CHAPTER VAfter only one week of travelling in Scotland, my lord and my lady returned unexpectedly to London. Introduced to the mountains and lakes of the Highlands, her ladyship positively declined to improve her acquaintance with them. When she was asked for her reason, she answered with a Roman brevity, 'I have seen Switzerland.' For a week more, the newly-married couple remained in London, in the strictest retirement. On one day in that week the nurse returned in a state of most uncustomary excitement from an errand on which Agnes had sent her. Passing the door of a fashionable dentist, she had met Lord Montbarry himself just leaving the house. The good woman's report described him, with malicious pleasure, as looking wretchedly ill. 'His cheeks are getting hollow, my dear, and his beard is turning grey. I hope the dentist hurt him!' Knowing how heartily her faithful old servant hated the man who had deserted her, Agnes made due allowance for a large infusion of exaggeration in the picture presented to her. The main impression produced on her mind was an impression of nervous uneasiness. If she trusted herself in the streets by daylight while Lord Montbarry remained in London, how could she be sure that his next chance-meeting might not be a meeting with herself? She waited at home, privately ashamed of her own undignified conduct, for the next two days. On the third day the fashionable intelligence of the newspapers announced the departure of Lord and Lady Montbarry for Paris, on their way to Italy. Mrs. Ferrari, calling the same evening, informed Agnes that her husband had left her with all reasonable expression of conjugal kindness; his temper being improved by the prospect of going abroad. But one other servant accompanied the travellers—Lady Montbarry's maid, rather a silent, unsociable woman, so far as Emily had heard. Her ladyship's brother, Baron Rivar, was already on the Continent. It had been arranged that he was to meet his sister and her husband at Rome. One by one the dull weeks succeeded each other in the life of Agnes. She faced her position with admirable courage, seeing her friends, keeping herself occupied in her leisure hours with reading and drawing, leaving no means untried of diverting her mind from the melancholy remembrance of the past. But she had loved too faithfully, she had been wounded too deeply, to feel in any adequate degree the influence of the moral remedies which she employed. Persons who met with her in the ordinary relations of life, deceived by her outward serenity of manner, agreed that 'Miss Lockwood seemed to be getting over her disappointment.' But an old friend and school companion who happened to see her during a brief visit to London, was inexpressibly distressed by the change that she detected in Agnes. This lady was Mrs. Westwick, the wife of that brother of Lord Montbarry who came next to him in age, and who was described in the 'Peerage' as presumptive heir to the title. He was then away, looking after his interests in some mining property which he possessed in America. Mrs. Westwick insisted on taking Agnes back with her to her home in Ireland. 'Come and keep me company while my husband is away. My three little girls will make you their playfellow, and the only stranger you will meet is the governess, whom I answer for your liking beforehand. Pack up your things, and I will call for you to-morrow on my way to the train.' In those hearty terms the invitation was given. Agnes thankfully accepted it. For three happy months she lived under the roof of her friend. The girls hung round her in tears at her departure; the youngest of them wanted to go back with Agnes to London. Half in jest, half in earnest, she said to her old friend at parting, 'If your governess leaves you, keep the place open for me.' Mrs. Westwick laughed. The wiser children took it seriously, and promised to let Agnes know. On the very day when Miss Lockwood returned to London, she was recalled to those associations with the past which she was most anxious to forget. After the first kissings and greetings were over, the old nurse (who had been left in charge at the lodgings) had some startling information to communicate, derived from the courier's wife. 'Here has been little Mrs. Ferrari, my dear, in a dreadful state of mind, inquiring when you would be back. Her husband has left Lord Montbarry, without a word of warning—and nobody knows what has become of him.' Agnes looked at her in astonishment. 'Are you sure of what you are saying?' she asked. The nurse was quite sure. 'Why, Lord bless you! the news comes from the couriers' office in Golden Square—from the secretary, Miss Agnes, the secretary himself!' Hearing this, Agnes began to feel alarmed as well as surprised. It was still early in the evening. She at once sent a message to Mrs. Ferrari, to say that she had returned. In an hour more the courier's wife appeared, in a state of agitation which it was not easy to control. Her narrative, when she was at last able to speak connectedly, entirely confirmed the nurse's report of it. After hearing from her husband with tolerable regularity from Paris, Rome, and Venice, Emily had twice written to him afterwards—and had received no reply. Feeling uneasy, she had gone to the office in Golden Square, to inquire if he had been heard of there. The post of the morning had brought a letter to the secretary from a courier then at Venice. It contained startling news of Ferrari. His wife had been allowed to take a copy of it, which she now handed to Agnes to read. The writer stated that he had recently arrived in Venice. He had previously heard that Ferrari was with Lord and Lady Montbarry, at one of the old Venetian palaces which they had hired for a term. Being a friend of Ferrari, he had gone to pay him a visit. Ringing at the door that opened on the canal, and failing to make anyone hear him, he had gone round to a side entrance opening on one of the narrow lanes of Venice. Here, standing at the door (as if she was waiting for him to try that way next), he found a pale woman with magnificent dark eyes, who proved to be no other than Lady Montbarry herself. She asked, in Italian, what he wanted. He answered that he wanted to see the courier Ferrari, if it was quite convenient. She at once informed him that Ferrari had left the palace, without assigning any reason, and without even leaving an address at which his monthly salary (then due to him) could be paid. Amazed at this reply, the courier inquired if any person had offended Ferrari, or quarrelled with him. The lady answered, 'To my knowledge, certainly not. I am Lady Montbarry; and I can positively assure you that Ferrari was treated with the greatest kindness in this house. We are as much astonished as you are at his extraordinary disappearance. If you should hear of him, pray let us know, so that we may at least pay him the money which is due.' After one or two more questions (quite readily answered) relating to the date and the time of day at which Ferrari had left the palace, the courier took his leave. He at once entered on the necessary investigations—without the slightest result so far as Ferrari was concerned. Nobody had seen him. Nobody appeared to have been taken into his confidence. Nobody knew anything (that is to say, anything of the slightest importance) even about persons so distinguished as Lord and Lady Montbarry. It was reported that her ladyship's English maid had left her, before the disappearance of Ferrari, to return to her relatives in her own country, and that Lady Montbarry had taken no steps to supply her place. His lordship was described as being in delicate health. He lived in the strictest retirement—nobody was admitted to him, not even his own countrymen. A stupid old woman was discovered who did the housework at the palace, arriving in the morning and going away again at night. She had never seen the lost courier—she had never even seen Lord Montbarry, who was then confined to his room. Her ladyship, 'a most gracious and adorable mistress,' was in constant attendance on her noble husband. There was no other servant then in the house (so far as the old woman knew) but herself. The meals were sent in from a restaurant. My lord, it was said, disliked strangers. My lord's brother-in-law, the Baron, was generally shut up in a remote part of the palace, occupied (the gracious mistress said) with experiments in chemistry. The experiments sometimes made a nasty smell. A doctor had latterly been called in to his lordship—an Italian doctor, long resident in Venice. Inquiries being addressed to this gentleman (a physician of undoubted capacity and respectability), it turned out that he also had never seen Ferrari, having been summoned to the palace (as his memorandum book showed) at a date subsequent to the courier's disappearance. The doctor described Lord Montbarry's malady as bronchitis. So far, there was no reason to feel any anxiety, though the attack was a sharp one. If alarming symptoms should appear, he had arranged with her ladyship to call in another physician. For the rest, it was impossible to speak too highly of my lady; night and day, she was at her lord's bedside. With these particulars began and ended the discoveries made by Ferrari's courier-friend. The police were on the look-out for the lost man—and that was the only hope which could be held forth for the present, to Ferrari's wife. 'What do you think of it, Miss?' the poor woman asked eagerly. 'What would you advise me to do?' Agnes was at a loss how to answer her; it was an effort even to listen to what Emily was saying. The references in the courier's letter to Montbarry—the report of his illness, the melancholy picture of his secluded life—had reopened the old wound. She was not even thinking of the lost Ferrari; her mind was at Venice, by the sick man's bedside. 'I hardly know what to say,' she answered. 'I have had no experience in serious matters of this kind.' 'Do you think it would help you, Miss, if you read my husband's letters to me? There are only three of them—they won't take long to read.' Agnes compassionately read the letters. They were not written in a very tender tone. 'Dear Emily,' and 'Yours affectionately'—these conventional phrases, were the only phrases of endearment which they contained. In the first letter, Lord Montbarry was not very favourably spoken of:—'We leave Paris to-morrow. I don't much like my lord. He is proud and cold, and, between ourselves, stingy in money matters. I have had to dispute such trifles as a few centimes in the hotel bill; and twice already, some sharp remarks have passed between the newly-married couple, in consequence of her ladyship's freedom in purchasing pretty tempting things at the shops in Paris. "I can't afford it; you must keep to your allowance." She has had to hear those words already. For my part, I like her. She has the nice, easy foreign manners—she talks to me as if I was a human being like herself.' The second letter was dated from Rome. 'My lord's caprices' (Ferrari wrote) 'have kept us perpetually on the move. He is becoming incurably restless. I suspect he is uneasy in his mind. Painful recollections, I should say—I find him constantly reading old letters, when her ladyship is not present. We were to have stopped at Genoa, but he hurried us on. The same thing at Florence. Here, at Rome, my lady insists on resting. Her brother has met us at this place. There has been a quarrel already (the lady's maid tells me) between my lord and the Baron. The latter wanted to borrow money of the former. His lordship refused in language which offended Baron Rivar. My lady pacified them, and made them shake hands.' The third, and last letter, was from Venice. 