A still life: books, papers, pen and ink, and a solitary rose lying across the papers. I knew the poet Louis Miraz very well, in the old times in the Latin Quarter, where we used to take our meals together at a crÉmerie on the Rue de Seine, kept by an old Polish woman whom we nicknamed the Princess Chocolawska, on account of the enormous bowl of crÉme and chocolate which she exposed daily in the show-window of her shop. It was possible to dine there for ten sous, with “two breads,” an “ordinaire for thirty centimes,” and a “small coffee.” Besides some young men who were destined to become geniuses, the ordinary guests of the crÉmerie were some poor compatriots of the proprietress, who had all to some extent commanded armies. There was, above all, an imposing and melancholy old fellow with a white beard, whose old befrogged cloak, shabby boots, and old hat, which looked as if snails had crawled over it, presented a poem of misery, and whom the other Poles treated with a marked respect, for he had been a dictator for three days. It was, moreover, at the Princess Chocolawska’s that I knew a singular fool, who gained his bread by giving German lessons, and declared himself a convert to Buddhism. On the mantle of the miserable room, where he lived with a milliner of Saint-Germain, was enthroned an ugly little Buddha in jade, As to Louis Miraz, he had the deep eyes, the pale complexion, and the long and dishevelled hair of all those young men who come to town in third-class carriages to conquer glory, who spend more for midnight oil than for beefsteaks, and who, rich already with some manuscripts, have thrown out to great Paris from the height of some hill in its environs the classic defiance of Rastignac. At that time my hair was archaic Two men having a conversation at a table. Seriously, they were fresh and charming verses, with the inspiration of spring-tide, having the perfume of the first lilacs, and Forest Birds (the title of that collection of poems which Louis Miraz published a little For Miraz wrote no more verse. A young eaglet seeking the upper air, he made his eyrie on the summit of Montmartre, and for quite a while we lost sight of him. Then I found his name again in Sunday journals and reviews, when he began to write those short and exquisite sketches which have made his reputation. Thus five years passed, when I met him one day in the editor’s office of a journal for which I worked. Each of us was as much pleased as the other at thus meeting again; and after the first “What, is that you? Is that you?” we stood facing each other, shaking hands, and exposing, in a laugh of cordial delight, our teeth, which in old times we used to exercise “We won’t drift apart again, will we?” said he, affectionately, taking me by the arm; and he led me out in the boulevard, where the April sun gilded the young leaves of the plane-trees. Ah, happy day! How we exhausted the “Don’t you remembers?” “Do you remember the fried eggs which tasted of straw, and the dreadful rice-milk of the Princess Chocolawska? and the melancholy air of the old dictator? and the German who used to pawn his god every three months?” At last those days of hardship were finished. He had from afar applauded my success, as I “Come and see them; you shall dine with me.” I let myself be persuaded, and he carried me down to the Enclos des Ternes, where he lived in a cottage among the trees. There everything made you welcome. No sooner had we opened the door of the garden than a young dog frisked about our feet. “Down, Gavroche! He will soil your clothes.” But at the sound of the bell Madame Miraz appeared at the steps with her little daughter in her arms. An imposing and beautiful blond, her well-moulded figure wrapped in a blue gown. “Put on a plate more. I’ve an old comrade with me.” “This is only a beginning, you know. It wasn’t so long ago that we were working for three sous a line.” And while I luxuriated under a blossoming Judas-tree which I saw in the garden, Miraz, at ease in his home, had slipped into his working-vest, put on his slippers, and, lying on his sofa, caught little Helen in his arms to toss her in the air—“Houp la! Houp la!” I do not remember ever to have had a more perfect impression of contentment. We dined pleasantly—two good courses, We took our coffee in the study—they intended to furnish the salon very soon with the price of a story to be published by Levy—then, as the evening was cool, a fire of sticks and twigs was built, and while we smoked, Miraz and I, recalling old memories, the mistress of the house, holding on her knees little Helen, now ready for bed, made her repeat “Our Father” and “Hail Mary,” We saw each other again, often at first, then less frequently, the difficult and complicated life of literary