  SAWDUST & SPANGLES STORIES & SECRETS OF THE CIRCUS BY W. C. COUP Publisher's logo Herbert S. Stone and Company COPYRIGHT, 1901, BY CONTENTS
FOREWORD The notes from which the following narrative was drawn were dictated by Mr. W. C. Coup at odd moments in the big show tent, the special car or the hotel where he chanced to find himself with a half-hour at his disposal. The manner and the motive of their writing unite to contribute to their charm and effectiveness. His unbounded enthusiasm for his peculiar calling and his desire so to state the facts of his experience as to give the general public a fairer and fuller understanding of its real conditions inspired him to the labor of crowding into his busy life the pleasant task of putting upon paper the main points of his interesting career. Nothing could have been more fortunate than the fact that he was compelled to do this in a manner wholly informal,—intending later to put his haphazard notes into good literary form. His recollections fell from his lips as they came into his mind, in the forceful and picturesque phraseology of the typical showman. To preserve this original quality has been the effort constantly held in view in grouping these notes for publication. The terse idiom of the offhand dictation has been consistently retained and gives the true "show" color and flavor to the stirring scenes, adventures and incidents with which the book deals. Of Mr. Coup's prominence in his profession it is scarcely necessary to speak, and I think none will venture to question the statement that he was the founder and pioneer in America of the circus business pure and simple, as distinguished from other lines of show enterprise, and that the story of his life would incidentally furnish a concise history of the circus on this continent. His name was a family word in homes of the people of every part of the United States during the period of his greatest activity. The main incidents of his career may be tersely stated as follows: William Cameron Coup was born in Mount Pleasant, Ind., in 1837. While he was still a boy, his father bought the local tavern in a small country village. The business of hotel keeping did not commend itself to the future showman, who left home and took the position of "devil" in a country newspaper office. Soon, however, he became dissatisfied with the opportunities which the printing craft seemed to present, and started out to find something which better suited his unformed and perhaps romantic ideas of a profession. After a hard tramp of several miles he chanced to encounter a show, and immediately determined that this was the field to which he would devote his energies and in which he would make for himself a name and a fortune. With this show he served an apprenticeship, in a humble capacity, and gained a clear idea of the essentials of the business. In 1861 he secured the side-show privileges of the E. F. & J. Mabie Circus, then the largest show in America. He remained with this firm until 1866, when he secured similar privileges with the Yankee Robinson Circus, with which he allied himself until 1869. In the latter year he formed a co-partnership with the celebrated Dan Costello and entered upon the first of the original ventures marking as many distinct epochs in the history of the circus in America. This departure was the organization of a show which traveled by boat and stopped at all the principal lake ports of the great inland seas. This enterprise was a decided success. At that time Mr. P. T. Barnum had never been in the circus business, and Mr. Coup had not personally met this king of showmen. He keenly appreciated, however, the prestige which Mr. Barnum's name would give to a circus enterprise, and went to New York for the purpose of interesting Mr. Barnum in an enterprise of this character. This object he had no difficulty in accomplishing, and in the Spring of 1870 they put an immense show on the road, which toured the eastern States and was highly successful. The next year marked a turning point in the career of Mr. Coup and also in that of the traveling show business. He was the first man who ever called the railroad into service for the purpose of moving a circus and menagerie. This significant step was taken in opposition to the judgment of his partner, P. T. Barnum, and in the face of the doubts and objections of the leading railroad officials of the country. But Mr. Coup's faith in the results of this "rapid transportation movement" was firm, and he astonished Mr. Barnum and the entire public by the phenomenal success of this venture, which brought a rich harvest of money and reputation. The project of building a permanent amusement palace in New York came to Mr. Coup in 1874. Under his supervision, and while Mr. Barnum was in Europe, he erected, on the present site of the Madison Square Garden, the famous New York Hippodrome. His labors in this connection were so arduous that, when the great enterprise was