What myths are. It seems that every race of people in the period of barbarism and early civilization has created fanciful, childlike stories to explain such things as the origin of earth, sun, stars, clouds, life, death, fire, man, lower animals, and plants, and the characteristics of particular plants and animals. In most cases, if not all, they have accounted for the origin of such things by the theory that they were created by gods and super-human heroes. Among such peoples as the Greek and Norse folk, many stories also grew up regarding the gods and super-human heroes and their relations with one another and with men. All of these old stories about the creation of things and about the gods and super-human heroes are called myths. As time went on and the peoples became civilized, the original myths were regarded merely as fanciful tales, and were used to furnish characters and plots for many stories told chiefly for entertainment. Often, as in the story of Ulysses, legends of national heroes were combined with them. Even in our time such writers as Hawthorne and Kingsley and Lowell have used these old characters and plots as the basis of stories, many of which differ greatly from the original myths.
Myths and other folk stories. Myths were pretty largely matters of faith to begin with. They were the basis of old-time religious beliefs, explaining to the mind of primitive man how things came to be as they are. This tendency to adopt what are to educated minds fanciful explanations of all that is beyond their understanding is easily observable in the way children explain the unknown. It seems fairly clear, on the other hand, that fairy stories were told by the folk as matter of entertainment. They did not believe that pigs actually talked, that a princess could sleep a hundred years, that a bean-stalk could grow as fast and as far as Jack's did, or that toads and diamonds could actually come out of one's mouth. It may be, as some theorists insist, that remains of myth survive in some of these fairy stories. On the whole, however, the folk believed these tales only in the sense in which we believe in a fine story such as "The Vision of Sir Launfal" or "Enoch Arden." They express the pleasing imaginings and longings of the human spirit, its ideals of character and conduct, its sense of the wonder and mystery of the universe. The fairy tale, in general, is nearer the surface of life; the myth was concerned with the most fundamental problems of the whence and the why of things.
Such distinctions, however, belong to the realm of scientific scholarship. The teacher is concerned with myths simply as splendid stories that have come down to us from a time when human beings seemed to feel themselves bound into a unity with nature and all mysterious powers around them; stories that through constant repetition were rounded and perfected, and finally, through use by the poets, have reached us in a fairly systematic form. The so-called "poetic mythology" is the one of special value for our purposes. It comes to us through Ovid in the South, and does not distinguish between the gods of Greece and Rome. It comes through the Eddas of the North. It is this poetic mythology that furnishes the basis of allusion in literature and in art, and which is retold for us in the various versions for modern readers. If we hold fast to this correct idea that as teachers in elementary schools our interest in myths is exactly like our interest in other folk products, an interest in them as stories tested by the ages, an interest in them as presenting familiar and suggestive types of character and conduct, an interest in them as stimulating our sense of wonder and mystery, we shall not be disturbed by the violent discussions that sometimes rage over the advisability of using myths with children.
Values of myth. To make the above proposition as clear as possible, let us first tabulate briefly the values of myth, borrowing a suggestion from Jeremiah Curtin:
1. A wonderful story told in most effective fashion. To realize this value, one needs to recall only the efforts of Prometheus in bringing down fire for man and his heroic endurance of vengeful tyranny as a result. The work of Hercules in slaying the many-headed serpent or in cleansing the Augean stables, the adventures of Theseus culminating in the labyrinth of the horrible Minotaur, the beautiful hospitality of Baucis and Philemon, the equally beautiful sadness of the death of Balder—all these simply hint the riches of the myth as story. This story interest is the one that appeals to all human beings as human beings and is therefore fundamental.
2. Myth preserves much material of social and antiquarian interest. It helps us understand the institutions and customs of primitive stages in human development, and as such has great value for scientific students of human society.
3. Myth preserves evidences of how the mind of man looked out upon his surroundings and what it did in the way of interpreting them. It makes most valuable contributions, therefore, to the history of the human mind, and must be taken into account in the science of anthropology.
It must be evident that the second and third values are only in the slightest degree within the range of the child in his early years of school work.
Objections to myth. The objections to the use of myths in school may also be brought under three heads:
1. They come from a plane of ethics much lower than our own. This is the one strong argument against all folk material, and it has a validity that must be frankly recognized. There are the miscellaneous love affairs of Jupiter, and certain stories that have elements of horror and brutality. Such stories we cannot use, "though an error on that side is better than effeminancy." Occasional defects cannot outweigh the great positive ethical worth of myth. We must simply make intelligent choice. The situation is not different from what it is in choosing from modern poetry and story. It would be poor evidence of our sanity if we ruled out all poetry because some of it is not fit. Let us, however, omit entirely those myths that are not suitable rather than attempt making them over to suit modern conceptions. We may properly allow liberties to a literary artist like Hawthorne that a mere artisan should not take.
2. Myth deals with the worn-out and obsolete ideas of the past, and will give children false religious and scientific notions. But one does not rule out Paradise Lost because Milton's cosmogony is so purely fanciful, nor Dante because of his equally fantastic structure of the Inferno. Neither children nor older readers are ever led astray by these purely incidental backgrounds against which and by means of which the human interest is powerfully projected.
3. Myth is too deeply symbolical. But readers of different ages and abilities find results up to their stature. We do not demand that the children shall be able to understand all that is back of Gulliver's Travels, or Pilgrim's Progress, before we give them those books. What is worth while in literature has an increasing message as the powers of the reader increase.
How to use myths. We may sum up the conclusions thus: Select those myths that tell stories of dramatic force and that have sound ethical worth. So far as possible let these be the ones most familiar in literary allusion and in common speech. Present the myth as you would any other folk story. Since myth naturally comes along a little later than fairy stories, probably beginning not earlier than the third grade, the discussion of its meanings may take a wider range. Keep the poetic elements of the story prominent, as in most of the examples following.
SUGGESTIONS
For the soundest and most illuminating discussion of the values and proper use of myths in education see Edward Howard Griggs, Moral Education, chap, xxi, "The Ethical Value of Mythology and Folk-Lore." For some good suggestions and lists consult Ezra Allen, "The Pedagogy of Myth in the Grades," Pedagogical Seminary, Vol. VIII, p. 258. A very interesting plan for the use of myths may be found in two articles by O. O. Norris, "Myths and the Teaching of Myths," The American Schoolmaster, Vol. IX, p. 96 and p. 145. Consult also MacClintock, Literature in the Elementary School, chap, vii, and McMurry, Special Method in Reading, pp. 92-105.
The first nine myths in this section came originally from Greek mythology. The Romans adopted the mythology of the Greeks, but changed the names of the gods. English-speaking peoples have usually used these Latin versions. Hence in the following Greek myths the Roman names of the gods are used. In this note the Greek name is usually given in parenthesis after the Roman.
According to mythology, Saturn once ruled the universe. After a great war he was overthrown and the universe was divided into three kingdoms, each governed by one of his sons. Jupiter (Zeus) ruled the heavens and the earth; Neptune (Poseidon) ruled the sea; and Pluto (Dis) ruled Hades, or Tartarus, the gloomy region of the dead in a cavern far under the surface of the earth. The home of Jupiter and the many other gods of heaven was represented as being the top of Mount Olympus, in Thessaly. Here each of the gods of heaven had a separate dwelling, but all assembled at times in the palace of Jupiter. Sometimes these gods went to earth, through a gate of clouds kept by goddesses called the Seasons.
The relations between these divinities were much like those between people on earth. Some had greater power than others, and rivalries and quarrels frequently arose. Jupiter, the supreme ruler, governed by wisdom as well as by the power of his thunderbolt. He had three sisters: Juno, Vesta, and Ceres. Juno (Hera) was the wife of Jupiter and the noblest of the goddesses. Vesta (Hestia), the goddess of health, was not married. Ceres (Demeter), the goddess of agriculture, was the mother of Proserpine, who became wife of Pluto and queen of Hades. Minerva (Athena), goddess of wisdom and Jupiter's favorite daughter, had no mother, as she sprang fully armed from Jupiter's head. Venus (Aphrodite) was goddess of beauty and mother of Cupid, god of love. Two other goddesses were Diana (Artemis), modest virgin goddess of the moon, who protects brute creation, and Hebe, cup-bearer to the gods. Among the greatest of the gods were three sons of Jupiter: Apollo, Mars, and Vulcan. Apollo, or Phoebus, was god of the sun and patron of music, archery, and prophecy. Mars (Ares) was god of war, and Vulcan (Hephaestus), the lame god of fire, was the blacksmith of the gods.
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This version of the myth of Ceres and Proserpine is taken by permission of the author and the publishers from Stories of Long Ago, by Grace H. Kupfer. (Copyright. D. C. Heath & Co., Boston.) "Of all the beautiful fictions of Greek mythology," said Aubrey DeVere, "there are few more exquisite than the story of Proserpine, and none deeper in symbolical meaning." That portion of its meaning fitted to the understanding of children is indicated in the final paragraphs of Miss Kupfer's version. Teachers should realize that "the fable has, however, its moral significance also, being connected with that great mystery of Joy and Grief, of Life and of Death, which pressed so heavily on the mind of Pagan Greece, and imparts to the whole of her mythology a profound interest, spiritual as well as philosophical. It was the restoration of Man, not of flowers, the victory over Death, not over Winter, with which that high Intelligence felt itself to be really concerned." Hawthorne's version of this story appears in Tanglewood Tales as "The Pomegranate Seeds."
A STORY OF THE SPRINGTIME
GRACE H. KUPFER
PART I
In the blue Mediterranean Sea, which washes the southern shore of Europe, lies the beautiful island of Sicily. Long, long ago, there lived on this island a goddess named Ceres. She had power to make the earth yield plentiful crops of grain, or to leave it barren; and on her depended the food, and therefore the life of all the people on the great, wide earth.
Ceres had one fair young daughter, whom she loved very dearly. And no wonder, for Proserpine was the sunniest, happiest girl you could imagine.
Her face was all white and pink, like apple blossoms in spring, and there was just enough blue in her eyes to give you a glimpse of an April morning sky. Her long, golden curls reminded you of the bright sunlight. In fact there was something so young and fair and tender about the maiden that if you could imagine anything so strange as the whole springtime, with all its loveliness, changed into a human being, you would have looked but an instant at Proserpine and said, "She is the Spring."
Proserpine spent the long, happy days in the fields, helping her mother, or dancing and singing among the flowers, with her young companions.
Way down under the earth, in the land of the dead, lived dark King Pluto; and the days were very lonely for him with only shadows to talk to. Often and often, he had tried to urge some goddess to come and share his gloomy throne; but not the richest jewels or wealth could tempt any one of them to leave the bright sunlight above and dwell in the land of shades.
One day Pluto came up to earth and was driving along in his swift chariot, when, behind some bushes, he heard such merry voices and musical laughter that he drew rein, and stepping down, parted the bushes to see who was on the other side. There he saw Proserpine standing in the center of a ring of laughing young girls who were pelting her with flowers.
The stern old king felt his heart beat quicker at sight of all these lovely maidens, and he singled out Proserpine, and said to himself, "She shall be my queen. That fair face can make even dark Hades light and beautiful." But he knew it would be useless to ask the girl for her consent; so, with a bold stride, he stepped into the midst of the happy circle.
The young girls, frightened at his dark, stern face, fled to right and left. But Pluto grasped Proserpine by the arm and carried her to his chariot, and then the horses flew along the ground, leaving Proserpine's startled companions far behind.
King Pluto knew that he must hasten away with his prize, lest Ceres should discover her loss; and to keep out of her path, he drove his chariot a roundabout way. He came to a river; but as he neared its banks, it suddenly began to bubble and swell and rage, so that Pluto did not dare to drive through its waters. To go back another way would mean great loss of time; so with his scepter he struck the ground thrice. It opened, and, in an instant, horses, chariot, and all, plunged into the darkness below.
But Proserpine knew that the nymph of the stream had recognized her, and had tried to save her by making the waters of the stream rise. So, just as the ground was closing over her, the girl seized her girdle and threw it far out into the river. She hoped that in some way the girdle might reach Ceres and help her to find her lost daughter.
PART II
In the evening Ceres returned to her home; but her daughter, who usually came running to meet her, was nowhere to be seen. Ceres searched for her in all the rooms, but they were empty. Then she lighted a great torch from the fires of a volcano, and went wandering among the fields, looking for her child. When morning broke, and she had found no trace of Proserpine, her grief was terrible to see.
On that sad day, Ceres began a long, long wandering. Over land and sea she journeyed, bearing in her right hand the torch which had been kindled in the fiery volcano.
All her duties were neglected, and everywhere the crops failed, and the ground was barren and dry. Want and famine took the place of wealth and plenty throughout the world. It seemed as though the great earth grieved with the mother for the loss of beautiful Proserpine.
When the starving people came to Ceres and begged her to resume her duties and to be their friend again, Ceres lifted her great eyes, wearied with endless seeking, and answered that until Proserpine was found, she could think only of her child, and could not care for the neglected earth. So all the people cried aloud to Jupiter that he should bring Proserpine back to her mother, for they were sadly in need of great Ceres' help.
At last, after wandering over all the earth in her fruitless search, Ceres returned to Sicily. One day, as she was passing a river, suddenly a little swell of water carried something to her feet. Stooping to see what it was, she picked up the girdle which Proserpine had long ago thrown to the water nymph.
While she was looking at it, with tears in her eyes, she heard a fountain near her bubbling louder and louder, until at last it seemed to speak. And this is what it said:
"I am the nymph of the fountain, and I come from the inmost parts of the earth, O Ceres, great mother! There I saw your daughter seated on a throne at the dark king's side. But in spite of her splendor, her cheeks were pale and her eyes were heavy with weeping. I can stay no longer now, O Ceres, for I must leap into the sunshine. The bright sky calls me, and I must hasten away."
Then Ceres arose and went to Jupiter and said, "I have found the place where my daughter is hidden. Give her back to me, and the earth shall once more be fruitful, and the people shall have food."
Jupiter was moved, both by the mother's sorrow and by the prayers of the people on earth; and he said that Proserpine might return to her home if she had tasted no food while in Pluto's kingdom.
So the happy mother hastened down into Hades. But alas! that very day Proserpine had eaten six pomegranate seeds; and for every one of those seeds she was doomed each year to spend a month underground.
For six months of the year Ceres is happy with her daughter. At Proserpine's coming, flowers bloom and birds sing and the earth everywhere smiles its welcome to its young queen.
Some people say that Proserpine really is the springtime, and that while she is with us all the earth seems fair and beautiful. But when the time comes for Proserpine to rejoin King Pluto in his dark home underground, Ceres hides herself and grieves through all the weary months until her daughter's return.
Then the earth, too, is somber and sad. The leaves fall to the ground, as though the trees were weeping for the loss of the fair, young queen; and the flowers hide underground, until the eager step of the maiden, returning to earth, awakens all nature from its winter sleep.
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Because of his beautiful idealism and the artistic nature of his work, Hawthorne (1804-1864) is one of America's most loved story-tellers. His stories are never idle tales, for each one reveals secret motives and impulses that determine human action. This characteristic makes his works wholesome and inspiring for both children and adults. Four volumes of his short stories, intended primarily for children, are classics for the upper grades. Grandfather's Chair is a group of stories about life in New England in early times. True Stories from History and Biography makes the child acquainted with such historical characters as Franklin and Newton. A Wonder-Book for Girls and Boys and Tanglewood Tales are Hawthorne's versions of old Greek myths.
In his two volumes of Greek myths, Hawthorne does not hold to the plot or style of the original stories; but here, as in all his work, he shows how incidents in life determine human character. The following quotation from the Preface to A Wonder-Book for Girls and Boys explains in Hawthorne's own words the nature of his version of the myths: "He [the author] does not plead guilty to a sacrilege in having sometimes shaped anew, as his fancy dictated, the forms that have been hallowed by an antiquity of two or three thousand years. No epoch of time can claim a copyright in these immortal fables. They seem never to have been made; and certainly, so long as man exists, they can never perish; but, by their indestructibility itself, they are legitimate subjects for every age to clothe with its own garniture of manners and sentiment, and to imbue with its own morality."
The story "The Paradise of Children," taken from A Wonder-Book for Girls and Boys, is Hawthorne's version of the Greek myth of Pandora's Box, which is an attempt to explain how pain and suffering came to humanity. According to the Greek myth, Jupiter was angry when he learned that Prometheus, one of the Titans, had given men fire stolen from heaven. That men might not have this blessing without an affliction to compensate, the gods filled a box with ills, but put Hope also in the box. Then, fearing that neither Prometheus nor his brother Epimetheus would open the box, they created Pandora. Mercury, the messenger of Jupiter, carried Pandora and the box as a gift to Epimetheus, and the curiosity of Pandora led her to open the box.
THE PARADISE OF CHILDREN
NATHANIEL HAWTHORNE
Long, long ago, when this old world was in its tender infancy, there was a child named Epimetheus, who never had either father or mother; and, that he might not be lonely, another child, fatherless and motherless like himself, was sent from a far country to live with him and be his playfellow and helpmate. Her name was Pandora.
The first thing that Pandora saw, when she entered the cottage where Epimetheus dwelt, was a great box. And almost the first question which she put to him, after crossing the threshold, was this,—
"Epimetheus, what have you in that box?"
"My dear little Pandora," answered Epimetheus, "that is a secret, and you must be kind enough not to ask any questions about it. The box was left here to be kept safely, and I do not myself know what it contains."
"But who gave it to you?" asked Pandora. "And where did it come from?"
"That is a secret, too," replied Epimetheus.
"How provoking!" exclaimed Pandora, pouting her lip. "I wish the great, ugly box were out of the way!"
"Oh, come, don't think of it any more," cried Epimetheus. "Let us run out of doors, and have some nice play with the other children."
It is thousands of years since Epimetheus and Pandora were alive; and the world, nowadays, is a very different sort of thing from what it was in their time. Then, everybody was a child. There needed no fathers and mothers to take care of the children; because there was no danger, nor trouble of any kind, and no clothes to be mended, and there was always plenty to eat and drink. Whenever a child wanted his dinner, he found it growing on a tree; and, if he looked at the tree in the morning, he could see the expanding blossom of that night's supper; or, at eventide, he saw the tender bud of to-morrow's breakfast. It was a very pleasant life, indeed. No labor to be done, no tasks to be studied; nothing but sports and dances, and sweet voices of children talking, or caroling like birds, or gushing out in merry laughter, throughout the livelong day.
What was most wonderful of all, the children never quarreled among themselves; neither had they any crying fits; nor, since time first began, had a single one of these little mortals ever gone apart into a corner, and sulked. Oh, what a good time was that to be alive in! The truth is, those ugly little winged monsters, called Troubles, which are now almost as numerous as mosquitoes, had never yet been seen on the earth. It is probable that the very greatest disquietude which a child had ever experienced was Pandora's vexation at not being able to discover the secret of the mysterious box.
This was at first only the faint shadow of a Trouble; but, every day, it grew more and more substantial, until, before a great while, the cottage of Epimetheus and Pandora was less sunshiny than those of the other children.
"Whence can the box have come?" Pandora continually kept saying to herself and to Epimetheus. "And what in the world can be inside of it!"
"Always talking about this box!" said Epimetheus, at last; for he had grown extremely tired of the subject. "I wish, dear Pandora, you would try to talk of something else. Come, let us go and gather some ripe figs, and eat them under the trees, for our supper. And I know a vine that has the sweetest and juiciest grapes you ever tasted."
"Always talking about grapes and figs!" cried Pandora, pettishly.
"Well, then," said Epimetheus, who was a very good-tempered child, like a multitude of children in those days, "let us run out and have a merry time with our playmates."
"I am tired of merry times, and don't care if I never have any more!" answered our pettish little Pandora. "And, besides, I never do have any. This ugly box! I am so taken up with thinking about it all the time. I insist upon your telling me what is inside of it."
"As I have already said, fifty times over, I do not know!" replied Epimetheus, getting a little vexed. "How, then, can I tell you what is inside?"
"You might open it," said Pandora, looking sideways at Epimetheus, "and then we could see for ourselves."
"Pandora, what are you thinking of?" exclaimed Epimetheus.
And his face expressed so much horror at the idea of looking into a box which had been confided to him on the condition of his never opening it, that Pandora thought it best not to suggest it any more. Still, however, she could not help thinking and talking about the box.
"At least," said she, "you can tell me how it came here."