'More of my lord's economy! Instead of staying at the hotel, we have hired a damp, mouldy, rambling old palace. My lady insists on having the best suites of rooms wherever we go—and the palace comes cheaper for a two months' term. My lord tried to get it for longer; he says the quiet of Venice is good for his nerves. But a foreign speculator has secured the palace, and is going to turn it into an hotel. The Baron is still with us, and there have been more disagreements about money matters. I don't like the Baron—and I don't find the attractions of my lady grow on me. She was much nicer before the Baron joined us. My lord is a punctual paymaster; it's a matter of honour with him; he hates parting with his money, but he does it because he has given his word. I receive my salary regularly at the end of each month—not a franc extra, though I have done many things which are not part of a courier's proper work. Fancy the Baron trying to borrow money of me! he is an inveterate gambler. I didn't believe it when my lady's maid first told me so—but I have seen enough since to satisfy me that she was right. I have seen other things besides, which—well! which don't increase my respect for my lady and the Baron. The maid says she means to give warning to leave. She is a respectable British female, and doesn't take things quite so easily as I do. It is a dull life here. No going into company—no company at home—not a creature sees my lord—not even the consul, or the banker. When he goes out, he goes alone, and generally towards nightfall. Indoors, he shuts himself up in his own room with his books, and sees as little of his wife and the Baron as possible. I fancy things are coming to a crisis here. If my lord's suspicions are once awakened, the consequences will be terrible. Under certain provocations, the noble Montbarry is a man who would stick at nothing. However, the pay is good—and I can't afford to talk of leaving the place, like my lady's maid.' Agnes handed back the letters—so suggestive of the penalty paid already for his own infatuation by the man who had deserted her!—with feelings of shame and distress, which made her no fit counsellor for the helpless woman who depended on her advice. 'The one thing I can suggest,' she said, after first speaking some kind words of comfort and hope, 'is that we should consult a person of greater experience than ours. Suppose I write and ask my lawyer (who is also my friend and trustee) to come and advise us to-morrow after his business hours?' Emily eagerly and gratefully accepted the suggestion. An hour was arranged for the meeting on the next day; the correspondence was left under the care of Agnes; and the courier's wife took her leave. Weary and heartsick, Agnes lay down on the sofa, to rest and compose herself. The careful nurse brought in a reviving cup of tea. Her quaint gossip about herself and her occupations while Agnes had been away, acted as a relief to her mistress's overburdened mind. They were still talking quietly, when they were startled by a loud knock at the house door. Hurried footsteps ascended the stairs. The door of the sitting-room was thrown open violently; the courier's wife rushed in like a mad woman. 'He's dead! They've murdered him!' Those wild words were all she could say. She dropped on her knees at the foot of the sofa—held out her hand with something clasped in it—and fell back in a swoon. The nurse, signing to Agnes to open the window, took the necessary measures to restore the fainting woman. 'What's this?' she exclaimed. 'Here's a letter in her hand. See what it is, Miss.' The open envelope was addressed (evidently in a feigned hand-writing) to 'Mrs. Ferrari.' The post-mark was 'Venice.' The contents of the envelope were a sheet of foreign note-paper, and a folded enclosure. On the note-paper, one line only was written. It was again in a feigned handwriting, and it contained these words: 'To console you for the loss of your husband' Agnes opened the enclosure next. It was a Bank of England note for a thousand pounds. CHAPTER VIThe next day, the friend and legal adviser of Agnes Lockwood, Mr. Troy, called on her by appointment in the evening. Mrs. Ferrari—still persisting in the conviction of her husband's death—had sufficiently recovered to be present at the consultation. Assisted by Agnes, she told the lawyer the little that was known relating to Ferrari's disappearance, and then produced the correspondence connected with that event. Mr. Troy read (first) the three letters addressed by Ferrari to his wife; (secondly) the letter written by Ferrari's courier-friend, describing his visit to the palace and his interview with Lady Montbarry; and (thirdly) the one line of anonymous writing which had accompanied the extraordinary gift of a thousand pounds to Ferrari's wife. Well known, at a later period, as the lawyer who acted for Lady Lydiard, in the case of theft, generally described as the case of 'My Lady's Money,' Mr. Troy was not only a man of learning and experience in his profession—he was also a man who had seen something of society at home and abroad. He possessed a keen eye for character, a quaint humour, and a kindly nature which had not been deteriorated even by a lawyer's professional experience of mankind. With all these personal advantages, it is a question, nevertheless, whether he was the fittest adviser whom Agnes could have chosen under the circumstances. Little Mrs. Ferrari, with many domestic merits, was an essentially commonplace woman. Mr. Troy was the last person living who was likely to attract her sympathies—he was the exact opposite of a commonplace man. 'She looks very ill, poor thing!' In these words the lawyer opened the business of the evening, referring to Mrs. Ferrari as unceremoniously as if she had been out of the room. 'She has suffered a terrible shock,' Agnes answered. Mr. Troy turned to Mrs. Ferrari, and looked at her again, with the interest due to the victim of a shock. He drummed absently with his fingers on the table. At last he spoke to her. 'My good lady, you don't really believe that your husband is dead?' Mrs. Ferrari put her handkerchief to her eyes. The word 'dead' was ineffectual to express her feelings. 'Murdered!' she said sternly, behind her handkerchief. 'Why? And by whom?' Mr. Troy asked. Mrs. Ferrari seemed to have some difficulty in answering. 'You have read my husband's letters, sir,' she began. 'I believe he discovered—' She got as far as that, and there she stopped. 'What did he discover?' There are limits to human patience—even the patience of a bereaved wife. This cool question irritated Mrs. Ferrari into expressing herself plainly at last. 'He discovered Lady Montbarry and the Baron!' she answered, with a burst of hysterical vehemence. 'The Baron is no more that vile woman's brother than I am. The wickedness of those two wretches came to my poor dear husband's knowledge. The lady's maid left her place on account of it. If Ferrari had gone away too, he would have been alive at this moment. They have killed him. I say they have killed him, to prevent it from getting to Lord Montbarry's ears.' So, in short sharp sentences, and in louder and louder accents, Mrs. Ferrari stated her opinion of the case. Still keeping his own view in reserve, Mr. Troy listened with an expression of satirical approval. 'Very strongly stated, Mrs. Ferrari,' he said. 'You build up your sentences well; you clinch your conclusions in a workmanlike manner. If you had been a man, you would have made a good lawyer—you would have taken juries by the scruff of their necks. Complete the case, my good lady—complete the case. Tell us next who sent you this letter, enclosing the bank-note. The "two wretches" who murdered Mr. Ferrari would hardly put their hands in their pockets and send you a thousand pounds. Who is it—eh? I see the post-mark on the letter is "Venice." Have you any friend in that interesting city, with a large heart, and a purse to correspond, who has been let into the secret and who wishes to console you anonymously?' It was not easy to reply to this. Mrs. Ferrari began to feel the first inward approaches of something like hatred towards Mr. Troy. 'I don't understand you, sir,' she answered. 'I don't think this is a joking matter.' Agnes interfered, for the first time. She drew her chair a little nearer to her legal counsellor and friend. 'What is the most probable explanation, in your opinion?' she asked. 'I shall offend Mrs. Ferrari if I tell you,' Mr. Troy answered. 'No, sir, you won't!' cried Mrs. Ferrari, hating Mr. Troy undisguisedly by this time. The lawyer leaned back in his chair. 'Very well,' he said, in his most good-humoured manner. 'Let's have it out. Observe, madam, I don't dispute your view of the position of affairs at the palace in Venice. You have your husband's letters to justify you; and you have also the significant fact that Lady Montbarry's maid did really leave the house. We will say, then, that Lord Montbarry has presumably been made the victim of a foul wrong—that Mr. Ferrari was the first to find it out—and that the guilty persons had reason to fear, not only that he would acquaint Lord Montbarry with his discovery, but that he would be a principal witness against them if the scandal was made public in a court of law. Now mark! Admitting all this, I draw a totally different conclusion from the conclusion at which you have arrived. Here is your husband left in this miserable household of three, under very awkward circumstances for him. What does he do? But for the bank-note and the written message sent to you with it, I should say that he had wisely withdrawn himself from association with a disgraceful discovery and exposure, by taking secretly to flight. The money modifies this view—unfavourably so far as Mr. Ferrari is concerned. I still believe he is keeping out of the way. But I now say he is paid for keeping out of the way—and that bank-note there on the table is the price of his absence, sent by the guilty persons to his wife.' Mrs. Ferrari's watery grey eyes brightened suddenly; Mrs. Ferrari's dull drab-coloured complexion became enlivened by a glow of brilliant red. 'It's false!' she cried. 'It's a burning shame to speak of my husband in that way!' 'I told you I should offend you!' said Mr. Troy. Agnes interposed once more—in the interests of peace. She took the offended wife's hand; she appealed to the lawyer to reconsider that side of his theory which reflected harshly on Ferrari. While she was still speaking, the servant interrupted her by entering the room with a visiting-card. It was the card of Henry Westwick; and there was an ominous request written on it in pencil. 'I bring bad news. Let me see you for a minute downstairs.' Agnes immediately left the room. Alone with Mrs. Ferrari, Mr. Troy permitted his natural kindness of heart to show itself on the surface at last. He tried to make his peace with the courier's wife. 'You have every claim, my good soul, to resent a reflection cast upon your husband,' he began. 'I may even say that I respect you for speaking so warmly in his defence. At the same time, remember, that I am bound, in such a serious matter as this, to tell you what is really in my mind. I can have no intention of offending you, seeing that I am a total stranger to you and to Mr. Ferrari. A thousand pounds is a large sum of money; and a poor man may excusably be tempted by it to do nothing worse than to keep out of the way for a while. My only interest, acting on your behalf, is to get at the truth. If you will give me time, I see no reason to despair of finding your husband yet.' Ferrari's wife listened, without being convinced: her narrow little mind, filled to its extreme capacity by her unfavourable opinion of Mr. Troy, had no room left for the process of correcting its first impression. 