thoroughly established, he felt obliged to take a long rest. To this end he severed his partnership with Mr. Barnum, and in 1875 took his family to Europe. Immediately following his return to America, in the spring of 1876, Mr. Coup announced that he had formed a new co-partnership with Mr. Charles Reiche, for the purpose of starting another mammoth enterprise to be known as the New York Aquarium. A large building especially designed for this purpose was erected at the corner of Thirty-fifth Street and Broadway, and was opened October 11, 1876. Into this enterprise Mr. Coup threw the energies and ambitions of a lifetime, and so long as he retained its management the great undertaking was notably successful. His labors in this connection brought him into relationship with the most celebrated scientists of the world, and many of them became his personal friends. Scribner's Magazine devoted many pages to an article describing the Aquarium, and referred to Mr. Coup as a benefactor of science and as a valued contributor to a more popular knowledge of biology. Probably no other recognition ever received by Mr. Coup from the press gave him the satisfaction which he gained from this magazine article. Because of disagreements with his partner, who was determined to open the Aquarium Sundays, for the patronage of the public, he disposed of his business at a great sacrifice, and started out on the road with the "Equescurriculum," an entirely novel and original exhibition consisting of trained bronchos, performing dogs, goats, giraffes, etc., and troupes of Japanese acrobats. Each year new attractions were added to this show, and, in 1879, the New United Monster Shows were organized by Mr. Coup and developed into one of the largest consolidated circuses in the United States. Four year later, he established the Chicago Museum in the building then known as McCormick Hall and located at the corner of Kinzie and Clark streets, Chicago. Wild West shows and trained animal exhibitions engaged his energies from 1884 to 1890. The "Enchanted Rolling Palaces" were put out in 1891 and created a profound sensation throughout the entire country. This show was a popular museum housed in an expensive and elaborate train of cars especially constructed for the purpose. With this enterprise he toured the southern and eastern States. This was practically his last important undertaking, and his latest years were spent in practical retirement, although he occasionally varied the monotony of life at his country seat at Delavan, Wis., by engaging in new ventures and making short tours with trained animal exhibitions. His death occurred at Jacksonville, Fla., March 4, 1895. SAWDUST AND SPANGLES I BOYHOOD WITH THE OLD-TIME WAGON SHOW As many a boy has come into the circus business in much the same manner that I entered it (at the age of fourteen years), this start in show life may be of some interest because typical of the way in which young lads drift into this wandering existence. Doing chores about my father's tavern in a little southern Indiana town brought me in contact with such travelers as visited our quiet community. Listening to their talk and stories naturally inspired me with a desire to see something of the big and wonderful world outside our village. As this was impossible at the time, I did what seemed the next best thing so far as getting in touch with the world was concerned. When only twelve years old I took the position of "devil" in the country newspaper office, and for years worked at the printer's case, helped "run off" the paper on the old Franklin press and did almost every disagreeable task that could be put on the shoulders of a boy. This seemed quite exciting at the start, but it finally grew monotonous, and the boyish longing for travel and adventure came back to me with redoubled force. As my mother had died when I was very young, and father had married again, surrounding himself with a second family, my home ties, though pleasant enough, were not what they might have been had my own mother lived. The printer in the little newspaper office who was dignified by the title of foreman had seemed to take quite a fancy to me, and we became rather close companions. One day when the spirit of restlessness and adventure was strong upon me I confided to him that I was tired of our slow old town and suggested that we pack our few belongings in bundles and start out for some place which would offer us a bigger chance to get on. This proposal, with the beautiful summer weather, started the slumbering tendency to wander that lurks in the heart of every true printer. Placing a few necessaries in two bundles, we quietly left the village in regulation tramp-printer style. At length we reached Terre Haute, where I was offered employment in a newspaper office. I realized that I knew very little of the printing craft, and that it would take many years of hard, up-hill work to make me a master of the art. Consequently I determined