CHAPTER XXII THE PROBLEM IS SOLVED

Previous

Within an hour Garry Gresham appeared at headquarters in the company of
Cartwright. The officer left the room and the three men were alone.

Gresham's manner was nervous, but he showed no fright. Leverage, regarding him keenly, found reason to doubt Carroll's positive statement that Gresham was the person they sought. The young man stood facing them bravely, waiting—

"Gresham," said Carroll softly, "Your sister is in that room yonder. She read the afternoon paper—the report that I knew who killed Roland Warren. She immediately came here to give herself up."

An expression of utter bewilderment crossed young Gresham's face. Then he started forward angrily: "Why are you lying to me—"

"Easy, Gresham—easy there. I am not lying to you."

He saw Garry's eyes dart to the door behind which the sister was seated.
"What did she give herself up for, Carroll?"

"For killing Roland Warren."

Gresham took a firm grip on himself. "She didn't do it," he stated positively.

"Of course not," returned Carroll with equal assurance. "You did! And so that you will be quite convinced that I am not trying to trick you into the confession which I am sure you will make—" He crossed the room and flung open the door. "Come in, please, Miss Gresham."

The girl entered quietly—then saw her brother. Instantly her manner softened. She stepped swiftly to his side and took his hand in hers. "Please, Garry—"

Gresham smiled; a tender, affectionate smile.

"Good scout, aren't you, Sis? But tell me," his tone was conversational, "how did you know that I shot Roland Warren?"

"You didn't!" She flung around on Carroll—"Don't believe him. I shot
Mr. Warren—"

"I knew from the first that you didn't do it, Miss Gresham. I know that Miss Rogers spent the night with you. More than that, I know the identity of the woman in the taxicab."

"Who was she?" It was Gresham who questioned.

Carroll shook his head. "It doesn't matter who she was, Gresham. We're going to keep her name out of this case. She was a woman who loved Roland Warren—and his death saved her from a great mistake. There's no necessity to ruin her life, is there?"

"How did you know—it was Garry—who did the shooting?" asked the girl.

"The minute you confessed," answered the detective quietly, "I knew that you were doing it to shield someone. You could have had no possible motive for shielding either of the other two men under suspicion. I knew that it must be your brother. He had motive enough—he knew that you were in love with Mr. Warren—engaged to him. He knew that Warren was about to elope with another woman, that it would cause you intense misery. So he went to the station that night to prevent the elopement. Isn't that so, Gresham?"

The young man nodded. "Yes. When I went to your apartment the morning after the killing, it was for the purpose of confessing. But then when you assured me that my sister was not under suspicion—I decided to wait awhile before saying anything." He paused—"And as to that night—I parked my car a couple of blocks away and walked to the station through Jackson Street, intending to cut through the yards and approach the waiting room from the passenger platform. I had no idea that—that there would be—a tragedy. I wanted to reason with Warren; to beg him to save my sister from suffering which I knew would be attendant on—his elopement.

"He was walking in the yards as I entered from between the Pullman building and the baggage room. I don't know what he was doing there—but I spoke to him. He seemed startled at seeing me. I told him that I knew he was planning to elope—and begged him to call it off.

"Much to my surprise, he immediately got nasty. He seemed to want to get rid of me. He told me it was none of my damned business what he was doing. He even admitted the truth of what I said.

"That was the first hint of unpleasantness. But it grew—rapidly. He cursed me—anyway we had a brief, violent quarrel. He said something about my sister and I struck him. He clinched with me. We were fighting then—and I am a fairly good athlete. I broke out of a clinch and hit him pretty hard. He reached into his pocket and pulled a revolver. I managed to grab his hand before he could fire. I got it from him, and as I jerked it away—it went off. He fell—

"I was afraid then—panicky. I felt his body and realized that he was dead. A train had just come into the yards and there were switch engines puffing here and there—I was apprehensive that one of their headlights would pick me up. And there were some railroad men walking around the yards with lanterns in their hands. There was danger that I was going to be seen—and, had I been, I felt that I wouldn't have a leg to stand on; alone in such a place with the body of a man whom I admitted having shot—

"You see, I couldn't even prove the contemplated elopement. Late that evening I had received an anonymous telephone call from a man telling me that if I wanted to save my sister a good deal of unpleasant gossip, I'd better meet that midnight train as Warren was eloping on it with some other woman. But the man who gave me this information cut off before telling me the name of the woman. I didn't know it then—and I don't know it now.

