RIBERA'S RISE TO EMINENCE.

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Ease and prosperity now rather stimulated than relaxed his exertions. Choosing for his subject the Flaying of St. Bartholomew, he painted that horrible martyrdom with figures of life-size, so fearfully truthful to nature that when exposed to the public in the street, it immediately attracted a crowd of shuddering gazers. The place of exhibition being within view of the royal palace, the eccentric Viceroy, Don Pedro de Giron, Duke of Ossuna, who chanced to be taking the air on his balcony, inquired the cause of the unusual concourse, and ordered the picture and the artist to be brought into his presence. Being well pleased with both, he purchased the one for his own gallery, and appointed the other his court painter, with a monthly salary of sixty doubloons, and the superintendence of all decorations in the palace.


                                                                                                                                                                                                                                                                                                           

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