Decline of Demons.

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The Holy Tree of Travancore—The growth of Demons in India and their decline—The Nepaul Iconoclast—Moral Man and unmoral Nature—Man’s physical and mental migrations—Heine’s ‘Gods in Exile’—The Goban Saor—Master Smith—A Greek caricature of the Gods—The Carpenter v. Deity and Devil—Extermination of the Werewolf—Refuges of Demons—The Giants reduced to Little People—Deities and Demons returning to nature.

Having indicated, necessarily in mere outline and by selected examples, the chief obstacles encountered by primitive man, and his apprehensions, which he personified as demons, it becomes my next task to show how and why many of these demons declined from their terrible proportions and made way for more general forms, expressing comparatively abstract conceptions of physical evil. This will involve some review of the processes through which man’s necessary adaptation to his earthly environment brought him to the era of Combat with multiform obstruction.

There was, until within a few recent years, in a mountain of Travancore, India, an ancient, gigantic Tree, regarded by the natives as the residence of a powerful and dangerous deity who reigned over the mountains and the wild beasts.1 Sacrifices were offered to this tree, sermons preached before it, and it seems to have been the ancient cathedral of the district. Its trunk was so large that four men with outstretched arms could not compass it.

This tree in its early growth may symbolise the upspringing of natural religion. Its first green leaves may be regarded as corresponding to the first crude imaginations of man as written, for instance, on leaves of the Vedas. Perceiving in nature, as we have seen, a power of contrivance like his own, a might far superior to his own, man naturally considered that all things had been created and were controlled by invisible giants; and bowing helplessly beneath them sang thus his hymns and supplications.

‘This earth belongs to Varuna, the king, and the wide sky, with its ends far apart: the two seas (sky and ocean) are Varuna’s loins; he is also contained in this drop of water. He who would flee far beyond the sky even he would not be rid of Varuna. His spies proceed from heaven towards this earth.’

‘Through want of strength, thou ever strong and bright god, have I gone wrong: have mercy, have mercy!’

‘However we break thy laws from day to day, men as we are, O god Varuna, do not deliver us to death!’

‘Was it an old sin, Varuna, that thou wished to destroy the friend who always praises thee!’

‘O Indra, have mercy, give me my daily bread! Raise up wealth to the worshipper, thou mighty Dawn!’

‘Thou art the giver of horses, Indra, thou art the giver of cows, the giver of corn, the strong lord of wealth: the old guide of man disappointing no desires: to him we address this song. All this wealth around here is known to be thine alone: take from it conqueror, bring it hither!’

In these characteristic sentences from various hymns we behold man making his first contract with the ruling powers of nature: so much adoration and flattery on his part for so much benefit on theirs. But even in these earliest hymns there are intimations that the gods were not fulfilling their side of the engagement. ‘Why is it,’ pleads the worshipper, ‘that you wish to destroy one who always praises you? Was it an old sin?’ The simple words unconsciously report how faithfully man was performing his part of the contract. Having omitted no accent of the prayer, praise, or ritual, he supposes the continued indifference of the gods must be due to an old sin, one he has forgotten, or perhaps one committed by some ancestor.

In this state of mind the suggestion would easily take root that words alone were too cheap to be satisfactory to the gods. There must be offerings. Like earthly kings they must have their revenues. We thus advance to the phase of sacrifices. But still neither in answer to prayer, flattery, or sacrifice did the masses receive health or wealth. Poverty, famine, death, still continued their remorseless course with the silent machinery of sun, moon, and star.

