And rear an everlasting throne
Held high on hands that gladly bless."

Then on a night when on his hearth the gleam
Of crackling faggots flung a wavering glow
Along his red-yew roof from beam to beam
Like glancing eyes, King Eochaidh to and fro
Turned on his couch, dreaming a happy dream
Of snapping stems, and crisp leaves crushed by feet
With high desire made musical and fleet.

Out of the fire a swift and slender shaft
Of yellow flame pierced through the King's dropped lids,
And woke a murmur of bees whose eager craft
Rifled the treasures of blossomy pyramids;
Whereat the King, raising his hand, low laughed,
Then passed like some worn swimmer on the sweep
Of strong waves toward the unfathomed gulf of sleep.

At length in that white hour when dewy wings
Stir with new day's delight, there came a sound
As though a passion of voices and smitten strings
Mingled and swelled and flew along the ground,
Till at the utmost of its triumphings,
Through the King's sleep and on his door the dawn
Broke, and a mighty shout: "Etain! Etain!"
 
II
Thereafter, on a morning rich with spring,
When round his feet new-opened flowers looked up
Wide-eyed and wet at some most wondrous thing,
And crystal draughts from many an odorous cup
Were spilled by winds in playful rioting,
King Eochaidh stood beside a quiet shore,
Dumb with a joy he never knew before.

From league to league alone his path had lain
On windy hills, through forests dark, or deep
In dank, sonorous glens. Through every vein
A burning joy had drunk the mists of sleep,
And sung "Etain, Etain," till the refrain
Irked, and he slept, and when he sprang awake
Saw that which made his heart with rapture shake.

There by the sea, Etain his destined bride
Sat unabashed, unwitting of the sight
Of him who gazed upon her gleaming side,
Fair as the snowfall of a single night;
Her arms like foam upon the flowing tide;
Her curd-white limbs in all their beauty bare,
Straight as the rule of Dagda's carpenter.

Her cheeks were like the foxglove when it glows
At noon: her eyes blue as the hyacinth.
Like moonlight struck to marble, nobly rose
Her neck upon her shoulder's polished plinth;
And like the light that swiftly comes and goes
Through breaking waves, among her hair her hands
Broke into wavy gold its plaited strands.

Then came her maidens, bright and blossoming
With beauty, and before her beauty bowed,
And stood around her in a laughing ring
To robe her starry splendour like a cloud.
And as her hair they twined, the hidden king
Scarce knew if on her lips, that knew no wrong,
Or in his own hushed heart he heard this song.

The king comes riding from the north,
From battles won, with marching men.
Ah, whose white eager arms go forth
To bid him welcome home again
When he comes riding from the north?


The king comes riding from the south,
And halts beside the royal liss.
Ah, whose the happy smiling mouth
That gives and takes a long warm kiss
When he comes riding from the south?


The king comes riding from the east.
O night how dark! O way how long!
Ah, whose dear eyes shall light the feast?
Ah, who shall lift his heart with song
When he comes riding from the east?


The king comes riding from the west,
And smiles unto himself, and sighs.
Ah, whose the white and easeful breast
Where he shall close his kingly eyes
When he comes riding from the west?


Small wonder now that Eochaidh's leaping heart
Strained like a hound in leash: yet through his bliss
There passed a thin cold blade with sudden smart
Of doubt that he but dreamed, of dread that this
Was but a vision that would soon depart:
But when the song had ceased, there stood the maid
Flushed with keen joy, and like a queen arrayed.

A mantle of bright purple, waving, wound
Her form, and from her shoulders white as milk
Fell in reluctant folds and touched the ground.
Upon her breast the flash of emerald silk—
As though the glory of earth had wrapped her round—
Mixed with the glow of red embroidered gold
That seemed with light her body to enfold.