"I knew I had to hide Warren's body; not that my killing was not justified on the grounds of self-defense, but because I would not bring my sister's name into it—and also because even if I did, there'd be no proof of the truth of what I said.

"I dragged his body into the shadows between the two buildings. Atlantic Avenue was deserted. At the curb I saw a yellow taxicab and noticed that the driver was in the restaurant across the street. I conceived the idea of putting the body in the taxicab—I knew I wouldn't be seen doing it, and it would serve the purpose of causing the body to be discovered at some point other than that at which the shooting occurred.

"I did it. Then I left. The next morning I read of the case in the papers and I have followed it closely since. I knew you were ostensibly on the wrong track and as a matter of self-preservation I determined to keep my mouth shut unless it happened that the wrong person was accused. Had you charged someone else with the killing I assure you I would have come forward. But meanwhile—not even knowing the identity of the woman in the taxi—there seemed no necessity for running the risk. There was nothing save my own word to prove self-defense, you see."

"There is now," said Carroll. Hazel started eagerly and he smiled upon her. "The story of the woman who actually was in the taxicab substantiates yours, Gresham. She had followed Warren into the yards to talk to him. She saw the whole affair from a distance—and then went back through the waiting room of the station and called the taxi in which you had placed Warren's body."

"Then Garry will be freed?" cried the girl hopefully: "His plea of self-defense will acquit him?"

"Undoubtedly," retorted Carroll. "Don't you think so, Leverage?"

"Surest thing you know," returned the chief heartily. "And I'm darned glad of it!"

Garry faced his sister. "How did you know that I had killed him, Sis?"

"I didn't," she answered quietly. "Not at first, anyway. But, if you remember, you came in the house a little after eleven o'clock that night and seemed excited. You came to my room—"

"I was thinking then," explained Garry, "that maybe you were eloping with Warren."

"Then you came home again a little after one o'clock. You waked me then—and acted peculiarly."

"I was reassuring myself," he said, "that you really hadn't left the house."

"The next morning while you were taking your shower I was putting up your laundry," Hazel went on. "I found a revolver in your drawer. I didn't think anything of it then—I hadn't even read the papers about the—the—killing. But later, I remembered it. I went back to look for the revolver—just why, I don't know—and it was gone. I questioned you about it a couple of days later, and you denied that you had ever had a revolver in the house. And I knew then, Garry—I knew that you had done it."

He squeezed her hand. "We always did know more about each other than we were told, didn't we, Little Sis? Because at that moment, too, I knew that you knew!"

The young man turned back to the detectives—"And what now?" he questioned.

"We'll have to hold you, Gresham. You'll have to go through the form of a trial—but you'll get off, don't worry!"

Sister and brother left the room hand-in-hand. Alone again, the two detectives faced each other. "You win, David," said Leverage admiringly. "Though darned if I know how you do it?"

"A combination of luck and common sense," returned Carroll simply. "This time it was principally luck. It usually is in such cases—but most detectives don't admit it. It is the wild-eyed reporter with the vivid imagination whom we can thank for this solution. It was his fiction that brought about Miss Gresham's ridiculous confession and that which caused me to know that she must be shielding her brother. As to how matters stand—I say Thank God!"

"Why?"

"Garry Gresham will undoubtedly be freed; it was a clear case of self-defense. Unfortunately, the fact that there was an elopement will have to be known—but that is a comparatively trivial thing, unpleasant as it may be for Miss Gresham. And, most of all—I'm glad because Naomi Lawrence's name will not be dragged into it."

"How will you work that, David?"

"It can be done, Eric. The district attorney is a pretty good friend of mine—and he's a good square fellow. Of course he will have to know the entire story; and it is a certainty that he will believe it. And when he does—you know that he will handle the case so that Mrs. Lawrence will not be connected. Irregular—yes. But you believe he can—and will—do it, don't you?"

"You bet your bottom dollar he will. He's another nut like you—so bloomin' human it hurts."

"And now—" said Carroll, "I want to chat with William Barker. There are one or two loose ends I want to clear up."

Barker was very humble as he entered the room.

"You're free of the murder charge," stated Carroll promptly, "but we may hold you for blackmail."

Barker heaved a sigh of relief. "I ain't objectin' to that, Mr. Carroll.
It's a small thing when a man has thought he might be strung up."

"Who killed Warren?" questioned the detective.

"Don't you know?" came the surprised answer.

"Yes—but I'm asking you."

"I suppose you're driving at something new," retorted Barker, "but I really think Mrs. Lawrence shot him."

