FUSELI'S RETORTS.

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One day, during varnishing time in the exhibition, an eminent portrait painter was at work on the hand of one of his pictures; he turned to the Keeper, who was near him, and said, "Fuseli, Michael Angelo never painted such a hand." "No, by Pluto," retorted the other, "but you have, many!"

He had an inherent dislike to Opie; and some one, to please Fuseli, said, in allusion to the low characters in the historical pictures of the Death of James I. of Scotland, and the Murder of David Rizzio, that Opie could paint nothing but vulgarity and dirt. "If he paints nothing but dirt," said Fuseli, "he paints it like an angel."

One day, a painter who had been a student during the keepership of Wilton, called and said, "The students, sir, don't draw so well now as they did under Joe Wilton." "Very true," replied Fuseli, "anybody may draw here, let them draw ever so bad—you may draw here, if you please!"

During the exhibition of his Milton Gallery, a visitor accosted him, mistaking him for the keeper—"Those paintings, sir, are from Paradise Lost I hear, and Paradise Lost was written by Milton. I have never read the poem, but I shall do it now." "I would not advise you, sir," said the sarcastic artist, "you will find it an exceedingly tough job!"

A person who desired to speak with the Keeper of the Academy, followed so close upon the porter whose business it was to introduce him, that he announced himself with, "I hope I don't intrude." "You do intrude," said Fuseli, in a surly tone. "Do I?" said the visitor; "then, sir, I will come to-morrow, if you please." "No, sir," replied he, "don't come to-morrow, for then you will intrude a second time: tell me your business now!"

A man of some station in society, and who considered himself a powerful patron in art, said at a public dinner, where he was charmed with Fuseli's conversation, "If you ever come my way, Fuseli, I shall be happy to see you." The painter instantly caught the patronizing, self-important spirit of the invitation. "I thank you," retorted he, "but I never go your way—I never even go down your street, although I often pass by the end of it!"


                                                                                                                                                                                                                                                                                                           

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