A sudden breeze came singing from the sea
And broke with sunlight through the leafy shade.
Then came King Eochaidh forth, and on his knee
Bent low before the silent, trembling maid.
"The king," he said, "has come, and kneels to thee,
Foredoomed to share the burden of his throne,
And glorify its glory with thine own."

Then through her frame a gentle tremor went
And lit her face with exquisite swift fire
That woke forgotten dreams, whose shaken scent
Sweetened the quiet winds of her desire
With some divine, unuttered ravishment,
Some earnest of great doom that filled her heart
With sorrow, joy's majestic counterpart.

Upon his head she gently laid her hand,
And said, "Arise! To thee my heart has bowed
When minstrel after minstrel, tired and tanned,
Has supped beside our hearth, and sung the proud
High song that bears thy greatness through the land.
For thee from life's clear dawn my love remained
Fixed, and at length to thee I have attained."
 
III
Across the woods of Meath the bird of day
Fell from the boughs of noon with bleeding wing,
While dark-browed Balor strode the eastern way,
And scattered darkness from his cloudy sling,
Till at his feet the hosts of Erin lay
Smitten with sleep; then round their dreams he cast
The chains wherewith he binds his prisoners fast.

From dawn till dark, in many a hero-game
Glad eyes had flashed, or bent in pride august
To hear the chant of some undying name
Whose deeds were strong as wine. Anon the dust
Of festive feet stormed in a wild acclaim
Around the royal place where, side by side,
Sat Eochaidh and Etain his new-made bride.

Now ancient Sleep, with Silence for his queen,
Reigns o'er those palaces of stately fir
That drowse in curtained moonlight's misty sheen.
Within, the arras hardly seems to stir
Its languorous folds of purple, blue and green,
Whose colours part or mix, as rise and fall
The pine fire's odorous gleams on roof and wall.

No sound, no life, save where with soft salute
The wide-eyed sentinels a moment wait
And listen sidelong to the passing bruit
Of ghostly winds, that murmur at their state
And pass, with peevish cry and soundless foot,
Where the dead fly upon the waveless moat
Makes of the dead dropped leaf a funeral boat.

Yet in the midst of silence so profound,
One stirred his rushy couch as though in pain,
For through his dreams a torrent of swift sound
Stumbled in foam about his echoing brain,
And all his thought in loud confusion drowned
And bore him toward a dim and perilous steep
That flung its shadow on a writhing deep.

Then like the sun obscured by valley smoke,
With some vague trouble glooming in his eye,
Ailill the brother of the king awoke
And scanned the portents of the morning sky,
Till on his mind a mellowing radiance broke,
And in his heart there dawned a wondrous face
That lit his world with Love's exalted grace.

Often in dreams a shadow by his side
Had sung of one who came in some great hour
With Love—and woe. Now came his brother's bride;
And when he bent before her in her bower,
Within his heart the shadow rose and cried,
And passed away, while all his being shook,
Stricken with joy and sorrow in a look.

Among the clamours of the festal time
His love for ease he hid, again pursued,
Finding a solace in the chanted rhyme
Of agÉd bards, or youths in merry mood
Where angry words were counted as a crime;
And fireside friendship staunched his hungry sighs
When she no more was banquet for his eyes.

But when the marriage festival was past,
And restless day gave place to torturing night,
His captive passion burst its chains, and cast
Its ardours from his brain in living light;
Then like the thin voice of a spell-raised blast,
A dissonant note from hidden harp-strings drawn
Troubled the dreams of Eochaidh and Etain.

By day the dream had faded to a mist
In some far-folded valley of the mind;
But when, heart-charmed in evening's amethyst,
The labouring world grew wonderfully kind,
And upturned lips by brooding love were kissed;
Like silent rain in summer twilight spilled,
A wandering thought King Eochaidh touched and chilled.

Meanwhile with steps that would and would not shun
Bliss craved and spurned; with tongue that might not speak
The pain that some strange sweetness now had won,
Ailill moved to and fro; and soon his cheek
Paled like the austere Servants of the Sun;
And day by day his passion's famished flame
Nourished itself upon his wasting frame.