'I am much obliged to you, sir,' was all she said. Her eyes were more communicative—her eyes added, in their language, 'You may say what you please; I will never forgive you to my dying day.' Mr. Troy gave it up. He composedly wheeled his chair around, put his hands in his pockets, and looked out of window. After an interval of silence, the drawing-room door was opened. Mr. Troy wheeled round again briskly to the table, expecting to see Agnes. To his surprise there appeared, in her place, a perfect stranger to him—a gentleman, in the prime of life, with a marked expression of pain and embarrassment on his handsome face. He looked at Mr. Troy, and bowed gravely. 'I am so unfortunate as to have brought news to Miss Agnes Lockwood which has greatly distressed her,' he said. 'She has retired to her room. I am requested to make her excuses, and to speak to you in her place.' Having introduced himself in those terms, he noticed Mrs. Ferrari, and held out his hand to her kindly. 'It is some years since we last met, Emily,' he said. 'I am afraid you have almost forgotten the "Master Henry" of old times.' Emily, in some little confusion, made her acknowledgments, and begged to know if she could be of any use to Miss Lockwood. 'The old nurse is with her,' Henry answered; 'they will be better left together.' He turned once more to Mr. Troy. 'I ought to tell you,' he said, 'that my name is Henry Westwick. I am the younger brother of the late Lord Montbarry.' 'The late Lord Montbarry!' Mr. Troy exclaimed. 'My brother died at Venice yesterday evening. There is the telegram.' With that startling answer, he handed the paper to Mr. Troy. The message was in these words: 'Lady Montbarry, Venice. To Stephen Robert Westwick, Newbury's Hotel, London. It is useless to take the journey. Lord Montbarry died of bronchitis, at 8.40 this evening. All needful details by post.' 'Was this expected, sir?' the lawyer asked. 'I cannot say that it has taken us entirely by surprise,' Henry answered. 'My brother Stephen (who is now the head of the family) received a telegram three days since, informing him that alarming symptoms had declared themselves, and that a second physician had been called in. He telegraphed back to say that he had left Ireland for London, on his way to Venice, and to direct that any further message might be sent to his hotel. The reply came in a second telegram. It announced that Lord Montbarry was in a state of insensibility, and that, in his brief intervals of consciousness, he recognised nobody. My brother was advised to wait in London for later information. The third telegram is now in your hands. That is all I know, up to the present time.' Happening to look at the courier's wife, Mr. Troy was struck by the expression of blank fear which showed itself in the woman's face. 'Mrs. Ferrari,' he said, 'have you heard what Mr. Westwick has just told me?' 'Every word of it, sir.' 'Have you any questions to ask?' 'No, sir.' 'You seem to be alarmed,' the lawyer persisted. 'Is it still about your husband?' 'I shall never see my husband again, sir. I have thought so all along, as you know. I feel sure of it now.' 'Sure of it, after what you have just heard?' 'Yes, sir.' 'Can you tell me why?' 'No, sir. It's a feeling I have. I can't tell why.' 'Oh, a feeling?' Mr. Troy repeated, in a tone of compassionate contempt. 'When it comes to feelings, my good soul—!' He left the sentence unfinished, and rose to take his leave of Mr. Westwick. The truth is, he began to feel puzzled himself, and he did not choose to let Mrs. Ferrari see it. 'Accept the expression of my sympathy, sir,' he said to Mr. Westwick politely. 'I wish you good evening.' Henry turned to Mrs. Ferrari as the lawyer closed the door. 'I have heard of your trouble, Emily, from Miss Lockwood. Is there anything I can do to help you?' 'Nothing, sir, thank you. Perhaps, I had better go home after what has happened? I will call to-morrow, and see if I can be of any use to Miss Agnes. I am very sorry for her.' She stole away, with her formal curtsey, her noiseless step, and her obstinate resolution to take the gloomiest view of her husband's case. Henry Westwick looked round him in the solitude of the little drawing-room. There was nothing to keep him in the house, and yet he lingered in it. It was something to be even near Agnes—to see the things belonging to her that were scattered about the room. There, in the corner, was her chair, with her embroidery on the work-table by its side. On the little easel near the window was her last drawing, not quite finished yet. The book she had been reading lay on the sofa, with her tiny pencil-case in it to mark the place at which she had left off. One after another, he looked at the objects that reminded him of the woman whom he loved—took them up tenderly—and laid them down again with a sigh. Ah, how far, how unattainably far from him, she was still! 'She will never forget Montbarry,' he thought to himself as he took up his hat to go. 'Not one of us feels his death as she feels it. Miserable, miserable wretch—how she loved him!' In the street, as Henry closed the house-door, he was stopped by a passing acquaintance—a wearisome inquisitive man—doubly unwelcome to him, at that moment. 'Sad news, Westwick, this about your brother. Rather an unexpected death, wasn't it? We never heard at the club that Montbarry's lungs were weak. What will the insurance offices do?' Henry started; he had never thought of his brother's life insurance. What could the offices do but pay? A death by bronchitis, certified by two physicians, was surely the least disputable of all deaths. 'I wish you hadn't put that question into my head!' he broke out irritably. 'Ah!' said his friend, 'you think the widow will get the money? So do I! so do I!' CHAPTER VIISome days later, the insurance offices (two in number) received the formal announcement of Lord Montbarry's death, from her ladyship's London solicitors. The sum insured in each office was five thousand pounds—on which one year's premium only had been paid. In the face of such a pecuniary emergency as this, the Directors thought it desirable to consider their position. The medical advisers of the two offices, who had recommended the insurance of Lord Montbarry's life, were called into council over their own reports. The result excited some interest among persons connected with the business of life insurance. Without absolutely declining to pay the money, the two offices (acting in concert) decided on sending a commission of inquiry to Venice, 'for the purpose of obtaining further information.' Mr. Troy received the earliest intelligence of what was going on. He wrote at once to communicate his news to Agnes; adding, what he considered to be a valuable hint, in these words: 'You are intimately acquainted, I know, with Lady Barville, the late Lord Montbarry's eldest sister. The solicitors employed by her husband are also the solicitors to one of the two insurance offices. There may possibly be something in the report of the commission of inquiry touching on Ferrari's disappearance. Ordinary persons would not be permitted, of course, to see such a document. But a sister of the late lord is so near a relative as to be an exception to general rules. If Sir Theodore Barville puts it on that footing, the lawyers, even if they do not allow his wife to look at the report, will at least answer any discreet questions she may ask referring to it. Let me hear what you think of this suggestion, at your earliest convenience.' The reply was received by return of post. Agnes declined to avail herself of Mr. Troy's proposal. 'My interference, innocent as it was,' she wrote, 'has already been productive of such deplorable results, that I cannot and dare not stir any further in the case of Ferrari. If I had not consented to let that unfortunate man refer to me by name, the late Lord Montbarry would never have engaged him, and his wife would have been spared the misery and suspense from which she is suffering now. I would not even look at the report to which you allude if it was placed in my hands—I have heard more than enough already of that hideous life in the palace at Venice. If Mrs. Ferrari chooses to address herself to Lady Barville (with your assistance), that is of course quite another thing. But, even in this case, I must make it a positive condition that my name shall not be mentioned. Forgive me, dear Mr. Troy! I am very unhappy, and very unreasonable—but I am only a woman, and you must not expect too much from me.' Foiled in this direction, the lawyer next advised making the attempt to discover the present address of Lady Montbarry's English maid. This excellent suggestion had one drawback: it could only be carried out by spending money—and there was no money to spend. Mrs. Ferrari shrank from the bare idea of making any use of the thousand-pound note. It had been deposited in the safe keeping of a bank. If it was even mentioned in her hearing, she shuddered and referred to it, with melodramatic fervour, as 'my husband's blood-money!' So, under stress of circumstances, the attempt to solve the mystery of Ferrari's disappearance was suspended for a while. It was the last month of the year 1860. The commission of inquiry was already at work; having begun its investigations on December 6. On the 10th, the term for which the late Lord Montbarry had hired the Venetian palace, expired. News by telegram reached the insurance offices that Lady Montbarry had been advised by her lawyers to leave for London with as little delay as possible. Baron Rivar, it was believed, would accompany her to England, but would not remain in that country, unless his services were absolutely required by her ladyship. The Baron, 'well known as an enthusiastic student of chemistry,' had heard of certain recent discoveries in connection with that science in the United States, and was anxious to investigate them personally. These items of news, collected by Mr. Troy, were duly communicated to Mrs. Ferrari, whose anxiety about her husband made her a frequent, a too frequent, visitor at the lawyer's office. She attempted to relate what she had heard to her good friend and protectress. Agnes steadily refused to listen, and positively forbade any further conversation relating to Lord Montbarry's wife, now that Lord Montbarry was no more. 'You have Mr. Troy to advise you,' she said; 'and you are welcome to what little money I can spare, if money is wanted. All I ask in return is that you will not distress me. I am trying to separate myself from remembrances—' her voice faltered; she paused to control herself—'from remembrances,' she resumed, 'which are sadder than ever since I have heard of Lord Montbarry's death. Help me by your silence to recover my spirits, if I can. Let me hear nothing more, until I can rejoice with you that your husband is found.' Time advanced to the 13th of the month; and more information of the interesting sort reached Mr. Troy. The labours of the insurance commission had come to an end—the report had been received from Venice on that day. CHAPTER VIIIOn the 14th the Directors and their legal advisers met for the reading of the report, with closed doors. These were the terms in which the Commissioners related the results of their inquiry: 'Private and confidential. 'We have the honour to inform our Directors that we arrived in Venice on December 6, 1860. On the same day we proceeded to the palace inhabited by Lord Montbarry at the time of his last illness and death. 'We were received with all possible courtesy by Lady Montbarry's brother, Baron Rivar. "My sister was her husband's only attendant throughout his illness," the Baron informed us. "She is overwhelmed by grief and fatigue—or she would have been here to receive you personally. What are your wishes, gentlemen? and what can I do for you in her ladyship's place?" 'In accordance with our instructions, we answered that the death and burial of Lord Montbarry abroad made it desirable to obtain more complete information relating to his illness, and to the circumstances which had attended it, than could be conveyed in writing. We explained that the law provided for the lapse of a certain interval of time before the payment of the sum assured, and we expressed our wish to conduct the inquiry with the most respectful consideration for her ladyship's feelings, and for the convenience of any other members of the family inhabiting the house. 