But why, then, should man have gone on fulfilling his part of the contract—believing and worshipping deities, who when he begged for corn gave him famine, and when he asked for fish gave him a serpent? The priest intervened with ready explanation. And here we may consult the holy Tree of Travancore again? Why should that particular Tree—of a species common in the district and not usually very large—have grown so huge? ‘Because it is holy,’ said the priest. ‘Because it was believed holy,’ says the fact. For ages the blood and ashes of victims fed its roots and swelled its trunk; until, by an argument not confined to India, the dimensions of the superstition were assumed to prove its truth. When the people complained that all their offerings and worship did not bring any returns the priest replied, You stint the gods and they stint you. The people offered the fattest of their flocks and fruits: More yet! said the priest. They built fine altars and temples for the gods: More yet! said the priest. They built fine houses for the priests, and taxed themselves to support them. And when thus, fed by popular sacrifices and toils, the religion had grown to vast power, the priest was able to call to his side the theologian for further explanation. The theologian and the priest said—‘Of course there must be good reasons why the gods do not answer all your prayers (if they did not answer some you would be utterly consumed); mere mortals must not dare to inquire into their mysteries; but that there are gods, and that they do attend to human affairs, is made perfectly plain by this magnificent array of temples, and by the care with which they have supplied all the wants of us, their particular friends, whose cheeks, as you see, hang down with fatness.’

If, after this explanation, any scepticism or rebellion arose among the less favoured, the priest might easily add—‘Furthermore, we and our temples are now institutions; we are so strong and influential that it is evident that the gods have appointed us to be their representatives on earth, the dispensers of their favours. Also, of their disfavours. We are able to make up for the seeming indifference of the gods, rewarding you if you give us honour and wealth, but ruining you if you turn heretical.’

So grew the holy Tree. But strong as it was there was something stronger. Some few years ago a missionary from London went to Travancore, and desired to build a chapel near the same tree, no doubt to be in the way of its worshippers and to borrow some of the immemorial sanctity of the spot. This missionary fixed a hungry eye upon that holy timber, and reflected how much holier it would be if ending its career in the beams of a christian chapel. So one day—English authorities being conveniently near—he and his workmen began to cut down the sacred Tree. The natives gradually gathered around, and looked on with horror. While the cutting proceeded a tiger drew near, but shouts drove him off: the natives breathed freer; the demon had come and looked on, but could not protect the Tree from the Englishman. They still shuddered, however, at the sacrilege, and when at last the Holy Tree of Travancore fell, its crash was mingled with the cries and screams of its former worshippers. The victorious missionary may be pointing out in his chapel the cut-up planks which reveal the impotence of the deity so long feared by the natives; and perhaps he is telling them of the bigness of his Tree, and claiming its flourishing condition in Europe as proof of its supernatural character. Possibly he may omit to mention the blood and ashes which have fattened the root and enlarged the trunk of his Holy Tree!

That Tree in Travancore could never have been so destroyed if the primitive natural religion in which lay its deeper root had not previously withered. The gods, the natural forces, which through so many ages had not heeded man’s daily martyrdoms, had now for a long time been shown quite as impotent to protect their own shrines, images, holy trees, and other interests. The priests as vainly invoked those gods to save their own country from subjugation by other nations with foreign gods, as the masses had invoked their personal aid. For a long time the gods in some parts of India have received only a formal service, coextensive with their association with a lingering order, or as part of princely establishments; but they topple down from time to time, as the masses realise their freedom to abandon them with impunity. They are at the mercy of any strong heretic who arises. The following narrative, quoted by Mr. Herbert Spencer, presents a striking example of what some Hindoos had been doing before the missionary cut down the Tree at Travancore:—

‘A Nepaul king, Rum BahÂdur, whose beautiful queen, finding her lovely face had been disfigured by smallpox, poisoned herself, cursed his kingdom, her doctors, and the gods of Nepaul, vowing vengeance on all. Having ordered the doctors to be flogged, and the right ear and nose of each to be cut off, he then wreaked his vengeance on the gods of Nepaul, and after abusing them in the most gross way, he accused them of having obtained from him 12,000 goats, some hundred-weights of sweetmeats, 2000 gallons of milk, &c., under false pretences. He then ordered all the artillery, varying from three to twelve-pounders, to be brought in front of the palace. All the guns were then loaded to the muzzle, and down he marched to the headquarters of the Nepaul deities. All the guns were drawn up in front of the several deities, honouring the most sacred with the heaviest metal. When the order to fire was given, many of the chiefs and soldiers ran away panic-stricken, and others hesitated to obey the sacrilegious order; and not till several gunners had been cut down were the guns opened. Down came the gods and the goddesses from their hitherto sacred positions; and after six hours’ heavy cannonading, not a vestige of the deities remained.’