to find some other line of employment more exciting than that of "sticking type." The first thing we heard was that a circus was showing in the town. This caught my fancy, and I told my companion that I was going to join the circus and see something of the world. He was disgusted at this proposal, and very plainly warned me that if I took such a course I would make a worthless loafer of myself. But my circus blood was up, and I put my resolve into immediate action, little dreaming that I was taking the first step in a career that was to become a part of the history of the show business in America. The show which I joined was one of the largest then in existence, having more than a hundred horses, ten fine Ceylon elephants, a gorgeously carved and painted "Car of Juggernaut," and many other "attractions" which seemed marvelous in my boyish eyes. Not the least of these in point of attractiveness and popularity was General "Tom" Thumb, who was petted and feasted wherever he went. But Nellis, the man without arms who could paint pictures and shoot pennies from the fingers of the manager, claimed a large share of my silent admiration. MY FIRST EXCITING EXPERIENCE My first exciting experience came very early in my service. I had learned that the very best use to which I could put my time when not actually engaged in work was to throw myself on the nearest bunch of hay and sleep until awakened by the "boss." Having a boy's natural affinity for an elephant I chose, on this particular day, the hay near which the Ceylon drove was staked. In the midst of my dreams I was suddenly awakened by a strange sensation—a peculiar sense of motion that had something startling and uncanny about it. Then I realized that I was being lifted in the coils of an elephant's trunk. So intense was my horror at awakening to find myself in this position that I had strength neither to resist nor to cry out. My helplessness was my greatest protection. From sheer inability to do otherwise I remained entirely passive, and Old Romeo, the king of the drove, laid me gently down a little distance from the hay on which I had been sleeping. Then I understood the intelligence of the elephant and the harmlessness of his intentions. He had eaten all the hay save that on which I was stretched, and to get at this he had lifted me with as much care as a mother takes up a sleeping child whom she does not wish to waken. THE INTELLIGENCE OF ELEPHANTS Only one other instance of elephant intelligence ever impressed me more than this awakening in the grasp of Old Romeo. One of the small members of the drove was trained to walk a rope—or more properly a belt—the width of his foot. This performance attracted the attention of the baby elephant, and one day I noticed the little fellow stealthily unhooking the chain by which he was tethered. Then he boldly attempted to walk the guard chain which surrounds the drove in every menagerie. The same baby elephant, one day seeing the men shoveling to throw up a ring embankment, contrived to get a shovel in his trunk. At once he attempted to stab the blade into the earth. Failing in this effort to imitate the men he flew into a passion and threw the tool to the ground, trampling on it and breaking the handle. In those first days of my novitiate I found the people almost as interesting as the elephants—which is saying much from the point of view of a boy. The crudity of society at that period is vividly illustrated by an incident which occurred soon after we had crossed over into Illinois. We were showing at the little town of Oquawka and "put up" at the only tavern there. The dining-room of this hostelry was papered with circus bills. Our first meal introduced me to a scene so outlandish that I shall never forget it. Shortly after we had seated ourselves at the rough board table, the kitchen door was pushed open by a tall, lank young countryman of a fierce and forbidding countenance. He wore a broad-brimmed hat, heavy cowhide boots—in the tops of which were buried the ends of his trouser legs—and a red flannel shirt. From his belt protruded a huge bowie knife. In his hand he carried a sixteen-quart pan heaped with steaming potatoes. As he strode across the room he shouted: "Who in hell wants pertaters?" FIGHTS WITH THE GRANGERS The novelty of all these curious and wonderful sights wore away after awhile, and then began my circus life in all its stern reality. The hardships and trials and the rough attachÉs of that "vast aggregation" can never be forgotten. If the showmen were rough, so also were our patrons. The sturdy sons of toil came to the show eager to resent any imagined insult; and failing to fight with the showmen, would often fight among themselves; for in the days of Abraham Lincoln's childhood the people divided themselves into cliques, and county-seats were often the arenas selected to settle family feuds. In other words, "fighting was in the air," and, as may be imagined, the showmen received their