"It was left at the door," replied Epimetheus, "just before you came, by a person who looked very smiling and intelligent, and who could hardly forbear laughing as he put it down. He was dressed in an odd kind of a cloak, and had on a cap that seemed to be made partly of feathers, so that it looked almost as if it had wings."
"What sort of a staff had he?" asked Pandora.
"Oh, the most curious staff you ever saw!" cried Epimetheus. "It was like two serpents twisting around a stick, and was carved so naturally that I, at first, thought the serpents were alive."
"I know him," said Pandora, thoughtfully. "Nobody else has such a staff. It was Quicksilver; and he brought me hither, as well as the box. No doubt he intended it for me; and, most probably, it contains pretty dresses for me to wear, or toys for you and me to play with, or something very nice for us both to eat!"
"Perhaps so," answered Epimetheus, turning away. "But until Quicksilver comes back and tells us so, we have neither of us any right to lift the lid of the box."
"What a dull boy he is!" muttered Pandora, as Epimetheus left the cottage. "I do wish he had a little more enterprise!"
For the first time since her arrival, Epimetheus had gone out without asking Pandora to accompany him. He went to gather figs and grapes by himself, or to seek whatever amusement he could find, in other society than his little playfellow's. He was tired to death of hearing about the box, and heartily wished that Quicksilver, or whatever was the messenger's name, had left it at some other child's door, where Pandora would never have set eyes on it. So perseveringly as she did babble about this one thing! The box, the box, and nothing but the box! It seemed as if the box were bewitched, and as if the cottage were not big enough to hold it, without Pandora's continually stumbling over it, and making Epimetheus stumble over it likewise, and bruising all four of their shins.
Well, it was really hard that poor Epimetheus should have a box in his ears from morning till night; especially as the little people of the earth were so unaccustomed to vexations, in those happy days, that they knew not how to deal with them. Thus, a small vexation made as much disturbance, then, as a far bigger one would in our own times.
After Epimetheus was gone, Pandora stood gazing at the box. She had called it ugly, above a hundred times; but, in spite of all that she had said against it, it was positively a very handsome article of furniture, and would have been quite an ornament to any room in which it should be placed. It was made of a beautiful kind of wood, with dark and rich veins spreading over its surface, which was so highly polished that little Pandora could see her face in it. As the child had no other looking-glass, it is odd that she did not value the box, merely on this account.
The edges and corners of the box were carved with most wonderful skill. Around the margin there were figures of graceful men and women, and the prettiest children ever seen, reclining or sporting amid a profusion of flowers and foliage; and these various objects were so exquisitely represented, and were wrought together in such harmony, that flowers, foliage, and human beings seemed to combine into a wreath of mingled beauty. But here and there, peeping forth from behind the carved foliage, Pandora once or twice fancied that she saw a face not so lovely, or something or other that was disagreeable, and which stole the beauty out of all the rest. Nevertheless, on looking more closely, and touching the spot with her finger, she could discover nothing of the kind. Some face, that was really beautiful, had been made to look ugly by her catching a sideway glimpse at it.
The most beautiful face of all was done in what is called high relief, in the center of the lid. There was nothing else, save the dark, smooth richness of the polished wood, and this one face in the center, with a garland of flowers about its brow. Pandora had looked at this face a great many times, and imagined that the mouth could smile if it liked, or be grave when it chose, the same as any living mouth. The features, indeed, all wore a very lively and rather mischievous expression, which looked almost as if it needs must burst out of the carved lips, and utter itself in words.
Had the mouth spoken, it would probably have been something like this:
"Do not be afraid, Pandora! What harm can there be in opening the box? Never mind that poor, simple Epimetheus! You are wiser than he, and have ten times as much spirit. Open the box, and see if you do not find something very pretty!"
The box, I had almost forgotten to say, was fastened; not by a lock, nor by any other such contrivance, but by a very intricate knot of gold cord. There appeared to be no end to this knot, and no beginning. Never was a knot so cunningly twisted, nor with so many ins and outs, which roguishly defied the skilfullest fingers to disentangle them. And yet, by the very difficulty that there was in it, Pandora was the more tempted to examine the knot, and just see how it was made. Two or three times, already, she had stooped over the box, and taken the knot between her thumb and forefinger, but without positively trying to undo it.
"I really believe," said she to herself, "that I begin to see how it was done. Nay, perhaps I could tie it up again, after undoing it. There would be no harm in that, surely. Even Epimetheus would not blame me for that. I need not open the box, and should not, of course, without the foolish boy's consent, even if the knot were untied."
It might have been better for Pandora if she had had a little work to do, or anything to employ her mind upon, so as not to be so constantly thinking of this one subject. But children led so easy a life, before any Troubles came into the world, that they had really a great deal too much leisure. They could not be forever playing at hide-and-seek among the flower-shrubs, or at blind-man's-buff with garlands over their eyes, or at whatever other games had been found out while Mother Earth was in her babyhood. When life is all sport, toil is the real play. There was absolutely nothing to do. A little sweeping and dusting about the cottage, I suppose, and the gathering of fresh flowers (which were only too abundant everywhere), and arranging them in vases,—and poor little Pandora's day's work was over. And then, for the rest of the day, there was the box!
After all, I am not quite sure that the box was not a blessing to her in its way. It supplied her with such a variety of ideas to think of, and to talk about, whenever she had anybody to listen! When she was in good humor, she could admire the bright polish of its sides, and the rich border of beautiful faces and foliage that ran all around it. Or, if she chanced to be ill-tempered, she could give it a push, or kick it with her naughty little foot. And many a kick did the box—(but it was a mischievous box, as we shall see, and deserved all it got)—many a kick did it receive. But, certain it is, if it had not been for the box, our active-minded little Pandora would not have known half so well how to spend her time as she now did.
For it was really an endless employment to guess what was inside. What could it be, indeed? Just imagine, my little hearers, how busy your wits would be, if there were a great box in the house, which, as you might have reason to suppose, contained something new and pretty for your Christmas or New-Year's gifts. Do you think that you should be less curious than Pandora? If you were alone with the box, might you not feel a little tempted to lift the lid? But you would not do it. Oh, fie! No, no! Only, if you thought there were toys in it, it would be so very hard to let slip an opportunity of taking just one peep! I know not whether Pandora expected any toys; for none had yet begun to be made, probably, in those days, when the world itself was one great plaything for the children that dwelt upon it. But Pandora was convinced that there was something very beautiful and valuable in the box; and therefore she felt just as anxious to take a peep as any of these girls, here around me, would have felt. And, possibly, a little more so; but of that I am not quite so certain.
On this particular day, however, which we have so long been talking about, her curiosity grew so much greater than it usually was, that, at last, she approached the box. She was more than half determined to open it, if she could. Ah, naughty Pandora!
First, however, she tried to lift it. It was heavy; quite too heavy for the slender strength of a child, like Pandora. She raised one end of the box a few inches from the floor, and let it fall again, with a pretty loud thump. A moment afterwards, she almost fancied that she heard something stir, inside of the box. She applied her ear as closely as possible, and listened. Positively, there did seem to be a kind of stifled murmur, within! Or was it merely the singing in Pandora's ears? Or could it be the beating of her heart? The child could not quite satisfy herself whether she had heard anything or no. But, at all events, her curiosity was stronger than ever.
As she drew back her head, her eyes fell upon the knot of gold cord.
"It must have been a very ingenious person who tied this knot," said Pandora to herself. "But I think I could untie it, nevertheless. I am resolved, at least, to find the two ends of the cord."
So she took the golden knot in her fingers, and pried into its intricacies as sharply as she could. Almost without intending it, or quite knowing what she was about, she was soon busily engaged in attempting to undo it. Meanwhile, the bright sunshine came through the open window; as did likewise the merry voices of the children, playing at a distance, and perhaps the voice of Epimetheus among them. Pandora stopped to listen. What a beautiful day it was! Would it not be wiser if she were to let the troublesome knot alone, and think no more about the box, but run and join her little playfellows, and be happy?
All this time, however, her fingers were half unconsciously busy with the knot; and, happening to glance at the flower-wreathed face on the lid of the enchanted box, she seemed to perceive it slyly grinning at her.
"That face looks very mischievous," thought Pandora. "I wonder whether it smiles because I am doing wrong! I have the greatest mind in the world to run away!"
But just then, by the merest accident, she gave the knot a kind of a twist, which produced a wonderful result. The gold cord untwined itself, as if by magic, and left the box without a fastening.
"This is the strangest thing I ever knew!" said Pandora. "What will Epimetheus say? And how can I possibly tie it up again?"
She made one or two attempts to restore the knot, but soon found it quite beyond her skill. It had disentangled itself so suddenly that she could not in the least remember how the strings had been doubled into one another; and when she tried to recollect the shape and appearance of the knot, it seemed to have gone entirely out of her mind. Nothing was to be done, therefore, but let the box remain as it was, until Epimetheus should come in.
"But," said Pandora, "when he finds the knot untied, he will know that I have done it. How shall I make him believe that I have not looked into the box?"
And then the thought came into her naughty little heart, that, since she would be suspected of having looked into the box, she might just as well do so, at once. Oh, very naughty and very foolish Pandora! You should have thought only of doing what was right, and of leaving undone what was wrong, and not of what your playfellow Epimetheus would have said or believed. And so perhaps she might, if the enchanted face on the lid of the box had not looked so bewitchingly persuasive at her, and if she had not seemed to hear, more distinctly than before, the murmur of small voices within. She could not tell whether it was fancy or no; but there was quite a little tumult of whispers in her ear,—or else it was her curiosity that whispered:
"Let us out, dear Pandora,—pray let us out! We will be such nice pretty playfellows for you! Only let us out!"
"What can it be?" thought Pandora. "Is there something alive in the box? Well!—yes!—I am resolved to take just one peep! Only one peep; and then the lid shall be shut down as safely as ever! There cannot possibly be any harm in just one little peep!"
But it is now time for us to see what Epimetheus was doing.
This was the first time, since his little playmate had come to dwell with him, that he had attempted to enjoy any pleasure in which she did not partake. But nothing went right; nor was he nearly so happy as on other days. He could not find a sweet grape or a ripe fig (if Epimetheus had a fault, it was a little too much fondness for figs); or, if ripe at all, they were over-ripe, and so sweet as to be cloying. There was no mirth in his heart, such as usually made his voice gush out, of its own accord, and swell the merriment of his companions. In short, he grew so uneasy and discontented, that the other children could not imagine what was the matter with Epimetheus. Neither did he himself know what ailed him, any better than they did. For you must recollect that at the time we are speaking of, it was everybody's nature, and constant habit, to be happy. The world had not yet learned to be otherwise. Not a single soul or body, since these children were first sent to enjoy themselves on the beautiful earth, had ever been sick, or out of sorts.
At length, discovering that, somehow or other, he put a stop to all the play, Epimetheus judged it best to go back to Pandora, who was in a humor better suited to his own. But, with a hope of giving her pleasure, he gathered some flowers, and made them into a wreath, which he meant to put upon her head. The flowers were very lovely,—roses, and lilies, and orange-blossoms, and a great many more, which left a trail of fragrance behind, as Epimetheus carried them along; and the wreath was put together with as much skill as could reasonably be expected of a boy. The fingers of little girls, it has always appeared to me, are the fittest to twine flower-wreaths; but boys could do it, in those days, rather better than they can now.
And here I must mention that a great black cloud had been gathering in the sky, for some time past, although it had not yet overspread the sun. But, just as Epimetheus reached the cottage door, this cloud began to intercept the sunshine, and thus to make a sudden and sad obscurity.
He entered softly; for he meant, if possible, to steal behind Pandora, and fling the wreath of flowers over her head, before she should be aware of his approach. But, as it happened, there was no need of his treading so very lightly. He might have trod as heavily as he pleased,—as heavily as a grown man,—as heavily, I was going to say, as an elephant,—without much probability of Pandora's hearing his footsteps. She was too intent upon her purpose. At the moment of his entering the cottage, the naughty child had put her hand to the lid, and was on the point of opening the mysterious box. Epimetheus beheld her. If he had cried out, Pandora would probably have withdrawn her hand, and the fatal mystery of the box might never have been known.
But Epimetheus himself, although he said very little about it, had his own share of curiosity to know what was inside. Perceiving that Pandora was resolved to find out the secret, he determined that his playfellow should not be the only wise person in the cottage. And if there were anything pretty or valuable in the box, he meant to take half of it to himself. Thus, after all his sage speeches to Pandora about restraining her curiosity, Epimetheus turned out to be quite as foolish, and nearly as much in fault, as she. So, whenever we blame Pandora for what happened, we must not forget to shake our heads at Epimetheus likewise.
As Pandora raised the lid, the cottage grew very dark and dismal; for the black cloud had now swept quite over the sun, and seemed to have buried it alive. There had, for a little while past, been a low growling and muttering, which all at once broke into a heavy peal of thunder. But Pandora, heeding nothing of all this, lifted the lid nearly upright, and looked inside. It seemed as if a sudden swarm of winged creatures brushed past her, taking flight out of the box, while, at the same instant, she heard the voice of Epimetheus, with a lamentable tone, as if he were in pain.
"Oh, I am stung!" cried he. "I am stung! Naughty Pandora; why have you opened this wicked box?"
Pandora let fall the lid, and, starting up, looked about her, to see what had befallen Epimetheus. The thunder-cloud had so darkened the room that she could not very clearly discern what was in it. But she heard a disagreeable buzzing, as if a great many huge flies, or gigantic mosquitoes, or those insects which we call dor-bugs and pinching-dogs, were darting about. And, as her eyes grew more accustomed to the imperfect light, she saw a crowd of ugly little shapes, with bats' wings, looking abominably spiteful, and armed with terribly long stings in their tails. It was one of these that had stung Epimetheus. Nor was it a great while before Pandora herself began to scream, in no less pain and affright than her playfellow, and making a vast deal more hubbub about it. An odious little monster had settled on her forehead, and would have stung her I know not how deeply, if Epimetheus had not run and brushed it away.
Now, if you wish to know what these ugly things might be, which had made their escape out of the box, I must tell you that they were the whole family of earthly Troubles. There were evil Passions; there were a great many species of Cares; there were more than a hundred and fifty Sorrows; there were Diseases, in a vast number of miserable and painful shapes; there were more kinds of Naughtiness than it would be of any use to talk about. In short, everything that has since afflicted the souls and bodies of mankind had been shut up in the mysterious box, and given to Epimetheus and Pandora to be kept safely, in order that the happy children of the world might never be molested by them. Had they been faithful to their trust, all would have gone well. No grown person would ever have been sad, nor any child have had cause to shed a single tear, from that hour until this moment.
But—and you may see by this how a wrong act of any one mortal is a calamity to the whole world—by Pandora's lifting the lid of that miserable box, and by the fault of Epimetheus, too, in not preventing her, these Troubles have obtained a foothold among us, and do not seem very likely to be driven away in a hurry. For it was impossible, as you will easily guess, that the two children should keep the ugly swarm in their own little cottage. On the contrary, the first thing that they did was to fling open the doors and windows, in hopes of getting rid of them; and, sure enough, away flew the winged Troubles all abroad, and so pestered and tormented the small people, everywhere about, that none of them so much as smiled for many days afterwards. And what was very singular, all the flowers and dewy blossoms on earth, not one of which had hitherto faded, now began to droop and shed their leaves, after a day or two. The children, moreover, who before seemed immortal in their childhood, now grew older, day by day, and came soon to be youths and maidens, and men and women by and by, and aged people, before they dreamed of such a thing.
Meanwhile, the naughty Pandora, and hardly less naughty Epimetheus, remained in their cottage. Both of them had been grievously stung, and were in a good deal of pain, which seemed the more intolerable to them because it was the very first pain that had ever been felt since the world began. Of course, they were entirely unaccustomed to it, and could have no idea what it meant. Besides all this, they were in exceedingly bad humor, both with themselves and with one another. In order to indulge it to the utmost, Epimetheus sat down sullenly in a corner with his back towards Pandora; while Pandora flung herself upon the floor and rested her head on the fatal and abominable box. She was crying bitterly, and sobbing as if her heart would break.
Suddenly there was a gentle little tap on the inside of the lid.
"What can that be?" cried Pandora, lifting her head.
But either Epimetheus had not heard the tap, or was too much out of humor to notice it. At any rate, he made no answer.
"You are very unkind," said Pandora, sobbing anew, "not to speak to me!"
Again the tap! It sounded like the tiny knuckles of a fairy's hand, knocking lightly and playfully on the inside of the box.
"Who are you?" asked Pandora, with a little of her former curiosity. "Who are you, inside of this naughty box?"
A sweet little voice spoke from within,
"Only lift the lid, and you shall see."
"No, no," answered Pandora, again beginning to sob. "I have had enough of lifting the lid! You are inside of the box, naughty creature, and there you shall stay! There are plenty of your ugly brothers and sisters already flying about the world. You need never think that I shall be so foolish as to let you out!"
She looked towards Epimetheus, as she spoke, perhaps expecting that he would commend her for her wisdom. But the sullen boy only muttered that she was wise a little too late.
"Ah," said the sweet little voice again, "you had much better let me out. I am not like those naughty creatures that have stings in their tails. They are no brothers and sisters of mine, as you would see at once, if you were only to get a glimpse of me. Come, come, my pretty Pandora! I am sure you will let me out!"
And, indeed, there was a kind of cheerful witchery in the tone that made it almost impossible to refuse anything which this little voice asked. Pandora's heart had insensibly grown lighter at every word that came from within the box. Epimetheus, too, though still in the corner, had turned half round, and seemed to be in rather better spirits than before.
"My dear Epimetheus," cried Pandora, "have you heard this little voice?"
"Yes, to be sure I have," answered he, but in no very good humor as yet. "And what of it?"
"Shall I lift the lid again?" asked Pandora.
"Just as you please," said Epimetheus. "You have done so much mischief already that perhaps you may as well do a little more. One other Trouble, in such a swarm as you have let adrift about the world, can make no very great difference."
"You might speak a little more kindly!" murmured Pandora, wiping her eyes.
"Ah, naughty boy!" cried the little voice within the box, in an arch and laughing tone. "He knows he is longing to see me. Come, my dear Pandora, lift up the lid. I am in a great hurry to comfort you. Only let me have some fresh air, and you shall soon see that matters are not quite so dismal as you think them."
"Epimetheus," exclaimed Pandora, "come what may, I am resolved to open the box."
"And, as the lid seems very heavy," cried Epimetheus, running across the room, "I will help you!"
So, with one consent, the two children again lifted the lid. Out flew a sunny and smiling little personage, and hovered about the room, throwing a light wherever she went. Have you never made the sunshine dance into the dark corners by reflecting it from a bit of looking-glass? Well, so looked the winged cheerfulness of this fairy-like stranger amid the gloom of the cottage. She flew to Epimetheus, and laid the least touch of her finger on the inflamed spot where the Trouble had stung him, and immediately the anguish of it was gone. Then she kissed Pandora on the forehead, and her hurt was cured likewise.
After performing these good offices, the bright stranger fluttered sportively over the children's heads, and looked so sweetly at them, that they both began to think it not so very much amiss to have opened the box, since, otherwise, their cheery guest must have been kept a prisoner among those naughty imps with stings in their tails.
"Pray, who are you, beautiful creature?" inquired Pandora.
"I am to be called Hope!" answered the sunshiny figure. "And because I am such a cheery little body, I was packed into the box to make amends to the human race for that swarm of ugly Troubles which was destined to be let loose among them. Never fear! we shall do pretty well, in spite of them all."
"Your wings are colored like the rainbow!" exclaimed Pandora. "How very beautiful!"
"Yes, they are like the rainbow," said Hope, "because, glad as my nature is, I am partly made of tears as well as smiles."
"And will you stay with us," asked Epimetheus, "forever and ever?"
"As long as you need me," said Hope, with her pleasant smile,—"and that will be as long as you live in the world,—I promise never to desert you. There may come times and seasons, now and then, when you will think that I have utterly vanished. But again, and again, and again, when perhaps you least dream of it, you shall see the glimmer of my wings on the ceiling of your cottage. Yes, my dear children, and I know something very good and beautiful that is to be given you hereafter!"
"Oh, tell us," they exclaimed—"tell us what it is!"
"Do not ask me," replied Hope, putting her finger on her rosy mouth. "But do not despair, even if it should never happen while you live on this earth. Trust in my promise, for it is true."