In vain the king's diviners daily strove
To find the spring of Ailill's gathering ill;
In vain Etain by stream and murmuring grove
Sought for the shadowy hand that held his will;
And when dark Balor cracked his whip, and drove
His winter herd across the bounds of day,
Ailill upon his couch in weakness lay.

So when a year had passed, and through the land
The king went forth on royal pilgrimage,
Unto Etain he gave his last command
That she, his brother's sickness to assuage,
Withhold no gift, but give with regal hand;
And should chill death blow out his flickering blaze,
His funeral-stone with honour she should raise.
 
IV
From day to day Etain with eager thought
Outran sick Ailill's fleetest-footed needs;
From sun and wind a subtle medicine caught,
And charmed swift healing from the fresh-strewn reeds
Upon his floor, which her own hands had brought
From ferny hollows, where cool waters laughed
That Ailill from her cup with gladness quaffed.

Yet with each dawn that came with growing power
There grew a cloudy thought in Ailill's mind
That gloomed the joy of health's returning hour,
And put a sigh in evening's gentle wind,
And touched with ill-timed frost life's opening flower,
And turned to poverty the proffered wealth
In hands that wrought his sickness and his health.

And she, in service, found a hidden way
To strange new meanings in the eyes of life;
And reached a joy beyond the shrill affray
Of horns and harps loud with the songs of strife
Or little triumphs of a passing day;
And grasped, in giving, life's most perfect gift—
Love that is raised by that which it doth lift.

So moved the twain through sunshine barred with gloom,
Finding in each twin solace and despair:
He, like a frail and gently tended bloom,
Grudged each day's health that took him past her care;
And she, o'ershadowed by approaching doom,
Watching his need of her grow less and less,
Sickened with grief her lips dare not express.

Tossed thus on hidden billows of the soul,
And swept by winds that warred against the will,
They drained the little draught in life's poor bowl,
And all unwitting wrought each other ill;
Until at last, stung past the heart's control,
Marking Etain's white brow and pensive eye,
Thus Ailill broke the silence with a cry.

"O bitter joy! O sorrow passing sweet!
O blossoming life that leads to love's pale death!
O gain that speeds to loss on laggard feet!
O living voice that kills the word it saith!
O cooling touch that kindles quenchless heat!
How shall I all my heart's dear burden speak,
Or how keep silence at thy paling cheek?

"I love thee, Queen Etain, but in such wise
As never man loved woman heretofore:
Not with the love that lives upon her eyes,
And counts her breast the summit and the shore
Of all desire, and with tempestuous sighs
Flings to the winds the spoils of reason's thrift
In barter for her body's utmost gift.

"My love, O queen, is that serener kind
Whose word outruns the lumbering wain of speech,
And springs in light from mind to answering mind;
And takes its bliss beyond the body's reach,
Thought mixed with thought, as sunlight with sweet wind;
And crowds the ways, where human sorrow pleads,
With generations of exalted deeds.

"Ah, then take back the life that thou hast spent
In vain, since thou dost slay and heal my heart;
And let quick death beat down my failing tent,
And its lone habitant be blown apart
Through the wide wastes of night's black firmament,
Where move the Powers in whose dread hands may be
The source and end of dreams and destiny.

"There past the chain of hours my faithful ghost
May through thy dreams move silently and dim;
And needing then the least, may serve thee most;
Or crying seaward from life's misty rim,
Call forth thy heart beyond its mortal coast:
Happy if in thy spirit's wakening sigh
My name one murmured moment live and die."

Thus Ailill spoke; and like a summer shower
His eager words, tingling on heart and brain,
Stirred many a leaf to life, and many a flower;
And sank beneath her spirit's thirsty plain,
Till hidden springs, touched with a strange new power,
Welled in her eyes with flash of sudden streams
From hills that crowned some far-off world of dreams.