'To this the Baron replied, "I am the only member of the family living here, and I and the palace are entirely at your disposal." From first to last we found this gentleman perfectly straightforward, and most amiably willing to assist us. 'With the one exception of her ladyship's room, we went over the whole of the palace the same day. It is an immense place only partially furnished. The first floor and part of the second floor were the portions of it that had been inhabited by Lord Montbarry and the members of the household. We saw the bedchamber, at one extremity of the palace, in which his lordship died, and the small room communicating with it, which he used as a study. Next to this was a large apartment or hall, the doors of which he habitually kept locked, his object being (as we were informed) to pursue his studies uninterruptedly in perfect solitude. On the other side of the large hall were the bedchamber occupied by her ladyship, and the dressing-room in which the maid slept previous to her departure for England. Beyond these were the dining and reception rooms, opening into an antechamber, which gave access to the grand staircase of the palace. 'The only inhabited rooms on the second floor were the sitting-room and bedroom occupied by Baron Rivar, and another room at some distance from it, which had been the bedroom of the courier Ferrari. 'The rooms on the third floor and on the basement were completely unfurnished, and in a condition of great neglect. We inquired if there was anything to be seen below the basement—and we were at once informed that there were vaults beneath, which we were at perfect liberty to visit. 'We went down, so as to leave no part of the palace unexplored. The vaults were, it was believed, used as dungeons in the old times—say, some centuries since. Air and light were only partially admitted to these dismal places by two long shafts of winding construction, which communicated with the back yard of the palace, and the openings of which, high above the ground, were protected by iron gratings. The stone stairs leading down into the vaults could be closed at will by a heavy trap-door in the back hall, which we found open. The Baron himself led the way down the stairs. We remarked that it might be awkward if that trap-door fell down and closed the opening behind us. The Baron smiled at the idea. "Don't be alarmed, gentlemen," he said; "the door is safe. I had an interest in seeing to it myself, when we first inhabited the palace. My favourite study is the study of experimental chemistry—and my workshop, since we have been in Venice, is down here." 'These last words explained a curious smell in the vaults, which we noticed the moment we entered them. We can only describe the smell by saying that it was of a twofold sort—faintly aromatic, as it were, in its first effect, but with some after-odour very sickening in our nostrils. The Baron's furnaces and retorts, and other things, were all there to speak for themselves, together with some packages of chemicals, having the name and address of the person who had supplied them plainly visible on their labels. "Not a pleasant place for study," Baron Rivar observed, "but my sister is timid. She has a horror of chemical smells and explosions—and she has banished me to these lower regions, so that my experiments may neither be smelt nor heard." He held out his hands, on which we had noticed that he wore gloves in the house. "Accidents will happen sometimes," he said, "no matter how careful a man may be. I burnt my hands severely in trying a new combination the other day, and they are only recovering now." 'We mention these otherwise unimportant incidents, in order to show that our exploration of the palace was not impeded by any attempt at concealment. We were even admitted to her ladyship's own room—on a subsequent occasion, when she went out to take the air. Our instructions recommended us to examine his lordship's residence, because the extreme privacy of his life at Venice, and the remarkable departure of the only two servants in the house, might have some suspicious connection with the nature of his death. We found nothing to justify suspicion. 'As to his lordship's retired way of life, we have conversed on the subject with the consul and the banker—the only two strangers who held any communication with him. He called once at the bank to obtain money on his letter of credit, and excused himself from accepting an invitation to visit the banker at his private residence, on the ground of delicate health. His lordship wrote to the same effect on sending his card to the consul, to excuse himself from personally returning that gentleman's visit to the palace. We have seen the letter, and we beg to offer the following copy of it. "Many years passed in India have injured my constitution. I have ceased to go into society; the one occupation of my life now is the study of Oriental literature. The air of Italy is better for me than the air of England, or I should never have left home. Pray accept the apologies of a student and an invalid. The active part of my life is at an end." The self-seclusion of his lordship seems to us to be explained in these brief lines. We have not, however, on that account spared our inquiries in other directions. Nothing to excite a suspicion of anything wrong has come to our knowledge. 'As to the departure of the lady's maid, we have seen the woman's receipt for her wages, in which it is expressly stated that she left Lady Montbarry's service because she disliked the Continent, and wished to get back to her own country. This is not an uncommon result of taking English servants to foreign parts. Lady Montbarry has informed us that she abstained from engaging another maid in consequence of the extreme dislike which his lordship expressed to having strangers in the house, in the state of his health at that time. 'The disappearance of the courier Ferrari is, in itself, unquestionably a suspicious circumstance. Neither her ladyship nor the Baron can explain it; and no investigation that we could make has thrown the smallest light on this event, or has justified us in associating it, directly or indirectly, with the object of our inquiry. We have even gone the length of examining the portmanteau which Ferrari left behind him. It contains nothing but clothes and linen—no money, and not even a scrap of paper in the pockets of the clothes. The portmanteau remains in charge of the police. 'We have also found opportunities of speaking privately to the old woman who attends to the rooms occupied by her ladyship and the Baron. She was recommended to fill this situation by the keeper of the restaurant who has supplied the meals to the family throughout the period of their residence at the palace. Her character is most favourably spoken of. Unfortunately, her limited intelligence makes her of no value as a witness. We were patient and careful in questioning her, and we found her perfectly willing to answer us; but we could elicit nothing which is worth including in the present report. 'On the second day of our inquiries, we had the honour of an interview with Lady Montbarry. Her ladyship looked miserably worn and ill, and seemed to be quite at a loss to understand what we wanted with her. Baron Rivar, who introduced us, explained the nature of our errand in Venice, and took pains to assure her that it was a purely formal duty on which we were engaged. Having satisfied her ladyship on this point, he discreetly left the room. 'The questions which we addressed to Lady Montbarry related mainly, of course, to his lordship's illness. The answers, given with great nervousness of manner, but without the slightest appearance of reserve, informed us of the facts that follow: 'Lord Montbarry had been out of order for some time past—nervous and irritable. He first complained of having taken cold on November 13 last; he passed a wakeful and feverish night, and remained in bed the next day. Her ladyship proposed sending for medical advice. He refused to allow her to do this, saying that he could quite easily be his own doctor in such a trifling matter as a cold. Some hot lemonade was made at his request, with a view to producing perspiration. Lady Montbarry's maid having left her at that time, the courier Ferrari (then the only servant in the house) went out to buy the lemons. Her ladyship made the drink with her own hands. It was successful in producing perspiration—and Lord Montbarry had some hours of sleep afterwards. Later in the day, having need of Ferrari's services, Lady Montbarry rang for him. The bell was not answered. Baron Rivar searched for the man, in the palace and out of it, in vain. From that time forth not a trace of Ferrari could be discovered. This happened on November 14. 'On the night of the 14th, the feverish symptoms accompanying his lordship's cold returned. They were in part perhaps attributable to the annoyance and alarm caused by Ferrari's mysterious disappearance. It had been impossible to conceal the circumstance, as his lordship rang repeatedly for the courier; insisting that the man should relieve Lady Montbarry and the Baron by taking their places during the night at his bedside. 'On the 15th (the day on which the old woman first came to do the housework), his lordship complained of sore throat, and of a feeling of oppression on the chest. On this day, and again on the 16th, her ladyship and the Baron entreated him to see a doctor. He still refused. "I don't want strange faces about me; my cold will run its course, in spite of the doctor,"—that was his answer. On the 17th he was so much worse that it was decided to send for medical help whether he liked it or not. Baron Rivar, after inquiry at the consul's, secured the services of Doctor Bruno, well known as an eminent physician in Venice; with the additional recommendation of having resided in England, and having made himself acquainted with English forms of medical practice. 