"We do trust you!" cried Epimetheus and Pandora, both in one breath.
And so they did; and not only they, but so has everybody trusted Hope, that has since been alive. And, to tell you the truth, I cannot help being glad—(though, to be sure, it was an uncommonly naughty thing for her to do)—but I cannot help being glad that our foolish Pandora peeped into the box. No doubt—no doubt—the Troubles are still flying about the world, and have increased in multitude, rather than lessened, and are a very ugly set of imps, and carry most venomous stings in their tails. I have felt them already, and expect to feel them more as I grow older. But then that lovely and lightsome little figure of Hope! What in the world could we do without her? Hope spiritualizes the earth; Hope makes it always new; and, even in the earth's best and brightest aspect, Hope shows it to be only the shadow of an infinite bliss hereafter!
257
One evening, in times long ago, old Philemon and his old wife Baucis sat at their cottage door, enjoying the calm and beautiful sunset. They had already eaten their frugal supper, and intended now to spend a quiet hour or two before bedtime. So they talked together about their garden and their cow, and their bees, and their grape-vine, which clambered over the cottage-wall, and on which the grapes were beginning to turn purple. But the rude shouts of children and the fierce barking of dogs, in the village near at hand, grew louder and louder, until, at last, it was hardly possible for Baucis and Philemon to hear each other speak.
"Ah, wife," cried Philemon, "I fear some poor traveler is seeking hospitality among our neighbors yonder, and, instead of giving him food and lodging, they have set their dogs at him, as their custom is!"
"Well-a-day!" answered old Baucis, "I do wish our neighbors felt a little more kindness for their fellow-creatures. And only think of bringing up their children in this naughty way, and patting them on the head when they fling stones at strangers!"
"Those children will never come to any good," said Philemon, shaking his white head. "To tell you the truth, wife, I should not wonder if some terrible thing were to happen to all the people in the village, unless they mend their manners. But, as for you and me, so long as Providence affords us a crust of bread, let us be ready to give half to any poor, homeless stranger that may come along and need it."
"That's right, husband!" said Baucis. "So we will!"
These old folks, you must know, were quite poor, and had to work pretty hard for a living. Old Philemon toiled diligently in his garden, while Baucis was always busy with her distaff, or making a little butter and cheese with their cow's milk, or doing one thing and another about the cottage. Their food was seldom anything but bread, milk, and vegetables, with sometimes a portion of honey from their beehive, and now and then a bunch of grapes, that had ripened against the cottage wall. But they were two of the kindest old people in the world, and would cheerfully have gone without their dinners, any day, rather than refuse a slice of their brown loaf, a cup of nice milk, and a spoonful of honey, to the weary traveler who might pause before their door. They felt as if such guests had a sort of holiness, and that they ought, therefore, to treat them better and more bountifully than their own selves.
Their cottage stood on a rising ground, at some short distance from a village, which lay in a hollow valley, that was about half a mile in breadth. This valley, in past ages, when the world was new, had probably been the bed of a lake. There, fishes had glided to and fro in the depths, and water-weeds had grown along the margin, and trees and hills had seen their reflected images in the broad and peaceful mirror. But, as the waters subsided, men had cultivated the soil, and built houses on it, so that it was now a fertile spot, and bore no traces of the ancient lake, except a very small brook, which meandered through the midst of the village, and supplied the inhabitants with water. The valley had been dry land so long that oaks had sprung up, and grown great and high, and perished with old age, and been succeeded by others, as tall and stately as the first. Never was there a prettier or more fruitful valley. The very sight of the plenty around them should have made the inhabitants kind and gentle and ready to show their gratitude to Providence by doing good to their fellow-creatures.
But, we are sorry to say, the people of this lovely village were not worthy to dwell in a spot on which Heaven had smiled so beneficently. They were a very selfish and hard-hearted people, and had no pity for the poor, nor sympathy with the homeless. They would only have laughed had anybody told them that human beings owe a debt of love to one another, because there is no other method of paying the debt of love and care which all of us owe to Providence. You will hardly believe what I am going to tell you. These naughty people taught their children to be no better than themselves, and used to clap their hands, by way of encouragement, when they saw the little boys and girls run after some poor stranger, shouting at his heels, and pelting him with stones. They kept large and fierce dogs, and whenever a traveler ventured to show himself in the village street, this pack of disagreeable curs scampered to meet him, barking, snarling, and showing their teeth. Then they would seize him by his leg, or by his clothes, just as it happened; and if he were ragged when he came, he was generally a pitiable object before he had time to run away. This was a very terrible thing to poor travelers, as you may suppose, especially when they chanced to be sick, or feeble, or lame, or old. Such persons (if they once knew how badly these unkind people, and their unkind children and curs, were in the habit of behaving) would go miles and miles out of their way rather than try to pass through the village again.
What made the matter seem worse, if possible, was that when rich persons came in their chariots, or riding on beautiful horses, with their servants in rich liveries attending on them, nobody could be more civil and obsequious than the inhabitants of the village. They would take off their hats, and make the humblest bows you ever saw. If the children were rude, they were pretty certain to get their ears boxed; and as for the dogs, if a single cur in the pack presumed to yelp, his master instantly beat him with a club, and tied him up without any supper. This would have been all very well, only it proved that the villagers cared much about the money that a stranger had in his pocket, and nothing whatever for the human soul, which lives equally in the beggar and the prince.
So now you can understand why old Philemon spoke so sorrowfully when he heard the shouts of the children and the barking of the dogs at the further extremity of the village street. There was a confused din, which lasted a good while, and seemed to pass quite through the breadth of the valley.
"I never heard the dogs so loud!" observed the good old man.
"Nor the children so rude!" answered his good old wife.
They sat shaking their heads, one to another, while the noise came nearer and nearer; until, at the foot of the little eminence on which their cottage stood, they saw two travelers approaching on foot. Close behind them came the fierce dogs, snarling at their very heels. A little farther off, ran a crowd of children, who sent up shrill cries, and flung stones at the two strangers, with all their might. Once or twice, the younger of the two men (he was a slender and very active figure) turned about, and drove back the dogs with a staff which he carried in his hand. His companion, who was a very tall person, walked calmly along, as if disdaining to notice either the naughty children or the pack of curs, whose manners the children seemed to imitate.
Both of the travelers were very humbly clad, and looked as if they might not have money enough in their pockets to pay for a night's lodging. And this, I am afraid, was the reason why the villagers had allowed their children and dogs to treat them so rudely.
"Come, wife," said Philemon to Baucis, "let us go and meet these poor people. No doubt they feel almost too heavy-hearted to climb the hill."
"Go you and meet them," answered Baucis, "while I make haste within doors and see whether we can get them anything for supper. A comfortable bowl of bread and milk would do wonders towards raising their spirits."
Accordingly, she hastened into the cottage. Philemon, on his part, went forward and extended his hand with so hospitable an aspect that there was no need of saying, what nevertheless he did say, in the heartiest tone imaginable,—
"Welcome, strangers! welcome!"
"Thank you!" replied the younger of the two, in a lively kind of way, notwithstanding his weariness and trouble. "This is quite another greeting than we have met with yonder, in the village. Pray, why do you live in such a bad neighborhood?"
"Ah," observed old Philemon, with a quiet and benign smile, "Providence put me here, I hope, among other reasons, in order that I may make you what amends I can for the inhospitality of my neighbors."
"Well said, old father!" said the traveler, laughing; "and, if the truth must be told, my companion and myself need some amends. Those children (the little rascals!) have bespattered us finely with their mud-balls; and one of the curs has torn my cloak, which was ragged enough already. But I took him across the muzzle with my staff; and I think you may have heard him yelp, even thus far off."
Philemon was glad to see him in such good spirits; nor, indeed, would you have fancied, by the traveler's look and manner, that he was weary with a long day's journey, besides being disheartened by rough treatment at the end of it. He was dressed in rather an odd way, with a sort of cap on his head, the brim of which stuck out over both ears. Though it was a summer evening, he wore a cloak, which he kept wrapt closely about him, perhaps because his under garments were shabby. Philemon perceived, too, that he had on a singular pair of shoes; but, as it was now growing dusk, and as the old man's eyesight was none the sharpest, he could not precisely tell in what the strangeness consisted. One thing, certainly, seemed queer. The traveler was so wonderfully light and active, that it appeared as if his feet sometimes rose from the ground of their own accord, or could only be kept down by an effort.
"I used to be light-footed, in my youth," said Philemon to the traveler. "But I always found my feet grow heavier towards nightfall."
"There is nothing like a good staff to help one along," answered the stranger; "and I happen to have an excellent one, as you see."
This staff, in fact, was the oddest-looking staff that Philemon had ever beheld. It was made of olive-wood, and had something like a little pair of wings near the top. Two snakes, carved in the wood, were represented as twining themselves about the staff, and were so very skillfully executed that old Philemon (whose eyes, you know, were getting rather dim) almost thought them alive, and that he could see them wriggling and twisting.
"A curious piece of work, sure enough!" said he. "A staff with wings! It would be an excellent kind of stick for a little boy to ride astride of!"
By this time, Philemon and his two guests had reached the cottage door.
"Friends," said the old man, "sit down and rest yourselves here on this bench. My good wife Baucis has gone to see what you can have for supper. We are poor folks; but you shall be welcome to whatever we have in the cupboard."
The younger stranger threw himself carelessly on the bench, letting his staff fall as he did so. And here happened something rather marvelous, though trifling enough, too. The staff seemed to get up from the ground of its own accord, and, spreading its little pair of wings, it half hopped, half flew, and leaned itself against the wall of the cottage. There it stood quite still, except that the snakes continued to wriggle. But, in my private opinion, old Philemon's eyesight had been playing him tricks again.
Before he could ask any questions, the elder stranger drew his attention from the wonderful staff by speaking to him.
"Was there not," asked the stranger, in a remarkably deep tone of voice, "a lake, in very ancient times, covering the spot where now stands yonder village?"
"Not in my day, friend," answered Philemon; "and yet I am an old man, as you see. There were always the fields and meadows, just as they are now, and the old trees, and the little stream murmuring through the midst of the valley. My father, nor his father before him, ever saw it otherwise, so far as I know; and doubtless it will still be the same when old Philemon shall be gone and forgotten!"
"That is more than can be safely foretold," observed the stranger; and there was something very stern in his deep voice. He shook his head, too, so that his dark and heavy curls were shaken with the movement. "Since the inhabitants of yonder village have forgotten the affections and sympathies of their nature, it were better that the lake should be rippling over their dwellings again!"
The traveler looked so stern that Philemon was really almost frightened; the more so, that, at his frown, the twilight seemed suddenly to grow darker, and that, when he shook his head, there was a roll as of thunder in the air.
But, in a moment afterwards, the stranger's face became so kindly and mild that the old man quite forgot his terror. Nevertheless, he could not help feeling that this elder traveler must be no ordinary personage, although he happened now to be attired so humbly, and to be journeying on foot. Not that Philemon fancied him a prince in disguise, or any character of that sort; but rather some exceedingly wise man, who went about the world in this poor garb, despising wealth and all worldly objects, and seeking everywhere to add a mite to his wisdom. This idea appeared the more probable, because, when Philemon raised his eyes to the stranger's face, he seemed to see more thought there, in one look, than he could have studied out in a lifetime.
While Baucis was getting the supper, the travelers both began to talk very sociably with Philemon. The younger, indeed, was extremely loquacious, and made such shrewd and witty remarks, that the good old man continually burst out a-laughing, and pronounced him the merriest fellow whom he had seen for many a day.
"Pray, my young friend," said he, as they grew familiar together, "what may I call your name?"
"Why, I am very nimble, as you see," answered the traveler. "So, if you call me Quicksilver, the name will fit tolerably well."
"Quicksilver? Quicksilver!" repeated Philemon, looking in the traveler's face, to see if he were making fun of him. "It is a very odd name! And your companion there? Has he as strange a one?"
"You must ask the thunder to tell you it!" replied Quicksilver, putting on a mysterious look. "No other voice is loud enough."
This remark, whether it were serious or in jest, might have caused Philemon to conceive a very great awe of the elder stranger, if, on venturing to gaze at him, he had not beheld so much beneficence in his visage. But, undoubtedly, here was the grandest figure that ever sat so humbly beside a cottage door. When the stranger conversed, it was with gravity, and in such a way that Philemon felt irresistibly moved to tell him everything which he had most at heart. This is always the feeling that people have, when they meet with any one wise enough to comprehend all their good and evil, and to despise not a tittle of it.
But Philemon, simple and kind-hearted old man that he was, had not many secrets to disclose. He talked, however, quite garrulously, about the events of his past life, in the whole course of which he had never been a score of miles from this very spot. His wife Baucis and himself had dwelt in the cottage from their youth upward, earning their bread by honest labor, always poor, but still contented. He told what excellent butter and cheese Baucis made and how nice were the vegetables which he raised in his garden. He said, too, that, because they loved one another so very much, it was the wish of both that death might not separate them, but that they should die, as they had lived, together.
As the stranger listened, a smile beamed over his countenance, and made its expression as sweet as it was grand.
"You are a good old man," said he to Philemon, "and you have a good old wife to be your helpmeet. It is fit that your wish be granted."
And it seemed to Philemon, just then, as if the sunset clouds threw up a bright flash from the west, and kindled a sudden light in the sky.
Baucis had now got supper ready, and coming to the door, began to make apologies for the poor fare which she was forced to set before her guests.
"Had we known you were coming," said she, "my good man and myself would have gone without a morsel, rather than you should lack a better supper. But I took the most part of to-day's milk to make cheese; and our last loaf is already half eaten. Ah me! I never feel the sorrow of being poor, save when a poor traveler knocks at our door."
"All will be very well; do not trouble yourself, my good dame," replied the elder stranger, kindly. "An honest hearty welcome to a guest works miracles with the fare, and is capable of turning the coarsest food to nectar and ambrosia."
"A welcome you shall have," cried Baucis, "and likewise a little honey that we happen to have left, and a bunch of purple grapes besides."
"Why, Mother Baucis, it is a feast!" exclaimed Quicksilver, laughing, "an absolute feast! And you shall see how bravely I will play my part at it! I think I never felt hungrier in my life."
"Mercy on us!" whispered Baucis to her husband. "If the young man has such a terrible appetite, I am afraid there will not be half enough supper!"
They all went into the cottage.
And now, my little auditors, shall I tell you something that will make you open your eyes very wide? It is really one of the oddest circumstances in the whole story. Quicksilver's staff, you recollect, had set itself up against the wall of the cottage. Well, when its master entered the door, leaving this wonderful staff behind, what should it do but immediately spread its little wings, and go hopping and fluttering up the doorsteps! Tap, tap, went the staff, on the kitchen floor; nor did it rest until it had stood itself on end, with the greatest gravity and decorum, beside Quicksilver's chair. Old Philemon, however, as well as his wife, was so taken up in attending to their guests, that no notice was given to what the staff had been about.
As Baucis had said, there was but a scanty supper for two hungry travelers. In the middle of the table was the remnant of a brown loaf, with a piece of cheese on one side of it, and a dish of honeycomb on the other. There was a pretty good bunch of grapes for each of the guests. A moderately sized earthen pitcher, nearly full of milk, stood at a corner of the board; and when Baucis had filled two bowls, and set them before the strangers, only a little milk remained in the bottom of the pitcher. Alas! it is a very sad business, when a bountiful heart finds itself pinched and squeezed among narrow circumstances. Poor Baucis kept wishing that she might starve for a week to come, if it were possible, by so doing, to provide these hungry folks a more plentiful supper.
And, since the supper was so exceedingly small, she could not help wishing that their appetites had not been quite so large. Why, at their very first sitting down, the travelers both drank off all the milk in their two bowls, at a draught.
"A little more milk, kind Mother Baucis, if you please," said Quicksilver. "The day has been hot, and I am very much athirst."
"Now, my dear people," answered Baucis, in great confusion, "I am so sorry and ashamed! But the truth is, there is hardly a drop more milk in the pitcher. O husband! husband! why didn't we go without our supper?"
"Why, it appears to me," cried Quicksilver, starting up from the table and taking the pitcher by the handle, "it really appears to me that matters are not quite so bad as you represent them. Here is certainly more milk in the pitcher."
So saying, and to the vast astonishment of Baucis, he proceeded to fill, not only his own bowl, but his companion's likewise, from the pitcher, that was supposed to be almost empty. The good woman could scarcely believe her eyes. She had certainly poured out nearly all the milk, and had peeped in afterwards, and seen the bottom of the pitcher, as she set it down upon the table.
"But I am old," thought Baucis to herself, "and apt to be forgetful. I suppose I must have made a mistake. At all events, the pitcher cannot help being empty now, after filling the bowls twice over."
"What excellent milk!" observed Quicksilver, after quaffing the contents of the second bowl. "Excuse me, my kind hostess, but I must really ask you for a little more."
Now Baucis had seen, as plainly as she could see anything, that Quicksilver had turned the pitcher upside down, and consequently had poured out every drop of milk, in filling the last bowl. Of course, there could not possibly be any left. However, in order to let him know precisely how the case was, she lifted the pitcher, and made a gesture as if pouring milk into Quicksilver's bowl, but without the remotest idea that any milk would stream forth. What was her surprise, therefore, when such an abundant cascade fell bubbling into the bowl, that it was immediately filled to the brim, and overflowed upon the table! The two snakes that were twisted about Quicksilver's staff (but neither Baucis nor Philemon happened to observe this circumstance) stretched out their heads, and began to lap up the spilt milk.
And then what a delicious fragrance the milk had! It seemed as if Philemon's only cow must have pastured, that day, on the richest herbage that could be found anywhere in the world. I only wish that each of you, my beloved little souls, could have a bowl of such nice milk at supper-time!
"And now a slice of your brown loaf, Mother Baucis," said Quicksilver, "and a little of that honey!"
Baucis cut him a slice, accordingly; and though the loaf, when she and her husband ate of it, had been rather too dry and crusty to be palatable, it was now as light and moist as if but a few hours out of the oven. Tasting a crumb, which had fallen on the table, she found it more delicious than bread ever was before, and could hardly believe that it was a loaf of her own kneading and baking. Yet, what other loaf could it possibly be?
But, oh, the honey! I may just as well let it alone, without trying to describe how exquisitely it smelt and looked. Its color was that of the purest and most transparent gold; and it had the odor of a thousand flowers; but of such flowers as never grew in an earthly garden, and to seek which the bees must have flown high above the clouds. The wonder is, that, after alighting on a flower-bed of so delicious fragrance and immortal bloom, they should have been content to fly down again to their hive in Philemon's garden. Never was such honey tasted, seen, or smelt. The perfume floated around the kitchen, and made it so delightful, that, had you closed your eyes, you would instantly have forgotten the low ceiling and smoky walls, and have fancied yourself in an arbor, with celestial honeysuckles creeping over it.
Although good Mother Baucis was a simple old dame, she could not but think that there was something rather out of the common way in all that had been going on. So, after helping the guests to bread and honey, and laying a bunch of grapes by each of their plates, she sat down by Philemon, and told him what she had seen, in a whisper.
"Did you ever hear the like?" asked she.
"No, I never did," answered Philemon, with a smile. "And I rather think, my dear old wife, you have been walking about in a sort of a dream. If I had poured out the milk, I should have seen through the business at once. There happened to be a little more in the pitcher than you thought,—that is all."
"Ah, husband," said Baucis, "say what you will, these are very uncommon people."
"Well, well," replied Philemon, still smiling, "perhaps they are. They certainly do look as if they had seen better days; and I am heartily glad to see them making so comfortable a supper."
Each of the guests had now taken his bunch of grapes upon his plate. Baucis (who rubbed her eyes, in order to see the more clearly) was of opinion that the clusters had grown larger and richer, and that each separate grape seemed to be on the point of bursting with ripe juice. It was entirely a mystery to her how such grapes could ever have been produced from the old stunted vine that climbed against the cottage wall.
"Very admirable grapes, these!" observed Quicksilver, as he swallowed one after another, without apparently diminishing his cluster. "Pray, my good host, whence did you gather them?"
"From my own vine," answered Philemon. "You may see one of its branches twisting across the window, yonder. But wife and I never thought the grapes very fine ones."
"I never tasted better," said the guest. "Another cup of this delicious milk, if you please, and I shall then have supped better than a prince."