labor taking us each his own way. So the years passed. We met, shook hands. “Everything going well?” “Splendidly.” And that was all. Then, later, I found the name of Louis Miraz but rarely in the journals and periodicals. “Happy man; he is resting,” I said to myself, remembering that he was spoken of as having made a small fortune. Finally, last autumn, I learned that he was seriously ill. I hurried to see him. He still lived at the Enclos des Ternes; but on this sombre day of the last of November the little house seemed cold, and looked naked among the leafless trees. It seemed to me shrunken and diminished, like everything that we have not seen for a long time. It was not Madame Miraz—she was absent—it was Helen who received me, Helen, who had grown to be a great girl of fourteen, with an awkward manner. She opened for me the door of her father’s study, and brusquely lifting her great black eyelashes, turned on me a timid and distressed glance. I found Miraz huddled in an easy-chair in the corner of the fireplace, wrapped in a sort of bed-gown, with gray locks streaking his long hair; and by the cold, clammy hand which he reached towards me, by the pallid face which he turned upon me, I knew that he was lost. Horrible! I found in my unhappy comrade that worn and ruined look A man in robe and slippers naps in a chair in a study. “Ah, well, old man, things are not going well?” “Deucedly bad, my boy,” he answered, with a heart-breaking smile. “I am going out stupidly with consumption, as they do in the fifth act, you know, when the venerable doctor, with a head like BÉranger, feels the first walking gentleman’s pulse, and lifts his eyes towards heaven, saying, ‘The death-struggle I tried to find encouraging words. I talked with him, holding him by the hand and patting him affectionately on the shoulder; but my voice had in my own ears the empty hollowness of deceit, and Miraz, looking at me, seemed to pity my efforts. I was silent. “Look,” said he, pointing to his table; “see my work-bench. For six months I have not been able to write.” It was true. Nothing could be more sad than that heap of papers covered with dust, and in an old Roman plate there was a bundle of pens, crusted with ink, and like those trophies of rusty foils which hang on the walls of old fencers. But he stopped me, putting his hand on my arm. “Listen,” he said, gravely, “we have seen each other seldom, but you are my oldest, perhaps my best, friend. You have proved me pen in hand. Well, I am going to tell you something in confidence, for you to keep to yourself, unless it may serve on some occasion to discourage the young literary aspirants who bring their manuscripts to you—always a praiseworthy action. Yes, I have been successful. Yes, I have been paid a franc a line. Yes, I have made money, and there in that drawer are a certain number of yellow, green, and red papers from which a bit is clipped every six months, Fifteen days later some thirty of us followed the hearse which carried Louis Miraz to the Cemetery Montmartre. It had snowed the day before, and Doctor Arnould, the old frequenter of painters’ studios, the friend “Very commonplace, but always terrible the contrast: a burial in the snow—black on white. The Funeral of the Poor, by the late Vigneron, isn’t to be ridiculed. Brr!” At last we came to the edge of the grave. The place and the time were sad. Under a cloudy sky the little yew-trees, swayed by the wind, threw down their burdens of melted snow. The by-standers had formed a circle, and were watching the grave-diggers, who were lowering the coffin by cords. Near a cross-bearer, whose short surplice permitted the bottom of his trousers to be seen, the priest waited with a finger in his book; and, having grasped the rim of his hat under his left arm, the orator of the Society of Men of Letters already held in his black-gloved hand the funeral oration, hastily patched up by the aid of a comrade over a couple of glasses at the corner of a cafÉ table. “You know that he killed himself?” I looked at him with astonishment. But he pointed to the group in black, composed of Madame Miraz and her daughter, who were sobbing under their long veils and clasping each other in a tragic embrace, and he added, “For them. Yes, for six months he threw all his medicines in the fire, and designedly committed all sorts of imprudences. He confessed it to me before his death. I had not understood it at all—I, who had expected to prolong his life at least three years by creosote. At last the other night, when it was freezing cold, he left his window open, as if by forgetfulness, and was taken with bleeding at the lungs. Yes, that he might leave bread for those two women. The curÉ does not dream that he is blessing a A cemetary plot. |