Printed in 1657. Sonnet. The Double Rock. Since thou hast view'd some Gorgon, and art grown A solid stone: To bring again to softness thy hard heart Is past my art. Ice may relent to water in a thaw; But stone made flesh Loves Chymistry ne're saw. Therefore by thinking on thy hardness, I Will petrify; And so within our double Quarryes Wombe, 10Dig our Loves Tombe. Thus strangely will our difference agree; And, with our selves, amaze the world, to see How both Revenge and Sympathy consent To make two Rocks each others Monument. The Double Rock.] In this very typical metaphysicality of a good second water (see note on Introduction), it will be observed that there is nothing archaic or irregular in the spelling except the usual 'ne're' for 'ne'er', the insertion of the three superfluous e's in lines 9, 10, and at most two or three gratuitous capitals with, if anybody pleases, the omission of the apostrophe for the possessive in ll. 6, 9, 10, and 14. 'Chymistry' I should have kept, of course, even if I had altered these others. The Vow-Breaker. When first the magic of thine eye, Usurp'd upon my liberty, Triumphing in my heart's spoil, thou Didst lock up thine in such a vow; When I prove false, may the bright day Be governed by the Moon's pale ray! (As I too well remember.) This Thou said'st, and seal'dst it with a kiss. O Heavens! and could so soon that tie 10Relent in slack apostacy? Could all thy oaths, and mortgag'd trust, Vanish? like letters form'd in dust Which the next wind scatters. Take heed, Take heed, Revolter; know this deed Hath wrong'd the world, which will fare worse By thy example than thy curse. Hide that false brow in mists. Thy shame Ne'er see light more, but the dim flame Of funeral lamps. Thus sit and moan, 20And learn to keep thy guilt at home. Give it no vent; for if again Thy Love or Vows betray more men, At length (I fear) thy perjur'd breath Will blow out day, and waken Death. The Vow-Breaker. 9 Orig. 'Ty', no doubt on the Spenserian principle of eye-rhyme. This and some others of the shorter poems which follow have been found by Mr. Thorn-Drury in miscellanies of the period, not merely well-known ones like Wits' Recreations (1641), but more obscure collections such as Parnassus Biceps, 1651, and Wits' Interpreter, 1655. The usual variants occur; but they are seldom, if ever, me judice of interest. One or two I have borrowed with acknowledgement. Upon a Table-Book presented to a Lady. When your fair hand receives this little book You must not there for prose or verses look. Those empty regions which within you see, May by yourself planted and peopled be: And though we scarce allow your sex to prove Writers (unless the argument be Love); Yet without crime or envy you have room Here, both the scribe and author to become. Upon a Table-Book, &c.] The title in one of Hannah's MS. copies has 'Noble Lady'. The person addressed does not seem to have been identified. To the same Lady upon Mr. Burton's Melancholy. If in this Glass of Humours you do find The passions or diseases of your mind, Here without pain, you safely may endure, Though not to suffer, yet to read your cure. But if you nothing meet you can apply, Then, ere you need, you have a remedy. And I do wish you never may have cause To be adjudg'd by these fantastic laws; But that this book's example may be known, 10By others' Melancholy, not your own. To the Same Lady.] 6 MS. 'before you need'—perhaps better. The lady to whom the Anatomy was likely to be congenial must have been worth knowing. The Farewell. Splendidis longÙm valedico nugis. Farewell, fond Love, under whose childish whip, I have serv'd out a weary prenti'ship; Thou that hast made me thy scorn'd property, To doat on rocks, but yielding loves to fly: Go, bane of my dear quiet and content, Now practise on some other patient. Farewell, false Hope, that fann'd my warm desire Till it had rais'd a wild unruly fire, Which nor sighs cool, nor tears extinguish can, 10Although my eyes out-flow'd the Ocean: Forth of my thoughts for ever, Thing of Air, Begun in error, finish'd in despair. Farewell, vain World, upon whose restless stage 'Twixt Love and Hope I have fool'd out my age; Henceforth, ere sue to thee for my redress, I'll woo the wind, or court the wilderness; And buried from the day's discovery, Study a slow yet certain way to die. My woful monument shall be a cell, 20The murmur of the purling brook my knell; My lasting epitaph the rock shall groan: Thus when sad lovers ask the weeping stone, What wretched thing does in that centre lie? The hollow Echo will reply, 'twas I. The Farewell.] The following are the variants of Malone MS. 22: 4-6 To doat on those that lov'd not and to fly Love that woo'd me. Go, bane of my content, And practise ... 21 And for an epitaph the rock shall groan Eternally: if any ask the stone. 