This time, old Philemon bestirred himself, and took up the pitcher; for he was curious to discover whether there was any reality in the marvels which Baucis had whispered to him. He knew that his good old wife was incapable of falsehood, and that she was seldom mistaken in what she supposed to be true; but this was so very singular a case that he wanted to see into it with his own eyes. On taking up the pitcher, therefore, he slyly peeped into it, and was fully satisfied that it contained not so much as a single drop. All at once, however, he beheld a little white fountain, which gushed up from the bottom of the pitcher, and speedily filled it to the brim with foaming and deliciously fragrant milk. It was lucky that Philemon, in his surprise, did not drop the miraculous pitcher from his hand.
"Who are ye, wonder-working strangers?" cried he, even more bewildered than his wife had been.
"Your guests, my good Philemon, and your friends," replied the elder traveler, in his mild, deep voice, that had something at once sweet and awe-inspiring in it. "Give me likewise a cup of the milk; and may your pitcher never be empty for kind Baucis and yourself, any more than for the needy wayfarer!"
The supper being now over, the strangers requested to be shown to their place of repose. The old people would gladly have talked with them a little longer, and have expressed the wonder which they felt, and their delight at finding the poor and meager supper prove so much better and more abundant than they hoped. But the elder traveler had inspired them with such reverence that they dared not ask him any questions. And when Philemon drew Quicksilver aside, and inquired how under the sun a fountain of milk could have got into an old earthen pitcher, this latter personage pointed to his staff.
"There is the whole mystery of the affair," quoth Quicksilver; "and if you can make it out, I'll thank you to let me know. I can't tell what to make of my staff. It is always playing such odd tricks as this; sometimes getting me a supper, and quite as often stealing it away. If I had any faith in such nonsense, I should say the stick was bewitched!"
He said no more, but looked so slyly in their faces, that they rather fancied he was laughing at them. The magic staff went hopping at his heels, as Quicksilver quitted the room. When left alone, the good old couple spent some little time in conversation about the events of the evening, and then lay down on the floor, and fell fast asleep. They had given up their sleeping-room to the guests, and had no other bed for themselves, save these planks, which I wish had been as soft as their own hearts.
The old man and his wife were stirring, betimes, in the morning, and the strangers likewise arose with the sun, and made their preparations to depart. Philemon hospitably entreated them to remain a little longer, until Baucis could milk the cow, and bake a cake upon the hearth, and, perhaps, find them a few fresh eggs, for breakfast. The guests, however, seemed to think it better to accomplish a good part of their journey before the heat of the day should come on. They, therefore, persisted in setting out immediately, but asked Philemon and Baucis to walk forth with them a short distance, and show them the road which they were to take.
So they all four issued from the cottage, chatting together like old friends. It was very remarkable, indeed, how familiar the old couple insensibly grew with the elder traveler, and how their good and simple spirits melted into his, even as two drops of water would melt into the illimitable ocean. And as for Quicksilver, with his keen, quick, laughing wits, he appeared to discover every little thought that but peeped into their minds, before they suspected it themselves. They sometimes wished, it is true, that he had not been quite so quick-witted, and also that he would fling away his staff, which looked so mysteriously mischievous, with the snakes always writhing about it. But then, again, Quicksilver showed himself so very good-humored, that they would have been rejoiced to keep him in their cottage, staff, snakes, and all, every day, and the whole day long.
"Ah, me! Well-a-day!" exclaimed Philemon, when they had walked a little way from their door. "If our neighbors only knew what a blessed thing it is to show hospitality to strangers, they would tie up all their dogs, and never allow their children to fling another stone."
"It is a sin and shame for them to behave so,—that it is!" cried good old Baucis, vehemently. "And I mean to go this very day and tell some of them what naughty people they are!"
"I fear," remarked Quicksilver, slyly smiling, "that you will find none of them at home."
The elder traveler's brow, just then, assumed such a grave, stern, and awful grandeur, yet serene withal, that neither Baucis nor Philemon dared to speak a word. They gazed reverently into his face, as if they had been gazing at the sky.
"When men do not feel towards the humblest stranger as if he were a brother," said the traveler, in tones so deep they sounded like those of an organ, "they are unworthy to exist on earth, which was created as the abode of a great human brotherhood!"
"And, by the by, my dear old people," cried Quicksilver, with the liveliest look of fun and mischief in his eyes, "where is this same village that you talk about? On which side of us does it lie? Methinks I do not see it hereabouts."
Philemon and his wife turned towards the valley, where, at sunset, only the day before, they had seen the meadows, the houses, the gardens, the clumps of trees, the wide, green-margined street, with children playing in it, and all the tokens of business, enjoyment, and prosperity. But what was their astonishment! There was no longer any appearance of a village! Even the fertile vale, in the hollow of which it lay, had ceased to have existence. In its stead, they beheld the broad, blue surface of a lake, which filled the great basin of the valley from brim to brim, and reflected the surrounding hills in its bosom, with as tranquil an image as if it had been there ever since the creation of the world. For an instant, the lake remained perfectly smooth. Then, a little breeze sprang up, and caused the water to dance, glitter, and sparkle in the early sunbeams, and to dash, with a pleasant rippling murmur, against the hither shore.
The lake seemed so strangely familiar, that the old couple were greatly perplexed, and felt as if they could only have been dreaming about a village having lain there. But, the next moment, they remembered the vanished dwellings, and the faces and characters of the inhabitants, far too distinctly for a dream. The village had been there yesterday, and now was gone!
"Alas!" cried these kind-hearted old people, "what has become of our poor neighbors!"
"They exist no longer as men and women," said the elder traveler, in his grand and deep voice, while a roll of thunder seemed to echo it at a distance. "There was neither use nor beauty in such a life as theirs; for they never softened or sweetened the hard lot of mortality by the exercise of kindly affections between man and man. They retained no image of the better life in their bosoms: therefore, the lake, that was of old, has spread itself forth again, to reflect the sky!"
"And as for those foolish people," said Quicksilver, with his mischievous smile, "they are all transformed to fishes. There needed but little change, for they were already a scaly set of rascals, and the coldest-blooded beings in existence. So, kind Mother Baucis, whenever you or your husband have an appetite for a dish of broiled trout, he can throw in a line, and pull out half a dozen of your old neighbors!"
"Ah," cried Baucis, shuddering, "I would not, for the world, put one of them on the gridiron!"
"No," added Philemon, making a wry face, "we could never relish them!"
"As for you, good Philemon," continued the elder traveler,—"and you, kind Baucis,—you, with your scanty means, have mingled so much heartfelt hospitality with your entertainment of the homeless stranger, that the milk became an inexhaustible fount of nectar, and the brown loaf and the honey were ambrosia. Thus, the divinities have feasted, at your board, off the same viands that supply their banquets on Olympus. You have done well, my dear old friends. Wherefore, request whatever favor you have most at heart, and it is granted."
Philemon and Baucis looked at one another, and then,—I know not which of the two it was who spoke, but that one uttered the desire of both their hearts.
"Let us live together, while we live, and leave the world at the same instant, when we die! For we have always loved one another!"
"Be it so!" replied the stranger, with majestic kindness. "Now, look towards your cottage!"
They did so. But what was their surprise on beholding a tall edifice of white marble, with a wide-open portal, occupying the spot where their humble residence had so lately stood!
"There is your home," said the stranger, beneficently smiling on them both. "Exercise your hospitality in yonder palace as freely as in the poor hovel to which you welcomed us last evening."
The old folks fell on their knees to thank him; but, behold! neither he nor Quicksilver was there.
So Philemon and Baucis took up their residence in the marble palace, and spent their time, with vast satisfaction to themselves, in making everybody jolly and comfortable who happened to pass that way. The milk-pitcher, I must not forget to say, retained its marvelous quality of being never empty, when it was desirable to have it full. Whenever an honest, good-humored, and free-hearted guest took a draught from this pitcher, he invariably found it the sweetest and most invigorating fluid that ever ran down his throat. But, if a cross and disagreeable curmudgeon happened to sip, he was pretty certain to twist his visage into a hard knot, and pronounce it a pitcher of sour milk!
Thus the old couple lived in their palace a great, great while, and grew older and older, and very old indeed. At length, however, there came a summer morning when Philemon and Baucis failed to make their appearance, as on other mornings, with one hospitable smile overspreading both their pleasant faces, to invite the guests of over-night to breakfast. The guests searched everywhere, from top to bottom of the spacious palace, and all to no purpose. But, after a great deal of perplexity, they espied, in front of the portal, two venerable trees, which nobody could remember to have seen there the day before. Yet there they stood, with their roots fastened deep into the soil, and a huge breadth of foliage overshadowing the whole front of the edifice. One was an oak, and the other a linden-tree. Their boughs—it was strange and beautiful to see—were intertwined together, and embraced one another, so that each tree seemed to live in the other's bosom, much more than in its own.
While the guests were marveling how these trees, that must have required at least a century to grow, could have come to be so tall and venerable in a single night, a breeze sprang up, and set their intermingled boughs astir. And then there was a deep, broad murmur in the air, as if the two mysterious trees were speaking.
"I am old Philemon!" murmured the oak.
"I am old Baucis!" murmured the linden-tree.
But, as the breeze grew stronger, the trees both spoke at once,—"Philemon! Baucis! Baucis! Philemon!"—as if one were both and both were one, and talking together in the depths of their mutual heart. It was plain enough to perceive that the good old couple had renewed their age, and were now to spend a quiet and delightful hundred years or so, Philemon as an oak, and Baucis as a linden-tree. And oh, what a hospitable shade did they fling around them! Whenever a wayfarer paused beneath it, he heard a pleasant whisper of the leaves above his head, and wondered how the sound should so much resemble words like these:—
"Welcome, welcome, dear traveler, welcome!"
And some kind soul, that knew what would have pleased old Baucis and old Philemon best, built a circular seat around both their trunks, where, for a great while afterwards, the weary, and the hungry, and the thirsty used to repose themselves, and quaff milk abundantly out of the miraculous pitcher.
And I wish, for all our sakes, that we had the pitcher here now!
258
One of the very satisfactory attempts to retell the classic myths for young readers is to be found in Gods and Heroes by R. E. Francillon. The stories are brought together into a "single saga, free from inconsistencies and contradictions." This gives the book all the charm of a single story made of many dramatic episodes. Francillon's version of the familiar tale of Narcissus and Echo follows by permission of the publishers. (Copyright. Ginn & Co., Boston.)
THE NARCISSUS
R. E. FRANCILLON
There was a very beautiful nymph named Echo, who had never, in all her life, seen anybody handsomer than the god Pan. You have read that Pan was the chief of all the Satyrs, and what hideous monsters the Satyrs were. So, when Pan made love to her, she very naturally kept him at a distance: and, as she supposed him to be no worse-looking than the rest of the world, she made up her mind to have nothing to do with love or lovemaking, and was quite content to ramble about the woods all alone.
But one day, to her surprise, she happened to meet with a young man who was as different from Pan as any creature could be. Instead of having a goat's legs and long hairy arms, he was as graceful as Apollo himself: no horns grew out of his forehead, and his ears were not long, pointed, and covered with hair, but just like Echo's own. And he was just as beautiful in face as he was graceful in form. I doubt if Echo would have thought even Apollo himself so beautiful.
The nymphs were rather shy, and Echo was the very shyest of them all. But she admired him so much she could not leave the spot, and at last she even plucked up courage enough to ask him, "What is the name of the most beautiful being in the whole world?"
"Whom do you mean?" asked he. "Yourself? If you want to know your own name, you can tell it better than I can."
"No," said Echo, "I don't mean myself. I mean you. What is your name?"
"My name is Narcissus," said he. "But as for my being beautiful—that is absurd."
"Narcissus!" repeated Echo to herself. "It is a beautiful name. Which of the nymphs have you come to meet here in these woods all alone? She is lucky—whoever she may be."
"I have come to meet nobody," said Narcissus. "But—am I really so beautiful? I have often been told so by other girls, of course; but really it is more than I can quite believe."
"And you don't care for any of those girls?"
"Why, you see," said Narcissus, "when all the girls one knows call one beautiful, there's no reason why I should care for one more than another. They all seem alike when they are all always saying just the same thing. Ah! I do wish I could see myself, so that I could tell if it was really true. I would marry the girl who could give me the wish of my heart—to see myself as other people see me. But as nobody can make me do that, why, I suppose I shall get on very well without marrying anybody at all."
Looking-glasses had not been invented in those days, so that Narcissus had really never seen even so much of himself as his chin.
"What!" cried Echo, full of hope and joy; "if I make you see your own face, you will marry me?"
"I said so," said he. "And of course what I say I'll do, I'll do."
"Then—come with me!"
Echo took him by the hand and led him to the edge of a little lake in the middle of the wood, full of clear water.
"Kneel down, Narcissus," said she, "and bend your eyes over the waterside. That lake is the mirror where Diana comes every morning to dress her hair, and in which, every night, the moon and the stars behold themselves. Look into that water, and see what manner of man you are!"
Narcissus kneeled down and looked into the lake. And, better than in any common looking-glass, he saw the reflected image of his own face—and he looked, and looked, and could not take his eyes away.
But Echo at last grew tired of waiting. "Have you forgotten what you promised me?" asked she. "Are you content now? Do you see now that what I told you is true?"
He lifted his eyes at last. "Oh, beautiful creature that I am!" said he. "I am indeed the most divine creature in the whole wide world. I love myself madly. Go away. I want to be with my beautiful image, with myself, all alone. I can't marry you. I shall never love anybody but myself for the rest of my days." And he kneeled down and gazed at himself once more, while poor Echo had to go weeping away.
Narcissus had spoken truly. He loved himself and his own face so much that he could think of nothing else: he spent all his days and nights by the lake, and never took his eyes away. But unluckily his image, which was only a shadow in the water, could not love him back again. And so he pined away until he died. And when his friends came to look for his body, they found nothing but a flower, into which his soul had turned. So they called it the Narcissus, and we call it so still. And yet I don't know that it is a particularly conceited or selfish flower.
As for poor Echo, she pined away too. She faded and faded until nothing was left of her but her voice. There are many places where she can even now be heard. And she still has the same trick of saying to vain and foolish people whatever they say to themselves, or whatever they would like best to hear said to them. If you go where Echo is, and call out loudly, "I am beautiful!"—she will echo your very words.
259
"The Apple of Discord" is also taken, by permission of the publishers, from Francillon's Gods and Heroes. It is the story of how the world's first great war was brought about. Teachers who wish to use some of the stories from Homer's Iliad might well follow this story with some selected episodes from that work. The prose translation of the Iliad by Lang, Leaf, and Myers is the most satisfactory. Of versions adapted for children, Church's Story of the Iliad has long been a favorite.
THE APPLE OF DISCORD
Never was such a wedding-feast known as that of Peleus and Thetis. And no wonder; for Peleus was King of Thessaly, and Thetis was a goddess—the goddess who keeps the gates of the West, and throws them open for the chariot of the Sun to pass through when its day's journey is done.
Not only all the neighboring kings and queens came to the feast, but the gods and goddesses besides, bringing splendid presents to the bride and bridegroom. Only one goddess was not there, because she had not been invited; and she had not been invited for the best of all reasons. Her name was Ate, which means Mischief; and wherever she went she caused quarreling and confusion. Jupiter had turned her out of heaven for setting even the gods by the ears; and ever since then she had been wandering about the earth, making mischief, for they would not have her even in Hades.
"So they won't have Me at their feast!" she said to herself, when she heard the sound of the merriment to which she had not been bidden. "Very well; they shall be sorry. I see a way to make a bigger piece of mischief than ever was known."
So she took a golden apple, wrote some words upon it, and, keeping herself out of sight, threw it into the very middle of the feasters, just when they were most merry.
Nobody saw where the apple came from; but of course they supposed it had been thrown among them for frolic; and one of the guests, taking it up, read aloud the words written on it. The words were:
"FOR THE MOST BEAUTIFUL!"
—nothing more.
"What a handsome present somebody has sent me!" said Juno, holding out her hand for the apple.
"Sent you?" asked Diana. "What an odd mistake, to be sure! Don't you see it is for the most beautiful? I will thank you to hand me what is so clearly intended for Me."
"You seem to forget I am present!" said Vesta, making a snatch at the apple.
"Not at all!" said Ceres; "only I happen to be here, too. And who doubts that where I am there is the most beautiful?"
"Except where I am," said Proserpine.
"What folly is all this!" said Minerva, the wise. "Wisdom is the only true beauty; and everybody knows that I am the wisest of you all."
"But it's for the most beautiful!" said Venus. "The idea of its being for anybody but Me!"
Then every nymph and goddess present, and even every woman, put in her claim, until from claiming and disputing it grew to arguing and wrangling and downright quarreling: insults flew about, until the merriment grew into an angry din, the like of which had never been heard. But as it became clear that it was impossible for everybody to be the most beautiful, the claimants gradually settled down into three parties—some taking the side of Venus, others of Juno, others of Minerva.
"We shall never settle it among ourselves," said one, when all were fairly out of breath with quarreling. "Let the gods decide."
For the gods had been silent all the while; and now they looked at one another in dismay at such an appeal. Jupiter, in his heart, thought Venus the most beautiful; but how could he dare decide against either his wife Juno or his daughter Minerva? Neptune hated Minerva on account of their old quarrel; but it was awkward to choose between his daughter Venus and his sister Juno, of whose temper he, as well as Jupiter, stood in awe. Mars was ready enough to vote for Venus; but then he was afraid of a scandal. And so with all the gods—not one was bold enough to decide on such a terrible question as the beauty of three rival goddesses who were ready to tear out each other's eyes. For Juno was looking like a thundercloud, and Minerva like lightning, and Venus like a smiling but treacherous sea.
"I have it," said Jupiter at last. "Men are better judges of beauty than the gods are, who never see anything but its perfection. King Priam of Troy has a son named Paris, whose judgment as a critic I would take even before my own. I propose that you, Juno, and you, Minerva, and you, Venus, shall go together before Paris and submit yourselves to his decision, whatever it may be."
And so it was settled, for each of the three goddesses was equally sure that, whoever the judge might be, the golden apple was safe to be hers. The quarrel came to an end, and the feast ended pleasantly; but Ate, who had been watching and listening, laughed in her sleeve.
Troy, where King Priam reigned, was a great and ancient city on the shore of Asia: it was a sacred city, whose walls had been built by Neptune, and it possessed the Palladium, the image of Minerva, which kept it from all harm. Priam—who had been the friend of Hercules—and his wife Hecuba had many sons and daughters, all brave and noble princes and beautiful princesses; and of his sons, while the bravest and noblest was his first-born, Hector, the handsomest and most amiable was Paris, whom Jupiter had appointed to be the judge of beauty.
Paris, unlike his brothers, cared nothing for affairs of State, but lived as a shepherd upon Mount Ida with his wife Oenone, a nymph of that mountain, in perfect happiness and peace, loved and honored by the whole country round, which had given him the name of "Alexander," which means "The Helper." One would think that if anybody was safe from the mischief of Ate, it was he.
But one day, while he was watching his flocks and thinking of Oenone, there came to him what he took for three beautiful women—the most beautiful he had ever seen. Yet something told him they were more than mere women, or even than Oreads, before the tallest said—
"There is debate in Olympus which is the most beautiful of us three, and Jupiter has appointed you to be the judge between us. I am Juno, the queen of gods and men, and if you decide for me, I will make you king of the whole world."
"And I," said the second, "am Minerva, and you shall know everything in the whole universe if you decide for me."
"But I," said the third, "am Venus, who can give neither wisdom nor power; but if you decide for me, I will give you the love of the most beautiful woman that ever was or ever will be born."
Paris looked from one to the other, wondering to which he should award the golden apple, the prize of beauty. He did not care for power; he would be quite content to rule his sheep, and even that was not always easy. Nor did he care for wisdom or knowledge: he had enough for all his needs. Nor ought he to have desired any love but Oenone's. But then Venus was really the most beautiful of all the goddesses—the very goddess of beauty; no mortal could refuse anything she asked him, so great was her charm. So he took the apple and placed it in the hands of Venus without a word, while Juno and Minerva departed in a state of wrath with Paris, Venus, and each other, which made Ate laugh to herself more than ever.
