A man walks down a quiet street. I.I was at one time employed in a government office. Every day from ten o’clock until four I became a voluntary prisoner in a depressing office, adorned with yellow pasteboard boxes, and filled with the musty odor of old papers. There I lunched on Italian cheese and apples which I roasted at the grate. I read the morning papers, even to the advertisements; I rhymed verses, and I attended to the affairs of state to the extent of drawing at the end of each month I recall to-day one of my companions in captivity at that epoch. He was called Achille Meurtrier, and certainly his fierce look and tall form seemed to warrant that name. He was a great big fellow, about forty years old, not too much chest or shoulders, but who increased his apparent size by wearing felt hats with wide brims, ample and short coats, large plaid trousers, and neckties of a sanguine red under rolling collars. He wore a full beard, long hair, and was very proud of his hairy hands. The chief boast of Meurtrier, otherwise the best and most amiable of companions, was to trifle with an athletic constitution, to possess the biceps of a prize-fighter, and, as he said himself, not to know his own strength. He never made a gesture, even in the exercise of his peaceful profession, that did not I ought to say that this robust creature inspired me with a profound respect, for I was then, even more than to-day, physically weak and delicate, and in consequence filled with admiration for that energetic physique which I lacked. The conversations of Meurtrier were not In the summer, above all, on Monday mornings, when we had returned to the office after our Sunday holiday, he had an inexhaustible fund of stories concerning his adventures and feats of strength. After taking off his felt-hat, his coat, and his vest, and wiping the perspiration from his forehead with the sleeve of his shirt, to indicate his sanguine and ardent temperament, he would thrust his hands deep in the pockets of his trousers, and, standing near me in an attitude of perpendicular solidity, begin a monologue something as follows: “What a Sunday, my boy! Positively no fatigue can lay me up. Think of it: yesterday was the regatta at Joinville-le-Pont; at six o’clock in the morning the rendezvous at Bercy, at The Mariners, for the crew of the Marsouin; the sun is up; a glass of white wine and we jump into our rowing suits, seize an A bearded man stands with his hands in his pockets, feet wide apart.So the description would continue—dazzling, Homeric. “It is the hour for the regatta—noon—the sun just overhead. The boats draw up in line on the sparkling river, before a tent gaudy with streamers. On the bank the mayor with his staff of office, gendarmes in yellow shoulder-belts, and a swarm of summer dresses, open parasols, However painful it may be to confess an unworthy sentiment, I am obliged to say that my admiration for Meurtrier was not unmixed with regret and bitterness. Perhaps there was mingled with it something of envy. But the recitation of his most marvellous II.At this time I was a great wanderer in the suburbs, and I occupied the leisure of my summer evenings by solitary walks in those distant regions, as unknown to the Parisians of the boulevards as the country of the Caribbees, and of whose sombre charm I endeavored later to tell in verse. One evening in July, hot and dusty, at the hour when the first gas-lights were beginning to twinkle in the misty twilight, I was walking slowly from Vaugirard through one of those long and depressing suburban streets lined on each side by houses of unequal height, whose porters and porteresses, in Stumbling now and then on the pavement—for asphalt is an unknown luxury in these places—I went down the street, tasting all the delights of a stroller. Sometimes I stopped before a vacant lot to watch, through the broken boards of the fence, the fading glories of the setting sun and the black silhouettes of the chimneys thrown against a greenish sky. Sometimes, through an open window on the ground-floor, I caught sight of an interior, picturesque and familiar: here Suddenly I stopped. One of these personal pictures had caught my eye by its domestic and charming simplicity. She looked so happy and peaceful in her quiet little room, the dear old lady in her black gown and widow’s cap, leaning back in an easy-chair covered with green Utrecht velvet, and sitting quietly with her hands folded on her lap. Everything around her was so old and simple, and seemed to have been preserved, less through a wise economy than on account of hallowed memories, since the honey-moon with monsieur of the high An old woman naps in a chair next to a piano. By two lamps on the mantle-shelf every detail of the old-fashioned furniture could be distinguished, from the clock on a fish of artificial and painted marble to the old and antiquated piano, on which, without doubt, as a young girl, in leg-of-mutton sleeves and with hair dressed À la Grecque, she had played the airs of Romagnesi. Absorbed by the contemplation of a scene so sympathetic, and by the pleasure of imagining that humble poem, I remained standing some steps from the open window, sure of not being noticed in the dusky street, when I saw a door open and there appeared—oh, how far he was from my thoughts at that moment—my friend Meurtrier himself, the formidable hero of tilts on the river and frays in unknown places. It was indeed he. His terrible hairy hand held a tiny silver coffee-pot, and he was followed by a poodle which greatly embarrassed his steps—a valiant and classic poodle, the poodle of blind clarionet-players, a poor beggar’s poodle, a poodle clipped like a lion, with hairy ruffles on his four paws, and a white mustache like a general of the Gymnase. “Mamma,” said the giant, in a tone of ineffable tenderness, “here is your coffee. I am sure that you will find it nice to-night. The water was boiling well, and I poured it on drop by drop.” “Thank you,” said the old lady, rolling her easy-chair to the table with an air; “thank you, my little Achille. Your dear father said many a time that there was not my equal at making coffee—he was so kind and indulgent, the dear, good man—but I At that moment, and while Meurtrier was pouring out the coffee with all the delicacy of a young girl, the poodle, excited no doubt by the uncovered sugar, placed his forepaws on the lap of his mistress. “Down, MÉdor,” she cried, with a benevolent indignation. “Did any one ever see such a troublesome animal? A man in an apron pours liquid into a coffee pot.Look here, sir! you know very well that your master never fails to give you the last of his cup. By-the-way,” added the widow, addressing her son, “you have taken the poor fellow out, have you not?” “Certainly, mamma,” he replied, in a tone that was almost infantile. “I have just been to the creamery for your morning milk, and I put the leash and collar on MÉdor and took him with me.” “Don’t be disturbed. He doesn’t want anything.” Reassured on this point, important to canine hygiene, the good dame drank her coffee, between her son and her dog, who each regarded her with an inexpressible tenderness. It was assuredly unnecessary to see or hear more. I had already descried what a peaceful family life—upright, pure, and devoted—my friend Meurtrier hid under his chimerical gasconades. But the spectacle with which chance had favored me was at once so droll and so touching that I could not resist the temptation to watch for some moments longer. That indiscretion sufficed to show me the whole truth. Yes, this type of roisterers, who seemed to have stepped from one of the romances of Paul de Kock—this athlete, this despot of III.The next morning, on arriving at the office, I asked Meurtrier how he had employed the previous evening, and he instantly improvised, without a moment’s hesitation, an account of a sharp encounter on the boulevard at two in the morning, when he had knocked down with a single blow of his fist, having passed his thumb through the ring of his “Meurtrier, you are a hero!” A pot on a stove. |