| | Paragraph. | | Page. | Adjoining Rooms | | 38 to 47 | | | Advancing Colors | | 77, 78, 79, 80, 89 | | | Angles, Illusion of | | 113, 114, 115, 117 | | | Artificial Light, Colors of | | | | 86 | | | | | | Balance of Pattern | | 75, 76 | | | Borders | | 61, 62, 81, 86 | | | Bric-À-brac | | 60, 89 | | | Black, The Use of | | 33 | | | | | | | | Color Nomenclature | | 9 | | | Complexion | | 160 | | | Contrasting Colors | | 12, 14 to 24 | | | Contrast Analogies | | 17 to 20 | | | Ceiling | | 37, 42, 43, 93 | | | Curtains | | 53 to 56 | | | Cove and Ceiling | | 56 | | | Cornice | | 63 | | | Chair Coverings | | 64 | | | Colors that Give Size to a Room | | (See Receding Colors) | | | Carpet | | 81 | | | Color Sympathies | | 95 | | | Curves, The Use of | | 107, 108, 111, 114, 116, 118 | | | Color Terms | | 120 to 134 | | | Chart | | 127 | | | | | | | | Dress, Depressing Influences | | 161 | | | Dress, Woman’s | | 160 | | | Decorative Illumination | | 141 | | | Definitions | | | | 89 | Draperies | | | | 42, 43 | Decorative Proportions | | | | 37 | | | | | | Exciting Colors | | 94, 160 | | | | | | | | Frieze, The Use of | | (See Wall Proportions, also Room Combinations) | | | Floors | | 42, 81, 84, 86, 87 | | 42, 43 | | | | | | Gray, The Use of | | 32, 91, 92 | | | Guide to Color Harmony | | 127 | | | | | | | | Harmonies Mechanically Determined | | 132 | | | Height Effects | | 75, 76 | | | Harmony of Analogy | | 13, 17, 27, 93 | | | Harmonies | | 10 | | | | | | | | Illusion in the Use of Lines | | 107 to 119 | | | Intensification of Color | | 31, 33, 159 | | | | | | | | Joy in Lines | | (See Curves) | | | | | | | | Lights and Shadows | | 158 | | | Lighting a Room, Candle-power Needed | | 157 | | | Light Installation | | | | 84 | Light, Effect on Color | | | | 82 | Luminous Colors | | (See Advancing Colors) | | | Large Room, Dark | | | | 34 | Low-Ceiling Rooms | | 58 | | | Large Rooms | | 58 | | | Large, Well-Lighted Rooms | | 26 | | 34 | Light | | 1, 8 | | | | | | | | Mixing Colors | | 8 | | | | | | | | Neutrals | | 121 | | | National Types of Color | | | | 47, 48 | Nature Colors | | 35, 96 | | | North Light | | 37, 59, 90, 91 | | | | | | | | Proportions in Color Contrast | | 22 to 24, 28 to 30, 35 | | | Pigments, The Use of | | 22 | | | Proportions Effected by Design | | (See Decorative Proportions) | | | Proportions Effected by Color | | 77 | | | Period Uses of Color | | | | 47, 48 | Psychology of Color | | 94 | | | Picture Moldings | | 50 | | | Plate-Rails | | 48 to 59 | | | Progression of Color | | 34, 39 | | | Prismatic Colors | | 6, 7, 8 | | | | | | | | Room Combinations | | | | 23 to 28 | Rugs | | 81, 84 | | | Rooms Under Normal Conditions | | | | 42, 43 | Receding Colors | | 77, 80, 89 | | | Reflection | | 5, 135, 155, 156 | | | | | | | | Spectrum | | 1 | | | Small Dark Rooms | | 21 | | 35 | Small Well-Lighted Rooms | | 25 | | 35 | Sequence of Color | | 34, 35, 36, 41 | | | South Light | | 37, 59 | | | Side-wall | | 48 to 57, 92 | | | Small Room, High Ceiling | | | | 35 | Small Room, Low Ceiling | | | | 35 | Side-wall as Keynote | | 92 | | | Straight Lines, Effect of | | 107, 109, 111-113, 115-117, 119 | | | Seriousness in Lines | | (See Straight Lines) | | | Spectrum Theories | | 121, 122 | | | | | | | | Trade Terms Meaningless | | 124, 125 | | | Taste in Color, to Determine | | 94 | | | | | | | | White, The Use of | | 31, 33, 88, 89, 98, 159, 160 | | | Wood Trims | | 48 to 59 | | | Wainscoting | | 48 to 57, 62, 93 | | 42, 43 | Width Effects | | 82 to 85, 87 | | | Wall Proportions | | | | 33 to 34 |
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