'Thus far our account of his lordship's illness has been derived from statements made by Lady Montbarry. The narrative will now be most fitly continued in the language of the doctor's own report, herewith subjoined. '"My medical diary informs me that I first saw the English Lord Montbarry, on November 17. He was suffering from a sharp attack of bronchitis. Some precious time had been lost, through his obstinate objection to the presence of a medical man at his bedside. Generally speaking, he appeared to be in a delicate state of health. His nervous system was out of order—he was at once timid and contradictory. When I spoke to him in English, he answered in Italian; and when I tried him in Italian, he went back to English. It mattered little—the malady had already made such progress that he could only speak a few words at a time, and those in a whisper. '"I at once applied the necessary remedies. Copies of my prescriptions (with translation into English) accompany the present statement, and are left to speak for themselves. '"For the next three days I was in constant attendance on my patient. He answered to the remedies employed—improving slowly, but decidedly. I could conscientiously assure Lady Montbarry that no danger was to be apprehended thus far. She was indeed a most devoted wife. I vainly endeavoured to induce her to accept the services of a competent nurse; she would allow nobody to attend on her husband but herself. Night and day this estimable woman was at his bedside. In her brief intervals of repose, her brother watched the sick man in her place. This brother was, I must say, very good company, in the intervals when we had time for a little talk. He dabbled in chemistry, down in the horrid under-water vaults of the palace; and he wanted to show me some of his experiments. I have enough of chemistry in writing prescriptions—and I declined. He took it quite good-humouredly. '"I am straying away from my subject. Let me return to the sick lord. '"Up to the 20th, then, things went well enough. I was quite unprepared for the disastrous change that showed itself, when I paid Lord Montbarry my morning visit on the 21st. He had relapsed, and seriously relapsed. Examining him to discover the cause, I found symptoms of pneumonia—that is to say, in unmedical language, inflammation of the substance of the lungs. He breathed with difficulty, and was only partially able to relieve himself by coughing. I made the strictest inquiries, and was assured that his medicine had been administered as carefully as usual, and that he had not been exposed to any changes of temperature. It was with great reluctance that I added to Lady Montbarry's distress; but I felt bound, when she suggested a consultation with another physician, to own that I too thought there was really need for it. '"Her ladyship instructed me to spare no expense, and to get the best medical opinion in Italy. The best opinion was happily within our reach. The first and foremost of Italian physicians is Torello of Padua. I sent a special messenger for the great man. He arrived on the evening of the 21st, and confirmed my opinion that pneumonia had set in, and that our patient's life was in danger. I told him what my treatment of the case had been, and he approved of it in every particular. He made some valuable suggestions, and (at Lady Montbarry's express request) he consented to defer his return to Padua until the following morning. '"We both saw the patient at intervals in the course of the night. The disease, steadily advancing, set our utmost resistance at defiance. In the morning Doctor Torello took his leave. 'I can be of no further use,' he said to me. 'The man is past all help—and he ought to know it.' '"Later in the day I warned my lord, as gently as I could, that his time had come. I am informed that there are serious reasons for my stating what passed between us on this occasion, in detail, and without any reserve. I comply with the request. '"Lord Montbarry received the intelligence of his approaching death with becoming composure, but with a certain doubt. He signed to me to put my ear to his mouth. He whispered faintly, 'Are you sure?' It was no time to deceive him; I said, 'Positively sure.' He waited a little, gasping for breath, and then he whispered again, 'Feel under my pillow.' I found under his pillow a letter, sealed and stamped, ready for the post. His next words were just audible and no more—'Post it yourself.' I answered, of course, that I would do so—and I did post the letter with my own hand. I looked at the address. It was directed to a lady in London. The street I cannot remember. The name I can perfectly recall: it was an Italian name—'Mrs. Ferrari.' '"That night my lord nearly died of asphyxia. I got him through it for the time; and his eyes showed that he understood me when I told him, the next morning, that I had posted the letter. This was his last effort of consciousness. When I saw him again he was sunk in apathy. He lingered in a state of insensibility, supported by stimulants, until the 25th, and died (unconscious to the last) on the evening of that day. '"As to the cause of his death, it seems (if I may be excused for saying so) simply absurd to ask the question. Bronchitis, terminating in pneumonia—there is no more doubt that this, and this only, was the malady of which he expired, than that two and two make four. Doctor Torello's own note of the case is added here to a duplicate of my certificate, in order (as I am informed) to satisfy some English offices in which his lordship's life was insured. The English offices must have been founded by that celebrated saint and doubter, mentioned in the New Testament, whose name was Thomas!" 'Doctor Bruno's evidence ends here. 'Reverting for a moment to our inquiries addressed to Lady Montbarry, we have to report that she can give us no information on the subject of the letter which the doctor posted at Lord Montbarry's request. When his lordship wrote it? what it contained? why he kept it a secret from Lady Montbarry (and from the Baron also); and why he should write at all to the wife of his courier? these are questions to which we find it simply impossible to obtain any replies. It seems even useless to say that the matter is open to suspicion. Suspicion implies conjecture of some kind—and the letter under my lord's pillow baffles all conjecture. Application to Mrs. Ferrari may perhaps clear up the mystery. Her residence in London will be easily discovered at the Italian Couriers' Office, Golden Square. 'Having arrived at the close of the present report, we have now to draw your attention to the conclusion which is justified by the results of our investigation. 'The plain question before our Directors and ourselves appears to be this: Has the inquiry revealed any extraordinary circumstances which render the death of Lord Montbarry open to suspicion? The inquiry has revealed extraordinary circumstances beyond all doubt—such as the disappearance of Ferrari, the remarkable absence of the customary establishment of servants in the house, and the mysterious letter which his lordship asked the doctor to post. But where is the proof that any one of these circumstances is associated—suspiciously and directly associated—with the only event which concerns us, the event of Lord Montbarry's death? In the absence of any such proof, and in the face of the evidence of two eminent physicians, it is impossible to dispute the statement on the certificate that his lordship died a natural death. We are bound, therefore, to report, that there are no valid grounds for refusing the payment of the sum for which the late Lord Montbarry's life was assured. 'We shall send these lines to you by the post of to-morrow, December 10; leaving time to receive your further instructions (if any), in reply to our telegram of this evening announcing the conclusion of the inquiry.' CHAPTER IX'Now, my good creature, whatever you have to say to me, out with it at once! I don't want to hurry you needlessly; but these are business hours, and I have other people's affairs to attend to besides yours.' Addressing Ferrari's wife, with his usual blunt good-humour, in these terms, Mr. Troy registered the lapse of time by a glance at the watch on his desk, and then waited to hear what his client had to say to him. 'It's something more, sir, about the letter with the thousand-pound note,' Mrs. Ferrari began. 'I have found out who sent it to me.' Mr. Troy started. 'This is news indeed!' he said. 'Who sent you the letter?' 'Lord Montbarry sent it, sir.' It was not easy to take Mr. Troy by surprise. But Mrs. Ferrari threw him completely off his balance. For a while he could only look at her in silent surprise. 'Nonsense!' he said, as soon as he had recovered himself. 'There is some mistake—it can't be!' 'There is no mistake,' Mrs. Ferrari rejoined, in her most positive manner. 'Two gentlemen from the insurance offices called on me this morning, to see the letter. They were completely puzzled—especially when they heard of the bank-note inside. But they know who sent the letter. His lordship's doctor in Venice posted it at his lordship's request. Go to the gentlemen yourself, sir, if you don't believe me. They were polite enough to ask if I could account for Lord Montbarry's writing to me and sending me the money. I gave them my opinion directly—I said it was like his lordship's kindness.' 'Like his lordship's kindness?' Mr. Troy repeated, in blank amazement. 'Yes, sir! Lord Montbarry knew me, like all the other members of his family, when I was at school on the estate in Ireland. If he could have done it, he would have protected my poor dear husband. But he was helpless himself in the hands of my lady and the Baron—and the only kind thing he could do was to provide for me in my widowhood, like the true nobleman he was!' 'A very pretty explanation!' said Mr. Troy. 'What did your visitors from the insurance offices think of it?' 'They asked if I had any proof of my husband's death.' 'And what did you say?' 'I said, "I give you better than proof, gentlemen; I give you my positive opinion."' 'That satisfied them, of course?' 'They didn't say so in words, sir. They looked at each other—and wished me good-morning.' 'Well, Mrs. Ferrari, unless you have some more extraordinary news for me, I think I shall wish you good-morning too. I can take a note of your information (very startling information, I own); and, in the absence of proof, I can do no more.' 'I can provide you with proof, sir—if that is all you want,' said Mrs. Ferrari, with great dignity. 'I only wish to know, first, whether the law justifies me in doing it. You may have seen in the fashionable intelligence of the newspapers, that Lady Montbarry has arrived in London, at Newbury's Hotel. I propose to go and see her.' 'The deuce you do! May I ask for what purpose?' Mrs. Ferrari answered in a mysterious whisper. 'For the purpose of catching her in a trap! I shan't send in my name—I shall announce myself as a person on business, and the first words I say to her will be these: "I come, my lady, to acknowledge the receipt of the money sent to Ferrari's widow." Ah! you may well start, Mr. Troy! It almost takes you off your guard, doesn't it? Make your mind easy, sir; I shall find the proof that everybody asks me for in her guilty face. Let her only change colour by the shadow of a shade—let her eyes only drop for half an instant—I shall discover her! The one thing I want to know is, does the law permit it?' 'The law permits it,' Mr. Troy answered gravely; 'but whether her ladyship will permit it, is quite another question. Have you really courage enough, Mrs. Ferrari, to carry out this notable scheme of yours? You have been described to me, by Miss Lockwood, as rather a nervous, timid sort of person—and, if I may trust my own observation, I should say you justify the description.' 'If you had lived in the country, sir, instead of living in London,' Mrs. Ferrari replied, 'you would sometimes have seen even a sheep turn on a dog. I am far from saying that I am a bold woman—quite the reverse. But when I stand in that wretch's presence, and think of my murdered husband, the one of us two who is likely to be frightened is not me. I am going there now, sir. You shall hear how it ends. I wish you good-morning.' With those brave words the courier's wife gathered her mantle about her, and walked out of the room. Mr. Troy smiled—not satirically, but compassionately. 'The little simpleton!' he thought to himself. 'If half of what they say of Lady Montbarry is true, Mrs. Ferrari and her trap have but a poor prospect before them. I wonder how it will end?' All Mr. Troy's experience failed to forewarn him of how it did end. CHAPTER XIn the mean time, Mrs. Ferrari held to her resolution. She went straight from Mr. Troy's office to Newbury's Hotel. Lady Montbarry was at home, and alone. But the authorities of the hotel hesitated to disturb her when they found that the visitor declined to mention her name. Her ladyship's new maid happened to cross the hall while the matter was still in debate. She was a Frenchwoman, and, on being appealed to, she settled the question in the swift, easy, rational French way. 