The Plague Phantom—Devil-dances—Destroying Angels—Ahriman in Astrology—-Saturn—Satan and Job—Set—The Fatal Seven—Yakseyo—The Singhalese Pretraya—Reeri—Maha Sohon—Morotoo—Luther on Disease-demons—Gopolu—Madan—Cattle-demon in Russia—Bihlweisen—The Plough. A familiar fable in the East tells of one who met a fearful phantom, which in reply to his questioning answered—‘I am Plague: I have come from yon city where ten thousand lie dead: one thousand were slain by me, the rest by Fear.’ Perhaps even this story does not fully report the alliance between the plague and fear; for it is hardly doubtful that epidemics retain their power in the East largely because they have gained personification through fear as demons whose fatal power man can neither prevent nor cure, before which he can only cower and pray. In the missionary school at Canterbury the young men prepare themselves to help the ‘heathen’ medically, and so they go forth with materia medica in one hand, and in the other an infallible revelation from heaven reporting plagues as the inflictions of Jehovah, or the destroying angel, or Satan, and the healing of disease the jealously reserved monopoly of God. The demonisation of diseases is not wonderful. To thoughtful minds not even science has dispelled the mystery which surrounds many of the ailments that afflict mankind, especially the normal diseases besetting children, hereditary complaints, and the strange liabilities to infection and contagion. A genuine, however partial, observation would suggest to primitive man some connection between the symptoms of many diseases and the mysterious universe of which he could not yet recognise himself an epitome. There were indications that certain troubles of this kind were related to the seasons, consequently to the celestial rulers of the seasons,—to the sun that smote by day, and the moon at night. Professor Monier Williams, describing the Devil-dances of Southern India, says that there seems to be an idea among them that when pestilences are rife exceptional measures must be taken to draw off the malignant spirits, supposed to cause them, by tempting them to enter into these wild dancers, and so become dissipated. He witnessed in Ceylon a dance performed by three men who personated the forms and phases of typhus fever. The influence of the Moon upon tides, the sleeplessness it causes, the restlessness of the insane under its occasional light, and such treacheries of moonshine as we have already considered, have populated our uninhabited satellite with demons. Lunar legends have decorated some well-founded suspicions of moonlight. The mother draws the curtain between the moonshine and her little Endymion, though not because she sees in the waning moon a pining Selene whose kiss may waste away the beauty of youth. A mere survival is the ‘bowing to the new moon:’ a euphonism traceable to many myths about ‘lunacy,’ among them, as I think, to Delilah (‘languishing’), in whose lap the solar Samson is shorn of his locks, leaving him only the blind destructive strength of the ‘moonstruck.’ In the purely Semitic theories of the Jews we find diseases ascribed to the wrath of Jehovah, and their cure to his merciful mood. ‘Jehovah will make thy plagues wonderful, All such ambiguities disappeared under the influence of Iranian dualism. In the Book of Job we find the infliction of diseases and plagues completely transferred to a powerful spirit, a fully formed opposing potentate. The ‘sons of God,’ who in the first chapter of Job are said to have presented themselves before Jehovah, may be identified in the thirty-eighth as the stars which shouted for joy at the creation. Satan is the wandering or malign planet which leads in the Ahrimanic side of the Persian planisphere. In the cosmographical theology of that country Ormuzd was to reign for six thousand years, and then Ahriman was to reign for a similar period. The moral associations of this speculation are discussed elsewhere; it is necessary here only to point out the bearing of the planispheric conception upon the ills that flesh is heir to. Ahriman is the ‘star-serpent’ of the Zendavasta. ‘When the pÂris rendered The dawn of Ormuzd corresponds with April. The sun returns from winter’s death by sign of the lamb (our Aries), and thenceforth every month corresponds with a thousand years of the reign of the Beneficent. September is denoted by the Virgin and Child. To the dark domain of Ahriman the prefecture of the universe passes by Libra,—the same balances which appear in the hand of Satan. The star-serpent prevails over the Virgin and Child. Then follow the months of the scorpion, the centaur, goat, &c., every month corresponding to a thousand years of the reign of Ahriman. While this scheme corresponds in one direction with the demons of cold, and in another with the entrance and reign of moral evil in the world, beginnings of disease on earth were also ascribed to this seventh thousand of years when the Golden Age had passed. The depth of winter is reached in domicile of the goat, or of Sirius, Seth, Saturn, Satan—according to the many variants. And these, under their several names, make the great ‘infortune’ of astrology, wherein old Culpepper amply instructed our fathers. ‘In the general, consider that Saturn is an old worn-out planet, weary, and of little estimation in this world; he causeth long and tedious sicknesses, abundance of sadness, and a Cartload of doubts and fears; his nature is cold, and dry, and melancholy. Many ages anterior to this began