However panic-stricken the Nepaulese may have been at this ferocious manifestation, it was but a storm bred out of a more general mental and moral condition. Rum BahÂdur only laid low in a few moments images of gods who, passing from the popular interest, had been successively laid to sleep on the innumerable shelves of Hindu mythology. The early Dualism was developed into Moral Man on one side, and Unmoral Nature on the other. Man had discovered that moral order in nature was represented solely by his own power: by his culture or neglect the plant or animal grew or withered, and where his control did not extend, there sprang the noxious weed or beast. So far as good gods had been imagined they were respected now only as incarnate in men. But the active powers of evil still remained, hurtful and hateful to man, and the pessimist view of nature became inevitable. To man engaged in his life-and-death struggle with nature many a beauty which now nourishes the theist’s optimism was lost. The fragrant flower was a weed to the man hungry for bread, and he viewed many an idle treasure with the disappointment of SÂdi when, travelling in the desert, he found a bag in which he hoped to discover grain, but found only pearls. Fatal to every deity not anthropomorphic was the long pessimistic phase of human faith. Each became more purely a demon, and passed on the road to become a devil.

Many particular demons man conquered as he progressively carried order amid the ruggedness and wildness of his planet. Every new weapon or implement he invented punctured a thousand phantoms. Only in the realms he could not yet conquer remained the hostile forces to which he ascribed prÆternatural potency, because not able to pierce them and see through them. Nevertheless, the early demonic forms had to give way, for man had discovered that they were not his masters. He could cut down the Upas and root up the nightshade; he had bruised many a serpent’s head and slain many a wolf. In detail innumerable enemies had been proved his inferiors in strength and intelligence. Important migrations took place: man passes, geographically, away from the region of some of his worst enemies, inhabits countries more fruitful, less malarious, his habitat exceeding that of his animal foe in range; and, still better, he passes by mental migration out of the stone age, out of other helpless ages, to the age of metal and the skill to fashion and use it. He has made the fire-fiend his friend. No longer henceforth a naked savage, with bit of stone or bone only to meet the crushing powers of the world and win its reluctant supplies!

There is a sense far profounder than its charming play of fancy in Heine’s account of the ‘Gods in Exile,’ an essay which Mr. Pater well describes as ‘full of that strange blending of sentiment which is characteristic of the traditions of the Middle Age concerning the Pagan religions.’2 Heine writes: ‘Let me briefly remind the reader how the gods of the older world, at the time of the definite triumph of Christianity, that is, in the third century, fell into painful embarrassments, which greatly resembled certain tragical situations of their earlier life. They now found themselves exposed to the same troublesome necessities to which they had once before been exposed during the primitive ages, in that revolutionary epoch when the Titans broke out of the custody of Orcus, and, piling Pelion on Ossa, scaled Olympus. Unfortunate gods! They had, then, to take flight ignominiously, and hide themselves among us here on earth under all sorts of disguises. Most of them betook themselves to Egypt, where for greater security they assumed the form of animals, as is generally known. Just in the same way they had to take flight again, and seek entertainment in remote hiding-places, when those iconoclastic zealots, the black brood of monks, broke down all the temples, and pursued the gods with fire and curses. Many of these unfortunate emigrants, entirely deprived of shelter and ambrosia, had now to take to vulgar handicrafts as a means of earning their bread. In these circumstances, many, whose sacred groves had been confiscated, let themselves out for hire as wood-cutters in Germany, and had to drink beer instead of nectar. Apollo seems to have been content to take service under graziers, and as he had once kept the cows of Admetus, so he lived now as a shepherd in Lower Austria. Here, however, having become suspected, on account of his beautiful singing, he was recognised by a learned monk as one of the old pagan gods, and handed over to the spiritual tribunal. On the rack he confessed that he was the god Apollo; and before his execution he begged that he might be suffered to play once more upon the lyre and to sing a song. And he played so touchingly, and sang with such magic, and was withal so beautiful in form and feature that all the women wept, and many of them were so deeply impressed that they shortly afterwards fell sick. And some time afterwards the people wished to drag him from the grave again, that a stake might be driven through his body, in the belief that he had been a vampire, and that the sick women would by this means recover. But they found the grave empty.’