23 centre] compass. A Blackmoor Maid wooing a fair Boy: sent to the Author by Mr. Hen. Rainolds. Stay, lovely boy, why fly'st thou me That languish in these flames for thee? I'm black, 'tis true: why so is Night, And Love doth in dark shades delight. The whole world, do but close thine eye, Will seem to thee as black as I; Or ope 't, and see what a black shade Is by thine own fair body made, That follows thee where'er thou go; 10(O who, allow'd, would not do so?) Let me for ever dwell so nigh, And thou shall need no other shade than I. Mr. Hen. Rainolds. The Boy's Answer to the Blackmoor. Black maid, complain not that I fly, When Fate commands antipathy: Prodigious might that union prove, Where Night and Day together move, And the conjunction of our lips Not kisses make, but an eclipse; In which the mixed black and white Portends more terror than delight. Yet if my shadow thou wilt be, 10Enjoy thy dearest wish: but see Thou take my shadow's property, That hastes away when I come nigh: Else stay till death hath blinded me, And then I will bequeath myself to thee. A Blackmoor Maid, and Answer.] I do not know whether the exact connexion between these two poems and Cleveland's 'Fair Nymph scorning a Black Boy' (v. sup., p. 42) has ever been discussed. But if 'Mr. Hen. Rainolds' is Drayton's friend, the verses printed above must have the priority, for nothing seems to be known of him after 1632. In Rawlinson MS. 1092, fol. 271, there are curious versions of these poems (the first is ascribed to William Strode), inverting the parts 'A black boy in love with a fair maid', and 'The fair maid's answer'. To a Friend upon Overbury's Wife given to her. I know no fitter subject for your view Than this, a meditation ripe for you, As you for it. Which, when you read, you'll see What kind of wife yourself will one day be: Which happy day be near you, and may this Remain with you as earnest of my wish; When you so far love any, that you dare Venture your whole affection on his care, May he for whom you change your virgin-life 10Prove good to you, and perfect as this Wife. To a Friend upon Overbury's Wife, &c.] King seems to have been fond of giving this popular production as a present, for the first of the three poems is certainly not addressed to the recipient of the others, and it seems probable that 2 and 3 are also independent. Hannah, without giving any reason, save the initials, suggests that 'A. R.' was Lady Anne Rich (v. inf.). Upon the same. Madam, who understands you well would swear, That you the Life, and this your Copy were. To A. R. upon the same. Not that I would instruct or tutor you What is a wife's behest, or husband's due, Give I this Widow-Wife. Your early date Of knowledge makes such precepts slow and late. This book is but your glass, where you shall see What yourself are, what other wives should be. To A. R.] 3 Widow-] Overbury himself being dead. An Epitaph on Niobe turned to Stone. This pile thou seest built out of flesh, not stone, Contains no shroud within, nor mould'ring bone. This bloodless trunk is destitute of tomb Which may the soul-fled mansion enwomb. This seeming sepulchre (to tell the troth) Is neither tomb nor body, and yet both. Upon a Braid of Hair in a Heart sent by Mrs. E. H. In this small character is sent My Love's eternal monument. Whilst we shall live, know this chain'd heart Is our affection's counterpart. And if we never meet, think I Bequeath'd it as my legacy. Upon a Braid of Hair, &c.] There is something rather out of the common way about this little piece. King married early and his wife died after a few years. How he loved her The Exequy and The Anniverse will tell in a few pages. But her initials were A. B. (Anne Berkeley) not E. H. On the other hand, his sister Elizabeth married Edward Holt, groom of the bedchamber to Charles I, who died in attendance on his master (see Elegy on him, inf.). The verses might be fraternal, and are certainly sincere. Sonnet. Tell me no more how fair she is, I have no mind to hear The story of that distant bliss I never shall come near: By sad experience I have found That her perfection is my wound. And tell me not how fond I am To tempt a daring Fate, From whence no triumph ever came, 10But to repent too late: There is some hope ere long I may In silence dote myself away. I ask no pity, Love, from thee, Nor will thy justice blame, So that thou wilt not envy me The glory of my flame: Which crowns my heart whene'er it dies, In that it falls her sacrifice. Tell me no more, &c.] The heading of this famous thing as 'Sonnet' has, of course, nothing surprising in it: in fact, the successive attachment of the title to five poems in a batch here and to four more a little lower down—no one of which is a quatorzain, and hardly two of which agree in form—is a capital example of the looseness with which that title was used. MS. copies appear to have 'Sonnet' with no particular addition in some cases. On 'Tell me no more' itself see Introduction. The last two lines are, as they should be, the finest part—with the fullness of contrasted vowel-sound in 'crowns', 'heart', 'e'er', and 'dies', and the emphasis of 'her'.