Clear-visioned in her meditative eye
Rolled the great world, and lo! a silent moth
Shredded its mighty frame, till down the sky
It fluttered like a poor discarded cloth
From some dead face flung out by hands that die;
And thinned like vapours round the lips of day,
And like a breath passed utterly away.

And as it passed she knew that nevermore
Life would be life again; yet in her mind
Lurked the dim fear of one who leaves the shore,
And on the sightless hazard of the wind
Moves into doubt and darkness. O'er and o'er
She turned her thought, till softly on her ear
There broke a song a bard was chanting near.

Because the strong are fallen low,
Who deems that Strength himself is slain?
Through depth and height his arm shall go,
And he shall rear his house again,
Although the strong are fallen low.


Because the living all are dead,
Who deems that Life has found a grave?
Among the stars she lifts her head,
She dances lightly on the wave,
Although the living all are dead.


Because the beautiful has passed,
Was Beauty but a passing word?
Behold, the dust through chaos cast
With lovelier loveliness is stirred,
Although the beautiful has passed.


And if earth's lovers love amiss,
Who deems that Love has perished quite?
Lo, cloudy lips the mountains kiss,
And day is bosomed on the night,
Although earth's lovers love amiss.


Swiftly and silently her thought's faint wing
Sought between wind and wind a certain way;
For one was keen with glad awakening
In perfumed morn of some ecstatic day;
And one was loud with song, and quivering string,
And all life's pageantry and noisy breath
Wherewith men strive to drown the voice of death.

Then said Etain: "King Eochaidh in his might
Drew me to bonds of happiness; but thou
Art as a voice that calls across the night
To where some dawn blows freshly on the brow,
And love with love moves freely as the light,
Mingling in happy dreams their shadowy wings
Beyond these perishing substantial things.

"Ah, me, the pain in joy, the joy in grief!
Who tells the end when once has moved the foot?
Thy hand is on my life's new-opened leaf:
Who knows the hand may pluck its ripened fruit?
To thee—and past, the journey may be brief.
Yet I the king's behest shall all fulfil—
'Nothing withhold to heal my brother's ill.'

"So in the gaze of dawn and wondering flowers
We shall keep tryst by stream and whispering tree;
Perchance to win from life's controlling powers
The healing of thy heart's infirmity;
Perchance—" "Oh! speed the hazard of those hours,"
He cried, "that blind the flame of low desire
In the white light of Love's transmuting fire."
 
V
Hard by the swift-winged star, the moth-like moon
Sheds golden dust on waves of day that ebb
Into the deep beyond life's wan lagoon.
The spider Night now spins his monstrous web,
And spots the dark with many a pale cocoon
Hung in his vaporous cave, whose phantoms creep
In visions round the heavy brain of sleep.

Yet one, among the sleepers, never turns
To ease his shoulder of the weight of night;
But with the shield of sweet oblivion spurns
Those wandering shafts that tease with sound and sight;
Till in a quiet, deep as kingly urns
In buried places, Ailill deadly lies,
Blind to the spreading signal of the skies.

Now the thick dark, that pressed Etain's calm face
Like softest wool, thins out, and moves, and lifts;
And like a memory's vague recovered trace
The silent world, looming through cloudy rifts,
Floats greyly on the grey abyss of space,
Then slowly forms, and stands at last in light
Built on the crumbled ruins of the night.

Soon on a cloud o'erhung with heliotrope
Day's harp is lifted, wire on golden wire;
And now great Dagda's burning fingers grope
From string to string, then reaching high and higher
Unto the utterance of some eager hope,
Break through the vibrant silences, and spring
Into one living voice of leaf and wing.

Somewhere the snipe now taps his tiny drum;
The moth goes fluttering upward from the heath;
And where no lightest foot unmarked may come,
The rabbit, tiptoe, plies his shiny teeth
On luscious herbage; and with strident hum
The yellow bees, blustering from flower to flower,
Scatter from dew-filled cups a sparkling shower.