Naturally: it is hard to bury Apollo. The next time he appeared was, no doubt, as musical director in the nearest cathedral. The young singers and artists discovered by such severe lessons that it was dangerous to sing Pagan ballads too realistically; that a cowl is capable of a high degree of decoration; that Pan’s pipe sounds well evolved into an organ; that Cupids look just as well if called Cherubs. It is odd that it should have required Robert Browning three centuries away to detect the real form and face beneath the vestment of the Bishop who orders his tomb at Saint Praxed’s Church:—

The bas-relief in bronze ye promised me,

Those Pans and Nymphs ye wot of, and perchance

Some tripod, thyrsus, with a vase or so,

The Saviour at his sermon on the mount,

Saint Praxed in a glory, and one Pan

Ready to twitch the Nymph’s last garment off,

And Moses with the tables....

So in one direction grew the hermitage to the Vatican; so Zeus regained his throne by exchanging his thunderbolts for Peter’s keys, and Mars regained his steed as St. George, and Hercules as Christ wrestles with Death once more. But while these artificial restorations were going on in one direction, in another some of the gods were passing through many countries, outwitting and demolishing their former selves as lowered to demons. There are many legends which report this strange phase of development, one of the finest being that of The Goban Saor, told by Mr. Kennedy. The King of Munster sent for this wonderful craftsman to build him a castle. The Goban could fashion a spear with three strokes of his hammer—St. Patrick, who found the Trinity in the shamrock, may have determined the number of strokes,—and when he wished to drive in nails high up, had only to throw his hammer at them. On his way to work for the King, Goban, accompanied by his son, passed the night at the house of a farmer, whose daughters—one dark and industrious, the other fair and idle—received from him (Goban) three bits of advice: ‘Always have the head of an old woman by the hob; warm yourselves with your work in the morning; and some time before I come back take the skin of a newly-killed sheep to the market, and bring itself and the price of it home again.’ As Goban, with his son, journeyed on, they found a poor man vainly trying to roof his house with three joists and mud; and by simply making one end of each joist rest on the middle of another, the other ends being on the wall, the structure was perfect. He relieved puzzled carpenters by putting up for them the pegless and nailless bridge described in CÆsar’s Commentaries. Having done various great things, Goban returns to the homestead of the girls who had received his three bits of advice. The idle one had, of course, blundered at each point, and been ridiculed in the market for her proposition to bring back the sheep’s skin and its price. The other, by kindly taking in an aged female relative, by working till she was warm, and by plucking and selling the wool of the sheep’s skin and bringing home the latter, had obeyed the Goban’s advice, and was selected as his daughter-in-law—the prince attending the wedding. Now, as to building the castle, Goban knew that the King had employed on previous castles four architects and then slain them, so that they should never build another palace equal to his. He therefore says he has left at home a necessary implement which his wife will only give to himself or one of royal blood. The King sends his son, who is kept as hostage till the husband’s safe return.

This is the Master Smith of Norse fable, who has a chair from which none can rise, and who therein binds the devil; which again is the story of Hephaistos, and the chair in which he entrapped Hera until she revealed the secret of his birth. The ‘devil’ whom the Master Smith entraps is, in Norse mythology, simply Loki: and as Loki is a degraded Hephaistos, fire in its demonic forms, we have in all these legends the fire-fiend fought with fire.

This re-dualisation of the gods into demonic and saintly forms had a long preparation. The forces that brought it about may be seen already beginning in Hesiod’s representations of the gods, in their presentation on the stage by Euripides, in a manner certain to demonise them to the vulgar, and to subject them to such laughter among scholars as still rings across the ages in the divine dialogues of Lucian. What the gods had become to the Lucians before they reached the Heines may be gathered from the accompanying caricature (Fig. 21).3 Nothing can be more curious than the encounters of the gods with their dead selves, their Manes. What unconscious ingenuity in the combinations! St. Martin on his grey steed divides with the beggar the cloud-cloak of Wodan on his black horse, treading down just such paupers in his wild hunt; as saint he now shelters those whom as storm-demon he chilled; but the identity of Junker Martin is preserved in both titles and myths, and the Martinhorns (cakes), twisted after fashion of the horns of goat or buck pursued by Wodan, are deemed potent like horse-shoes to defend house or stable from the outlawed god.4

Fig. 21.—Greek Caricature of the Gods.