Sonnet. Were thy heart soft as thou art fair, Thou wer't a wonder past compare: But frozen Love and fierce disdain By their extremes thy graces stain. Cold coyness quenches the still fires Which glow in lovers' warm desires; And scorn, like the quick lightning's blaze, Darts death against affections gaze. O Heavens, what prodigy is this 10When Love in Beauty buried is! Or that dead pity thus should be Tomb'd in a living cruelty. Were thy heart, &c.] This is not much inferior except as concerns the metre. Sonnet. Go, thou that vainly dost mine eyes invite To taste the softer comforts of the night, And bid'st me cool the fever of my brain In those sweet balmy dews which slumber pain; Enjoy thine own peace in untroubled sleep, Whilst my sad thoughts eternal vigils keep. O couldst thou for a time change breasts with me, Thou in that broken glass shouldst plainly see A heart which wastes in the slow smoth'ring fire 10Blown by Despair, and fed by false Desire, Can only reap such sleeps as sea-men have, When fierce winds rock them on the foaming wave. Go, thou that, &c.] What made the excellent Archdeacon-to-be select this in preference to 'Tell me no more' as a specimen of King's presumed 'juvenile productions' it is difficult to discover. But Blown by Despair, and fed by false Desire is certainly a fine line. Sonnet. To Patience. Down, stormy passions, down; no more Let your rude waves invade the shore Where blushing reason sits, and hides Her from the fury of your tides. Fit only 'tis, where you bear sway, That fools or frantics do obey; Since judgement, if it not resists, Will lose itself in your blind mists. Fall easy, Patience, fall like rest 10Whose soft spells charm a troubled breast: And where those rebels you espy, O in your silken cordage tie Their malice up! so shall I raise Altars to thank your power, and praise The sovereign vertue of your balm, Which cures a tempest by a calm. To Patience.] So also he gave this very commonplace 'production' and the next, which is a little better. Silence. A Sonnet. Peace, my heart's blab, be ever dumb, Sorrows speak loud without a tongue: And, my perplexed thoughts, forbear To breathe yourselves in any ear: 'Tis scarce a true or manly grief, Which gads abroad to find relief. Was ever stomach that lack'd meat Nourish'd by what another eat? Can I bestow it, or will woe 10Forsake me, when I bid it go? Then I'll believe a wounded breast May heal by shrift, and purchase rest. But if, imparting it, I do Not ease myself, but trouble two, 'Tis better I alone possess My treasure of unhappiness: Engrossing that which is my own No longer than it is unknown. If silence be a kind of death, 20He kindles grief who gives it breath; But let it rak'd in embers lie, On thine own hearth 'twill quickly die: And spite of fate, that very womb Which carries it, shall prove its tomb. Love's Harvest. Fond Lunatic forbear, why dost thou sue For thy affection's pay ere it is due? Love's fruits are legal use; and therefore may Be only taken on the marriage day. Who for this interest too early call, By that exaction lose the principal. Then gather not those immature delights, Until their riper autumn thee invites. He that abortive corn cuts off his ground, 10No husband but a ravisher is found: So those that reap their love before they wed, Do in effect but cuckold their own bed. Love's Harvest. 11, 12, Malone MS. 22 has the singular: 'So he', &c. The Forlorn Hope. How long, vain Hope, dost thou my joys suspend? Say! must my expectation know no end? Thou wast more kind unto the wand'ring Greek Who did ten years his wife and country seek: Ten lazy winters in my glass are run, Yet my thought's travail seems but new begun. Smooth quicksand which the easy world beguiles, Thou shall not bury me in thy false smiles. They that in hunting shadows pleasure take, 10May benefit of thy illusion make. Since thou hast banish'd me from my content I here pronounce thy final banishment. Farewell, thou dream of nothing! thou mere voice! Get thee to fools that can feed fat with noise: Bid wretches mark'd for death look for reprieve, Or men broke on the wheel persuade to live. Henceforth my comfort and best hope shall be, By scorning Hope, ne'er to rely on thee. The Forlorn Hope.] 10 MS. 'illusions'—perhaps better. 14 can] MS. 'will'. The Retreat. Pursue no more (my thoughts!) that false unkind, You may as soon imprison the North-wind; Or catch the lightning as it leaps; or reach The leading billow first ran down the breach; Or undertake the flying clouds to track In the same path they yesterday did rack. Then, like a torch turn'd downward, let the same Desire which nourish'd it, put out your flame. Lo! thus I do divorce thee from my breast, 10False to thy vow, and traitor to my rest! Henceforth thy tears shall be (though thou repent) Like pardons after execution sent. Nor shalt thou ever my love's story read, But as some epitaph of what is dead. So may my hope on future blessings dwell, As 'tis my firm resolve and last farewell. The Retreat.] 4 'first' of course = 'that first'. One naturally asks 'beach'? but perhaps unreasonably. 6 'rack' as a verb in this sense is interesting, and certainly not common.
