About forty miles, in a south-westerly direction from Rouen, upon the right bank of the Seine, and on the western frontiers of the ancient duchy of Normandy, stands the town of Great Andelys, so called, not by reason of its own positive magnitude, but to distinguish it from a village of the same name, situated in its immediate vicinity.

In early times, few places could boast to a greater degree than Andelys, “the odor of sanctity.” It was indebted for its celebrity, and, probably also, for its existence, to a nunnery, founded here by St. Clotilda, which, in the seventh century, the time of the venerable Bede, enjoyed the highest reputation. But its fame was short-lived: it fell during the incursions of the Normans, and, unlike most others, seems to have possessed none of the phoenix-power of reviviscence. In its place, arose afterwards, a collegiate church, which M. de Harlay, Archbishop of Rouen, by a formal act, dated 1634, honored with the title of first collegiate church of the diocese. The distinction, thus obtained, was due not only to its antiquity, but to the unusual number of its ecclesiastics, particularly those who composed its chapter.

Though St. Clotilda's convent, however, was destroyed, the inhabitants of Andelys continued to enjoy her especial protection. The church was under her invocation; but her favor was more eminently vouchsafed to an ancient chapel and an adjacent fountain, both of which bore her name. The latter was, from the earliest times, celebrated for its miraculous qualities in the cure of various disorders; and it continues to be so to the present day. St. Clotilda, at the period of the erection of the monastery, turned its waters into wine, for the benefit of the fainting workmen. The clergy of Andelys, in commemoration of the miracle, used annually, before the revolution, upon the return of her festival, to pour large pitchers of wine into the spring. During the revolutionary fervor, St. Clotilda, together with the rest of the Romish hierarchy, lost her credit in France. She is now rapidly recovering it: miracles are again wrought at her shrine; and, in all probability, the time is not far distant, when the belief will be as strong, the processions as splendid, the throng of votaries as great, and the cures as certain, as ever. It is only to be hoped, that the good sense and the superior morality of the age, may prevent the recurrence of those indecent and scandalous scenes, which, we are told by eye-witnesses, were formerly too often practised on the occasion. Human nature must be strangely altered, before the mind of man will cease to prefer the surfeit of superstition, to the wholesome diet of sound religion: no one, but a fool or a rogue, would ever advise it to have recourse to the starvation of infidelity.

At the close of the eleventh century, Andelys appears with some historical notoriety, in the well-known exchange made between Richard Coeur-de-Lion and Walter, Archbishop of Rouen; when the king, desirous, as he states, to prevent the incursions of the enemy into his duchy, purchased of the prelate the town and manor of Andelys, by the cession of the towns of Dieppe, Bouteilles, and Louviers, together with the forest of Aliermont, and the mills of Rouen. The bargain was a hard one; but the erection of ChÂteau Gaillard, in the immediate vicinity of Andelys, proved the correctness of the monarch's views. A subsequent treaty,[18] executed in the year 1200, between King John and the same archbishop, confirmed the exchange.

In modern times, Andelys has been celebrated on no other account, than as the birth-place of Poussin and Adrian Turnebus, and as the burial-place of Corneille.

The Great House at Andelys, the subject of the plate, existed in 1818, as it is here represented, shorn, indeed, of much of its ancient splendor, reduced from the residence of a nobleman to a granary, and most probably curtailed of full two-thirds of its size, as retaining apparently little more than that portion of the square which fronted the court-yard, together with a small part of one of its wings. It can now (in 1821) only be spoken of as a building that did exist: last year saw it levelled with the ground. The following description of it is transcribed from Mr. Turner's Tour in Normandy:[19] “Andelys possesses a valuable specimen of ancient domestic architecture. The Great House is a most sumptuous mansion, evidently of the age of Francis I.; but I could gain no account of its former occupants or history. I must again borrow from my friend's vocabulary, and say, that it is built in the ‘Burgundian style.’ In its general outline and character, it resembles the house in the Place de la Pucelle, at Rouen. Its walls, indeed, are not covered with the same profusion of sculpture: yet, perhaps, its simplicity is accompanied by greater elegance.—The windows are disposed in three divisions, formed by slender buttresses, which run up to the roof. They are square-headed, and divided by a mullion and transom.—The portal is in the centre: it is formed by a Tudor arch, enriched with deep mouldings, and surmounted by a lofty ogee, ending with a crocketed pinnacle, which transfixes the cornice immediately above, as well as in the sill of the window, and then unites with the mullion of the latter.—The roof takes a very high pitch.—A figured cornice, upon which it rests, is boldly sculptured with foliage.—The chimneys are ornamented by angular buttresses.—All these portions of the building assimilate more or less to our Gothic architecture of the sixteenth century; but a most magnificent oriel window, which fills the whole of the space between the centre and the left-hand divisions, is a specimen of pointed architecture in its best and purest style. The arches are lofty and acute. Each angle is formed by a double buttress, and the tabernacles affixed to these are filled with statues. The basement of the oriel, which projects from the flat wall of the house, after the fashion of a bartizan, is divided into compartments, studded with medallions, and intermixed with tracery of great variety and beauty. On either side of the bay, there are flying buttresses of elaborate sculpture, spreading along the wall.—As, comparatively speaking, good models of ancient domestic architecture are very rare, I would particularly recommend this at Andelys to the notice of every architect, whom chance may conduct to Normandy.—This building, like too many others of the same class in our own counties of Norfolk and Suffolk, is degraded from its station. The great house is used merely as a granary, though, by a very small expense, it might be put into habitable repair. The stone retains its clear and polished surface; and the massy timbers are undecayed.—The inside corresponds with the exterior, in decorations and grandeur: the chimney pieces are large and elaborate, and there is abundance of sculpture on the ceilings and other parts which admit of ornament.”