Now the most beautiful woman in the whole world was Helen, step-daughter of King Tyndarus of Sparta, and sister of Castor and Pollux: neither before her nor after her has there been any to compare with her for beauty. Thirty-one of the noblest princes in Greece came to her father's Court at the same time to seek her in marriage, so that Tyndarus knew not what to do, seeing that, whomsoever he chose for his son-in-law, he would make thirty powerful enemies. The most famous among them were Ulysses, King of the island of Ithaca; Diomed, King of Aetolia; Ajax, King of Salamis, the bravest and strongest man in Greece; his brother Teucer; Philoctetes, the friend of Hercules; and Menelaus, King of Sparta. At last, as there was no other way of deciding among them, an entirely new idea occurred to Ulysses—namely, that Helen should be allowed to choose her own husband herself, and that, before she chose, all the rival suitors should make a great and solemn oath to approve her choice, and to defend her and her husband against all enemies thenceforth and forever. This oath they all took loyally and with one accord, and Helen chose Menelaus, King of Sparta, who married her with great rejoicing, and took her away to his kingdom.
And all would have gone well but for that wretched apple. For Venus was faithful to her promise that the most beautiful of all women should be the wife of Paris: and so Menelaus, returning from a journey, found that a Trojan prince had visited his Court during his absence, and had gone away, taking Helen with him to Troy. This Trojan prince was Paris, who, seeing Helen, had forgotten Oenone, and could think of nothing but her whom Venus had given him.
Then, through all Greece and all the islands, went forth the summons of King Menelaus, reminding the thirty princes of their great oath: and each and all of them, and many more, came to the gathering-place with all their ships and all their men, to help Menelaus and to bring back Helen. Such a host as gathered together at Aulis had never been seen since the world began; there were nearly twelve hundred ships and more than a hundred thousand men: it was the first time that all the Greeks joined together in one cause. There, besides those who had come for their oath's sake, were Nestor, the old King of Pylos—so old that he remembered Jason and the Golden Fleece, but, at ninety years old, as ready for battle as the youngest there; and Achilles, the son of Peleus and Thetis, scarcely more than a boy, but fated to outdo the deeds of the bravest of them all. The kings and princes elected Agamemnon, King of Mycenae and Argos, and brother of Menelaus, to be their general-in-chief; and he forthwith sent a herald to Troy to demand the surrender of Helen.
But King Priam was indignant that these chiefs of petty kingdoms should dare to threaten the sacred city of Troy: and he replied to the demand by a scornful challenge, and by sending out his summons also to his friends and allies. And it was as well answered as that of Menelaus had been. There came to his standard Rhesus, with a great army from Thrace; and Sarpedon, the greatest king in all Asia; and Memnon, king of Aethiopia, with twenty thousand men—the hundred thousand Greeks were not so many as the army of Priam. Then Agamemnon gave the order to sail for Troy: and Ate laughed aloud, for her apple had brought upon mankind the First Great War.
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The little book of
Old Greek Folk Stories, by Josephine P. Peabody, is especially valuable, not only for its fine versions of many of
the more interesting myths, but because it supplements the dozen retold by Hawthorne in his Wonder-Book and Tanglewood Tales. The two stories that follow are taken from that book and are used by permission of and by special arrangement with the publishers. (Copyright: Houghton Mifflin Co., Boston.) It is worth noticing that the idea of being able to fly through the air successfully is found in a very remote past, and that Daedalus discarded his invention because of the tragedy related below. Only a few years since, most people looked upon one who tried to work out practically the problem of flying as somewhat "short" mentally. Hence the use of such efforts for comic effect as in "Darius Green and His Flying Machine" (No. 375).
ICARUS AND DAEDALUS
JOSEPHINE PRESTON PEABODY
Among all those mortals who grew so wise that they learned the secrets of the gods, none was more cunning than Daedalus.
He once built, for King Minos of Crete, a wonderful Labyrinth of winding ways so cunningly tangled up and twisted around that, once inside, you could never find your way out again without a magic clue. But the king's favor veered with the wind, and one day he had his master architect imprisoned in a tower. Daedalus managed to escape from his cell; but it seemed impossible to leave the island, since every ship that came or went was well guarded by order of the king.
At length, watching the sea gulls in the air,—the only creatures that were sure of liberty,—he thought of a plan for himself and his young son Icarus, who was captive with him.
Little by little, he gathered a store of feathers great and small. He fastened these together with thread, moulded them in with wax, and so fashioned two great wings like those of a bird. When they were done, Daedalus fitted them to his own shoulders, and after one or two efforts, he found that by waving his arms he could winnow the air and cleave it, as a swimmer does the sea. He held himself aloft, wavered this way and that with the wind, and at last, like a great fledgling, he learned to fly.
Without delay, he fell to work on a pair of wings for the boy Icarus, and taught him carefully how to use them, bidding him beware of rash adventures among the stars. "Remember," said the father, "never to fly very low or very high, for the fogs about the earth would weigh you down, but the blaze of the sun will surely melt your feathers apart if you go too near."
For Icarus, these cautions went in at one ear and out by the other. Who could remember to be careful when he was to fly for the first time? Are birds careful? Not they! And not an idea remained in the boy's head but the one joy of escape.
The day came, and the fair wind that was to set them free. The father bird put on his wings, and, while the light urged them to be gone, he waited to see that all was well with Icarus, for the two could not fly hand in hand. Up they rose, the boy after his father. The hateful ground of Crete sank beneath them; and the country folk, who caught a glimpse of them when they were high above the tree-tops, took it for a vision of the gods,—Apollo, perhaps, with Cupid after him.
At first there was a terror in the joy. The wide vacancy of the air dazed them,—a glance downward made their brains reel. But when a great wind filled their wings, and Icarus felt himself sustained, like a halcyon-bird in the hollow of a wave, like a child uplifted by his mother, he forgot everything in the world but joy. He forgot Crete and the other islands that he had passed over: he saw but vaguely that winged thing in the distance before him that was his father Daedalus. He longed for one draught of flight to quench the thirst of his captivity: he stretched out his arms to the sky and made towards the highest heavens.
Alas for him! Warmer and warmer grew the air. Those arms, that had seemed to uphold him, relaxed. His wings wavered, drooped. He fluttered his young hands vainly,—he was falling,—and in that terror he remembered. The heat of the sun had melted the wax from his wings; the feathers were falling, one by one, like snowflakes; and there was none to help.
He fell like a leaf tossed down the wind, down, down, with one cry that overtook Daedalus far away. When he returned, and sought high and low for the poor boy, he saw nothing but the bird-like feathers afloat on the water, and he knew that Icarus was drowned.
The nearest island he named Icaria, in memory of the child; but he, in heavy grief, went to the temple of Apollo in Sicily, and there hung up his wings as an offering. Never again did he attempt to fly.
261
This story of how Apollo, god of music and poetry, was sent to earth for a space to serve a mortal is also from
Old Greek Folk Stories, by arrangement with the publishers. (Houghton Mifflin Co., Boston.) James Russell Lowell wrote a very fine poetic treatment of this same story in "The Shepherd of King Admetus" (No.
373).
ADMETUS AND THE SHEPHERD
JOSEPHINE PRESTON PEABODY
Apollo did not live always free of care, though he was the most glorious of the gods. One day, in anger with the Cyclopes who work at the forges of Vulcan, he sent his arrows after them, to the wrath of all the gods, but especially of Zeus. (For the Cyclopes always make his thunderbolts, and make them well.) Even the divine archer could not go unpunished, and as a penalty he was sent to serve some mortal for a year. Some say one year and some say nine, but in those days time passed quickly; and as for the gods, they took no heed of it.
Now there was a certain king in Thessaly, Admetus by name, and there came to him one day a stranger, who asked leave to serve about the palace. None knew his name, but he was very comely, and moreover, when they questioned him he said that he had come from a position of high trust. So without further delay they made him chief shepherd of the royal flocks.
Every day thereafter, he drove his sheep to the banks of the river Amphrysus, and there he sat to watch them browse. The country folk that passed drew near to wonder at him, without daring to ask questions. He seemed to have a knowledge of leech-craft, and knew how to cure the ills of any wayfarer with any weed that grew near by; and he would pipe for hours in the sun. A simple-spoken man he was, yet he seemed to know much more than he would say, and he smiled with a kindly mirth when the people wished him sunny weather.
Indeed, as days went by, it seemed as if summer had come to stay, and, like the shepherd, found the place friendly. Nowhere else were the flocks so white and fair to see, like clouds loitering along a bright sky; and sometimes, when he chose, their keeper sang to them. Then the grasshoppers drew near and the swans sailed close to the river banks, and the countrymen gathered about to hear wonderful tales of the slaying of the monster Python, and of a king with ass's ears, and of a lovely maiden, Daphne, who grew into a laurel-tree. In time the rumor of these things drew the king himself to listen; and Admetus, who had been to see the world in the ship Argo, knew at once that this was no earthly shepherd, but a god. From that day, like a true king, he treated his guest with reverence and friendliness, asking no questions; and the god was well pleased.
Now it came to pass that Admetus fell in love with a beautiful maiden, Alcestis, and, because of the strange condition that her father Pelias had laid upon all suitors, he was heavy-hearted. Only that man who should come to woo her in a chariot drawn by a wild boar and a lion might ever marry Alcestis; and this task was enough to puzzle even a king.
As for the shepherd, when he heard of it he rose, one fine morning, and left the sheep and went his way,—no one knew whither. If the sun had gone out, the people could not have been more dismayed. The king himself went, late in the day, to walk by the river Amphrysus, and wonder if his gracious keeper of the flocks had deserted him in a time of need. But at that very moment, whom should he see returning from the woods but the shepherd, glorious as sunset, and leading side by side a lion and a boar, as gentle as two sheep! The very next morning, with joy and gratitude, Admetus set out in his chariot for the kingdom of Pelias, and there he wooed and won Alcestis, the most loving wife that was ever heard of.
It was well for Admetus that he came home with such a comrade, for the year was at an end, and he was to lose his shepherd. The strange man came to take leave of the king and queen whom he had befriended.
"Blessed be your flocks, Admetus," he said, smiling. "They shall prosper even though I leave them. And, because you can discern the gods that come to you in the guise of wayfarers, happiness shall never go far from your home, but ever return to be your guest. No man may live on earth forever, but this one gift have I obtained for you. When your last hour draws near, if any one shall be willing to meet it in your stead, he shall die, and you shall live on, more than the mortal length of days. Such kings deserve long life."
So ended the happy year when Apollo tended sheep.
262
This version of the Midas story is taken from Bulfinch's Age of Fable, which is still one of the most valuable and interesting handbooks in its field. One who wishes simply good versions of the old myths without any of the apparatus of scholarship will find Bulfinch excellent. It serves well for younger or general readers who would be worried by references or interpretations. Hawthorne's version of this favorite myth may be found in his Wonder-Book as "The Golden Touch."
MIDAS
Bacchus, on a certain occasion, found his old schoolmaster and foster-father, Silenus, missing. The old man had been drinking, and in that state had wandered away, and was found by some peasants, who carried him to their king, Midas. Midas recognized him and treated him hospitably, entertaining him for ten days and nights with an unceasing round of jollity. On the eleventh day he brought Silenus back, and restored him in safety to his pupil. Whereupon Bacchus offered Midas his choice of whatever reward he might wish. He asked that whatever he might touch should be changed into gold. Bacchus consented, though sorry that he had not made a better choice.
Midas went his way, rejoicing in his newly acquired power, which he hastened to put to the test. He could scarce believe his eyes when he found that a twig of an oak, which he plucked from the branch, became gold in his hand. He took up a stone—it changed to gold. He touched a sod—it did the same. He took an apple from the tree—you would have thought he had robbed the garden of the Hesperides. His joy knew no bounds, and as soon as he got home, he ordered the servants to set a splendid repast on the table. Then he found to his dismay that whether he touched bread, it hardened in his hand; or put a morsel to his lips, it defied his teeth. He took a glass of wine, but it flowed down his throat like melted gold.
In consternation at the unprecedented affliction, he strove to divest himself of his power; he hated the gift he had lately coveted. But all in vain; starvation seemed to await him. He raised his arms, all shining with gold, in prayer to Bacchus, begging to be delivered from his glittering destruction. Bacchus, merciful deity, heard and consented. "Go," said he, "to the River Pactolus, trace the stream to its fountain-head, there plunge in your head and body and wash away your fault and its punishment." He did so, and scarce had he touched the waters before the gold-creating power passed into them, and the river sands became changed into gold, as they remain to this day.
Thenceforth Midas, hating wealth and splendor, dwelt in the country and became a worshipper of Pan, the god of the fields. On a certain occasion Pan had the temerity to compare his music with that of Apollo, and to challenge the god of the lyre to a trial of skill. The challenge was accepted; and Tmolus, the mountain-god, was chosen umpire. Tmolus took his seat and cleared away the trees from his ears to listen. At a given signal Pan blew on his pipes, and with his rustic melody gave great satisfaction to himself and his faithful follower Midas, who happened to be present. Then Tmolus turned his head toward the sun-god, and all his trees turned with him. Apollo rose, his brow wreathed with Parnassian laurel, while his robe of Tyrian purple swept the ground. In his left hand he held the lyre, and with his right hand struck the strings. Ravished with the harmony, Tmolus at once awarded the victory to the god of the lyre, and all but Midas acquiesced in the judgment. He dissented, and questioned the justice of the award. Apollo would not suffer such a depraved pair of ears any longer to wear the human form, but caused them to increase in length, grow hairy within and without, and to become movable on their roots; in short, to be on the perfect pattern of those of an ass.
Mortified enough was King Midas at this mishap; but he consoled himself with the thought that it was possible to hide his misfortune, which he attempted to do by means of an ample turban or headdress. But his hairdresser of course knew the secret. He was charged not to mention it, and threatened with dire punishment if he presumed to disobey. But he found it too much for his discretion to keep such a secret; so he went out into the meadow, dug a hole in the ground, and stooping down, whispered the story, and covered it up. Before long a thick bed of reeds sprang up in the meadow, and as soon as it had gained its growth, began whispering the story, and has continued to do so, from that day to this, with every breeze which passes over the place.
263
The story of PhaËthon is taken by permission from Gayley's Classic Myths in English Literature and Art. (Copyright. Ginn & Co., Boston.) Gayley is by all odds the one handbook for the whole field of mythology that teachers should always have access to. Based upon the older Bulfinch, it brings the whole subject up to date and reflects all the results of later scholarship on the matters of origins and interpretations. Its bibliographies and extended commentaries make it invaluable. The story of PhaËthon is usually thought of as a warning against presumption, conceit, whim, self-will. It was probably invented in the first place to account for the extremely hot weather of the summer months.
PHAËTHON
CHARLES MILLS GAYLEY
PhaËthon was the son of Apollo and the nymph Clymene. One day Epaphus, the son of Jupiter and Io, scoffed at the idea of PhaËthon's being the son of a god. PhaËthon complained of the insult to his mother Clymene. She sent him to Phoebus to ask for himself whether he had not been truly informed concerning his parentage. Gladly PhaËthon traveled toward the regions of sunrise and gained at last the palace of the sun. He approached his father's presence, but stopped at a distance, for the light was more than he could bear.
Phoebus Apollo, arrayed in purple, sat on a throne that glittered with diamonds. Beside him stood the Day, the Month, the Year, the Hours, and the Seasons. Surrounded by these attendants, the Sun beheld the youth dazzled with the novelty and splendor of the scene, and inquired the purpose of his errand. The youth replied, "Oh, light of the boundless world, Phoebus, my father—if thou dost yield me that name—give me some proof, I beseech thee, by which I may be known as thine!"
He ceased. His father, laying aside the beams that shone around his head, bade him approach, embraced him, owned him for his son, and swore by the river Styx that whatever proof he might ask should be granted. PhaËthon immediately asked to be permitted for one day to drive the chariot of the sun. The father repented of his promise and tried to dissuade the boy by telling him the perils of the undertaking. "None but myself," he said, "may drive the flaming car of day. Not even Jupiter, whose terrible right arm hurls the thunderbolts. The first part of the way is steep and such as the horses when fresh in the morning can hardly climb; the middle is high up in the heavens, whence I myself can scarcely, without alarm, look down and behold the earth and sea stretched beneath me. The last part of the road descends rapidly and requires most careful driving. Tethys, who is waiting to receive me, often trembles for me lest I should fall headlong. Add to this that the heaven is all the time turning round and carrying the stars with it. Couldst thou keep thy course while the sphere revolved beneath thee? The road, also, is through the midst of frightful monsters. Thou must pass by the horns of the Bull, in front of the Archer, and near the Lion's jaws, and where the Scorpion stretches its arms in one direction and the Crab in another. Nor wilt thou find it easy to guide those horses, with their breasts full of fire that they breathe forth from their mouths and nostrils. Beware, my son, lest I be the donor of a fatal gift; recall the request while yet thou canst." He ended; but the youth rejected admonition and held to his demand. So, having resisted as long as he might, Phoebus at last led the way to where stood the lofty chariot.
It was of gold, the gift of Vulcan,—the axle of gold, the pole and wheels of gold, the spokes of silver. Along the seat were rows of chrysolites and diamonds, reflecting the brightness of the sun. While the daring youth gazed in admiration, the early Dawn threw open the purple doors of the east and showed the pathway strewn with roses. The stars withdrew, marshaled by the Daystar, which last of all retired also. The father, when he saw the earth beginning to glow and the Moon preparing to retire, ordered the Hours to harness up the horses. They led forth from the lofty stalls the steeds full fed with ambrosia, and attached the reins. Then the father, smearing the face of his son with a powerful unguent, made him capable of enduring the brightness of the flame. He set the rays on the lad's head, and, with a foreboding sigh, told him to spare the whip and hold tight the reins; not to take the straight road between the five circles, but to turn off to the left; to keep within the limit of the middle zone and avoid the northern and the southern alike; finally, to keep in the well-worn ruts and to drive neither too high nor too low, for the middle course was safest and best.
Forthwith the agile youth sprang into the chariot, stood erect, and grasped the reins with delight, pouring out thanks to his reluctant parent. But the steeds soon perceived that the load they drew was lighter than usual; and as a ship without its accustomed weight, was dashed about as if empty. The horses rushed headlong and left the traveled road. Then, for the first time, the Great and Little Bears were scorched with heat, and would fain, if it were possible, have plunged into the water; and the Serpent which lies coiled round the north pole, torpid and harmless, grew warm, and with warmth felt its rage revive. BoÖtes, they say, fled away, though encumbered with his plow and unused to rapid motion.
When hapless PhaËthon looked down upon the earth, now spreading in vast extent beneath him, he grew pale, and his knees shook with terror. He lost his self-command and knew not whether to draw tight the reins or throw them loose; he forgot the names of the horses. But when he beheld the monstrous forms scattered over the surface of heaven,—the Scorpion extending two great arms, his tail, and his crooked claws over the space of two signs of the zodiac,—when the boy beheld him, reeking with poison and menacing with fangs, his courage failed, and the reins fell from his hands. The horses, unrestrained, went off into unknown regions of the sky in among the stars, hurling the chariot over pathless places, now up in high heaven, now down almost to the earth. The moon saw with astonishment her brother's chariot running beneath her own. The clouds began to smoke. The forest-clad mountains burned,—Athos and Taurus and Tmolus and Oete; Ida, once celebrated for fountains; the Muses' mountain Helicon, and Haemus; Aetna, with fires within and without, and Parnassus, with his two peaks, and Rhodope, forced at last to part with his snowy crown. Her cold climate was no protection to Scythia; Caucasus burned, and Ossa and Pindus, and, greater than both, Olympus,—the Alps high in air, and the Apennines crowned with clouds.
PhaËthon beheld the world on fire and felt the heat intolerable. Then, too, it is said, the people of Aethiopia became black because the blood was called by the heat so suddenly to the surface; and the Libyan desert was dried up to the condition in which it remains to this day. The Nymphs of the fountains, with disheveled hair, mourned their waters, nor were the rivers safe beneath their banks; TanaÏs smoked, and CaÏcus, Xanthus, and Maeander; Babylonian Euphrates and Ganges, Tagus, with golden sands, and Caÿster, where the swans resort. Nile fled away and hid his head in the desert, and there it still remains concealed. Where he used to discharge his waters through seven mouths into the sea, seven dry channels alone remained. The earth cracked open and through the chinks light broke into Tartarus and frightened the king of shadows and his queen. The sea shrank up. Even Nereus and his wife Doris with the NereÏds, their daughters, sought the deepest caves for refuge. Thrice Neptune essayed to raise his head above the surface and thrice was driven back by the heat. Earth, surrounded as she was by waters, yet with head and shoulders bare, screening her face with her hand, looked up to heaven, and with husky voice prayed Jupiter, if it were his will that she should perish by fire, to end her agony at once by his thunderbolts, or else to consider his own Heaven, how both the poles were smoking that sustained his palace, and that all must fall if they were destroyed.