Sonnet. Tell me, you stars that our affections move, Why made ye me that cruel one to love? Why burns my heart her scorned sacrifice, Whose breast is hard as crystal, cold as ice? God of Desire! if all thy votaries Thou thus repay, succession will grow wise; No sighs for incense at thy shrine shall smoke, Thy rites will be despis'd, thy altars broke. O! or give her my flame to melt that snow 10Which yet unthaw'd does on her bosom grow; Or make me ice, and with her crystal chains Bind up all love within my frozen veins. Tell me, &c.] 6 succession] = 'those who come after us'. Sonnet. I prithee turn that face away Whose splendour but benights my day. Sad eyes like mine, and wounded hearts Shun the bright rays which beauty darts. Unwelcome is the Sun that pries Into those shades where sorrow lies. Go, shine on happy things. To me That blessing is a misery: Whom thy fierce Sun not warms, but burns, 10Like that the sooty Indian turns. I'll serve the night, and there confin'd Wish thee less fair, or else more kind. I prithee, &c.] Part of this is very neat and good, but it tails off. Sonnet. Dry those fair, those crystal eyes, Which like growing fountains rise To drown their banks. Grief's sullen brooks Would better flow in furrow'd looks. Thy lovely face was never meant To be the shore of discontent. Then clear those wat'rish stars again Which else portend a lasting rain; Lest the clouds which settle there 10Prolong my winter all the year: And the example others make In love with sorrow for thy sake. Dry those fair, &c.] This piece is also claimed for Lord Pembroke (see Preface to this volume). It might be his, King's, or the work of almost any lyrical poet in this collection and of many outside of it.
Sonnet. When I entreat, either thou wilt not hear, Or else my suit arriving at thy ear Cools and dies there. A strange extremity! To freeze i' th' Sun, and in the shade to fry. Whilst all my blasted hopes decline so soon, 'Tis evening with me, though at high noon. For pity to thyself, if not to me, Think time will ravish, what I lose, from thee. If my scorch'd heart wither through thy delay, 10Thy beauty withers too. And swift decay Arrests thy youth. So thou whilst I am slighted Wilt be too soon with age or sorrow nighted. When I entreat, &c.] 6 'E-ven-ing'. To a Lady who sent me a copy of verses at my going to bed. Lady, your art or wit could ne'er devise To shame me more than in this night's surprise. Why, I am quite unready, and my eye Now winking like my candle, doth deny To guide my hand, if it had aught to write; Nor can I make my drowsy sense indite Which by your verses' music (as a spell Sent from the Sybellean Oracle) Is charm'd and bound in wonder and delight, 10Faster than all the leaden chains of night. What pity is it then you should so ill Employ the bounty of your flowing quill, As to expend on him your bedward thought, Who can acknowledge that large love in nought But this lean wish; that fate soon send you those Who may requite your rhymes with midnight prose? Meantime, may all delights and pleasing themes Like masquers revel in your maiden dreams, Whilst dull to write, and to do more unmeet, 20I, as the night invites me, fall asleep. To a Lady.] Malone MS. 22, at fol. 34, has a first draft of this poem, in which ll. 1-10 appear thus: Doubtless the Thespian Spring doth overflow His learned bank: else how should ladies grow Such poets as to court th' unknowing time In verse, and entertain their friends in rhyme? Or you some Sybil are, sent to untie The knotty riddles of all poetry, Whilst your smooth numbers such perfections tell As prove yourself a modern oracle. ll. 11-20 follow as in the text. 8 'Sybellean', though an incorrect, is a rather pretty form and good to keep. It will be remembered that as a girl's name 'Sybella' or 'Sibella' is not unknown, beside 'Sybilla' and 'Sybil'. 