Act i.—

The anachronic mixture in this Arruntius of the Roman republican, to whom Tiberius must have appeared as much a tyrant as Sejanus, with his James-and-Charles-the-First zeal for legitimacy of descent in this passage, is amusing. Of our great names Milton was, I think, the first who could properly be called a republican. My recollections of Buchanan's works are too faint to enable me to judge whether the historian is not a fair exception.

Act ii. Speech of Sejanus:—

The more we reflect and examine, examine and reflect, the more astonished shall we be at the immense superiority of Shakespeare over his contemporaries;—and [pg 269] yet what contemporaries!—giant minds indeed! Think of Jonson's erudition, and the force of learned authority in that age; and yet, in no genuine part of Shakespeare's works is there to be found such an absurd rant and ventriloquism as this, and too, too many other passages ferruminated by Jonson from Seneca's tragedies, and the writings of the later Romans. I call it ventriloquism, because Sejanus is a puppet, out of which the poet makes his own voice appear to come.

Act v. Scene of the sacrifice to Fortune.

This scene is unspeakably irrational. To believe, and yet to scoff at, a present miracle is little less than impossible. Sejanus should have been made to suspect priestcraft and a secret conspiracy against him.