Earth, overcome with heat and thirst, could say no more. Then Jupiter, calling the gods to witness that all was lost unless some speedy remedy were applied, thundered, brandished a lightning bolt in his right hand, launched it against the charioteer, and struck him at the same moment from his seat and from existence. PhaËthon, with his hair on fire, fell headlong, like a shooting star which marks the heavens with its brightness as it falls, and Eridanus, the great river, received him and cooled his burning frame. His sisters, the Heliades, as they lamented his fate, were turned into poplar trees on the banks of the river; and their tears, which continued to flow, became amber as they dropped into the stream. The Italian Naiads reared a tomb for him and inscribed these words upon the stone:
Driver of Phoebus' chariot, PhaËthon,
Struck by Jove's thunder, rests beneath this stone.
He could not rule his father's car of fire,
Yet was it much so nobly to aspire.
The Norse myths originated among peoples who lived in the country which is now Norway, Sweden, Denmark, and Iceland. In these lands of the North, winter is long and dark, and the intense cold is not easily endured; but summer brings sunshine, warmth, and happiness. It is not strange, therefore, that the evil spirits of Norse mythology should be represented as huge frost giants and mountain giants. These giants, or Jotuns, were first formed from the mist that came from fields of ice. They lived in a dreary country called JÖtunheim, and were enemies of the gods, who lived in the bright, beautiful city of Asgard.
To live the life of the old Norse folk required strength and courage, for the little boats in which they went to fish were too small for storm-tossed Arctic seas, and the weapons with which they hunted in the cold, lonely forests were primitive. It is but natural, therefore, that they should have idealized strength and courage and that they should have represented the gods of Asgard as being large, strong, and courageous. Although Thor, the eldest son of Odin, was small in comparison with the giants, we are told in one of the myths that he was a mile in height; also he had great strength and a wonderful hammer, called Mjolmer, with which he always defeated the giants and kept them from Asgard. Thunder was caused by the stroke of Thor's hammer; hence Thor was called the Thunderer.
The spiritual ideals in Norse mythology are more important than the physical ideals. The long, cold winter nights kept the Norse folk at home; hence they had a love for home and family relations and a respect for women that may not be found revealed in the mythology of Greece. Wisdom and judgment, too, were more essential than craft and fraud in encountering the hardships of their life; therefore they represented Odin, the supreme god of Asgard, as being the god of wisdom. The gods of Greek mythology often used craft and fraud to accomplish their purposes, but only Loke among the inhabitants of Asgard relied upon deception. Loke was descended from the giants, but was also related to the gods; so he was permitted to live in Asgard. It is significant of the spirit of the Norse folk that the gods did not trust Loke and came to regard him as their enemy; and it was he who finally brought misfortune to the gods.
264
This story of Thor's visit to the land of the giants is taken from Bulfinch. It deals with one of the favorite sections of Norse mythology, satisfying, as it does, the listeners' demand for courageous struggle against great and mysterious forces. The use of illusion by the giant forces of evil as a method of defeating the open-minded forces of truth is strikingly exemplified in the various contests staged at JÖtunheim.
THOR'S VISIT TO JÖTUNHEIM
One day the god Thor, with his servant Thialfi, and accompanied by Loki, set out on a journey to the giants' country. Thialfi was of all men the swiftest of foot. He bore Thor's wallet, containing their provisions. When night came on they found themselves in an immense forest, and searched on all sides for a place where they might pass the night, and at last came to a very large hall, with an entrance that took the whole breadth of one end of the building. Here they lay down to sleep, but towards midnight were alarmed by an earthquake which shook the whole edifice. Thor, rising up, called on his companions to seek with him a place of safety. On the right they found an adjoining chamber, into which the others entered, but Thor remained at the doorway with his mallet in his hand, prepared to defend himself, whatever might happen. A terrible groaning was heard during the night, and at dawn of day Thor went out and found lying near him a huge giant, who slept and snored in the way that had alarmed them so. It is said that for once Thor was afraid to use his mallet, and as the giant soon waked up, Thor contented himself with simply asking his name.
"My name is Skrymir," said the giant, "but I need not ask thy name, for I know that thou art the god Thor. But what has become of my glove?" Thor then perceived that what they had taken overnight for a hall was the giant's glove, and the chamber where his two companions had sought refuge was the thumb. Skrymir then proposed that they should travel in company, and Thor consenting, they sat down to eat their breakfast, and when they had done, Skrymir packed all the provisions into one wallet, threw it over his shoulder, and strode on before them, taking such tremendous strides that they were hard put to it to keep up with him. So they traveled the whole day, and at dusk Skrymir chose a place for them to pass the night in under a large oak tree. Skrymir then told them he would lie down to sleep. "But take ye the wallet," he added, "and prepare your supper."
Skrymir soon fell asleep and began to snore strongly; but when Thor tried to open the wallet, he found the giant had tied it up so tight he could not untie a single knot. At last Thor became wroth, and grasping his mallet with both hands he struck a furious blow on the giant's head. Skrymir, awakening, merely asked whether a leaf had not fallen on his head, and whether they had supped and were ready to go to sleep. Thor answered that they were just going to sleep, and so saying went and laid himself down under another tree. But sleep came not that night to Thor, and when Skrymir snored again so loud that the forest reËchoed with the noise, he arose, and grasping his mallet launched it with such force at the giant's skull that it made a deep dint in it. Skrymir, awakening, cried out, "What's the matter? Are there any birds perched on this tree? I felt some moss from the branches fall on my head. How fares it with thee Thor?" But Thor went away hastily, saying that he had just then awoke, and that as it was only midnight, there was still time for sleep. He, however, resolved that if he had an opportunity of striking a third blow, it should settle all matters between them.
A little before daybreak he perceived that Skrymir was again fast asleep, and again grasping his mallet, he dashed it with such violence that it forced its way into the giant's skull up to the handle. But Skrymir sat up, and stroking his cheek said, "An acorn fell on my head. What! Art thou awake, Thor? Methinks it is time for us to get up and dress ourselves; but you have not now a long way before you to the city called Utgard. I have heard you whispering to one another that I am not a man of small dimensions; but if you come to Utgard you will see there many men much taller than I. Wherefore, I advise you, when you come there, not to make too much of yourselves, for the followers of Utgard-Loki will not brook the boasting of such little fellows as you are. You must take the road that leads eastward, mine lies northward, so we must part here."
Hereupon he threw his wallet over his shoulders and turned away from them into the forest, and Thor had no wish to stop him or to ask for any more of his company.
Thor and his companions proceeded on their way, and towards noon descried a city standing in the middle of a plain. It was so lofty that they were obliged to bend their necks quite back on their shoulders in order to see to the top of it. On arriving they entered the city, and seeing a large palace before them with the door wide open, they went in, and found a number of men of prodigious stature, sitting on benches in the hall. Going further, they came before the king, Utgard-Loki, whom they saluted with great respect. The king, regarding them with a scornful smile, said, "If I do not mistake me, that stripling yonder must be the god Thor." Then addressing himself to Thor, he said, "Perhaps thou mayst be more than thou appearest to be. What are the feats that thou and thy fellows deem yourselves skilled in, for no one is permitted to remain here who does not, in some feat or other, excel all other men?"
"The feat that I know," said Loki, "is to eat quicker than any one else, and in this I am ready to give a proof against any one here who may choose to compete with me."
"That will indeed be a feat," said Utgard-Loki, "if thou performest what thou promisest, and it shall be tried forthwith."
He then ordered one of his men who was sitting at the farther end of the bench, and whose name was Logi, to come forward and try his skill with Loki. A trough filled with meat having been set on the hall floor, Loki placed himself at one end, and Logi at the other, and each of them began to eat as fast as he could, until they met in the middle of the trough. But it was found that Loki had only eaten the flesh, while his adversary had devoured both flesh and bone, and the trough to boot. All the company therefore adjudged that Loki was vanquished.
Utgard-Loki then asked what feat the young man who accompanied Thor could perform. Thialfi answered that he would run a race with any one who might be matched against him. The king observed that skill in running was something to boast of, but if the youth would win the match he must display great agility. He then arose and went with all who were present to a plain where there was good ground for running on, and calling a young man named Hugi, bade him run a match with Thialfi. In the first course Hugi so much outstripped his competitor that he turned back and met him not far from the starting place. Then they ran a second and a third time, but Thialfi met with no better success.
Utgard-Loki then asked Thor in what feats he would choose to give proofs of that prowess for which he was so famous. Thor answered that he would try a drinking-match with any one. Utgard-Loki bade his cup-bearer bring the large horn which his followers were obliged to empty when they had trespassed in any way against the law of the feast. The cup-bearer having presented it to Thor, Utgard-Loki said, "Whoever is a good drinker will empty that horn at a single draught, though most men make two of it, but the most puny drinker can do it in three."
Thor looked at the horn, which seemed of no extraordinary size though somewhat long; however, as he was very thirsty, he set it to his lips, and without drawing breath, pulled as long and as deeply as he could, that he might not be obliged to make a second draught of it; but when he set the horn down and looked in, he could scarcely perceive that the liquor was diminished.
After taking breath, Thor went to it again with all his might, but when he took the horn from his mouth, it seemed to him that he had drunk rather less than before, although the horn could now be carried without spilling.
"How now, Thor?" said Utgard-Loki; "thou must not spare thyself. If thou meanest to drain the horn at the third draught thou must pull deeply; and I must needs say that thou wilt not be called so mighty a man here as thou art at home if thou showest no greater prowess in other feats than methinks will be shown in this."
Thor, full of wrath, again set the horn to his lips and did his best to empty it; but on looking in found the liquor was only a little lower, so he resolved to make no further attempt, but gave back the horn to the cup-bearer.
"I now see plainly," said Utgard-Loki, "that thou art not quite so stout as we thought thee; but wilt thou try any other feat, though methinks thou art not likely to bear any prize away with thee hence?"
"What new trial hast thou to propose?" said Thor.
"We have a very trifling game here," answered Utgard-Loki, "in which we exercise none but children. It consists in merely lifting my cat from the ground; nor should I have dared to mention such a feat to the great Thor if I had not already observed that thou art by no means what we took thee for."
As he finished speaking, a large gray cat sprang on the hall floor. Thor put his hand under the cat's belly and did his utmost to raise him from the floor, but the cat, bending his back, had, notwithstanding all Thor's efforts, only one of his feet lifted up, seeing which Thor made no further attempt.
"This trial has turned out," said Utgard-Loki, "just as I imagined it would. The cat is large, but Thor is little in comparison to our men."
"Little as ye call me," answered Thor, "let me see who among you will come hither now I am in wrath and wrestle with me."
"I see no one here," said Utgard-Loki, looking at the men sitting on the benches, "who would not think it beneath him to wrestle with thee; let somebody, however, call hither that old crone, my nurse Elli, and let Thor wrestle with her if he will. She has thrown to the ground many a man not less strong than this Thor is."
A toothless old woman then entered the hall, and was told by Utgard-Loki to take hold of Thor. The tale is shortly told. The more Thor tightened his hold on the crone the firmer she stood. At length after a very violent struggle Thor began to lose his footing, and was finally brought down upon one knee. Utgard-Loki then told them to desist, adding that Thor had now no occasion to ask any one else in the hall to wrestle with him, and it was also getting late; so he showed Thor and his companions to their seats, and they passed the night there in good cheer.
The next morning, at break of day, Thor and his companions dressed themselves and prepared for their departure. Utgard-Loki ordered a table to be set for them, on which there was no lack of victuals or drink. After the repast Utgard-Loki led them to the gate of the city, and on parting asked Thor how he thought his journey had turned out, and whether he had met with any men stronger than himself. Thor told him that he could not deny but that he had brought great shame on himself. "And what grieves me most," he added, "is that ye will call me a person of little worth."
"Nay," said Utgard-Loki, "it behooves me to tell thee the truth, now thou art out of the city, which so long as I live and have my way thou shalt never enter again. And, by my troth, had I known beforehand that thou hadst so much strength in thee, and wouldst have brought me so near to a great mishap, I would not have suffered thee to enter this time. Know then that I have all along deceived thee by my illusions; first in the forest, where I tied up the wallet with iron wire so that thou couldst not untie it. After this thou gavest me three blows with thy mallet; the first, though the least, would have ended my days had it fallen on me, but I slipped aside and thy blows fell on the mountain, where thou wilt find three glens, one of them remarkably deep. These are the dints made by thy mallet. I have made use of similar illusions in the contests you have had with my followers. In the first, Loki, like hunger itself, devoured all that was set before him, but Logi was in reality nothing else than Fire, and therefore consumed not only the meat, but the trough which held it. Hugi, with whom Thialfi contended in running, was Thought, and it was impossible for Thialfi to keep pace with that. When thou in thy turn didst attempt to empty the horn, thou didst perform, by my troth, a deed so marvelous that had I not seen it myself I should never have believed it. For one end of that horn reached the sea, which thou wast not aware of, but when thou comest to the shore thou wilt perceive how much the sea has sunk by thy draughts. Thou didst perform a feat no less wonderful by lifting up the cat, and to tell thee the truth, when we saw that one of his paws was off the floor, we were all of us terror-stricken, for what thou tookest for a cat was in reality the Midgard serpent that encompasseth the earth, and he was so stretched by thee that he was barely long enough to enclose it between his head and tail. Thy wrestling with Elli was also a most astonishing feat, for there was never yet a man, nor ever will be, whom Old Age, for such in fact was Elli, will not sooner or later lay low. But now, as we are going to part, let me tell thee that it will be better for both of us if thou never come near me again, for shouldst thou do so, I shall again defend myself by other illusions, so that thou wilt only lose thy labor and get no fame from the contest with me."
On hearing these words Thor in a rage laid hold of his mallet and would have launched it at him, but Utgard-Loki had disappeared, and when Thor would have returned to the city to destroy it, he found nothing around him but a verdant plain.
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The wonderful ash-tree, Ygdrasil, made a far-spreading shade against the fierce heat of the sun in summer, and a stronghold against the piercing winds of winter. No man could remember when it had been young. Little children played under its branches, grew to be strong men and women, lived to be old and weary and feeble, and died; and yet the ash-tree gave no signs of decay. Forever preserving its freshness and beauty, it was to live as long as there were men to look upon it, animals to feed under it, birds to flutter among its branches.
This mighty ash-tree touched and bound all the worlds together in its wonderful circle of life. One root it sent deep down into the sightless depths of Hel, where the dead lived; another it fastened firmly in JÖtunheim, the dreary home of the giants; and with the third it grasped Midgard, the dwelling place of men. Serpents and all kinds of worms gnawed continually at its roots, but were never able to destroy them. Its branches spread out over the whole earth, and the topmost boughs swayed in the clear air of Asgard itself, rustling against the Valhal, the home of the heroes who had done great deeds or died manfully in battle. At the foot of the tree sat the three Norns, wonderful spinners of fate, who weave the thread of every man's life, making it what they will; and a strange weaving it often was, cut off when the pattern was just beginning to show itself. And every day these Norns sprinkled the tree with the water of life from the Urdar fountain, and so kept it forever green. In the topmost branches sat an eagle singing a strange song about the birth of the world, its decay and death. Under its branches browsed all manner of animals; among its leaves every kind of bird made its nest; by day the rainbow hung under it; at night the pale northern light flashed over it, and as the winds swept through its rustling branches, the multitudinous murmur of the leaves told strange stories of the past and of the future.
The giants were older than the gods, and knew so much more of the past that the gods had to go to them for wisdom. After a time, however, the gods became wiser than the giants, or they would have ceased to be gods, and been destroyed by the giants, instead of destroying them. When the world was still young, and there were still many things which even the gods had to learn, Odin was so anxious to become wise that he went to a deep well whose waters touched the roots of Ygdrasil itself. The keeper of the well was a very old and very wise giant, named Mimer, or Memory, and he gave no draughts out of the well until he was well paid; for the well contained the water of wisdom, and whoever drank of it became straightway wonderfully wise.
"Give me a draught of this clear water, O Mimer," said Odin, when he had reached the well, and was looking down into its clear, fathomless depths.
Mimer, the keeper, was so old that he could remember everything that had ever happened. His eyes were clear and calm as the stars, his face was noble and restful, and his long white beard flowed down to his waist.
"This water is only to be had at a great price," he said in a wonderfully sweet, majestic tone. "I cannot give to all who ask, but only to those who are able and willing to give greatly in return," he continued.
If Odin had been less of a god he would have thought longer and bargained sharper, but he was so godlike that he cared more to be wise and great than for anything else.
"I will give you whatever you ask," he answered.
Mimer thought a moment. "You must leave an eye," he said at last.
Then he drew up a great draught of the sparkling water, and Odin quenched his divine thirst and went away rejoicing, although he had left an eye behind. Even the gods could not be wise without struggle and toil and sacrifice.
So Odin became the wisest in all the worlds, and there was no god or giant that could contend with him. There was one giant, however, who was called all-wise in JÖtunheim, with whom many had contended in knowledge, with curious and difficult questions, and had always been silenced and killed, for then, as now, a man's life often depended on his wisdom. Of this giant, Vafthrudner, and his wisdom many wonderful stories were told, and even among the gods his fame was great. One day as Odin sat thinking of many strange things in the worlds, and many mysterious things in the future, he thought of Vafthrudner. "I will go to JÖtunheim and measure wisdom with Vafthrudner, the wisest of the giants," said he to Frigg, his wife, who was sitting by.
Then Frigg remembered those who had gone to contend with the all-wise giant and had never come back, and a fear came over her that the same fate might befall Odin.
"You are wisest in all the worlds, All-Father," she said; "why should you seek a treacherous giant who knows not half so much as you?"
But Odin, who feared nothing, could not be persuaded to stay, and Frigg sadly said good-by as he passed out of Asgard on his journey to JÖtunheim. His blue mantle set with stars and his golden helmet he left behind him, and as he journeyed swiftly those who met him saw nothing godlike in him; nor did Vafthrudner when at last he stood at the giant's door.
"I am a simple traveler, Gangraad by name," he said, as Vafthrudner came gruffly toward him. "I ask your hospitality and a chance to strive with you in wisdom." The giant laughed scornfully at the thought of a man coming to contend with him for mastery in knowledge.
"You shall have all you want of both," he growled, "and if you cannot answer my questions you shall never go hence alive."
He did not even ask Odin to sit down, but let him stand in the hall, despising him too much to show him any courtesy. After a time he began to ask questions.
"Tell me, if you can, O wise Gangraad, the name of the river which divides Asgard from JÖtunheim."
"The river Ifing, which never freezes over," answered Odin quickly, as if it were the easiest question in the world; and indeed it was to him, although no man could have answered it. Vafthrudner looked up in great surprise when he heard the reply.
"Good," he said, "you have answered rightly. Tell me, now, the names of the horses that carry day and night across the sky."
Before the words were fairly spoken Odin replied, "Skinfaxe and Hrimfaxe." The giant could not conceal his surprise that a man should know these things.
"Once more," he said quickly, as if he were risking everything on one question; "tell me the name of the plain where the Last Battle will be fought."
This was a terrible question, for the Last Battle was still far off in the future, and only the gods and the greatest of the giants knew where and when it would come. Odin bowed his head when he heard the words, for to be ready for that battle was the divine work of his life, and then said, slowly and solemnly, "On the plain of Vigrid, which is one hundred miles on each side."
Vafthrudner rose trembling from his seat. He knew now that Gangraad was some great one in disguise, and that his own life hung on the answers he himself would soon be forced to make.
"Sit here beside me," he said, "for whoever you are, worthier antagonist has never entered these walls."
Then they sat down together in the rude stone hall, the mightiest of the gods and the wisest of the giants, and the great contest in wisdom, with a life hanging in either scale, went on between them. Wonderful secrets of the time when no man was and the time when no man will be, those silent walls listened to as Vafthrudner asked Odin one deep question after another, the answer coming swiftly and surely.
After a time the giant could ask no more, for he had exhausted his wisdom.