full share of it. It was no infrequent occurrence to be set upon by a party of roughs, who were determined to show their prowess and skill as marksmen with fists and clubs if required. As a consequence showmen went armed, prepared to hold their own against any odds. Not once a month, or even once a week, but almost daily, would these fights occur, and so desperately were they entered into that they resembled pitched battles more than anything else. Many years later, when describing this part of my career and later battles and circus fights to General Grant and Governor Crittenden at St. Louis, in which city my show was exhibiting, they admitted that my experience in thrilling and startling incidents compared favorably with their own, the difference being that they had perfect discipline and were backed by a powerful government, whilst for showmen there seemed to be little sympathy. The roads at that time were in a terrible condition—so bad that slight rains would convert them into seas of mud, and a continued rainstorm would make them impassable. One day one of our men became so immersed in quicksand that he sunk up to his armpits, and would have been very quickly swallowed up entirely had not some of his old comrades come to his rescue. Fastening one end of a long rope around his body, they drew him from his perilous position with the aid of a team of horses, and with so much force that a very necessary part of his attire was left completely behind him. These and other rigorous scenes were occurrences to which I became inured. In these peaceful days it is almost impossible to realize the rough and desperate character of the people in the backwoods districts from which the old-time wagon shows drew their principal patronage. Even the latter-day circus men have no adequate conception of the improvement which time has wrought in the general character of the show-going public in the country communities. There is no denying the fact that then, as now, the attachÉs of the big circus were rather poor specimens of humanity; but in common justice it must be said that some of their pioneer patrons were more than a match for them. Never shall I forget the awful impression made upon my boyish mind by the first combat of this kind which I witnessed. Although I had not been long with the show, I had caught the prevailing sentiment that we were constantly in the "land of the Philistines," that the hand of every man was against us, and that our only safety was in perpetual alertness and the ready determination to stand together and fight for our rights on the slightest signal of disturbance. "DOC" BAIRD AND THE BULLY Connected with the side-show of the circus was a quiet inoffensive little man known as "Doc" Baird. While we were showing in a county-seat, the bully of the community, who was evidently bent upon displaying his courage, singled out the little "doctor" as his victim and proceeded to pick a quarrel with him. This proved a difficult thing to do, for Baird was decidedly pacific in his disposition and preferred to stand abuse rather than fight. I was among the attachÉs of the show who witnessed the trouble, and it seemed to me a shame that a big fellow like the bully should be permitted to terrorize the most inoffensive of all the showmen. Suddenly the altercation grew warmer, the bully's arm shot forward and the little doctor was knocked to the ground. Instantly, however, he was on his feet, and the next moment I heard the sharp report of a pistol, saw the smoke curl from the muzzle of the arm and watched the fall of the bully. This was the first time in my life that I ever looked upon the face of the dead or witnessed any affray of a fatal character. The shock and shuddering which it caused me were so great that I actually attempted to leave the show business, but was soon back again into the "current of destiny" and became inured to these exciting scenes. TEASING OLD ROMEO The circus grounds appeared to be the favorite arena for the settlement of the neighborhood feuds that were then characteristic of backwoods communities. Weapons of every sort, from fists to pistols, were employed and bloodshed was the rule rather than the exception. But the belligerent spirit of the pioneer yeomen was sometimes displayed in ludicrous ways. An instance of this character came near having a tragic ending. A party of young people halted before the elephant drove and amused themselves in teasing old Romeo. The ringleader in this reckless sport was a veritable young Amazon. For a time the patriarch of the drove, who had more good common sense than all his tormentors, stood the annoyance with dignified forbearance. But at last the big country girl succeeded in arousing his ire, and the huge elephant raised his trunk and gave her as dainty a slap, by way of warning, as was ever administered by a mother or school mistress to an unruly child. But the young woman would not take this hint that would have sent the most reckless