20 This outrageous assonance may have been meant in character—the poet being too much 'in the arms of Porpus' to notice it. There follows in the original a piece called The Pink, but in the Errata acknowledgement is made that King did not write it. It is therefore omitted here. To his Friends of Christ Church upon the mislike of the Marriage of the Arts acted at Woodstock. But is it true, the Court mislik'd the play, That Christ Church and the Arts have lost the day; That Ignoramus should so far excel, Their hobby-horse from ours hath born the bell? Troth! you are justly serv'd, that would present Ought unto them, but shallow merriment; Or to your marriage-table did admit Guests that are stronger far in smell than wit. Had some quaint bawdry larded ev'ry scene, 10Some fawning sycophant, or courted quean; Had there appear'd some sharp cross-garter'd man Whom their loud laugh might nickname Puritan, Cas'd up in factious breeches and small ruff, That hates the surplice, and defies the cuff: Then sure they would have given applause to crown That which their ignorance did now cry down. Let me advise, when next you do bestow Your pains on men that do but little know, You do no Chorus nor a comment lack, 20Which may expound and construe ev'ry Act: That it be short and slight; for if 't be good Tis long, and neither lik'd nor understood. Know 'tis Court fashion still to discommend All that which they want brain to comprehend. To his Friends of Christ Church.] The occasion of this piece was one of those 'sorrowful chances' which befall those who endeavour to please kings, whatever their name. 'The play' was Barton Holyday's Technogamia, and the 'misliking' (James actually 'offered' to go away twice, though, being a good-natured person, he was persuaded to sit it out) is chronicled by Antony Wood under the author's name. It had been acted with great applause in the House itself, and two of King's younger brothers were among the performers. Also the 'frost' was made more unkind by the success at Cambridge of Ruggles's Ignoramus. So King's spleen, if unwise, was not quite unmotived. The date was August, 1621. 14 There is no probable reference to Malvolio, despite the association of 'cross-garter'd' and 'Puritan'; but the tone of the passage enables one to some extent to understand why the Puritan party conceived themselves to be deserted by King.
The Surrender. My once dear Love! hapless that I no more Must call thee so; the rich affection's store That fed our hopes, lies now exhaust and spent, Like sums of treasure unto bankrupts lent. We, that did nothing study but the way To love each other, with which thoughts the day Rose with delight to us, and with them, set, Must learn the hateful art, how to forget. We, that did nothing wish that Heav'n could give, 10Beyond ourselves, nor did desire to live Beyond that wish, all these now cancel must, As if not writ in faith, but words and dust. Yet witness those clear vows which lovers make, Witness the chaste desires that never brake Into unruly heats; witness that breast Which in thy bosom anchor'd his whole rest, 'Tis no default in us; I dare acquite Thy maiden faith, thy purpose fair and white, As thy pure self. Cross planets did envy 20Us to each other, and Heaven did untie Faster than vows could bind. O that the stars, When lovers meet, should stand oppos'd in wars! Since then some higher Destinies command, Let us not strive nor labour to withstand What is past help. The longest date of grief Can never yield a hope of our relief; And though we waste ourselves in moist laments, Tears may drown us, but not our discontents. Fold back our arms, take home our fruitless loves, 30That must new fortunes try, like turtle-doves Dislodged from their haunts. We must in tears Unwind a love knit up in many years. In this last kiss I here surrender thee Back to thyself, so thou again art free. Thou in another, sad as that, resend The truest heart that lover ere did lend. Now turn from each. So fare our sever'd hearts, As the divorc'd soul from her body parts. The Surrender.] Title 'An Elegy' in Malone MS. 22. 13 Yet] MS. 'But'. 17 'acquite' may be for rhyme only; but if 'requite', why not? 34 so] MS. 'lo'. This piece and the next must be interpreted as each reader chooses. They are not without touches of sincerity, but might as well be exercises in the school of King's great friend and master, Donne.