The meadowsweet shakes out its feathery mass;
And rumorous winds, that stir the silent eaves,
Bearing abroad faint perfumes as they pass,
Thrill with some wondrous tale the fluttering leaves,
And whisper secretly along the grass
Where gossamers, for day's triumphal march,
Hang out from blade to blade their diamond arch.

Forth came Etain, and with a little cry
Scattered the councils of the feathery brood;
And faced unblenched the red sun's winkless eye
That hawk-like hung above the quivering wood;
And passed with stately step and head on high
Toward a secluded place—where one doth wait
Silent and imperturbable as fate.

Sweetly the wizard palms of morning sleek
Her brow with spells; and when a butterfly
Brushes with soft familiar wing her cheek,
Through the deep woods she hears a ghostly sigh,
As if a hidden god were fain to speak
An ancient ageless love that, fold by fold,
Wraps her with joy in throbbing arms of old.

Now is her sandalled foot upon the edge
Of a loud-leaping stream, that flings its damp
To cool the sorrel shaking on its ledge
Under the squirrel's pine, and in a swamp
Goes dumb among the heron-haunted sedge,
Where the swift kingfisher, a moment seen,
Flashes and fades, a flame of sudden green.

At length she stands within the appointed place,
Where leafy boughs in odorous dusk are blent.
But wherefore now across her trancÉd face
Pass the quick fingers of bewilderment,
And doubt on doubt like shadows shadows chase?
Faintly she speaks, "Ailill I came to see.
Who art thou—for thou art yet art not he?"

From her soft eye no loosened glances tell
Desire or dread, to him whose cloudless gaze
Knows from what heights of old her footsteps fell
Out of clear light, into this web of days
And nights and mystery inscrutable,
And marks how in the calm of inner power
She moves unmoved to meet her destined hour.

"Etain," he whispered, and again, "Etain."
Such utter love went throbbing through her name
That nigh beyond her doubt her foot had gone;
Yet stood she wavering like a lonely flame
Outburning night, that feels the shake of dawn;
Then said, "Thy name, that doubt aside he cast?"
"Mider," he answered, "come for thee at last."

"Mider?" she echoed, "Mider?" and the sound
Smote upon hidden doors, and roused from sleep
Faint eyes that dreamed, vague hands that groped around
The thought behind her thought, and from the deep
Beneath her thought climbed upward, to the bound
Whose shadowy marge like midnight gloom is cast
Between the passing moment and the past.

Then Mider said, "For no poor worm's desire,
Nor aught of earth, thou comest, O beloved!
But for another's good thy thoughts conspire;
And far from self thy feet have hither moved
To the high purpose of the sacred fire
That burns thine upward path through joy and pain,
Through birth, through life, through death, to me again."

Then asked she all bewildered: "Who art thou
Whose eyes have read my soul?" And answered he,
"Thine am I by the immemorial vow
That made thee mine, beloved! eternally,
When for a bride-price, on thy peerless brow
I set a diadem beyond the worth
Of all the crowns of all the queens of earth."

Swiftly her thought divining, "Where, and when,
And wherefore parted, thou, beloved! shalt know.
That land which gleams in the rapt poet's ken,
Set in a sea that has no ebb or flow,
Beyond the spear-cast of the dreams of men,
Is mine, and from all changings far withdrawn
There spreads the realm of Mider—and Etain.

"And there we loved, till that Almighty Power
Who set the heavens wheeling with a nod,
Blew thee, a butterfly, from flower to flower,
Until beyond our realm, a splendid God
Knew thee and cherished in a blossomy bower,
And nightly thy fair form in purple laid,
And at thy side his couch of slumber made.