'Madame's appearance was perfectly respectable. Madame might have reasons for not mentioning her name which Miladi might approve. In any case, there being no orders forbidding the introduction of a strange lady, the matter clearly rested between Madame and Miladi. Would Madame, therefore, be good enough to follow Miladi's maid up the stairs?' In spite of her resolution, Mrs. Ferrari's heart beat as if it would burst out of her bosom, when her conductress led her into an ante-room, and knocked at a door opening into a room beyond. But it is remarkable that persons of sensitively-nervous organisation are the very persons who are capable of forcing themselves (apparently by the exercise of a spasmodic effort of will) into the performance of acts of the most audacious courage. A low, grave voice from the inner room said, 'Come in.' The maid, opening the door, announced, 'A person to see you, Miladi, on business,' and immediately retired. In the one instant while these events passed, timid little Mrs. Ferrari mastered her own throbbing heart; stepped over the threshold, conscious of her clammy hands, dry lips, and burning head; and stood in the presence of Lord Montbarry's widow, to all outward appearance as supremely self-possessed as her ladyship herself. It was still early in the afternoon, but the light in the room was dim. The blinds were drawn down. Lady Montbarry sat with her back to the windows, as if even the subdued daylight were disagreeable to her. She had altered sadly for the worse in her personal appearance, since the memorable day when Doctor Wybrow had seen her in his consulting-room. Her beauty was gone—her face had fallen away to mere skin and bone; the contrast between her ghastly complexion and her steely glittering black eyes was more startling than ever. Robed in dismal black, relieved only by the brilliant whiteness of her widow's cap—reclining in a panther-like suppleness of attitude on a little green sofa—she looked at the stranger who had intruded on her, with a moment's languid curiosity, then dropped her eyes again to the hand-screen which she held between her face and the fire. 'I don't know you,' she said. 'What do you want with me?' Mrs. Ferrari tried to answer. Her first burst of courage had already worn itself out. The bold words that she had determined to speak were living words still in her mind, but they died on her lips. There was a moment of silence. Lady Montbarry looked round again at the speechless stranger. 'Are you deaf?' she asked. There was another pause. Lady Montbarry quietly looked back again at the screen, and put another question. 'Do you want money?' 'Money!' That one word roused the sinking spirit of the courier's wife. She recovered her courage; she found her voice. 'Look at me, my lady, if you please,' she said, with a sudden outbreak of audacity. Lady Montbarry looked round for the third time. The fatal words passed Mrs. Ferrari's lips. 'I come, my lady, to acknowledge the receipt of the money sent to Ferrari's widow.' Lady Montbarry's glittering black eyes rested with steady attention on the woman who had addressed her in those terms. Not the faintest expression of confusion or alarm, not even a momentary flutter of interest stirred the deadly stillness of her face. She reposed as quietly, she held the screen as composedly, as ever. The test had been tried, and had utterly failed. There was another silence. Lady Montbarry considered with herself. The smile that came slowly and went away suddenly—the smile at once so sad and so cruel—showed itself on her thin lips. She lifted her screen, and pointed with it to a seat at the farther end of the room. 'Be so good as to take that chair,' she said. Helpless under her first bewildering sense of failure—not knowing what to say or what to do next—Mrs. Ferrari mechanically obeyed. Lady Montbarry, rising on the sofa for the first time, watched her with undisguised scrutiny as she crossed the room—then sank back into a reclining position once more. 'No,' she said to herself, 'the woman walks steadily; she is not intoxicated—the only other possibility is that she may be mad.' She had spoken loud enough to be heard. Stung by the insult, Mrs. Ferrari instantly answered her: 'I am no more drunk or mad than you are!' 'No?' said Lady Montbarry. 'Then you are only insolent? The ignorant English mind (I have observed) is apt to be insolent in the exercise of unrestrained English liberty. This is very noticeable to us foreigners among you people in the streets. Of course I can't be insolent to you, in return. I hardly know what to say to you. My maid was imprudent in admitting you so easily to my room. I suppose your respectable appearance misled her. I wonder who you are? You mentioned the name of a courier who left us very strangely. Was he married by any chance? Are you his wife? And do you know where he is?' Mrs. Ferrari's indignation burst its way through all restraints. She advanced to the sofa; she feared nothing, in the fervour and rage of her reply. 'I am his widow—and you know it, you wicked woman! Ah! it was an evil hour when Miss Lockwood recommended my husband to be his lordship's courier—!' Before she could add another word, Lady Montbarry sprang from the sofa with the stealthy suddenness of a cat—seized her by both shoulders—and shook her with the strength and frenzy of a madwoman. 'You lie! you lie! you lie!' She dropped her hold at the third repetition of the accusation, and threw up her hands wildly with a gesture of despair. 'Oh, Jesu Maria! is it possible?' she cried. 'Can the courier have come to me through that woman?' She turned like lightning on Mrs. Ferrari, and stopped her as she was escaping from the room. 'Stay here, you fool—stay here, and answer me! If you cry out, as sure as the heavens are above you, I'll strangle you with my own hands. Sit down again—and fear nothing. Wretch! It is I who am frightened—frightened out of my senses. Confess that you lied, when you used Miss Lockwood's name just now! No! I don't believe you on your oath; I will believe nobody but Miss Lockwood herself. Where does she live? Tell me that, you noxious stinging little insect—and you may go.' Terrified as she was, Mrs. Ferrari hesitated. Lady Montbarry lifted her hands threateningly, with the long, lean, yellow-white fingers outspread and crooked at the tips. Mrs. Ferrari shrank at the sight of them, and gave the address. Lady Montbarry pointed contemptuously to the door—then changed her mind. 'No! not yet! you will tell Miss Lockwood what has happened, and she may refuse to see me. I will go there at once, and you shall go with me. As far as the house—not inside of it. Sit down again. I am going to ring for my maid. Turn your back to the door—your cowardly face is not fit to be seen!' She rang the bell. The maid appeared. 'My cloak and bonnet—instantly!' The maid produced the cloak and bonnet from the bedroom. 'A cab at the door—before I can count ten!' The maid vanished. Lady Montbarry surveyed herself in the glass, and wheeled round again, with her cat-like suddenness, to Mrs. Ferrari. 'I look more than half dead already, don't I?' she said with a grim outburst of irony. 'Give me your arm.' She took Mrs. Ferrari's arm, and left the room. 'You have nothing to fear, so long as you obey,' she whispered, on the way downstairs. 'You leave me at Miss Lockwood's door, and never see me again.' In the hall they were met by the landlady of the hotel. Lady Montbarry graciously presented her companion. 'My good friend Mrs. Ferrari; I am so glad to have seen her.' The landlady accompanied them to the door. The cab was waiting. 'Get in first, good Mrs. Ferrari,' said her ladyship; 'and tell the man where to go.' They were driven away. Lady Montbarry's variable humour changed again. With a low groan of misery, she threw herself back in the cab. Lost in her own dark thoughts, as careless of the woman whom she had bent to her iron will as if no such person sat by her side, she preserved a sinister silence, until they reached the house where Miss Lockwood lodged. In an instant, she roused herself to action. She opened the door of the cab, and closed it again on Mrs. Ferrari, before the driver could get off his box. 'Take that lady a mile farther on her way home!' she said, as she paid the man his fare. The next moment she had knocked at the house-door. 'Is Miss Lockwood at home?' 'Yes, ma'am.' She stepped over the threshold—the door closed on her. 'Which way, ma'am?' asked the driver of the cab. Mrs. Ferrari put her hand to her head, and tried to collect her thoughts. Could she leave her friend and benefactress helpless at Lady Montbarry's mercy? She was still vainly endeavouring to decide on the course that she ought to follow—when a gentleman, stopping at Miss Lockwood's door, happened to look towards the cab-window, and saw her. 'Are you going to call on Miss Agnes too?' he asked. It was Henry Westwick. Mrs. Ferrari clasped her hands in gratitude as she recognised him. 'Go in, sir!' she cried. 'Go in, directly. That dreadful woman is with Miss Agnes. Go and protect her!' 'What woman?' Henry asked. The answer literally struck him speechless. With amazement and indignation in his face, he looked at Mrs. Ferrari as she pronounced the hated name of 'Lady Montbarry.' 'I'll see to it,' was all he said. He knocked at the house-door; and he too, in his turn, was let in. CHAPTER XI'Lady Montbarry, Miss.' Agnes was writing a letter, when the servant astonished her by announcing the visitor's name. Her first impulse was to refuse to see the woman who had intruded on her. But Lady Montbarry had taken care to follow close on the servant's heels. Before Agnes could speak, she had entered the room. 'I beg to apologise for my intrusion, Miss Lockwood. I have a question to ask you, in which I am very much interested. No one can answer me but yourself.' In low hesitating tones, with her glittering black eyes bent modestly on the ground, Lady Montbarry opened the interview in those words. Without answering, Agnes pointed to a chair. She could do this, and, for the time, she could do no more. All that she had read of the hidden and sinister life in the palace at Venice; all that she had heard of Montbarry's melancholy death and burial in a foreign land; all that she knew of the mystery of Ferrari's disappearance, rushed into her mind, when the black-robed figure confronted her, standing just inside the door. The strange conduct of Lady Montbarry added a new perplexity to the doubts and misgivings that troubled her. There stood the adventuress whose character had left its mark on society all over Europe—the Fury who had terrified Mrs. Ferrari at the hotel—inconceivably transformed into a timid, shrinking woman! Lady Montbarry had not once ventured to look at Agnes, since she had made her way into the room. Advancing to take the chair that had been pointed out to her, she hesitated, put her hand on the rail to support herself, and still remained standing. 'Please give me a moment to compose myself,' she said faintly. Her head sank on her bosom: she stood before Agnes like a conscious culprit before a merciless judge. The silence that followed was, literally, the silence of fear on both sides. In the midst of it, the door was opened once more—and Henry Westwick appeared. He looked at Lady Montbarry with a moment's steady attention—bowed to her with formal politeness—and passed on in silence. At the sight of her husband's brother, the sinking spirit of the woman sprang to life again. Her drooping figure became erect. Her eyes met Westwick's look, brightly defiant. She returned his bow with an icy smile of contempt. Henry crossed the room to Agnes. 'Is Lady Montbarry here by your invitation?' he asked quietly. 'No.' 'Do you wish to see her?' 'It is very painful to me to see her.' He turned and looked at his sister-in-law. 'Do you hear that?' he asked coldly. 'I hear it,' she answered, more coldly still. 'Your visit is, to say the least of it, ill-timed.' 'Your interference is, to say the least of it, out of place.' With that retort, Lady Montbarry approached Agnes. The presence of Henry Westwick seemed at once to relieve and embolden her. 'Permit me to ask my question, Miss Lockwood,' she said, with graceful courtesy. 