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Note.—For the benefit of those not learned in Sixteenth-Century Music, it may be interesting to hint that the melody is written here for the Second Soprano, and to add, for their encouragement, that the experiment of performing this Madrigal, unaccompanied, with two ladies, and two male voices in the Alto parts, proved perfectly successful, thanks to the science of Mr Fuller-Maitland and the goodwill of the singers.
VIEW OF ROUEN, FROM THE ENGRAVING BY MÉRIAN IN 1620
THE COMMERCE OF ROUEN, FROM THE BAS-RELIEF BY
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