"It is my turn now," said Odin, and one after another he drew out from Vafthrudner the events of the past and then the wonderful things of the race of giants, and finally he began to question him of that dim, mysterious future whose secrets only the gods know; and as he touched these wonderful things Odin's eyes began to flash, and his form to grow larger and nobler until he seemed no longer the humble Gangraad, but the mighty god he was, and Vafthrudner trembled as he felt the coming doom nearing him with every question.
So hours went by, until at last Odin paused in his swift questioning, stooped down, and asked the giant, "What did Odin whisper in the ear of Balder as he ascended the funeral pile?"
Only Odin himself could answer this question, and Vafthrudner replied humbly and with awe, "Who but thyself, All-Father, knoweth the words thou didst say to thy son in the days of old? I have brought my doom upon myself, for in my ignorance I have contended with wisdom itself. Thou art ever the wisest of all."
So Odin conquered, and Wisdom was victorious, as she always has been even when she has contended with giants.
266
The story of the splendid courage of Tyr at the time of the chaining up of the terrible Fenris wolf has always been one of the favorite Norse tales. The three repulsive giant monsters in whom the forces of evil are embodied are well imagined to suggest to us powers that may finally be stronger than the gods themselves. The failures to find a chain strong enough, and the final success with the magic bond made in Dwarfland, form a series of powerfully dramatic steps in the story. The elements of which the slender rope is made never fail to fascinate hearers, young or old, with a sense of the most profound mystery. "Why the dwarfs should be able to make a chain strong enough to bind him, which the gods had failed to do, is a puzzle. May it mean that subtlety can compass ends which force has to relinquish, or possibly a better thing than subtlety, gentleness?" And the final need of a hero willing to take extreme risks for some good greater than himself is amply and admirably satisfied in the brave Tyr. The version of the story used here is from Miss E. M. Wilmot-Buxton's Stories of Norse Heroes.
HOW THE FENRIS WOLF WAS CHAINED
E. M. WILMOT-BUXTON
Fair as were the meads of Asgard, we have seen that the Asa folk were fond of wandering far afield in other regions. Most restless of all was Red Loki, that cunning fellow who was always bringing trouble upon himself or upon his kindred. And because he loved evil, he would often betake himself to the gloomy halls of Giantland and mingle with the wicked folk of that region.
Now one day he met a hideous giantess named Angur-Boda. This creature had a heart of ice, and because he loved ugliness and evil she had a great attraction for him, and in the end he married her, and they lived together in a horrible cave in Giantland.
Three children were born to Loki and Angur-Boda in this dread abode, and they were even more terrible in appearance than their mother. The first was an immense wolf called Fenris, with a huge mouth filled with long white teeth, which he was constantly gnashing together. The second was a wicked-looking serpent with a fiery-red tongue lolling from its mouth. The third was a hideous giantess, partly blue and partly flesh color, whose name was Hela.
No sooner were these three terrible children born than all the wise men of the earth began to foretell the misery they would bring upon the Asa folk.
In vain did Loki try to keep them hidden within the cave wherein their mother dwelt. They soon grew so immense in size that no dwelling would contain them, and all the world began to talk of their frightful appearance.
It was not long, of course, before All-Father Odin, from his high seat in Asgard, heard of the children of Loki. So he sent for some of the Asas, and said: "Much evil will come upon us, O my children, from this giant brood, if we defend not ourselves against them. For their mother will teach them wickedness, and still more quickly will they learn the cunning wiles of their father. Fetch me them here, therefore, that I may deal with them forthwith."
So, after somewhat of a struggle, the Asas captured the three giant-children and brought them before Odin's judgment seat.
Then Odin looked first at Hela, and when he saw her gloomy eyes, full of misery and despair, he was sorry, and dealt kindly with her, saying: "Thou art the bringer of Pain to man, and Asgard is no place for such as thou. But I will make thee ruler of the Mist Home, and there shalt thou rule over that unlighted world, the Region of the Dead."
Forthwith he sent her away over rough roads to the cold, dark region of the North called the Mist Home. And there did Hela rule over a grim crew, for all those who had done wickedness in the world above were imprisoned by her in those gloomy regions. To her came also all those who had died, not on the battlefield, but of old age or disease. And though these were treated kindly enough, theirs was a joyless life in comparison with that of the dead warriors who were feasting and fighting in the halls of Valhalla, under the kindly rule of All-Father Odin.
Having thus disposed of Hela, Odin next turned his attention to the serpent. And when he saw his evil tongue and cunning, wicked eyes, he said: "Thou art he who bringest Sin into the world of men; therefore the ocean shall be thy home forever."
Then he threw that horrid serpent into the deep sea which surrounds all lands, and there the creature grew so fast that when he stretched himself one day he encircled all the earth, and held his own tail fast in his mouth. And sometimes he grew angry to think that he, the son of a god, had thus been cast out; and at those times he would writhe with his huge body and lash his tail till the sea spouted up to the sky. And when that happened the men of the North said that a great tempest was raging. But it was only the serpent-son of Loki writhing in his wrath.
Then Odin turned to the third child. And behold! the Fenris Wolf was so appalling to look upon that Odin feared to cast him forth, and he decided to endeavor to tame him by kindness so that he should not wish them ill.
But when he bade them carry food to the Fenris Wolf, not one of the Asas would do so, for they feared a snap from his great jaws. Only the brave Tyr had courage enough to feed him, and the wolf ate so much and so fast that the business took him all his time. Meantime, too, the Fenris grew so rapidly, and became so fierce, that the gods were compelled to take counsel and consider how they should get rid of him. They remembered that it would make their peaceful halls unholy if they were to slay him, and so they resolved instead to bind him fast, that he should be unable to do them harm.
So those of the Asa folk who were clever smiths set to work and made a very strong, thick chain; and when it was finished they carried it out to the yard where the wolf dwelt, and said to him, as though in jest: "Here is a fine proof of thy boasted strength, O Fenris. Let us bind this about thee, that we may see if thou canst break it asunder."
Then the wolf gave a great grin with his wide jaws, and came and stood still that they might bind the chain about him; for he knew what he could do. And it came to pass that directly they had fastened the chain, and had slipped aside from him, the great beast gave himself a shake, and the chain fell about him in little bits. At this the Asas were much annoyed, but they tried not to show it, and praised him for his strength.
Then they set to work again upon a chain much stronger than the last, and brought it to the Fenris Wolf, saying: "Great will be thy renown, O Fenris, if thou canst break this chain as thou didst the last."
But the wolf looked at them askance, for the chain they brought was very much thicker than the one he had already broken. He reflected, however, that since that time he himself had grown stronger and bigger, and moreover, that one must risk something in order to win renown.
So he let them put the chain upon him, and when the Asas said that all was ready, he gave a good shake and stretched himself a few times, and again the fetters lay in fragments on the ground.
Then the gods began to fear that they would never hold the wolf in bonds; and it was All-Father Odin who persuaded them to make one more attempt. So they sent a messenger to Dwarfland bidding him ask the Little Men to make a chain which nothing could possibly destroy.
Setting at once to work, the clever little smiths soon fashioned a slender silken rope, and gave it to the messenger, saying that no strength could break it, and that the more it was strained the stronger it would become.
It was made of the most mysterious things—the sound of a cat's footsteps, the roots of a mountain, the sinews of a bear, the breath of fishes, and other such strange materials, which only the dwarfs knew how to use. With this chain the messenger hastened back over the Rainbow Bridge to Asgard.
By this time the Fenris Wolf had grown too big for his yard, so he lived on a rocky island in the middle of the lake that lies in the midst of Asgard. And here the Asas now betook themselves with their chain, and began to play their part with wily words.
"See," they cried, "O Fenris! Here is a cord so soft and thin that none would think of it binding such strength as thine." And they laughed great laughs, and handed it to one another, and tried its strength by pulling at it with all their might, but it did not break.
Then they came nearer and used more wiles, saying: "We cannot break the cord, though 'tis stronger than it looks, but thou, O mighty one, will be able to snap it in a moment."
But the wolf tossed his head in scorn, and said: "Small renown would there be to me, O Asa folk, if I were to break yon slender string. Save, therefore, your breath, and leave me now alone."
"Aha!" cried the Asas, "thou fearest the might of the silken cord, thou false one, and that is why thou wilt not let us bind thee!"
"Not I," said the Fenris Wolf, growing rather suspicious, "but if it is made with craft and guile it shall never come near my feet."
"But," said the Asas, "thou wilt surely be able to break this silken cord with ease, since thou hast already broken the great iron fetters."
To this the wolf made no answer, pretending not to hear.
"Come!" said the Asas again, "why shouldst thou fear? For even if thou couldst not break the cord we would immediately let thee free again. To refuse is a coward's piece of work."
Then the wolf gnashed his teeth at them in anger, and said: "Well I know you Asas! For if you bind me so fast that I cannot get loose you will skulk away, and it will be long before I get any help from you; and therefore am I loth to let this band be laid upon me."
But still the Asas continued to persuade him and to twit him with cowardice until at length the Fenris Wolf said, with a sullen growl: "Have it your own way then. But, as a pledge that this is done without deceit, let one of you lay his hand in my mouth while you are binding me, and afterwards while I try to break the bonds."
Then the Asa folk looked at one another in dismay, for they knew very well what this would mean. And while they consulted together the wolf stood gnashing his teeth at them with a horrid grin.
At length Tyr the Brave hesitated no longer. Boldly he stalked up to the wolf and thrust his arm into his enormous mouth, bidding the Asas bind fast the beast. Scarce had they done so when the wolf began to strain and pull, but the more he did so the tighter and stiffer the rope became.
The gods shouted and laughed with glee when they saw how all his efforts were in vain. But Tyr did not join in their mirth, for the wolf in his rage snapped his great teeth together and bit off his hand at the wrist.
Now when the Asas discovered that the animal was fast bound, they took the chain which was fixed to the rope and drew it through a huge rock, and fastened this rock deep down in the earth, so that it could never be moved. And this they fastened to another great rock which was driven still deeper into the ground.
When the Fenris Wolf found that he had been thus secured he opened his mouth terribly wide, and twisted himself right and left, and tried his best to bite the Asa folk. He uttered, moreover, such terrible howls that at length the gods could bear it no longer. So they took a sword and thrust it into his mouth, so that the hilt rested on his lower, and the point against his upper, jaw. And there he was doomed to remain until the end of All Things shall come, when he
"Freed from the Chain
Shall range the Earth."
267
The story of Frey in the Norse mythology corresponds to that of Persephone (Proserpine) in classic mythology. (See No.
255.) Frey is "the god of the earth's fruitfulness, presiding over rain, sunshine, and all the fruits of the earth, and dispensing wealth among men." Skirnir is the sun-warmed air, and Gerda is the seed. The version of the story used below is from
The Heroes of Asgard by Annie and Eliza Keary. This book was first published in 1854, and while a little old-fashioned in style is still one of the most pleasing attempts to tell the Norse myths for young people.
FREY
A. AND E. KEARY
PART I
ON TIPTOE IN AIR THRONE
Wherever Frey came there was summer and sunshine. Flowers sprang up under his footsteps, and bright-winged insects, like flying flowers, hovered round his head. His warm breath ripened the fruit on the trees, and gave a bright yellow color to the corn, and purple bloom to the grapes, as he passed through fields and vineyards.
When he rode along in his car, drawn by the stately boar, Golden Bristles, soft winds blew before him, filling the air with fragrance and spreading abroad the news, "Van Frey is coming!" and every half-closed flower burst into perfect beauty, and forest, and field, and hill flushed their richest colors to greet his presence.
Under Frey's care and instruction the pretty little light elves forgot their idle ways and learned all the pleasant tasks he had promised to teach them. It was the prettiest possible sight to see them in the evening filling their tiny buckets, and running about among the woods and meadows to hang the dew-drops deftly on the slender tips of the grass-blades, or to drop them into the half-closed cups of the sleepy flowers. When this last of their day's tasks was over they used to cluster round their summer-king, like bees about the queen, while he told them stories about the wars between the Aesir and the giants, or of the old time when he lived alone with his father NiÖrd, in Noatun, and listened to the waves singing songs of far distant lands. So pleasantly did they spend their time in Alfheim.
But in the midst of all this work and play Frey had a wish in his mind, of which he could not help often talking to his clear-minded messenger and friend Skirnir. "I have seen many things," he used to say, "and traveled through many lands; but to see all the world at once, as Asa Odin does from Air Throne, that must be a splendid sight."
"Only Father Odin may sit on Air Throne," Skirnir would say; and it seemed to Frey that this answer was not so much to the purpose as his friend's sayings generally were.
At length, one very clear summer evening, when Odin was feasting with the other Aesir in Valhalla, Frey could restrain his curiosity no longer. He left Alfheim, where all the little elves were fast asleep, and, without asking any one's advice, climbed into Air Throne, and stood on tiptoe in Odin's very seat. It was a clear evening, and I had, perhaps, better not even try to tell you what Frey saw.
He looked first all round him over Manheim, where the rosy light of the set sun still lingered, and where men, and birds, and flowers were gathering themselves up for their night's repose; then he glanced towards the heavenly hills where BifrÖst rested, and then towards the shadowy land which deepened down into Niflheim. At length he turned his eyes northward to the misty land of JÖtunheim. There the shades of evening had already fallen; but from his high place Frey could still see distinct shapes moving about through the gloom. Strange and monstrous shapes they were, and Frey stood a little higher, on tiptoe, that he might look further after them. In this position he could just descry a tall house standing on a hill in the very middle of JÖtunheim. While he looked at it a maiden came and lifted up her arms to undo the latch of the door. It was dusk in JÖtunheim; but when this maiden lifted up her white arms, such a dazzling reflection came from them, that JÖtunheim, and the sky, and all the sea were flooded with clear light. For a moment everything could be distinctly seen; but Frey saw nothing but the face of the maiden with the uplifted arms; and when she had entered the house and shut the door after her, and darkness fell again on earth, and sky, and sea,—darkness fell, too, upon Frey's heart.
PART II
THE GIFT
The next morning, when the little elves awoke up with the dawn, and came thronging round their king to receive his commands, they were surprised to see that he had changed since they last saw him.
"He has grown up in the night," they whispered one to another sorrowfully. And in truth he was no longer so fit a teacher and playfellow for the merry little people as he had been a few hours before.
It was to no purpose that the sweet winds blew, and the flowers opened, when Frey came forth from his chamber. A bright white light still danced before him, and nothing now seemed to him worth looking at. That evening when the sun had set, and work was over, there were no stories for the light elves.
"Be still," Frey said, when they pressed round. "If you will be still and listen, there are stories enough to be heard better than mine."
I do not know whether the elves heard anything; but to Frey it seemed that flowers, and birds, and winds, and the whispering rivers, united that day in singing one song, which he never wearied of hearing. "We are fair," they said; "but there is nothing in the whole world so fair as Gerda, the giant-maiden whom you saw last night in JÖtunheim."
"Frey has dew-drops in his eyes," the little elves said to each other in whispers as they sat round looking up at him, and they felt very much surprised; for only to men and the Aesir is it permitted to be sorrowful and weep. Soon, however, wiser people noticed the change that had come over the summer-king, and his good-natured father, NiÖrd, sent Skirnir one day into Alfheim to inquire into the cause of Frey's sorrow.
He found him walking alone in a shady place, and Frey was glad enough to tell his trouble to his wise friend.
When he had related the whole story, he said, "And now you will see that there is no use in asking me to be merry as I used to be; for how can I ever be happy in Alfheim, and enjoy the summer and sunshine, while my dear Gerda, whom I love, is living in a dark, cold land, among cruel giants?"
"If she be really as beautiful and beloved as you say," answered Skirnir, "she must be sadly out of place in JÖtunheim. Why do not you ask her to be your wife, and live with you in Alfheim?"
"That would I only too gladly do," answered Frey; "but if I were to leave Alfheim only for a few hours, the cruel giant Ryme,—the Frost Giant—would rush in to take my place; all the labors of the year would be undone in a night, and the poor, toiling men, who are watching for the harvest, would wake some morning to find their corn fields and orchards buried in snow."
"Well," said Skirnir, thoughtfully, "I am neither so strong nor so beautiful as you, Frey; but, if you will give me the sword that hangs by your side, I will undertake the journey to JÖtunheim; and I will speak in such a way of you, and of Alfheim, to the lovely Gerda, that she will gladly leave her land and the house of her giant-father to come to you."
Now, Frey's sword was a gift, and he knew well enough that he ought not to part with it, or trust it in any hands but his own; and yet how could he expect Skirnir to risk all the dangers of JÖtunheim for any less recompense than an enchanted sword? And what other hope had he of ever seeing his dear Gerda again?
He did not allow himself a moment to think of the choice he was making. He unbuckled his sword from his side and put it into Skirnir's hands; and then he turned rather pettishly away, and threw himself down on a mossy bank under a tree.
"You will be many days in traveling to JÖtunheim," he said, "and all that time I shall be miserable."
Skirnir was too sensible to think this speech worth answering. He took a hasty farewell of Frey, and prepared to set off on his journey; but, before he left the hill, he chanced to see the reflection of Frey's face in a little pool of water that lay near. In spite of its sorrowful expression, it was as beautiful as the woods are in full summer, and a clever thought came into Skirnir's mind. He stooped down, without Frey's seeing him, and, with cunning touch, stole the picture out of the water; then he fastened it up carefully in his silver drinking-horn, and, hiding it in his mantle, he mounted his horse and rode towards JÖtunheim, secure of succeeding in his mission, since he carried a matchless sword to conquer the giant, and a matchless picture to win the maiden.
PART III
FAIREST GERDA
The house of Gymir, Gerda's father, stood in the middle of JÖtunheim, so it will not be difficult for you to imagine what a toilsome and wondrous journey Skirnir had. He was a brave hero, and he rode a brave horse; but, when they came to the barrier of murky flame that surrounds JÖtunheim, a shudder came over both.
"Dark it is without," said Skirnir to his horse, "and you and I must leap through flame, and go over hoar mountains among Giant Folk. The giants will take us both, or we shall return victorious together." Then he patted his horse's neck, and touched him with his armed heel, and with one bound he cleared the barrier, and his hoofs rang on the frozen land.
Their first day's journey was through the land of the Frost Giants, whose prickly touch kills, and whose breath is sharper than swords. Then they passed through the dwellings of the horse-headed and vulture-headed giants—monsters terrible to see. Skirnir hid his face, and the horse flew along swifter than the wind.
On the evening of the third day they reached Gymir's house. Skirnir rode round it nine times; but though there were twenty doors, he could find no entrance; for fierce three-headed dogs guarded every doorway.
At length he saw a herdsman pass near, and he rode up and asked him how it was possible for a stranger to enter Gymir's house, or get a sight of his fair daughter Gerda.
"Are you doomed to death, or are you already a dead man," answered the herdsman, "that you talk of seeing Gymir's fair daughter, or entering a house from which no one ever returns?"
"My death is fixed for one day," said Skirnir, in answer, and his voice, the voice of an Asa, sounded loud and clear through the misty air of JÖtunheim. It reached the ears of the fair Gerda as she sat in her chamber with her maidens.
"What is that noise of noises," she said, "that I hear? The earth shakes with it, and all Gymir's halls tremble."
Then one of the maidens got up, and peeped out of the window. "I see a man," she said; "he has dismounted from his horse, and he is fearlessly letting it graze before the door."
"Go out and bring him in stealthily, then," said Gerda; "I must again hear him speak; for his voice is sweeter than the ringing of bells."
So the maiden rose, and opened the house-door softly, lest the grim giant, Gymir, who was drinking mead in the banquet-hall with seven other giants, should hear and come forth.
Skirnir heard the door open, and understanding the maiden's sign, he entered with stealthy steps, and followed her to Gerda's chamber. As soon as he entered the doorway the light from her face shone upon him, and he no longer wondered that Frey had given up his sword.
"Are you the son of an Asa, or an Alf, or of a wise Van?" asked Gerda; "and why have you come through flame and snow to visit our halls?"
Then Skirnir came forward and knelt at Gerda's feet, and gave his message, and spoke as he had promised to speak of Van Frey and of Alfheim.
Gerda listened; and it was pleasant enough to talk to her, looking into her bright face; but she did not seem to understand much of what he said.
