Why have the dramatists of the times of Elizabeth, James I., and the first Charles become almost obsolete, with the exception of Shakespeare? Why do they no longer belong to the English, being once so popular? And why is Shakespeare an exception?—One thing, among fifty, necessary to the full solution is, that they all employed poetry and poetic diction on unpoetic subjects, both characters and situations, especially in their comedy. Now Shakespeare is all, all ideal,—of no time, and therefore for all times. Read, for instance, Marine's panegyric in the first scene of this play:—

What can be more unnatural and inappropriate (not only is, but must be felt as such) than such poetry in the mouth of a silly dupe? In short, the scenes are mock dialogues, in which the poet solus plays the ventriloquist, but cannot keep down his own way of expressing himself. Heavy complaints have been made respecting the transposing of the old plays by Cibber; but it never occurred to these critics to ask, how it came that no one ever attempted to transpose a comedy of Shakespeare's.