Fig. 21.—Greek Caricature of the Gods.

The more impressive and attractive myths transferred to christian saints—as the flowers sacred to Freyja became Our Lady’s-glove, or slipper, or smock—there remained to the old gods, in their own name, only the repulsive and puerile, and by this means they were doomed at once to become unmitigated knaves and fools. If Titans, JÖtunn or Jinni, they were giant humbugs, whom any small Hans or Jack might outwit and behead. Our Fairy lore is full of stories which show that in the North as well as in Latin countries there had already been a long preparation for the contempt poured by Christianity upon the Norse deities. Many of the stories, as they now stand in Folktales, speak of the vanquished demon or giant as the devil, but it is perfectly easy to detach the being meant from the name so indiscriminately bestowed by christian priests upon most of the outlawed deities. In Lithuania, where survived too much reverence for some of the earlier deities to admit of their being identified with the devil, we still find them triumphed over by the wit and skill of the artisan. Such is the case in a favourite popular legend of that country in which Perkunas—the ancient Thunder-god, corresponding to Perun in Russia—is involved in disgrace along with the devil by the sagacity and skill of a carpenter. The aged god, the venerable Devil, and the young Carpenter, united for a journey. Perkun kept the beasts off with thunder and lightning, the Devil hunted up food, the Carpenter cooked. At length they built a hut and lived in it, and planted the ground with vegetables. Presently a thief invaded their garden. Perkun and the Devil successively tried to catch him, but were well thrashed; whereas the Carpenter by playing the fiddle fascinated the thief, who was a witch, a hag whose hand the fiddler managed to get into a split tree (under pretence of giving her a music lesson), holding her there till she gave up her iron waggon and the whip which she had used on his comrades. After this the three, having decided to separate, disputed as to which should have the hut; and they finally agreed that it should be the possession of him who should succeed in frightening the two others. The Devil raised a storm which frightened Perkun, and Perkun with his thunder and lightning frightened the Devil; but the Carpenter held out bravely, and, in the middle of the night, came in with the witch’s waggon, and, cracking her whip, the Devil and Perkun both took flight, leaving the Carpenter in possession of the hut.5

So far as Perkun is concerned, and may be regarded as representative of the gods, the hut may be symbol of Europe, and the Carpenter type of the power which conquered all that was left of them after their fair or noble associations had been transferred to christian forms. Somewhat later, the devil was involved in a like fate, as we shall have to consider in a future chapter.

The most horrible superstitions, if tracked in their popular development, reveal with special impressiveness the progressive emancipation of man from the phantasms of ferocity which represented his primal helplessness. The universal werewolf superstition, for instance, drew its unspeakable horrors from deep and wide-spreading roots. Originating, probably, in occasional relapses to cannibalism among tribes or villages which found themselves amid circumstances as urgent as those which sometimes lead a wrecked crew to draw lots which shall die to support the rest, it would necessarily become demonised by the necessity of surrounding cannibalism with dangers worse than starvation. But it would seem that individuals are always liable, by arrest of development which usually takes the form of disease or insanity, to be dragged back to the savage condition of their race. In the course of this dark history, we note first an increasing tendency to show the means of the transformation difficult. In the Volsunga Saga it is by simply putting on a ‘wolf-shirt’ (wolfskin) that a man may become a wolf. Then it is said it is done by a belt made of the skin of a man who has been hung—all executed persons being sacred to Wodan (because not dying a natural death), to whom also the wolf was sacred. Then it is added, that the belt must be marked with the signs of the zodiac, and have a buckle with seven teeth. Then it is said that ‘only a seventh son’ is possessed of this diabolical power; or others say one whose brows meet over his nose. The means of detecting werewolves and retransforming them to human shape multiplied as those of transformation diminished in number, and such remedies reflected the advance of human skill. The werewolf could be restored by crossing his path with a knife or polished steel; by a sword laid on the ground with point towards him; by a silver ball. Human skill was too much for him. In Posen mothers had discovered that one who had bread in his or her mouth could by even such means discover werewolves; and fathers, to this hint about keeping ‘the wolf from the door,’ added that no one could be attacked by any such monster if he were in a cornfield. The Slav levelled a plough at him. Thus by one prescription and another, and each representing a part of man’s victory over chaos, the werewolf was driven out of all but a few ‘unlucky’ days in the year, and especially found his last refuge in Twelfth Night. But even on that night the werewolf might be generally escaped by the simple device of not speaking of him. If a wolf had to be spoken of he was then called Vermin, and Dr. Wuttke mentions a parish priest named Wolf in East Prussia who on Twelfth Night was addressed as Mr. Vermin! The actual wolf being already out of the forests in most places by art of the builder and the architect; the phantasmal wolf driven out of fear for most of the year by man’s recognition of his own superiority to this exterminated beast; even the proverbial ‘ears’ of the vanishing werewolf ceased to be visible when on his particular fest-night his name was not mentioned.