'It is nothing to embarrass you. When the courier Ferrari applied to my late husband for employment, did you—' Her resolution failed her, before she could say more. She sank trembling into the nearest chair, and, after a moment's struggle, composed herself again. 'Did you permit Ferrari,' she resumed, 'to make sure of being chosen for our courier by using your name?' Agnes did not reply with her customary directness. Trifling as it was, the reference to Montbarry, proceeding from that woman of all others, confused and agitated her. 'I have known Ferrari's wife for many years,' she began. 'And I take an interest—' Lady Montbarry abruptly lifted her hands with a gesture of entreaty. 'Ah, Miss Lockwood, don't waste time by talking of his wife! Answer my plain question, plainly!' 'Let me answer her,' Henry whispered. 'I will undertake to speak plainly enough.' Agnes refused by a gesture. Lady Montbarry's interruption had roused her sense of what was due to herself. She resumed her reply in plainer terms. 'When Ferrari wrote to the late Lord Montbarry,' she said, 'he did certainly mention my name.' Even now, she had innocently failed to see the object which her visitor had in view. Lady Montbarry's impatience became ungovernable. She started to her feet, and advanced to Agnes. 'Was it with your knowledge and permission that Ferrari used your name?' she asked. 'The whole soul of my question is in that. For God's sake answer me—Yes, or No!' 'Yes.' That one word struck Lady Montbarry as a blow might have struck her. The fierce life that had animated her face the instant before, faded out of it suddenly, and left her like a woman turned to stone. She stood, mechanically confronting Agnes, with a stillness so wrapt and perfect that not even the breath she drew was perceptible to the two persons who were looking at her. Henry spoke to her roughly. 'Rouse yourself,' he said. 'You have received your answer.' She looked round at him. 'I have received my Sentence,' she rejoined—and turned slowly to leave the room. To Henry's astonishment, Agnes stopped her. 'Wait a moment, Lady Montbarry. I have something to ask on my side. You have spoken of Ferrari. I wish to speak of him too.' Lady Montbarry bent her head in silence. Her hand trembled as she took out her handkerchief, and passed it over her forehead. Agnes detected the trembling, and shrank back a step. 'Is the subject painful to you?' she asked timidly. Still silent, Lady Montbarry invited her by a wave of the hand to go on. Henry approached, attentively watching his sister-in-law. Agnes went on. 'No trace of Ferrari has been discovered in England,' she said. 'Have you any news of him? And will you tell me (if you have heard anything), in mercy to his wife?' Lady Montbarry's thin lips suddenly relaxed into their sad and cruel smile. 'Why do you ask me about the lost courier?' she said. 'You will know what has become of him, Miss Lockwood, when the time is ripe for it.' Agnes started. 'I don't understand you,' she said. 'How shall I know? Will some one tell me?' 'Some one will tell you.' Henry could keep silence no longer. 'Perhaps, your ladyship may be the person?' he interrupted with ironical politeness. She answered him with contemptuous ease. 'You may be right, Mr. Westwick. One day or another, I may be the person who tells Miss Lockwood what has become of Ferrari, if—' She stopped; with her eyes fixed on Agnes. 'If what?' Henry asked. 'If Miss Lockwood forces me to it.' Agnes listened in astonishment. 'Force you to it?' she repeated. 'How can I do that? Do you mean to say my will is stronger than yours?' 'Do you mean to say that the candle doesn't burn the moth, when the moth flies into it?' Lady Montbarry rejoined. 'Have you ever heard of such a thing as the fascination of terror? I am drawn to you by a fascination of terror. I have no right to visit you, I have no wish to visit you: you are my enemy. For the first time in my life, against my own will, I submit to my enemy. See! I am waiting because you told me to wait—and the fear of you (I swear it!) creeps through me while I stand here. Oh, don't let me excite your curiosity or your pity! Follow the example of Mr. Westwick. Be hard and brutal and unforgiving, like him. Grant me my release. Tell me to go.' The frank and simple nature of Agnes could discover but one intelligible meaning in this strange outbreak. 'You are mistaken in thinking me your enemy,' she said. 'The wrong you did me when you gave your hand to Lord Montbarry was not intentionally done. I forgave you my sufferings in his lifetime. I forgive you even more freely now that he has gone.' Henry heard her with mingled emotions of admiration and distress. 'Say no more!' he exclaimed. 'You are too good to her; she is not worthy of it.' The interruption passed unheeded by Lady Montbarry. The simple words in which Agnes had replied seemed to have absorbed the whole attention of this strangely-changeable woman. As she listened, her face settled slowly into an expression of hard and tearless sorrow. There was a marked change in her voice when she spoke next. It expressed that last worst resignation which has done with hope. 'You good innocent creature,' she said, 'what does your amiable forgiveness matter? What are your poor little wrongs, in the reckoning for greater wrongs which is demanded of me? I am not trying to frighten you, I am only miserable about myself. Do you know what it is to have a firm presentiment of calamity that is coming to you—and yet to hope that your own positive conviction will not prove true? When I first met you, before my marriage, and first felt your influence over me, I had that hope. It was a starveling sort of hope that lived a lingering life in me until to-day. You struck it dead, when you answered my question about Ferrari.' 'How have I destroyed your hopes?' Agnes asked. 'What connection is there between my permitting Ferrari to use my name to Lord Montbarry, and the strange and dreadful things you are saying to me now?' 'The time is near, Miss Lockwood, when you will discover that for yourself. In the mean while, you shall know what my fear of you is, in the plainest words I can find. On the day when I took your hero from you and blighted your life—I am firmly persuaded of it!—you were made the instrument of the retribution that my sins of many years had deserved. Oh, such things have happened before to-day! One person has, before now, been the means of innocently ripening the growth of evil in another. You have done that already—and you have more to do yet. You have still to bring me to the day of discovery, and to the punishment that is my doom. We shall meet again—here in England, or there in Venice where my husband died—and meet for the last time.' In spite of her better sense, in spite of her natural superiority to superstitions of all kinds, Agnes was impressed by the terrible earnestness with which those words were spoken. She turned pale as she looked at Henry. 'Do you understand her?' she asked. 'Nothing is easier than to understand her,' he replied contemptuously. 'She knows what has become of Ferrari; and she is confusing you in a cloud of nonsense, because she daren't own the truth. Let her go!' If a dog had been under one of the chairs, and had barked, Lady Montbarry could not have proceeded more impenetrably with the last words she had to say to Agnes. 'Advise your interesting Mrs. Ferrari to wait a little longer,' she said. 'You will know what has become of her husband, and you will tell her. There will be nothing to alarm you. Some trifling event will bring us together the next time—as trifling, I dare say, as the engagement of Ferrari. Sad nonsense, Mr. Westwick, is it not? But you make allowances for women; we all talk nonsense. Good morning, Miss Lockwood.' She opened the door—suddenly, as if she was afraid of being called back for the second time—and left them. 'Do you think she is mad?' Agnes asked. 'I think she is simply wicked. False, superstitious, inveterately cruel—but not mad. I believe her main motive in coming here was to enjoy the luxury of frightening you.' 'She has frightened me. I am ashamed to own it—but so it is.' Henry looked at her, hesitated for a moment, and seated himself on the sofa by her side. 'I am very anxious about you, Agnes,' he said. 'But for the fortunate chance which led me to call here to-day—who knows what that vile woman might not have said or done, if she had found you alone? My dear, you are leading a sadly unprotected solitary life. I don't like to think of it; I want to see it changed—especially after what has happened to-day. No! no! it is useless to tell me that you have your old nurse. She is too old; she is not in your rank of life—there is no sufficient protection in the companionship of such a person for a lady in your position. Don't mistake me, Agnes! what I say, I say in the sincerity of my devotion to you.' He paused, and took her hand. She made a feeble effort to withdraw it—and yielded. 'Will the day never come,' he pleaded, 'when the privilege of protecting you may be mine? when you will be the pride and joy of my life, as long as my life lasts?' He pressed her hand gently. She made no reply. The colour came and went on her face; her eyes were turned away from him. 'Have I been so unhappy as to offend you?' he asked. She answered that—she said, almost in a whisper, 'No.' 'Have I distressed you?' 'You have made me think of the sad days that are gone.' She said no more; she only tried to withdraw her hand from his for the second time. He still held it; he lifted it to his lips. 'Can I never make you think of other days than those—of the happier days to come? Or, if you must think of the time that is passed, can you not look back to the time when I first loved you?' She sighed as he put the question. 'Spare me, Henry,' she answered sadly. 'Say no more!' The colour again rose in her cheeks; her hand trembled in his. She looked lovely, with her eyes cast down and her bosom heaving gently. At that moment he would have given everything he had in the world to take her in his arms and kiss her. Some mysterious sympathy, passing from his hand to hers, seemed to tell her what was in his mind. She snatched her hand away, and suddenly looked up at him. The tears were in her eyes. She said nothing; she let her eyes speak for her. They warned him—without anger, without unkindness—but still they warned him to press her no further that day. 'Only tell me that I am forgiven,' he said, as he rose from the sofa. 'Yes,' she answered quietly, 'you are forgiven.' 'I have not lowered myself in your estimation, Agnes?' 'Oh, no!' 'Do you wish me to leave you?' She rose, in her turn, from the sofa, and walked to her writing-table before she replied. The unfinished letter which she had been writing when Lady Montbarry interrupted her, lay open on the blotting-book. As she looked at the letter, and then looked at Henry, the smile that charmed everybody showed itself in her face. 'You must not go just yet,' she said: 'I have something to tell you. I hardly know how to express it. The shortest way perhaps will be to let you find it out for yourself. You have been speaking of my lonely unprotected life here. It is not a very happy life, Henry—I own that.' She paused, observing the growing anxiety of his expression as he looked at her, with a shy satisfaction that perplexed him. 'Do you know that I have anticipated your idea?' she went on. 'I am going to make a great change in my life—if your brother Stephen and his wife will only consent to it.' She opened the desk of the writing-table while she spoke, took a letter out, and handed it to Henry. He received it from her mechanically. Vague doubts, which he hardly understood himself, kept him silent. It was impossible that the 'change in her life' of which she had spoken could mean that she was about to be married—and yet he was conscious of a perfectly unreasonable reluctance to open the letter. Their eyes met; she smiled again. 'Look at the address,' she said. 