animal-keeper of the show to a discreet retreat. Her pride was wounded before her companions. With her face flaming with anger, she leaped over the guard chain and made a vicious lunge at the shoulder of the elephant with the point of her gaudy parasol. Fortunately an attachÉ of the show leaped forward in time to save her. This was one of the most foolhardy displays of animal courage that I ever saw—and it was thoroughly typical of the circus-going public of the West at an early day. THE STORY OF A STOLEN NEGRO The sectional feeling between the North and South was also a constant menace to the showmen when traveling in the slave States, for the circus men were universally regarded as "Yankees." The exciting episodes growing out of this sentiment were numbered by the score, but the one which gave me the greatest fright was encountered in Missouri in an initial chapter of my experience. As the caravan pulled into Booneville, early one morning, after a wearing night of marching, we found ourselves suddenly surrounded, not by the usual welcoming party of children of all colors and sizes, but by a band of lank Missourians, armed to the teeth. By this time I had developed a very respectable amount of courage for a lad; but the sight of this posse made me decidedly uncomfortable, and I'm afraid my whole body shook as badly as the voice of Mr. Butler, the manager, when he inquired the cause of our hostile reception. "You've got a stolen nigger in your outfit, and you're our prisoners—that's what's the matter!" was the rough answer of the leader of the posse. The gravity of our situation was at once grasped by every man who heard this announcement, for the stealing of a slave was then a far greater crime in the eyes of the community than unprovoked murder would now be. A desperate and bloody battle in which every follower of the show must look out for his own life as best he could seemed inevitable. We all kept our eyes on the manager, who was cool and of impressive manners. In those moments of breathless waiting for the fight to begin, I wished myself with the vehemence of despair safely back in the quiet little Hoosier office. Then Mr. Butler made a plucky appeal to all reasonable men who might be in the posse. Was it not fair, he argued, that the man who had brought this accusation should come forward and make himself and his standing known? Was he a planter, the owner of slaves and a substantial citizen of the great commonwealth of Missouri? This kind of ready eloquence took with the crowd, and it was soon found that the man who had brought the report was unknown to the people of Booneville. He was unable to give a satisfactory account of himself or to prove that he ever owned a slave. Our trouble seemed to be rapidly clearing away when one of the natives, who had been quietly investigating the caravan, brought the stirring news that he had discovered the stolen negro. Then all was excitement again, and the strain was even more intense than before, for, hidden away in one of the wagons was a black man! This mysterious evidence of guilt dumbfounded every attachÉ of the show save the manager, who continued to maintain his splendid nerve in the presence of a half a hundred rifles. Every instant I expected the shooting to begin. Once more, however, Mr. Butler caught the attention of the leader and fired at the man claiming the negro a question which made the fellow turn pale. On his answer depended the issues of peace or conflict. To the surprise of the Missourians, our accuser broke down and confessed that the affair was a scheme laid by himself and the negro to blackmail from the circus manager a large sum of money. They planned that the negro should make his presence known to some citizen while the white man should circulate the rumor that his slave had been stolen by the showman. Then the white man was to go to Mr. Butler and threaten him with the wrath of the people unless a large sum was paid him to quiet the matter and make his peaceable departure with the slave. But the would-be blackmailer had started a larger fire than he had counted on and had become frightened at his own work. The moment his confession was made the mob turned upon him as fiercely as it had first started for us. Then our manager once more stepped forward and urged the cooler members of the posse to hasten the white man and negro inside the protecting walls of the jail. This they did in a hurry—and just in the nick of time, too; for the delay of a moment would have resulted in a lynching. This episode won us the admiration and respect of the rough men who had met us with loaded rifles, and we were feasted on yellow-leg chickens, hickory-cured ham, wild honey and all the delicacies that the southern planters "set out" for their guests. HORSE THIEVES IN THE CIRCUS It was on this trip into Missouri that we met with a very serious loss which almost crippled us for a time. The baggage train had passed en route to the city where