"But thee again the breath of tempest found,
And swept thee forth, and whirled from field to field,
And dashed thee where a roar of festal sound
Shook brazenly doffed helm and resting shield,
And flung thee in a cup that passed around
To one who drank it deep in bridal mirth—
And thou wert born a daughter of the earth.

"From year to year life's pleasures round thee played,
And fell behind the question of thine eyes
That searched the mysteries of leafy shade,
And the blue heron sailing in the skies
Cutting the silence with the rusty blade
His voice, and sought to spy the subtile might
That killed your gathered iris in a night.

"Ah, soon I saw sweet longing on thy face,
And love's compelling poppy on thy mou

SONNETS


A PAPER-SELLER

Clearly, and iterant as a swinging bell,
I heard across the surges of the Strand
A woman's voice, and saw a woman's hand
With "Votes for Women." A sudden vision fell
Across my path, and made my pulses swell
With agony of joy: I seemed to stand
At some far hill, from whence was faintly fanned
A whisper, "He descended into Hell."

Sister! with foot in gutter, foot on kerb,
Tasting humiliations's bitter herb
In thy great calm of self laid wholly down!
Thine are the thorns of Christly souls who bend
To lift the world; and thou too shalt ascend
To thine own Heaven and everlasting crown!

Strand, London.

TO ONE IN PRISON

Dear! on Love's altar thou hast laid thee down,
Priestess and Victim of such Sacrifice
As might melt praise from very hearts of ice,
But wins the scoff of sycophant and clown.
Yet in that band, whose glory is the frown
Of sceptred tyranny and stained device,
Thou hast a place; and thee it shall suffice
To tread with them the path to high renown.

And I—even I, unworthy though I be—
For these my wounds of utter loneliness,
Tired head and sleepless eyes, some part would claim
In the deep rubric of thy mystery;
So may I, in proud years that rise to bless,
Stand in the shadow of thine honoured name.

Nov. 23—Dec. 23, 1910.

A HOME-COMING

What flags are these?... what trumpets?... Oh! what drums?
What pride august?... what solemn minstrelsy?
Hush! drums, ecstatic drums: say who is she
That in the midst majestically comes.
Is she some queen whose haughty eye benumbs
Proud potentates; whose word can lift the sea
Of shattering war, and fling red misery
Across the world?... Speak, drums! Oh! aching drums!

Hush! hush! wild drums, drums in my happy heart!
Not thus she comes, my life's exalted queen,
But in sweet silence far outlauding praise.
Her's not the flaming sword that puts apart,
But Right's resistless blade, whose stroke unseen
Wounds but to heal, and crown with Freedom's bays!

LOVE, THE DESTROYER

Come from behind those eyes, that I may see
Thyself, beloved! not lip, or hand, or brain.
These are not thou. These are the servile train
That crowd me from thine inmost mystery.
Show me thy naked soul!... or it may be
That, lacking this, I shall, in Love's mad strain,
Shatter the form, and sift it grain by grain
To find thine utter Self—thee—very Thee!...

Ah! Love, forgive!... Be this my penitence
That in my passion I have glimpsed the goal
Of all calamity, and surely scanned
In flood and flame, earthquake and pestilence,
Love raging forth, to find Love's inmost soul,
With bridal gifts in Ruin's awful hand!

ENVOY


THE LOVING CUP

I
I raise to you, O Queen, this Loving Cup, this Mether,
Filled with Mead
Made from honey of the heather,
Brought by many a humming wing,
And with water from the spring;
Mixed by cunning hands together
In a foamy ferment
Thou would lead
Sullen tongues to song,
If along
Harpstrings now a rousing air went.
 
II
But in this our souls' espousal
Axe nor skeen
Throb and bleed
For the spear-clash of carousal,
Spoils of slaughter
Ravening:
No, for peace has mixed our mether,
With its Mead,
O my Queen,

Made from honey of the heather,
And with water
From the spring.
 
III
Ah! but what avail
Song and ale,
If beneath our quaffing
Moves not something deeper than our laughing?
 