'You ought to know the handwriting—but I dare say you don't.' He looked at the address. It was in the large, irregular, uncertain writing of a child. He opened the letter instantly. 'Dear Aunt Agnes,—Our governess is going away. She has had money left to her, and a house of her own. We have had cake and wine to drink her health. You promised to be our governess if we wanted another. We want you. Mamma knows nothing about this. Please come before Mamma can get another governess. Your loving Lucy, who writes this. Clara and Blanche have tried to write too. But they are too young to do it. They blot the paper.' 'Your eldest niece,' Agnes explained, as Henry looked at her in amazement. 'The children used to call me aunt when I was staying with their mother in Ireland, in the autumn. The three girls were my inseparable companions—they are the most charming children I know. It is quite true that I offered to be their governess, if they ever wanted one, on the day when I left them to return to London. I was writing to propose it to their mother, just before you came.' 'Not seriously!' Henry exclaimed. Agnes placed her unfinished letter in his hand. Enough of it had been written to show that she did seriously propose to enter the household of Mr. and Mrs. Stephen Westwick as governess to their children! Henry's bewilderment was not to be expressed in words. 'They won't believe you are in earnest,' he said. 'Why not?' Agnes asked quietly. 'You are my brother Stephen's cousin; you are his wife's old friend.' 'All the more reason, Henry, for trusting me with the charge of their children.' 'But you are their equal; you are not obliged to get your living by teaching. There is something absurd in your entering their service as a governess!' 'What is there absurd in it? The children love me; the mother loves me; the father has shown me innumerable instances of his true friendship and regard. I am the very woman for the place—and, as to my education, I must have completely forgotten it indeed, if I am not fit to teach three children the eldest of whom is only eleven years old. You say I am their equal. Are there no other women who serve as governesses, and who are the equals of the persons whom they serve? Besides, I don't know that I am their equal. Have I not heard that your brother Stephen was the next heir to the title? Will he not be the new lord? Never mind answering me! We won't dispute whether I am right or wrong in turning governess—we will wait the event. I am weary of my lonely useless existence here, and eager to make my life more happy and more useful, in the household of all others in which I should like most to have a place. If you will look again, you will see that I have these personal considerations still to urge before I finish my letter. You don't know your brother and his wife as well as I do, if you doubt their answer. I believe they have courage enough and heart enough to say Yes.' Henry submitted without being convinced. He was a man who disliked all eccentric departures from custom and routine; and he felt especially suspicious of the change proposed in the life of Agnes. With new interests to occupy her mind, she might be less favourably disposed to listen to him, on the next occasion when he urged his suit. The influence of the 'lonely useless existence' of which she complained, was distinctly an influence in his favour. While her heart was empty, her heart was accessible. But with his nieces in full possession of it, the clouds of doubt overshadowed his prospects. He knew the sex well enough to keep these purely selfish perplexities to himself. The waiting policy was especially the policy to pursue with a woman as sensitive as Agnes. If he once offended her delicacy he was lost. For the moment he wisely controlled himself and changed the subject. 'My little niece's letter has had an effect,' he said, 'which the child never contemplated in writing it. She has just reminded me of one of the objects that I had in calling on you to-day.' Agnes looked at the child's letter. 'How does Lucy do that?' she asked. 'Lucy's governess is not the only lucky person who has had money left her,' Henry answered. 'Is your old nurse in the house?' 'You don't mean to say that nurse has got a legacy?' 'She has got a hundred pounds. Send for her, Agnes, while I show you the letter.' He took a handful of letters from his pocket, and looked through them, while Agnes rang the bell. Returning to him, she noticed a printed letter among the rest, which lay open on the table. It was a 'prospectus,' and the title of it was 'Palace Hotel Company of Venice (Limited).' The two words, 'Palace' and 'Venice,' instantly recalled her mind to the unwelcome visit of Lady Montbarry. 'What is that?' she asked, pointing to the title. Henry suspended his search, and glanced at the prospectus. 'A really promising speculation,' he said. 'Large hotels always pay well, if they are well managed. I know the man who is appointed to be manager of this hotel when it is opened to the public; and I have such entire confidence in him that I have become one of the shareholders of the Company.' The reply did not appear to satisfy Agnes. 'Why is the hotel called the "Palace Hotel"?' she inquired. Henry looked at her, and at once penetrated her motive for asking the question. 'Yes,' he said, 'it is the palace that Montbarry hired at Venice; and it has been purchased by the Company to be changed into an hotel.' Agnes turned away in silence, and took a chair at the farther end of the room. Henry had disappointed her. His income as a younger son stood in need, as she well knew, of all the additions that he could make to it by successful speculation. But she was unreasonable enough, nevertheless, to disapprove of his attempting to make money already out of the house in which his brother had died. Incapable of understanding this purely sentimental view of a plain matter of business, Henry returned to his papers, in some perplexity at the sudden change in the manner of Agnes towards him. Just as he found the letter of which he was in search, the nurse made her appearance. He glanced at Agnes, expecting that she would speak first. She never even looked up when the nurse came in. It was left to Henry to tell the old woman why the bell had summoned her to the drawing-room. 'Well, nurse,' he said, 'you have had a windfall of luck. You have had a legacy left you of a hundred pounds.' The nurse showed no outward signs of exultation. She waited a little to get the announcement of the legacy well settled in her mind—and then she said quietly, 'Master Henry, who gives me that money, if you please?' 'My late brother, Lord Montbarry, gives it to you.' (Agnes instantly looked up, interested in the matter for the first time. Henry went on.) 'His will leaves legacies to the surviving old servants of the family. There is a letter from his lawyers, authorising you to apply to them for the money.' In every class of society, gratitude is the rarest of all human virtues. In the nurse's class it is extremely rare. Her opinion of the man who had deceived and deserted her mistress remained the same opinion still, perfectly undisturbed by the passing circumstance of the legacy. 'I wonder who reminded my lord of the old servants?' she said. 'He would never have heart enough to remember them himself!' Agnes suddenly interposed. Nature, always abhorring monotony, institutes reserves of temper as elements in the composition of the gentlest women living. Even Agnes could, on rare occasions, be angry. The nurse's view of Montbarry's character seemed to have provoked her beyond endurance. 'If you have any sense of shame in you,' she broke out, 'you ought to be ashamed of what you have just said! Your ingratitude disgusts me. I leave you to speak with her, Henry—you won't mind it!' With this significant intimation that he too had dropped out of his customary place in her good opinion, she left the room. The nurse received the smart reproof administered to her with every appearance of feeling rather amused by it than not. When the door had closed, this female philosopher winked at Henry. 'There's a power of obstinacy in young women,' she remarked. 'Miss Agnes wouldn't give my lord up as a bad one, even when he jilted her. And now she's sweet on him after he's dead. Say a word against him, and she fires up as you see. All obstinacy! It will wear out with time. Stick to her, Master Henry—stick to her!' 'She doesn't seem to have offended you,' said Henry. 'She?' the nurse repeated in amazement—'she offend me? I like her in her tantrums; it reminds me of her when she was a baby. Lord bless you! when I go to bid her good-night, she'll give me a big kiss, poor dear—and say, Nurse, I didn't mean it! About this money, Master Henry? If I was younger I should spend it in dress and jewellery. But I'm too old for that. What shall I do with my legacy when I have got it?' 'Put it out at interest,' Henry suggested. 'Get so much a year for it, you know.' 'How much shall I get?' the nurse asked. 'If you put your hundred pounds into the Funds, you will get between three and four pounds a year.' The nurse shook her head. 'Three or four pounds a year? That won't do! I want more than that. Look here, Master Henry. I don't care about this bit of money—I never did like the man who has left it to me, though he was your brother. If I lost it all to-morrow, I shouldn't break my heart; I'm well enough off, as it is, for the rest of my days. They say you're a speculator. Put me in for a good thing, there's a dear! Neck-or-nothing—and that for the Funds!' She snapped her fingers to express her contempt for security of investment at three per cent. Henry produced the prospectus of the Venetian Hotel Company. 'You're a funny old woman,' he said. 'There, you dashing speculator—there is neck-or-nothing for you! You must keep it a secret from Miss Agnes, mind. I'm not at all sure that she would approve of my helping you to this investment.' The nurse took out her spectacles. 'Six per cent., guaranteed,' she read; 'and the Directors have every reason to believe that ten per cent., or more, will be ultimately realised to the shareholders by the hotel.' 'Put me into that, Master Henry! And, wherever you go, for Heaven's sake recommend the hotel to your friends!' So the nurse, following Henry's mercenary example, had her pecuniary interest, too, in the house in which Lord Montbarry had died. Three days passed before Henry was able to visit Agnes again. In that time, the little cloud between them had entirely passed away. Agnes received him with even more than her customary kindness. She was in better spirits than usual. Her letter to Mrs. Stephen Westwick had been answered by return of post; and her proposal had been joyfully accepted, with one modification. She was to visit the Westwicks for a month—and, if she really liked teaching the children, she was then to be governess, aunt, and cousin, all in one—and was only to go away in an event which her friends in Ireland persisted in contemplating, the event of her marriage. 'You see I was right,' she said to Henry. He was still incredulous. 'Are you really going?' he asked. 'I am going next week.' 'When shall I see you again?' 'You know you are always welcome at your brother's house. You can see me when you like.' She held out her hand. 'Pardon me for leaving you—I am beginning to pack up already.' Henry tried to kiss her at parting. She drew back directly. 'Why not? I am your cousin,' he said. 'I don't like it,' she answered. Henry looked at her, and submitted. Her refusal to grant him his privilege as a cousin was a good sign—it was indirectly an act of encouragement to him in the character of her lover. On the first day in the new week, Agnes left London on her way to Ireland. As the event proved, this was not destined to be the end of her journey. The way to Ireland was only the first stage on a roundabout road—the road that led to the palace at Venice. |