in India the dread of Strongly influenced as were the Jews by the exact division of the duodecimal period between Good and Evil, affirmed by the Persians, they never lost sight of the ultimate supremacy of Jehovah. Though Satan had gradually become a voluntary genius of evil, he still had to receive permission to afflict, as in the case of Job, and during the lifetime of Paul appears to have been still denied that ‘power of death’ which is first asserted by the unknown author of the Epistle to the Hebrews. A penitential Psalm (Assyrian) reads as follows:— O my Lord! my sins are many, my trespasses are great; and the wrath of the gods has plagued me with disease, and with sickness and sorrow. I fainted, but no one stretched forth his hand! I groaned, but no one drew nigh! I cried aloud, but no one heard! O Lord, do not abandon thy servant! In the waters of the great storm seize his hand! The sins which he has committed turn them to righteousness. This Psalm would hardly be out of place in the English burial-service, which deplores death as a visitation of divine wrath. Wherever such an idea prevails, the natural outcome of it is a belief in demons of disease. In ancient Egypt—following the belief in Ra the Sun, from whose eyes all pleasing things proceeded, and Set, from whose eyes came all noxious things,—from the baleful light of Set’s eyes were born the Seven Hathors, or Fates, whose names are recorded in the Book of the Dead. Mr. Fox Talbot has translated ‘the Song of the Seven Spirits:’— They are seven! they are seven! In the depths of ocean they are seven! In the heights of heaven they are seven! In the ocean-stream in a palace they were born! Male they are not: female they are not! Wives they have not: children are not born to them! Rule they have not: government they know not! Prayers they hear not! They are seven! they are seven! twice over they are seven! These demons have a way of herding together; the Assyrian tablets abundantly show that their occupation was manifested by diseases, physical and mental. One prescription runs thus:— The god (...) shall stand by his bedside: Those seven evil spirits he shall root out, and shall expel them from his body: And those seven shall never return to the sick man again! It is hardly doubtful that these were the seven said to The entrance of the seven evil powers into a dwelling was believed by the Assyrians to be preventible by setting in the doorway small images, such as those of the sun-god (Hea) and the moon-goddess, but especially of Marduk, corresponding to Serapis the Egyptian Esculapius. These powers were reinforced by writing holy texts over and on each side of the threshold. ‘In the night time bind around the sick man’s head a sentence taken from a good book.’ The phylacteries of the Jews were originally worn for the same purpose. They were called Tefila, and were related to teraphim, the little idols The resemblance of teraphim to the Tarasca (connected by some with G. t??a?, a monster) of Spain may be noted,—the serpent figures carried about in Corpus Christi processions. The latter word is known in the south of France also, and gave its name to the town Tarascon. The legend is that an amphibious monster haunted the Rhone, preventing navigation and committing terrible ravages, until sixteen of the boldest inhabitants of the The phylactery was tied into a knot. Justin Martyr says that the Jewish exorcists used ‘magic ties or knots.’ The origin of this custom among the Jews and Babylonians may be found in the Assyrian Talismans preserved in the British Museum, of which the following has been translated by Mr. Fox Talbot:— Hea says: Go, my son! Take a woman’s kerchief, Bind it round thy right hand, loose it from the left hand! Knot it with seven knots: do so twice: Sprinkle it with bright wine: Bind it round the head of the sick man: Bind it round his hands and feet, like manacles and fetters. Sit down on his bed: Sprinkle holy water over him. He shall hear the voice of Hea, Darkness shall protect him! And Marduk, eldest son of Heaven, shall find him a happy habitation. The number seven holds an equally high degree of potency in Singhalese demonolatry, which is mainly occupied with diseases. The Capuas or conjurors of that island enumerate 240,000 magic spells, of which all except one are for evil, which implies a tolerably large preponderance of the emergencies in which their countervailing efforts are required by their neighbours. That of course can be easily appreciated by those who have been taught that all human beings are included under a primal curse. The astrological origin of the evils ascribed to the Yakseyo (Demons) of Ceylon, and the horoscope which is a necessary preliminary to any dealing with their influences; the constant recurrence of the number seven, denoting origin with races holding the seven-planet theories of the universe; and the fact that all demons are said, on every Saturday evening, to attend an assemblage called Yaksa Sabawa (Witches’ Sabbath), are facts that may well engage the attention of Comparative Mythologists. The largest proportion of the Disease Demons of Ceylon are descended from its Hunger Demons. The Preta there is much the same phantom as in Siam, only they are not quite so tall. Reeri is the Demon of Blood-disease. His form is that of a man with face of a monkey; he is fiery red, rides on a red bull, and all hemorrhages and diseases of the blood are attributed to him. Reeri has eighteen different disguises or avatars. One of these recalls his earlier