The Legacy. My dearest Love! when thou and I must part, And th' icy hand of death shall seize that heart Which is all thine; within some spacious will I'll leave no blanks for legacies to fill: 'Tis my ambition to die one of those, Who, but himself, hath nothing to dispose. And since that is already thine, what need I to re-give it by some newer deed? Yet take it once again. Free circumstance 10Does oft the value of mean things advance: Who thus repeats what he bequeath'd before, Proclaims his bounty richer than his store. But let me not upon my love bestow What is not worth the giving. I do owe Somewhat to dust: my body's pamper'd care, Hungry corruption and the worm will share. That mould'ring relic which in earth must lie, Would prove a gift of horror to thine eye. With this cast rag of my mortality, 20Let all my faults and errors buried be. And as my cere-cloth rots, so may kind fate Those worst acts of my life incinerate. He shall in story fill a glorious room, Whose ashes and whose sins sleep in one tomb. If now to my cold hearse thou deign to bring Some melting sighs as thy last offering, My peaceful exequies are crown'd. Nor shall I ask more honour at my funeral. Thou wilt more richly balm me with thy tears, 30Than all the nard fragrant Arabia bears. And as the Paphian Queen by her grief's show'r Brought up her dead Love's spirit in a flow'r: So by those precious drops rain'd from thine eyes, Out of my dust, O may some virtue rise! And like thy better Genius thee attend, Till thou in my dark period shall end. Lastly, my constant truth let me commend To him thou choosest next to be thy friend. For (witness all things good) I would not have 40Thy youth and beauty married to my grave, 'T would show thou didst repent the style of wife, Shouldst thou relapse into a single life. They with preposterous grief the world delude, Who mourn for their lost mates in solitude; Since widowhood more strongly doth enforce The much lamented lot of their divorce. Themselves then of their losses guilty are, Who may, yet will not, suffer a repair. Those were barbarian wives, that did invent 50Weeping to death at th' husband's monument; But in more civil rites she doth approve Her first, who ventures on a second love; For else it may be thought, if she refrain, She sped so ill, she durst not try again. Up then, my Love, and choose some worthier one, Who may supply my room when I am gone; So will the stock of our affection thrive No less in death, than were I still alive. And in my urn I shall rejoice, that I 60Am both testator thus and legacy. The Legacy.] The remark made above applies especially to The Legacy, for there are no known or likely circumstances in King's life corresponding to it; while at the same time it might be the fancy of a young lover-husband. The first six stanzas have something of the 'yew-and-roses' charm of their great originals: the last four justify the ancients in holding that extravagance too often comports frigidity. The Short Wooing. Like an oblation set before a shrine, Fair one! I offer up this heart of mine. Whether the Saint accept my gift or no, I'll neither fear nor doubt before I know. For he whose faint distrust prevents reply, Doth his own suit's denial prophesy. Your will the sentence is; who free as Fate Can bid my love proceed, or else retreat. And from short views that verdict is decreed 10Which seldom doth one audience exceed. Love asks no dull probation, but like light Conveys his nimble influence at first sight. I need not therefore importune or press; This were t' extort unwilling happiness: And much against affection might I sin: To tire and weary what I seek to win. Towns which by ling'ring siege enforced be Oft make both sides repent the victory. Be Mistress of yourself: and let me thrive 20Or suffer by your own prerogative. Yet stay, since you are Judge, who in one breath Bear uncontrolled power of Life and Death, Remember (Sweet) pity doth best become Those lips which must pronounce a suitor's doom. If I find that, my spark of chaste desire Shall kindle into Hymen's holy fire: Else like sad flowers will these verses prove, To stick the coffin of rejected Love. The Short Wooing.] A fair average metaphysicality. St. Valentine's Day Now that each feather'd chorister doth sing The glad approaches of the welcome Spring: Now Phoebus darts forth his more early beam And dips it later in the curled stream, I should to custom prove a retrograde Did I still dote upon my sullen shade. Oft have the seasons finish'd and begun; Days into months, those into years have run, Since my cross stars and inauspicious fate 10Doom'd me to linger here without my mate Whose loss ere since befrosting my desire, Left me an Altar without gift or fire. I therefore could have wish'd for your own sake That Fortune had design'd a nobler stake For you to draw, than one whose fading day Like to a dedicated taper lay Within a tomb, and long burnt out in vain, Since nothing there saw better by the flame. Yet since you like your chance, I must not try 20To mar it through my incapacity. I here make title to it, and proclaim How much you honour me to wear my name; Who can no form of gratitude devise, But offer up myself your sacrifice. Hail, then, my worthy lot! and may each morn Successive springs of joy to you be born: May your content ne'er wane until my heart Grown bankrupt, wants good wishes to impart. Henceforth I need not make the dust my shrine, Nor search the grave for my lost Valentine. St. Valentine's Day.] I suppose, though I do not remember an instance, that in the good days before the prettiest of English customs succumbed—partly to the growth of Vulgarity and partly to the competition of the much less interesting Christmas Card—some one, or more than one, must have made a collection of literary Valentines. In that case this should have figured. It has a good deal of 'Henry King, his mark'—good taste, freedom from mawkishness, melody, and enough poetical essence to save it from the merely mediocre. The coincidence of l. 24 with the more passionate close of 'Tell me no more' should not escape notice.—I have not altered 'ere since' to 'e'er since' in text, because the emendation, though almost, is not quite certain.