The last execution of a man for being an occasional werewolf was, I believe, in 1589, near Cologne, there being some evidence of cannibalism. But nine years later, in France, where the belief in the Loup-garou had been intense, a man so accused was simply shut up in a mad-house. It is an indication of the revolution which has occurred, that when next governments paid attention to werewolves it was because certain vagabonds went about professing to be able to transform themselves into wolves, in order to extort money from the more weak-minded and ignorant peasants.6 There could hardly be conceived a more significant history: the werewolf leaves where he entered. Of ignorance and weakness trying, too often in vain, ‘to keep the wolf from the door,’ was born this voracious phantom; with the beggar and vagabond, survivals of helplessness become inveterate, he wanders thin and crafty. He keeps out of the way of all culture, whether of field or mind. So is it indeed with all demons in decline—of which I can here only adduce a few characteristic examples. So runs the rune—

When the barley there is,

Then the devils whistle;

When the barley is threshed,

Then the devils whine;

When the barley is ground,

Then the devils roar;

When the flour is produced,

Then the devils perish.

The old Scottish custom, mentioned by Sir Walter Scott, of leaving around each cultivated field an untilled fringe, called the Gude Man’s Croft, is derived from the ancient belief that unless some wild place is left to the sylvan spirits they will injure the grain and vegetables; and, no doubt, some such notion leads the farmers of Thurgau still to graft mistletoe upon their fruit-trees. Many who can smile at such customs do yet preserve in their own minds, or those of their servants or neighbours, crofts which the ploughshare of science is forbidden to touch, and where the prÆternatural troops still hide their shrivelled forms. But this wild girdle becomes ever narrower, and the images within it tend to blend with rustling leaf and straw, and the insects, and to be otherwise invisible, save to that second sight which is received from Glam. As in some shadow-pantomime, the deities and demons pursue each other in endless procession, dropping down as awe-inspiring Titans, vanishing as grotesque pigmies—vanishing beyond the lamp into Nothingness!

So came most of the monsters we have been describing—Animals, Volcanoes, Icebergs, Deserts, though they might be—by growing culture and mastery of nature to be called ‘the little people;’ and perhaps it is rather through pity than euphemism when they were so often called, as in Ireland (Duine Matha), ‘the good little people.’7 At every step in time or space back of the era of mechanic arts the little fairy gains in physical proportions. The house-spirits (Domovoi) of Russia are full-sized, shaggy human-shaped beings. In Lithuania the corresponding phantoms (Kaukas) average only a foot in height. The Krosnyata, believed in by the Slavs on the Baltic coast, are similarly small; and by way of the kobolds, elves, fays, travelling westward, we find the size of such shapes diminishing, until warnings are given that the teeth must never be picked with a straw, that slender tube being a favourite residence of the elf! In Bavaria a little red chafer with seven spots (Coccinella septempunctata) is able to hold Thor with his lightnings, and in other regions is a form of the goddess of Love!8 Our English name for the tiny beetle ‘Lady-bug’ is derived from the latter notion; and Mr. Karl Blind has expressed the opinion that our children’s rune—