"She didn't," answered Carroll. "And there's one thing I want to warn you about right now, Barker. You're the only person except the Chief here, and myself, who knows that Mrs. Lawrence is connected with the case. I want her name kept out of it. Of course that makes it impossible to arrest you for blackmail—and so, if you tell me the entire truth, I'm going to let you go free. But if I ever hear of her name in connection with this case I'll know that you have leaked—and I'll get you if it takes me ten years. Understand?"

"Yes, sir, I do—thankin' you, sir. I know which side my bread is buttered on."

"Good. Now I'm telling you that Mrs. Lawrence did not shoot Warren.
Who did?"

"I don't know—" Suddenly his expression changed. "If it wasn't her, Mr.
Carroll—it must have been Mr. Gresham."

"Aa-a-ah! What makes you think that?"

Barker's eyes narrowed. "You give me your word of honor, Mr. Carroll, I ain't goin' to be pinched for blackmail?"

"Yes."

"Well, it was this way, sir. Bein' Mr. Warren's valet I knew he was plannin' to run off with Mrs. Lawrence. I knew that was going to raise an awful row in town—and I knew that Mr. Gresham would do a heap to keep his sister from bein' unhappy as she was going to be if Mr. Warren done as he was plannin'. So I called up Mr. Gresham that night and told him everything but the woman's name. My idea was that he'd bust up the elopement. I went to the station to make sure that Mrs. Lawrence got there—knowin' that once she' was there, if young Mr. Gresham busted things up, I'd be able to blackmail Mrs. Lawrence—her bein' a rich woman. I'm comin' clean with you, Mr. Carroll—"

"Go ahead!"

"I never seen Mr. Gresham at all at the station. And when I seen Mrs.
Lawrence get into the taxi and found out the next morning that Mr.
Warren's body was found there—of course I couldn't help thinkin' like I
did, could I?"

"I suppose not. You're a skunk, Barker—and I hate to let you go. But if the Chief is willing I'm going to do it—because your hide isn't worth Mrs. Lawrence's good name. Now get out!"

"I'm free?" questioned the man eagerly.

"How about it, Leverage?"

"Sure," growled Leverage. "You're the boss, David."

Immediately as Barker left the room Carroll turned to the telephone and called a number.

"Who's that?" questioned Leverage.

"Mrs. Lawrence," answered Carroll. "I want to tell her that she is safe."

Leverage smiled broadly. And as he watched Carroll's eager face he saw an expression of consternation cross it. Carroll covered the transmitter with his hand—

"Good Lord!" he groaned, "it's Evelyn Rogers!"

Leverage chuckled—then listened shamelessly to Carroll's end of the conversation—

"Yes—yes, this is David Carroll—I'm glad you think it was sweet of me to telephone—I want to speak to your sister—She isn't there?—Well, ask her to telephone me at headquarters as soon as she comes in, will you?—Uh-huh!—the Warren case has ended—and that's what I wanted to tell her—I only did my best—Yes—Oh! say—"

The receiver clicked on the hook. Carroll was grinning as he turned back to his friend—

"Guess what that young thing said when I told her I had solved the
Warren case?"

"Tell me, David—I'm a poor guesser."

"She said," returned Carroll gravely—"that I am just the cutest man she has ever known!"

*******

This and all associated files of various formats will be found in: /1/1/0/4/11043

Updated editions will replace the previous one—the old editions will be renamed.

- You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Each eBook is in a subdirectory of the same number as the eBook's eBook number, often in several formats including plain vanilla ASCII, compressed (zipped), HTML and others.

Corrected EDITIONS of our eBooks replace the old file and take over the old filename and etext number. The replaced older file is renamed. VERSIONS based on separate sources are treated as new eBooks receiving new filenames and etext numbers.

Most people start at our Web site which has the main PG search facility:

EBooks posted prior to November 2003, with eBook numbers BELOW #10000, are filed in directories based on their release date. If you want to download any of these eBooks directly, rather than using the regular search system you may utilize the following addresses and just download by the etext year.

http://www.ibiblio.org/gutenberg/etext06

(Or /etext 05, 04, 03, 02, 01, 00, 99,
98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)

EBooks posted since November 2003, with etext numbers OVER #10000, are filed in a different way. The year of a release date is no longer part of the directory path. The path is based on the etext number (which is identical to the filename). The path to the file is made up of single digits corresponding to all but the last digit in the filename. For example an eBook of filename 10234 would be found at:

/1/0/2/3/10234

or filename 24689 would be found at: /2/4/6/8/24689

An alternative method of locating eBooks: /GUTINDEX.ALL

*** END: FULL LICENSE ***

                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page