IV
So to you, O Queen,
Here with hands unseen
I raise my Heart's deep Mether,
Where together,
Sweetness brought on Fancy's wing
From the flowers
Of happy hours,
And a draught from Thought's cool spring,
Blend in song's melodious ferment,
With an undertone
Caught in deeper hours alone,
When along Life's solemn harp the Spirit's air went.


NOTES

Etain the Beloved:—This poem is founded on an ancient Irish myth. It is not a translation from the Gaelic; but rather is an attempt at transfiguration, by seeking to "unfold into light" the spiritual vision that was the inspiration, and is the secret of the persistence and resilience, of the Celt. Such modifications as I have made in the story have neither archÆological nor philological significance: they arise entirely from whatever measure of insight into artistic necessity, on the side of pure literature, has been granted to me; and also from obedience to a view of the universe which is embodied in the ancient Irish mythology, and whose operations the personages of the story body forth as Psyche bodied forth the soul of humanity to the Greek.

The names of the personages may be pronounced thus: Etain—Etawn', Eochaidh—Yo'hee, Ailill—Al'yil, Mider—Mid'yir.

Dagda is the Irish God of Day, Balor the Irish God of Night.

A dun is a fortified dwelling, a liss is a place for domestic animals.

Death and Life:—On Friday, August 13, 1909, the author went by currach from Dunquin to the Great Blasket Island, Kerry, to visit Miss Eveleen Nicolls, M.A., who was spending a holiday on the island. Instead of joining her, as was intended, in music and conversation amongst the islanders, he had to participate in an endeavour, alas! unsuccessful, to restore her to life. She had been bathing with a fisher-girl. The latter got into difficulties in the strong Atlantic current, and an effort by Miss Nicolls to save the girl ended in the heroic sacrifice of her own life.

A Schoolboy plays Cuchulain:—Cuchulain, the supreme hero of Celtic romance, who, single-handed, defended his province against the army of Queen Maeve. Maeve had chosen for a foray the time when the Ulster chiefs lay in weakness under a curse by the warrior Goddess, Macha.

Hospitality: The Student:—Put into verse from the literal translations of Kuno Meyer in "Ancient Irish Poetry."

To One in Prison: A Home-coming:—Occasioned by the imprisonment of the author's wife for taking part in the active movement for the political enfranchisement of women.


BOOKS BY JAMES H. COUSINS

THE QUEST. Cr. 8vo. Cloth, 2s. 6d. net; paper-cover, 1s. net.

"Rarely is it the fortune of the reviewer to meet with verse of such distinction."—New Ireland Review.

"An imagination filled with haunting and refreshing images."—Black and White.

"His extraordinary imaginative powers, his skill in painting word-pictures, and the glamour which he throws over all, are marvellous."—Irish Independent.

THE AWAKENING. Royal 16mo. Cloth, gilt, 1s. net; paper, 6d. net. With decorative borders and cover designed by T. Scott.

"Unique mastery of the sonnet."—Irish News.

"Ripe thought fitly expressed. A new pleasure on each page."—Glasgow Herald.

THE BELL-BRANCH. Foolscap 8vo. Boards, Irish linen back, 1s. net.

"Artistically Mr. Cousins can only be put below the two leaders of his movement; he has the calm intensity, the subtle strangeness of simplicity, which seem to be as easy as breathing to an Irish poet."—The Nation.

"Mr. Cousins has gradually perfected a method of self-expression, and his verse, exquisitely fashioned, delights with its individual note."—Northern Whig.

"Many an English poet would willingly sacrifice a page or two of his consummate verse if he might but catch the charm of such a lullaby as this."—The Times.

MAUNSEL AND COMPANY, LIMITED,
96 MIDDLE ABBEY STREET, DUBLIN.


TRANSCRIBER'S NOTES:

Obvious typographical errors have been corrected.





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