BEATRIX HEARS THE SECRET. Silence—awful silence! Beatrix could hear her own heart beat as she stood there alone in the silence and darkness of her own chamber, the hand that wears Keith Kenyon's wedding-ring pressed against her madly throbbing heart. The full significance of the words to which she has just listened does not reach her understanding. She does not fully realize their awful meaning. Not now; time enough for that later, when the numbness is gone from her brain and she has the courage to stand face to face with the bitter—the awful truth. She stands staring straight before her into the darkness, her hand pressing against her heart convulsively, holding her breath to hear what may come next. Serena's voice breaks the awful silence, low and hissing like some venomous serpent. "It is true—all true—true as gospel, mamma!" she cried, exultantly. "There is no reason to doubt it—no possibility of a mistake. It was the shock of discovering the horrible truth that killed my father. You know he just idolized Beatrix; and to find out that for all these years he had been harboring an accursed creature like that, whose very touch may be pollution—for no one can tell when the disease may break out in the system—simply killed him. Mamma, the There was a ring of satisfaction in Serena's cold voice. Truly, if "love is as strong as death," "jealousy is as hard as hell," and knows no pity. "But, Serena," Mrs. Lynne interposes, feebly, "there is nothing to prove that this terrible disease has developed in Beatrix. Her skin is as fair as a lily—a wonderful complexion—" Serena groaned. Complexion was her bete noire. Hers was the color of a weak solution of coffee. Mrs. Lynne went on: "There is, in fact, as yet, nothing in the world to make one put faith in the statement concerning Beatrix. Don't let your jealous hatred of the girl lead you astray. It will merely precipitate matters; and you will have to prove all these things, you know, Serena." "Mamma you must think me an idiot. Of course, I expect to prove all that I assert—at least, as much as any one possibly can. We can only prove that Mildred Dane—this girl's mother—was a victim of the plague of leprosy; and any physician will tell you that no child of a leper—especially when the leper is a woman—can possibly escape the dark inheritance. Sit down there in that arm-chair, mamma, and let me read you the letter, the very letter that killed my Silence once more, broken by the rustling of paper as Serena unfolds the fresh sheet upon which Mr. Demorest has transcribed the contents of the mutilated letter—the silence of the very grave reigns throughout the old house. The girl in the other room has thrown herself into a low seat, and crouches there like some hunted creature brought to bay, her heart overflowing with awful and bitter anguish—a suffering so intense that no words have ever been framed in any language Loud and clear, and with a ring of triumph in it, Serena's voice falls upon the silence once more as she reads that fatal letter aloud—reads to the bitter end.
Serena's voice rang out clear and distinct to the very last. Then silence settled down, broken by Mrs. Lynne. "Good heavens!"—in an awe-stricken voice—"Serena, And not a word of pity for the hopeless wretch who was doomed to suffer from this awful curse; the heart-broken, wild-eyed creature in the adjoining room, who crouched in the depths of the arm-chair and listened—listened eagerly, intently, to every word that Serena had read in the fatal letter. Not a word, or a cry, or a groan, passed Beatrix Dane's lips as she crouched there, and over her a great darkness settled; life drifted away from her grasp; the graceful head fell forward, and she lost consciousness. It was merciful oblivion; but it was destined not to last. She lifted her head at length, and gazed wildly about her in the darkness. No sound reached her ears; the next room was as silent as the grave. Mrs. Lynne and Serena had gone to their own apartments to talk over the horrible story which had come into their possession. Beatrix was left alone—alone! Alas! she felt that she was fated to be alone henceforth and forever—to grope among dead men's bones—to live like the lepers of old in deserted tombs—to be an outcast forever—accursed, shunned! In olden times the leper was compelled to announce his own approach, veiling his face from the gaze of those not like himself accursed, and to cry aloud, "Unclean! Unclean!" Some faint fragments of history strayed through She had read of leprosy—the most horrible of all known diseases, and which can never be cured. When once the plague had appeared in her system, even her very touch would be pollution. Good God! she had kissed Keith's lips over and over. What if—what if she had transmitted the curse to him? Better for her to die than to bring this horrible curse upon the man she loved! She knew now, at last, the reason for her own isolation in Bernard Dane's house. She must not mix too intimately with other uncursed people, or they, too, would become accursed. Slowly, wearily, she arose to her feet and lighted the lamp in her room. Then she went over to the mirror and stood gazing upon her own face, her eyes full of bitter woe. She could see no change there as yet. The pearly skin was as fair and lovely as ever, the beautiful dark eyes just as bright. She held up one little hand and let the lamp-light gleam across it. It was fair, and soft, and untainted. Yet all the same the evil might lurk unseen, like a poisonous serpent, in her blood, and when it became known it would be too late—too late! And—oh, God in Heaven! was there ever such a fate?—she was Keith Kenyon's wedded wife. She had cursed his life; she had brought ruin black and sure upon him; all his future happiness was wrecked and destroyed. "God pity me, I am lost—lost!" she moaned, bleakly. And then with a low cry of anguish, the slight form tottering weakly, she fell to the floor like one dead. |