position as a demon of death, before Vishnu revealed to Capuas the means of binding him: he is now supposed to be present at every death-bed in the form of a delighted pigmy, one span and six inches high. On such occasions he bears a One of the demons most dreaded in Ceylon is the ‘Foreign Demon’ Morotoo, said to have come from the coast of Malabar, and from his residence in a tree disseminated diseases which could not be cured until, the queen being afflicted, one capua was found able to master him. Seven-eighths of the charms used in restraining the disease-demons of Ceylon, of which I have mentioned but a few, are in the Tamil tongue. In various parts of India are found very nearly the same systematic demonolatry and ‘devil-dancing;’ for example in Travancore, to whose superstitions of this character the Rev. Samuel Mateer has devoted two chapters in his work ‘The Land of Charity.’ The great demon of diseases in Ceylon is entitled Maha Cola Sanni Yakseya. His father, a king, ordered his queen to be put to death in the belief that she had been faithless to him. Her body was to be cut in two pieces, one of which was to be hung upon a tree (Ukberiya), the other to be thrown at its foot to the dogs. The queen before her The first of the attendants of this formidable avenger of his mother’s wrongs is named Bhoota Sanni Yakseya, Demon of Madness. The whole demonolatry and devil-dancing of that island are so insane that one is not surprised that this Bhoota had but little special development. It is amid clear senses we might naturally look for full horror of madness, and there indeed do we find it. One of the most horrible forms of the disease-demon was the personification of madness among the Greeks, as Mania. The genius of William Blake, steeped in Hebraism, never showed greater power than in his picture of Plague. A gigantic hideous form, pale-green, with the slime of stagnant pools, reeking with vegetable decays and gangrene, the face livid with the motley tints of pallor and putrescence, strides onward with extended arms like a sower sowing his seeds, only in this case the germs of his horrible harvest are not cast from the hands, but emanate from the fingers as being of their essence. Such, to the savage mind, was the embodiment of malaria, sultriness, rottenness, the putrid Pretraya, invisible, but smelt and felt. Such, to the ignorant imagination, is the Destroying Angel to which rationalistic artists and poets have tried to add wings and majesty; but which in the popular mind was no doubt pictured more like this form found at Ostia Fig. 16.—Demon found at Ostia. Fig. 16.—Demon found at Ostia. Knowing nothing of Zoology, the primitive man easily falls into the belief that his cattle—the means of life—may be the subjects of sorcery. Jesus sending devils into a herd of swine may have become by artificial process a divine benefactor in the eye of Christendom, but the myth Gopolu, already referred to (p. 136) as the Singhalese demon of hydrophobia, bears the general name of the ‘Cattle Demon.’ He is said to have been the twin of the demigod Mangara by a queen on the Coromandel coast. The mother died, and a cow suckled the twins, but afterwards they quarrelled, and Gopolu being slain was transformed into a demon. He repaired to Arangodde, and fixed his abode in a Banyan where there is a large bee-hive, whence proceed many evils. The population around this Banyan for many miles being prostrated by diseases, the demigod Mangara and Pattini (goddess of chastity) admonished the villagers to sacrifice a cow regularly, and thus they were all resuscitated. Gopolu now sends all cattle diseases. India is full of the like superstitions. The people of Travancore especially dread the demon Madan, ‘he who is like a cow,’ believed to strike oxen with sudden illness,—sometimes men also. In Russia we find superstition sometimes modified by common sense. Though the peasant hopes that Zegory (St. George) will defend his cattle, he begins to see the chief foes of his cattle. As in the folk-song— We have gone around the field, We have called Zegory.... O thou, our brave Zegory, Save our cattle, In the field and beyond the field, In the forest and beyond the forest, Under the bright moon, Under the red sun, From the rapacious wolf, From the cruel bear, From the cunning beast. Nevertheless when a cattle plague occurs many villages relapse into a normally extinct state of mind. Thus, a few years ago, in a village near Moscow, all the women, having warned the men away, stripped themselves entirely naked and drew a plough so as to make a furrow entirely around the village. At the point of juncture in this circle they buried alive a cock, a cat, and a dog. Then they filled the air with lamentations, crying—‘Cattle Plague! Cattle Plague! spare our cattle! Behold, we offer thee cock, cat, and dog!’ The dog is a demonic character in Russia, while the cat is sacred; for once when the devil tried to get into Paradise in the form of a mouse, the dog allowed him to pass, but the cat pounced on him—the two animals being set on guard at the door. The offering of both seems to represent a desire to conciliate both sides. The nudity of the women may have been to represent to the hungry gods their utter poverty, and inability to give more; but it was told me in Moscow, where I happened to be staying at the time, that it would be dangerous for any man to draw near during the performance. In Altmark They are neither man nor woman, They are neither brute nor human, They are ghouls! |