He promised to give her eleven golden apples from Iduna's grove if she would go with him, and that she should have the magic ring Draupnir from which every day a still fairer jewel fell. But he found there was no use in talking of beautiful things to one who had never in all her life seen anything beautiful. Gerda smiled at him as a child smiles at a fairy tale.
At length he grew angry. "If you are so childish, maiden," he said, "that you can believe only what you have seen, and have no thought of Aesirland or the Aesir, then sorrow and utter darkness shall fall upon you; you shall live alone on the Eagle Mount turned towards Hel. Terrors shall beset you; weeping shall be your lot. Men and Aesir will hate you, and you shall be doomed to live for ever with the Frost Giant, Ryme, in whose cold arms you will wither away like a thistle on a house-top."
"Gently," said Gerda, turning away her bright head, and sighing. "How am I to blame? You make such a talk of your Aesir and your Aesir; but how can I know about it, when all my life long I have lived with giants?"
At these words, Skirnir rose as if he would have departed, but Gerda called him back. "You must drink a cup of mead," she said, "in return for your sweet-sounding words."
Skirnir heard this gladly, for now he knew what he would do. He took the cup from her hand, drank off the mead, and, before he returned it, he contrived cleverly to pour in the water from his drinking-horn, on which Frey's image was painted; then he put the cup into Gerda's hand, and bade her look.
She smiled as she looked; and the longer she looked, the sweeter grew her smile; for she looked for the first time on a face that loved her, and many things became clear to her that she had never understood before. Skirnir's words were no longer like fairy tales. She could now believe in Aesirland, and in all beautiful things.
"Go back to your master," she said, at last, "and tell him that in nine days I will meet him in the warm wood Barri."
After hearing these joyful words, Skirnir made haste to take leave, for every moment that he lingered in the giant's house he was in danger. One of Gerda's maidens conducted him to the door, and he mounted his horse again, and rode from JÖtunheim with a glad heart.
PART IV
THE WOOD BARRI
When Skirnir got back to Alfheim, and told Gerda's answer to Frey, he was disappointed to find that his master did not immediately look as bright and happy as he expected.
"Nine days!" he said; "but how can I wait nine days? One day is long, and three days are very long, but 'nine days' might as well be a whole year."
I have heard children say such things when one tells them to wait for a new toy.
Skirnir and old NiÖrd only laughed at it; but Freyja and all the ladies of Asgard made a journey to Alfheim, when they heard the story, to comfort Frey, and hear all the news about the wedding.
"Dear Frey," they said, "it will never do to lie still here, sighing under a tree. You are quite mistaken about the time being long; it is hardly long enough to prepare the marriage presents, and talk over the wedding. You have no idea how busy we are going to be; everything in Alfheim will have to be altered a little."
At these words Frey really did lift up his head, and wake up from his musings. He looked, in truth, a little frightened at the thought; but, when all the Asgard ladies were ready to work for his wedding, how could he make any objection? He was not allowed to have much share in the business himself; but he had little time, during the nine days, to indulge in private thought, for never before was there such a commotion in Alfheim. The ladies found so many things that wanted overlooking, and the little light elves were not of the slightest use to any one. They forgot all their usual tasks, and went running about through groves and fields, and by the sedgy banks of rivers, peering into earth-holes, and creeping down into flower-cups and empty snail-shells, every one hoping to find a gift for Gerda.
Some stole the light from glowworms' tails, and wove it into a necklace, and others pulled the ruby spots from cowslip leaves, to set with jewels the acorn cups that Gerda was to drink from; while the swiftest runners chased the butterflies, and pulled feathers from their wings to make fans and bonnet-plumes.
All the work was scarcely finished when the ninth day came, and Frey set out from Alfheim with all his elves, to the warm wood Barri.
The Aesir joined him on the way, and they made, together, something like a wedding procession. First came Frey in his chariot, drawn by Golden Bristles, and carrying in his hand the wedding ring, which was none other than Draupnir, the magic ring of which so many stories are told.
Odin and Frigga followed with their wedding gift, the Ship Skidbladnir, in which all the Aesir could sit and sail, though it could afterwards be folded up so small that you might carry it in your hand.
Then came Iduna, with eleven golden apples in a basket on her fair head, and then two and two all the heroes and ladies with their gifts.
All round them flocked the elves, toiling under the weight of their offerings. It took twenty little people to carry one gift, and yet there was not one so large as a baby's finger. Laughing, and singing, and dancing, they entered the warm wood, and every summer flower sent a sweet breath after them. Everything on earth smiled on the wedding-day of Frey and Gerda, only—when it was all over, and every one had gone home, and the moon shone cold into the wood—it seemed as if the Vanir spoke to one another.
"Odin," said one voice, "gave his eye for wisdom, and we have seen that it was well done."
"Frey," answered the other, "has given his sword for happiness. It may be well to be unarmed while the sun shines and bright days last; but when RagnarÖk has come, and the sons of Muspell ride down to the last fight, will not Frey regret his sword?"
268
Balder represented sunlight. He was a son of Odin. If we try to imagine how welcome the sunlight of spring must have been to the Norse folk after the long Arctic night of winter, we may understand why everything in the world, except the evil Loke, was willing to weep in order to bring Balder back from Helheim. Some knowledge of the geography of Norse mythology will aid the reader in understanding the myth of Balder. Far below Asgard, the home of the gods, was Niflheim, the region of cold and darkness. Here in a deep cavern was Helheim, the city of the dead, over which Hel ruled. Midway between Asgard and Niflheim was Midgard, the earth. The whole universe was supported by Ygdrasil, a wonderful ash-tree, one root of which extended into Midgard, one into JÖtunheim, and one into Niflheim.
"Balder is another figure of that radiant type to which belong all bright and genial heroes, righters of wrong, blazing to consume evil, gentle and strong to uplift weakness: Apollo, Hercules, Perseus, Achilles, Sigard, St. George, and many another." Balder has been a favorite subject for poetic treatment, perhaps to best effect in Matthew Arnold's dignified "Balder Dead."
THE DEATH OF BALDER
HAMILTON WRIGHT MABIE
There was one shadow which always fell over Asgard. Sometimes in the long years the gods almost forgot it, it lay so far off, like a dim cloud in a clear sky; but Odin saw it deepen and widen as he looked out into the universe, and he knew that the last great battle would surely come, when the gods themselves would be destroyed and a long twilight would rest on all the worlds; and now the day was close at hand. Misfortunes never come singly to men, and they did not to the gods. Idun, the beautiful goddess of youth, whose apples were the joy of all Asgard, made a resting place for herself among the massive branches of Ygdrasil, and there every evening came Brage, and sang so sweetly that the birds stopped to listen, and even the Norns, those implacable sisters at the foot of the tree, were softened by the melody. But poetry cannot change the purposes of fate, and one evening no song was heard of Brage or birds, the leaves of the world-tree hung withered and lifeless on the branches, and the fountain from which they had daily been sprinkled was dry at last. Idun had fallen into the dark valley of death, and when Brage, Heimdal, and Loke went to question her about the future she could answer them only with tears. Brage would not leave his beautiful wife alone amid the dim shades that crowded the dreary valley, and so youth and genius vanished out of Asgard forever.
Balder was the most god-like of all the gods, because he was the purest and the best. Wherever he went his coming was like the coming of sunshine, and all the beauty of summer was but the shining of his face. When men's hearts were white like the light, and their lives clear as the day, it was because Balder was looking down upon them with those soft, clear eyes that were open windows to the soul of God. He had always lived in such a glow of brightness that no darkness had ever touched him; but one morning, after Idun and Brage had gone, Balder's face was sad and troubled. He walked slowly from room to room in his palace Breidablik, stainless as the sky when April showers have swept across it because no impure thing had ever crossed the threshold, and his eyes were heavy with sorrow. In the night terrible dreams had broken his sleep, and made it a long torture. The air seemed to be full of awful changes for him, and for all the gods. He knew in his soul that the shadow of the last great day was sweeping on; as he looked out and saw the worlds lying in light and beauty, the fields yellow with waving grain, the deep fiords flashing back the sunbeams from their clear depths, the verdure clothing the loftiest mountains, and knew that over all this darkness and desolation would come, with silence of reapers and birds, with fading of leaf and flower, a great sorrow fell on his heart.
Balder could bear the burden no longer. He went out, called all the gods together, and told them the terrible dreams of the night. Every face was heavy with care. The death of Balder would be like the going out of the sun, and after a long, sad council the gods resolved to protect him from harm by pledging all things to stand between him and any hurt. So Frigg, his mother, went forth and made everything promise, on a solemn oath, not to injure her son. Fire, iron, all kinds of metal, every sort of stone, trees, earth, diseases, birds, beasts, snakes, as the anxious mother went to them, solemnly pledged themselves that no harm should come near Balder. Everything promised, and Frigg thought she had driven away the cloud; but fate was stronger than her love, and one little shrub had not sworn.
Odin was not satisfied even with these precautions, for whichever way he looked the shadow of a great sorrow spread over the worlds. He began to feel as if he were no longer the greatest of the gods, and he could almost hear the rough shouts of the frost-giants crowding the rainbow bridge on their way into Asgard. When trouble comes to men it is hard to bear, but to a god who had so many worlds to guide and rule it was a new and terrible thing. Odin thought and thought until he was weary, but no gleam of light could he find anywhere; it was thick darkness everywhere.
At last he could bear the suspense no longer, and saddling his horse he rode sadly out of Asgard to Niflheim, the home of Hel, whose face was as the face of death itself. As he drew near the gates, a monstrous dog came out and barked furiously, but Odin rode a little eastward of the shadowy gates to the grave of a wonderful prophetess. It was a cold, gloomy place, and the soul of the great god was pierced with a feeling of hopeless sorrow as he dismounted from Sleipner, and bending over the grave began to chant weird songs, and weave magical charms over it. When he had spoken those wonderful words which could waken the dead from their sleep, there was an awful silence for a moment, and then a faint ghost-like voice came from the grave.
"Who art thou?" it said. "Who breaketh the silence of death, and calleth the sleeper out of her long slumbers? Ages ago I was laid at rest here, snow and rain have fallen upon me through myriad years; why dost thou disturb me?"
"I am Vegtam," answered Odin, "and I come to ask why the couches of Hel are hung with gold and the benches strewn with shining rings?"
"It is done for Balder," answered the awful voice; "ask me no more."
Odin's heart sank when he heard these words; but he was determined to know the worst.
"I will ask thee until I know all. Who shall strike the fatal blow?"
"If I must, I must," moaned the prophetess. "Hoder shall smite his brother Balder and send him down to the dark home of Hel. The mead is already brewed for Balder, and the despair draweth near."
Then Odin, looking into the future across the open grave, saw all the days to come.
"Who is this," he said, seeing that which no mortal could have seen,—"who is this that will not weep for Balder?"
Then the prophetess knew that it was none other than the greatest of the gods who had called her up.
"Thou are not Vegtam," she exclaimed, "thou art Odin himself, the king of men."
"And thou," answered Odin angrily, "art no prophetess, but the mother of three giants."
"Ride home, then, and exult in what thou hast discovered," said the dead woman. "Never shall my slumbers be broken again until Loke shall burst his chains and the great battle come."
And Odin rode sadly homeward knowing that already Niflheim was making itself beautiful against the coming of Balder.
The other gods meanwhile had become merry again; for had not everything promised to protect their beloved Balder? They even made sport of that which troubled them, for when they found that nothing could hurt Balder, and that all things glanced aside from his shining form, they persuaded him to stand as a target for their weapons; hurling darts, spears, swords, and battle-axes at him, all of which went singing through the air and fell harmless at his feet. But Loke, when he saw these sports, was jealous of Balder, and went about thinking how he could destroy him.
It happened that as Frigg sat spinning in her house Fensal, the soft wind blowing in at the windows and bringing the merry shouts of the gods at play, an old woman entered and approached her.
"Do you know," asked the newcomer, "what they are doing in Asgard? They are throwing all manner of dangerous weapons at Balder. He stands there like the sun for brightness, and against his glory, spears and battle-axes fall powerless to the ground. Nothing can harm him."
"No," answered Frigg, joyfully; "nothing can bring him any hurt, for I have made everything in heaven and earth swear to protect him."
"What!" said the old woman, "has everything sworn to guard Balder?"
"Yes," said Frigg, "everything has sworn except one little shrub which is called Mistletoe, and grows on the eastern side of Valhal. I did not take an oath from that because I thought it too young and weak."
When the old woman heard this a strange light came into her eyes; she walked off much faster than she had come in, and no sooner had she passed beyond Frigg's sight than this same feeble old woman grew suddenly erect, shook off her woman's garments, and there stood Loke himself. In a moment he had reached the slope east of Valhal, had plucked a twig of the unsworn Mistletoe, and was back in the circle of the gods, who were still at their favorite pastime with Balder. Hoder was standing silent and alone outside the noisy throng, for he was blind. Loke touched him.
"Why do you not throw something at Balder?"
"Because I cannot see where Balder stands, and have nothing to throw if I could," replied Hoder.
"If that is all," said Loke, "come with me. I will give you something to throw, and direct your aim."
Hoder, thinking no evil, went with Loke and did as he was told.
The little sprig of Mistletoe shot through the air, pierced the heart of Balder, and in a moment the beautiful god lay dead upon the field. A shadow rose out of the deep beyond the worlds and spread itself over heaven and earth, for the light of the universe had gone out.
The gods could not speak for horror. They stood like statues for a moment, and then a hopeless wail burst from their lips. Tears fell like rain from eyes that had never wept before, for Balder, the joy of Asgard, had gone to Niflheim and left them desolate. But Odin was saddest of all, because he knew the future, and he knew that peace and light had fled from Asgard forever, and that the last day and the long night were hurrying on.
Frigg could not give up her beautiful son, and when her grief had spent itself a little, she asked who would go to Hel and offer her a rich ransom if she would permit Balder to return to Asgard.
"I will go," said Hermod; swift at the word of Odin, Sleipner was led forth, and in an instant Hermod was galloping furiously away.
Then the gods began with sorrowful hearts to make ready for Balder's funeral. When the once beautiful form had been arrayed in grave-clothes they carried it reverently down to the deep sea, which lay, calm as a summer afternoon, waiting for its precious burden. Close to the water's edge lay Balder's Ringhorn, the greatest of all the ships that sailed the seas, but when the gods tried to launch it they could not move it an inch. The great vessel creaked and groaned, but no one could push it down to the water. Odin walked about it with a sad face, and the gentle ripple of the little waves chasing each other over the rocks seemed a mocking laugh to him.
"Send to JÖtunheim for Hyrroken," he said at last; and a messenger was soon flying for that mighty giantess.
In a little time, Hyrroken came riding swiftly on a wolf so large and fierce that he made the gods think of Fenris. When the giantess had alighted, Odin ordered four Berserkers of mighty strength to hold the wolf, but he struggled so angrily that they had to throw him on the ground before they could control him. Then Hyrroken went to the prow of the ship and with one mighty effort sent it far into the sea, the rollers underneath bursting into flame, and the whole earth trembling with the shock. Thor was so angry at the uproar that he would have killed the giantess on the spot if he had not been held back by the other gods. The great ship floated on the sea as she had often done before, when Balder, full of life and beauty, set all her sails and was borne joyfully across the tossing seas. Slowly and solemnly the dead god was carried on board, and as Nanna, his faithful wife, saw her husband borne for the last time from the earth which he had made dear to her and beautiful to all men, her heart broke with sorrow, and they laid her beside Balder on the funeral pyre.
Since the world began no one had seen such a funeral. No bell tolled, no long procession of mourners moved across the hills, but all the worlds lay under a deep shadow, and from every quarter came those who had loved or feared Balder. There at the very water's edge stood Odin himself, the ravens flying about his head, and on his majestic face a gloom that no sun would ever lighten again; and there was Frigg, the desolate mother, whose son had already gone so far that he would never come back to her; there was Frey standing sad and stern in his chariot; there was Freyja, the goddess of love, from whose eyes fell a shining rain of tears; there, too, was Heimdal on his horse Goldtop; and around all these glorious ones from Asgard crowded the children of JÖtunheim, grim mountain-giants seamed with scars from Thor's hammer, and frost-giants who saw in the death of Balder the coming of that long winter in which they should reign through all the worlds.
A deep hush fell on all created things, and every eye was fixed on the great ship riding near the shore, and on the funeral pyre rising from the deck crowned with the forms of Balder and Nanna. Suddenly a gleam of light flashed over the water; the pile had been kindled, and the flames, creeping slowly at first, climbed faster and faster until they met over the dead and rose skyward. A lurid light filled the heavens and shone on the sea, and in the brightness of it the gods looked pale and sad, and the circle of giants grew darker and more portentous. Thor struck the fast burning pyre with his consecrating hammer, and Odin cast into it the wonderful ring Draupner. Higher and higher leaped the flames, more and more desolate grew the scene; at last they began to sink, the funeral pyre was consumed. Balder had vanished forever, the summer was ended, and winter waited at the doors.
Meanwhile Hermod was riding hard and fast on his gloomy errand. Nine days and nights he rode through valleys so deep and dark that he could not see his horse. Stillness and blackness and solitude were his only companions until he came to the golden bridge which crosses the river Gjol. The good horse Sleipner, who had carried Odin on so many strange journeys, had never traveled such a road before, and his hoofs rang drearily as he stopped short at the bridge, for in front of him stood its porter, the gigantic Modgud.
"Who are you?" she asked, fixing her piercing eyes on Hermod. "What is your name and parentage? Yesterday five bands of dead men rode across the bridge, and beneath them all it did not shake as under your single tread. There is no color of death in your face. Why ride you hither, the living among the dead?"
"I come," said Hermod, "to seek for Balder. Have you seen him pass this way?"
"He has already crossed the bridge and taken his journey northward to Hel."
Then Hermod rode slowly across the bridge that spans the abyss between life and death, and found his way at last to the barred gates of Hel's dreadful home. There he sprang to the ground, tightened the girths, remounted, drove the spurs deep into the horse, and Sleipner, with a mighty leap, cleared the wall. Hermod rode straight to the gloomy palace, dismounted, entered, and in a moment was face to face with the terrible queen of the kingdom of the dead. Beside her, on a beautiful throne, sat Balder, pale and wan, crowned with a withered wreath of flowers, and close at hand was Nanna, pallid as her husband, for whom she had died. And all night long, while ghostly forms wandered restless and sleepless through Helheim, Hermod talked with Balder and Nanna. There is no record of what they said, but the talk was sad enough, doubtless, and ran like a still stream among the happy days in Asgard when Balder's smile was morning over the earth and the sight of his face the summer of the world.
When the morning came, faint and dim, through the dusky palace, Hermod sought Hel, who received him as cold and stern as fate.
"Your kingdom is full, O Hel!" he said, "and without Balder, Asgard is empty. Send him back to us once more, for there is sadness in every heart and tears are in every eye. Through heaven and earth all things weep for him."
"If that is true," was the slow, icy answer, "if every created thing weeps for Balder, he shall return to Asgard; but if one eye is dry he remains henceforth in Helheim."
Then Hermod rode swiftly away, and the decree of Hel was soon told in Asgard. Through all the worlds the gods sent messengers to say that all who loved Balder should weep for his return, and everywhere tears fell like rain. There was weeping in Asgard, and in all the earth there was nothing that did not weep. Men and women and little children, missing the light that had once fallen into their hearts and homes, sobbed with bitter grief; the birds of the air, who had sung carols of joy at the gates of the morning since time began, were full of sorrow; the beasts of the fields crouched and moaned in their desolation; the great trees, that had put on their robes of green at Balder's command, sighed as the wind wailed through them; and the sweet flowers, that waited for Balder's footstep and sprang up in all the fields to greet him, hung their frail blossoms and wept bitterly for the love and the warmth and the light that had gone out. Throughout the whole earth there was nothing but weeping, and the sound of it was like the wailing of those storms in autumn that weep for the dead summer as its withered leaves drop one by one from the trees.
The messengers of the gods went gladly back to Asgard, for everything had wept for Balder; but as they journeyed they came upon a giantess, called Thok, and her eyes were dry.
"Weep for Balder," they said.
"With dry eyes only will I weep for Balder," she answered. "Dead or alive, he never gave me gladness. Let him stay in Helheim."
When she had spoken these words a terrible laugh broke from her lips, and the messengers looked at each other with pallid faces, for they knew it was the voice of Loke.
Balder never came back to Asgard, and the shadows deepened over all things, for the night of death was fast coming on.