DorÈ’s ‘Love and Fate’—Moira and MoirÆ—The ‘Fates’ of Æschylus—Divine absolutism surrendered—Jove and Typhon—Commutation of the Demon’s share—Popular fatalism—Theological fatalism—Fate and Necessity—Deification of Will—Metaphysics, past and present. Gustave DorÈ has painted a picture of ‘Love and Fate,’ in which the terrible hag is portrayed towering above the tender Eros, and while the latter is extending the thread as far as he can, the wrinkled hands of Destiny are the boundaries of his power, and the fatal shears close upon the joy he has stretched to its inevitable limit. To the ancient mind these two forms made the two great realms of the universe, their powers meeting in the fruit with a worm at its core, in seeds of death germinating amid the play of life, in all the limitations of man. They are projected in myths of Elysium and Hades, Eden and the Serpent, Heaven and Hell, and their manifold variants. Perhaps there is no one line of mythological development which more clearly and impressively illustrates the forces under which grew the idea of an evil principle, than the changes which the personification of Fate underwent in Greece and Rome. The Moira, or Fate with Homer, is only a secondary cause, if that, and simply carries out the decrees of her father, Zeus. Zeus is the real Fate. Nevertheless, Chorus. Who, then, is the guide of Necessity? Prometheus. The tri-form Fates and the unforgetting Furies. Cho. Is Zeus, then, less powerful than they? Prom. At least ‘tis certain he cannot escape his own doom. Cho. And what can be Zeus’ doom but everlasting rule? Prom. This ye may not learn; press it not. Cho. Surely some solemn mystery thou hidest. Prom. Turn to some other theme: for this disclosure time has not ripened: it must be veiled in deep mystery, for by the keeping of this secret shall come my liberty from base chains and misery. These great landmarks represent successive revolutions in the Olympian government. Absolutism became burthensome: as irresponsible monarch, Zeus became responsible for the woes of the world, and his priests were satisfied to have an increasing share of that responsibility allotted to his counsellors, until finally the whole of it is transferred. From that time the countenance of Zeus, or Jupiter, shines out unclouded by responsibility for human misfortunes and earthly evils; and, on the other hand, the Moira means ‘share,’ and originally, perhaps, meant simply the power that meted out to each his share of life, and of the pains and pleasures woven in it till the term be reached. But as the Fates gained more definite personality they began to be regarded as having also a ‘share’ of their own. They came to typify all the dark and formidable powers as to their inevitableness. No divine power could set them aside, or more than temporarily subdue them. Fate measured out her share to the remorseless Gorgon as well as to the fairest god. But where destructive power was exercised in a way friendly to man, the Fates are put somewhat in the background, and the feat is claimed for some god. Such, in the ‘Prometheus’ of Æschylus, is the spirit of the wonderful passage concerning Typhon, rendered with tragic depth by Theodore Buckley:—‘I commiserated too,’ says the rock-bound Prometheus, ‘when I beheld the earth-born inmate of the Cilician caverns, a tremendous prodigy, the hundred-headed impetuous Typhon, overpowered by force; who withstood all the gods, hissing slaughter from his hungry jaws, and from his eyes there flashed a hideous glare as if he would perforce overthrow the sovereignty of Jove. But the sleepless shaft of Jupiter came upon him, the descending thunderbolt breathing forth flame which scared him out of his presumptuous bravadoes; for having been smitten to his very soul he was crumbled to a cinder, and thunder-blasted in his prowess. And now, a hapless and paralysed form, is he lying hard by a narrow frith, pressed down beneath the roots of Ætna. And, seated on the In this passage we see Jove invested with the glory of defeating a great demon; but we also recognise the demon still under the protection of Fate. Destiny must bear that burthen. So was it said in the Apocalypse Satan should be loosed after being bound in the Pit a thousand years; and so Mohammed declared Gog and Magog should break loose with terror and destruction from the mountain-prison in which Allah had cast them. The destructive Principle had its ‘share’ as well as the creative and preservative Principles, and could not be permanently deprived of it. Gradually the Fates of various regions and names were identified with the deities, whose interests, gardens, or treasures they guarded; and when some of these deities were degraded their retainers were still more degraded, while in other cases deities were enabled to maintain fair fame by fables of their being betrayed and their good intentions frustrated by such subordinates. Thus we find a certain