we were to exhibit, leaving the performers, the band and ring horses, as is the custom, to follow in the rear. We had about twenty horses and ponies of great value, and of invaluable use in the show. One morning, just at daylight, the men who had charge of these horses were attacked by a gang of horse thieves, and the entire lot was taken from them. Our men were left wounded and bound with cords, lying by the wayside. Meanwhile, the tents and other paraphernalia were already in the village, awaiting the arrival of the horses. The time for the show to begin came, but still no horses appeared, and the crowds, assembled to see the performing animals, were growing impatient. While we were in this embarrassing predicament, a citizen came riding up in hot haste, stating that he had seen and released some men who had said their horses had been stolen and who begged him to come into town and report the loss to the managers. When this news was received, it was immediately communicated to the expectant, impatient audience; but being naturally suspicious of all mankind, and especially of circus men, they thought it was a "sell" and a "Yankee trick"; but when once they were made to believe the true facts of the case they rose as one man and mounted their horses to overtake the marauders and punish them. But the thieves, having had several hours start, escaped, and after several days' search the chase was finally abandoned, and we were obliged to proceed on our way without our horses. Horse thieves in those days were very common, and were a continual annoyance to the planters and farmers, and had our thieves been captured, they would have been summarily dealt with. Naturally, we were very much crippled with our loss; but soon the fertile brain of some of our performers secured us a means of recovering from this calamity, and we were provided with other horses which we used as substitutes for the beautiful and (for those days) highly-trained animals which had been stolen. II THE PERILOUS BUSINESS OF STOCKING A MENAGERIE There are at least two features of the show business which are seldom exaggerated, no matter how capable the showman may be at blowing his own horn or how brilliant may be the accomplishments of his advertising man as a professional prevaricator. These features are the great cost of stocking a menagerie and the danger attending the capture and handling of the savage creatures. Few people not in the business have any idea what it costs to get together and maintain a large collection of animals. Perhaps the only reason why these phases of the business have not been magnified by the eloquent pens and tongues of the advance men is because they are well-nigh incapable of exaggeration. The plain truth concerning them is as astonishing and sensational as would be any addition thereto, and consequently the advertising men have been tempted to regard this as a field which does not invite a display of their special talents. I know of one showman who paid $10,000 for a hippopotamus. This figure would have been as effective for advertising purposes as twice that amount—and yet I do not recall that this price was made much of in the advertising put out by the proprietor. At the time I went into the great New York Aquarium enterprise I remember having one day figured up the amount which I had paid Reiche Brothers, then the leading animal dealers of the world. It reached the neat sum of half a million dollars. This, however, was but a fraction of the fortune I had been called upon to invest in wild animals. Besides buying from other dealers, I had been interested in several independent animal hunting expeditions to Africa. This was a tremendously expensive experience, and led me to a willingness to pay the very large profits demanded by the established animal houses rather than attempt to go into the forests and jungles with my own expeditions. These houses were able to employ educated Germans who delighted in the adventure, and they saved us time, anxiety and money. BEASTS AT WHOLESALE In this particular branch of trade Germans take the lead. Charles Reiche, the New York partner, came to this country a very poor boy, and began peddling canaries, bullfinches, and other songbirds. He made his start in 1851 when he went to California by way of the Isthmus of Panama, and employed natives to carry the living freight on their backs. He marched with his men and carried a heavier burden than any servant in the caravan. His only great competitors were the Hagenbacks, of Hamburg. Since the death of the Reiche Brothers, the Hagenbacks have almost monopolized the trade, supplying the menageries and zoological gardens of the world. The Reiche Brothers left an enormous fortune made from this humble beginning. There is something thrilling in the thought of the lives that have been lost, the sufferings and hardships endured, the perils encountered, and the vast sums of money expended in the capture and transportation of wild