Hebrew god of War—SamaËl—The father’s blessing and curse—Esau—Edom—Jacob and the Phantom—The planet Mars—Tradesman and Huntsman—‘The Devil’s Dream.’ Who is this that cometh from Edom, In dyed garments from Bozrah? This that is glorious in his apparel, Travelling in the greatness of his strength? I who promise deliverance, mighty to save. Wherefore art thou red in thine apparel, And thy garments like him that treadeth the wine-vat? I have trodden the wine-press alone; And of the peoples there was none with me: And I will tread them in mine anger, And trample them in my fury; And their blood shall be sprinkled upon my garments, And I will stain all my raiment. For the day of vengeance is in my heart, And the year of mine avenged is come. And I looked, and there was none to help; And I wondered that there was none to uphold; Therefore mine own arm gained me the victory, And mine own fury, it upheld me. And I will tread down the peoples in mine anger, And make them drunk in my wrath, And will bring down their strength to the earth. This is the picture of the god of War. Upon it the comment in Emek Hammelech is: ‘The colour of the godless SamaËl and of all his princes and lords has the SamaËl is the mythologic expression and embodiment of the history of Esau, afterward Edom. Jacob and Esau represented the sheep and the goat, divided in the past and to be sundered for ever. As Jacob by covering his flesh with goat-skins obtained his father’s blessing due to Esau, the Israelites wandering through the wilderness (near Edom’s forbidden domain) seemed to have faith that the offering of a goat would convince his Viceroy Azazel that they were orthodox Edomites. The redness of SamaËl begins with the red pottage from which Esau was called Edom. The English version does not give the emphasis with which Esau is said to have called for the pottage—“the red! the red!” The characteristics It is interesting to observe the parting of the human and the theological myths in this story. Jacob is the third person of a patriarchal trinity,—Abraham the Heavenly Father, Isaac the Laugher (the Sun), and Jacob the Impostor or Supplanter. As the moon supplants the sun, takes hold of his heel, shines with his light, so does Jacob supplant his elder brother; and all the deadliness ascribed to the Moon, and other Third Persons of Trinities, was inherited by Jacob until his name was changed by euphemism. As the impartial sun shines for good and evil, the smile of Isaac, the Laugher, promised great blessings to both of his sons. The human myth therefore represents both of them gaining great power and wealth, and after a long feud they are reconciled. This feature of the legend we shall consider hereafter. Jehovah has another interest to be secured. He had declared that one should serve the other; that they should be cursed who cursed Jacob; and he said, ‘Jacob have I loved, Esau have I hated.’ Jahvistic theology had here something more important than two brothers to harmonise; namely a patriarch’s blessing and a god’s curse. It was contrary to all orthodoxy that a man whom Jehovah hated should possess the blessings of life; it was equally unorthodox that a father’s blessing should not carry with it every advantage promised. It had to be recorded that Esau became powerful, lived by his sword, and had great possessions. It had also to be recorded that ‘Edom revolted from under the hand of Judah and made a king unto themselves,’ Answers to such problems as these evolve themselves slowly but inevitably. The agonised cry of the poor girl in Browning’s poem—‘There may be heaven, there must be hell’—marks the direction in which necessity led human speculation many ages before her. A future had to be invented for the working out of the curse on Esau, who on earth had to fulfil his father’s blessing by enjoying power, wealth, and independence of his brother. In that future his greatness while living was repaid by his relegation to the desert and the rock with the he-goat for his support. Esau was believed to have been changed into a terrible hairy devil. Jacob’s share began with a shrewd bargain with his imprudent brother. Jacob by his cunning in the breeding of the streaked animals (Gen. xxx.), by which he outwitted Laban, and other manoeuvres, was really the As I write, fiery Mars, near enough for the astronomer to detect its moons, is a wondrous phenomenon in the sky. Beneath it fearful famine is desolating three vast countries, war is raging between two powerful nations, and civil strife is smiting another ere it has fairly recovered from the wounds of a foreign struggle. The dismal conditions seem to have so little root in political necessity that one might almost be pardoned even now for dreaming that some subtle influence has come among men from the red planet that has approached the earth. How easy then must it have been in a similar conjunction of earthly and celestial phenomena to have imagined SamaËl, the planetary Spectre, to be at work with his fatal fires! Whatever may have been the occasion, the red light of Mars at an early period fixed upon that planet the odium of all the burning, blighting, desert-producing powers of which it was thought necessary to relieve the adorable Sun. It was believed that all ‘born under’ that planet were quarrelsome. And it was part of the popular Jewish belief in the ultimate triumph of good over evil that under Mars the Messias was to be born. We may regard Esau-SamaËl then as the Devil of Strife. His traditional son Cain was like himself a ‘murderer from the beginning;’ In process of time benignant Peace dwelt more and more with the agriculturists, but still among the Israelites the tradesman was the ‘coming man,’ and to him peace was essential. The huntsman, of the Esau clan, figures in many legends, of which the following is translated from the Arabic by Lane:—There was a huntsman who from a mountain cave brought some honey in his water-skin, which he offered to an oilman; when the oilman opened the skin a drop of honey fell which a bird ate; the oilman’s cat sprang on the bird and killed it; the huntsman’s hound killed the cat; the oilman killed the dog; the huntsman killed the oilman; and as the two men belonged to different villages, their inhabitants rose against each other in battle, ‘and there died of them a great multitude, the number of whom none knoweth but God, whose name be exalted!’ Esau’s character as a wild huntsman is referred to in another chapter. It is as the genius of strife and nomadic war that he more directly stands in contrast with his ‘supplanter.’ From the wild elemental demons of storm and tempest of the most primitive age to this Devil of Strife, the human mind has associated evil with unrest. ‘The wicked are like the troubled sea when it cannot rest.’ Such is the burthen of the Japanese Oni throned in the heart of the hurricane, of the wild huntsman issuing forth at the first note of war, of Edom hating the victories There all is solemn idleness: no music here, no jars, Where Silence guards the coast, e’er thrill her everlasting bars. No sun here shines on wanton isles; but o’er the burning sheet A rim of restless halo shakes, which marks the internal heat; As, in the days of beauteous earth, we see with dazzled sight The red and setting sun o’erflow with rings of welling light. Oh! here in dread abeyance lurks of uncreated things The last Lake of God’s Wrath, where He His first great Enemy brings. Deep in the bosom of the gulf the Fiend was made to stay, Till, as it seemed, ten thousand years had o’er him rolled away; In dreams he had extended life to bear the fiery space; But all was passive, dull, and stern within his dwelling-place. Oh! for a blast of tenfold ire to rouse the giant surge, Him from that flat fixed lethargy impetuously to urge! Let him but rise, but ride upon the tempest-crested wave Of fire enridged tumultuously, each angry thing he’d brave! The strokes of Wrath, thick let them fall! a speed so glorious dread Would bear him through, the clinging pains would strip from off his head. The vision of this Last Stern Lake, oh! how it plagued his soul, Type of that dull eternity that on him soon must roll, When plans and issues all must cease that earlier care beguiled, And never era more shall stand a landmark on the wild: Nor failure nor success is there, nor busy hope nor fame, But passive fixed endurance, all eternal and the same. |