notion of technical and official power investing such figures as Satan, Ahriman, Iblis, and the Dragon, as if the upper gods could not disown or reverse altogether the bad deeds done by these commissioners. But the large though limited degree of control necessarily claimed for the greatest and best gods had to be represented theologically. Hence there was devised a system of Commutation. The Demon or Dragon, though abusing his power, could not have it violently withdrawn, but might be compelled to accept some sacrifice in lieu of the precise object sought by his voracity. These substitutions The ancient Babylonian charms often end with the refrain:—‘May the enchantment go forth and to its own dwelling-place betake itself,’ Every evil spirit was supposed to have an appropriate dwelling, as in the case of Judas, into whom Satan entered, So is it in regions and times which we generally think of as semi-barbarous. But every now and then communities which fancy themselves civilised and enlightened are brought face to face with the popular fatalism in its pagan form, and are shocked thereat, not remembering that it is equally the dogma of vicarious satisfaction or atonement. A lady residing in the neighbourhood of the Traunsee, Austria, informs me that recently two men were nearly drowned in that lake, being rescued at the last moment and brought to life with great difficulty. But this incident, instead of causing joy among the neighbours of the men, excited their displeasure; and this not because the rescued were at all unpopular, but because of a widespread notion that the Destinies required two lives, that they would have to be presently satisfied with two others, and that since the agonies of the drowning men had passed into unconsciousness, it would have been better to While the early mythological forms of the Fates diminish and pass away as curious superstitions, they return in metaphysical disguises. They gather their kindred in primitive sciences and cosmogonies, and finding their old home swept free of pagan demons, and, garnished with philosophic phrases, they enter as grave theories; but their subtlety and their sting is with them, and the last state of the house they occupy is worse than the first. Yes, worse: for all that man ever won of courage or moral freedom, by conquering his dragons in detail, he surrenders again to the phantom-forces they typified when he gives up his mind to belief in a power not himself that makes for evil. The terrible conclusion that Evil is a positive and imperishable Principle in the universe carries in it the poisonous breath of every Dragon. It lurks in all theology which represents the universe as an arena of struggle between good and evil Principles, and human life as a war of the soul against the flesh. It animates all the pious horrors which identify Materialism with wickedness. It nestles in the mind which imagines a personal deity opposed by any part of nature. It coils around every heart which adores absolute sovereign Will, however apotheosised. All of these notions, most of all belief in a supreme arbitrary Will, are modern disguises of Fate; and belief in Fate is the one thing fatal to human culture and energy. The notion of Fate (fatum, the word spoken) carries in it the conception of arbitrariness in the universe, of power deliberately exerted without necessary reference to the nature of things; and it is precisely opposed to that idea Metaphysics—which appear to have developed into the art of making things look true in words when their untruth in fact has been detected—have indeed already set about the task just predicted. Eminent divines are found writing about matter and spirit, freedom and natural law, as solemnly as if all this discussion were new, and had never been carried out to its inevitable results. They can only put in christian or modern phraseology conclusions which have been reached again and again in the history of human speculation. The various schools ‘As a king, whose son had strayed away from him and lived in ignorance of his father among the Veddahs (wild men), will, on discovering his son, exclaim, ‘Come to me, my darling son!’ and make him a participator of the happiness he himself enjoys, even so will the Supreme God present himself before the soul when in distress—the soul enmeshed in the net of the five Veddahs (senses), and, severing that soul from PÂsam (Matter), assimilate it to himself, and bless it at his holy feet.’ It is too late for man to be interested in an ‘omnipotent’ Personality, whose power is mysteriously limited at the precise point when it is needed, and whose moral government is another name for man’s own control of nature. Nevertheless, this Oriental pessimism is the Pauline theory of Matter, and it is the speculative protoplasm out of which has been evolved, in many shapes, that personification which remains for our consideration—the Devil. End of Vol. I. |