animals for the menageries, museums and zoological gardens. Indeed, the business has been so exclusively in the hands of two very quiet gentlemen, whose agencies cover nearly half the globe, that beyond the managers of gardens and shows, only a very limited number of persons have any conception of the extent of their operations. THE PROFESSIONAL ANIMAL HUNTER The head of the Reiche firm, and its directing spirit, was Mr. Charles Reiche, who was well educated and had traveled widely. His New York establishment was each day passed unnoticed by thousands of pedestrians, yet from it wild animals were supplied to almost every traveling show in the United States. The great supply depot for this country was in Hoboken. Henry Reiche, his brother, lived in Germany, where they had a large supply farm for all the world, with accommodations and appliances for keeping almost every bird, beast and reptile produced by any country or clime of the world. They were ready at any time to fill an order for anything, from a single canary to a flock of ostriches, or from a field-mouse to an elephant. Africa, the home of the most fiercely voracious animals, was their most extensive field for operations. In it they had many stations, with sheiks or chiefs in their employ, and standing rewards offered to natives for choice specimens of rare birds or beasts. During nine months of every year they had a band of experienced white African hunters traveling from station to station, overseeing and directing the work of the natives, and capturing elephants, lions, leopards, tigers and such other beasts as they might be instructed to obtain. The company, usually composed of four or six, and never more than eight, was under the command of Charles Lohse, a veteran hunter and trapper, and started from Germany about the first of September and generally returned from Africa early in June. During the remaining three months of the year, the rainy season, the climate is so unhealthful that it is almost certain death for a white man to remain in Africa. STRIKING INTO THE INTERIOR Starting from Germany, the hunters used to take a complete outfit of clothing and firearms, gifts for the chiefs, and from seven to twelve thousand dollars in drafts and letters of credit. They would go to Trieste, thence to Corfu, in Greece, thence to Alexandria, and by rail to Suez. There they would exchange their money for Austrian silver dollars, the only coin known to the Arabs and sheiks of Africa. A Bank of England note was valueless to them, and the brightest specimen of an American gold eagle would not buy the meanest ring-tailed monkey. They next took the Turkish steamer to Judda and thence to Sarachin, the last station before they commenced their long, tiresome and dangerous march across the Nubian Desert. For this undertaking they bought camels, water and provisions, and hired such of the sheiks and other natives as they needed, the latter being cheap enough, generally costing five dollars, and occasionally seven dollars, each for the trip across the desert. When the caravan arrived at its destination the poor fellows were left to get back as best they could. In this manner they traveled to Honiahn, the principal station of the company in Africa, where the distinctions of caste are strictly maintained. HUNTERS' LIFE IN THE JUNGLE Every white man had a "mansion," which consisted of a straw house about twenty feet wide by thirty feet deep, and was divided into two rooms. In such houses they lived and slept, and in one of them they kept the money which had been brought across the desert in trunks on the backs of camels. No attempt was made to hide it, nor was there any secrecy as to where it was packed during the long journey. So honest were the native blacks that not a dollar was lost by carelessness or theft. Frequently there would be ten thousand of these silver dollars in the hut, with only one or two white men in camp, surrounded by negroes, Arabs and half-breeds; yet no attempt at robbery was ever made. The half-civilized natives, knowing they were not entitled to a dollar until they had earned it, never tried to get it in any other way. The natives slept where and as they pleased, and three times a day were given a fair supply of Indian corn, which they would grind and, after adding a little water, would cook over their own fires, making a sort of biscuit. The white men had negro cooks and lived luxuriously. They had eggs, coffee and Indian corn biscuit for breakfast, with a broiled chicken for a relish whenever desired. For dinner, maize and beef or mutton made up the usual bill of fare. A well-conditioned ox cost only four dollars, and a "good eating-goat" was to be had for fifty cents. No meal was complete without plenty of onions. After supper, the German hunter's inseparable evening friend, his long-stemmed china pipe, invariably appeared. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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