Lady-bug, lady-bug, fly away home,

Thy house is on fire, thy children will roam—

is last echo of the Eddaic prophecies of the destruction of the universe by the fire-fiend Loki!9 Such reductions of the ancient gods, demons, and terrors to tiny dimensions would, of course, be only an indirect result of the general cause stated. They were driven from the great world, and sought the small world: they survived in the hut and were adapted to the nerves of the nursery. So alone can Tithonos live on: beyond the age for which he is born he shrinks to a grasshopper; and it is now by only careful listening that in the chirpings of the multitudinous immortals, of which Tithonos is type, may be distinguished the thunders and roarings of deities and demons that once made the earth to tremble.


1 The history of this tree which I use for a parable is told in the Rev. Samuel Mateer’s ‘Land of Charity.’ London: John Snow & Co. 1871.

2 ‘Studies in the History of the Renaissance.’ Macmillan & Co. 1873.

3 Concerning which Mr. Wright says: ‘It is taken from an oxybaphon which was brought from the Continent to England, where it passed into the collection of Mr. William Hope.... The Hyperborean Apollo himself appears as a quack-doctor, on his temporary stage, covered by a sort of roof, and approached by wooden steps. On the stage lies Apollo’s luggage, consisting of a bag, a bow, and his Scythian cap. Chiron (???O?) is represented as labouring under the effects of age and blindness, and supporting himself by the aid of a crooked staff, as he repairs to the Delphian quack-doctor for relief. The figure of the centaur is made to ascend by the aid of a companion, both being furnished with the masks and other attributes of the comic performers. Above are the mountains, and on them the nymphs of Parnassus (???F??), who, like all the other actors in the scene, are disguised with masks, and those of a very gross character.... Even a pun is employed to heighten the drollery of the scene, for instead of ??T??S, the Pythian, placed over the head of the burlesque Apollo, it seems evident that the artist had written ???T??S, the consoler.’—‘History of Caricature,’ p. 18. But who is the leaf-crowned figure, without mask, on the right hand? Was it some early Offenbach, who found such representation of the gods welcome at Athens where the attempt to produce our modern Offenbach’s Belle HelÈne recently caused a theatrical riot?

4 Wuttke. ‘Volksaberglaube,’ 18.

5 Schleicher, ‘Litauische MÄrchen,’ 141–145. Mr. Ralston’s translation abridged.

6 Of this latter kind of hungry werewolf a specimen still occasionally revisits the glimpses of the moonshine which, for too many minds, still replaces daylight. So recently as January 17, 1878, one Kate Bedwell, a ‘pedlar, was sentenced in the Marylebone Police Court, London, to three months’ hard labour for obtaining various sums of money, amounting to 9s. 10d., by terrorism, from Eliza Rolf, a cook. The pedlar came to the plaintiff’s place of work and asked her if she would like to have her fortune told. Eliza replied, ‘No, I know it; it is hard work or starving.’ The fortune-teller asked her next time if she would have her planet ruled; the other still said no; but her nerves yielded when the ‘Drud’ told her ‘she lived under three stars, one good the others bad, and that she could disfigure her or turn her into something else.’ ‘Thank God, she did not!’ exclaimed the poor woman in court. However, she seemed to have trusted rather in her money than in any other providence for her immunity from an unhappy transformation. But even into this rare depth of ignorance enough light had penetrated to enable Eliza to cope with her werewolf in the civilised way of haling her before a magistrate. When Fenris gets three months with hard labour, he no doubt realises that he has exceeded his mental habitat, and that the invisible cords have bound him at last.

7 Elf has, indeed, been referred by some to the Sanskrit alpa=little; but the balance of authority is in favour of the derivation given in a former chapter.

8 Mannhardt, ‘GÖtter,’ 287.

9 Freia-Holda, the Teutonic goddess of Love. ‘Cornhill Magazine,’ May, 1872.

                                                                                                                                                                                                                                                                                                           

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