To his unconstant Friend. But say, thou very woman, why to me This fit of weakness and inconstancy? What forfeit have I made of word or vow, That I am rack'd on thy displeasure now? If I have done a fault, I do not shame To cite it from thy lips, give it a name: I ask the banes, stand forth, and tell me why We should not in our wonted loves comply? Did thy cloy'd appetite urge thee to try 10If any other man could love as I? I see friends are like clothes, laid up whilst new, But after wearing cast, though ne'er so true. Or did thy fierce ambition long to make Some lover turn a martyr for thy sake? Thinking thy beauty had deserv'd no name Unless someone do perish in that flame: Upon whose loving dust this sentence lies, Here 's one was murther'd by his mistress' eyes. Or was't because my love to thee was such, 20I could not choose but blab it? swear how much I was thy slave, and doting let thee know, I better could myself than thee forgo. Hearken! ye men that e'er shall love like me, I'll give you counsel gratis: if you be Possess'd of what you like, let your fair friend Lodge in your bosom, but no secrets send To seek their lodging in a female breast; For so much is abated of your rest. The steed that comes to understand his strength 30Grows wild, and casts his manager at length: And that tame lover who unlocks his heart Unto his mistress, teaches her an art To plague himself; shows her the secret way How she may tyrannize another day. And now, my fair Unkindness, thus to thee; Mark how wise Passion and I agree: Hear and be sorry for't. I will not die To expiate thy crime of levity: I walk (not cross-arm'd neither), eat, and live, 40Yea live to pity thy neglect, not grieve That thou art from thy faith and promise gone, Nor envy him who by my loss hath won. Thou shalt perceive thy changing Moon-like fits Have not infected me, or turn'd my wits To lunacy. I do not mean to weep When I should eat, or sigh when I should sleep; I will not fall upon my pointed quill, Bleed ink and poems, or invention spill To contrive ballads, or weave elegies 50For nurses' wearing when the infant cries. Nor like th' enamour'd Tristrams of the time, Despair in prose and hang myself in rhyme. Nor thither run upon my verses' feet, Where I shall none but fools or madmen meet, Who midst the silent shades, and myrtle walks, Pule and do penance for their mistress' faults. I'm none of those poetic malcontents Born to make paper dear with my laments: Or wild Orlando that will rail and vex, 60And for thy sake fall out with all the sex. No, I will love again, and seek a prize That shall redeem me from thy poor despise. I'll court my fortune now in such a shape That will no faint dye, nor starv'd colour take. Thus launch I off with triumph from thy shore, To which my last farewell; for never more Will I touch there. I put to sea again Blown with the churlish wind of thy disdain. Nor will I stop this course till I have found 70A coast that yields safe harbour, and firm ground. Smile, ye Love-Stars; wing'd with desire I fly, To make my wishes' full discovery: Nor doubt I but for one that proves like you, I shall find ten as fair, and yet more true. To his unconstant Friend.] 7 I have thought it better to keep the form 'bane', which was not uncommon (and, if I am not mistaken, was sometimes made to carry a pun with it), instead of the now usual, and even then authoritative, 'bann'. 11 laid] Orig. 'lad'—an evident misprint. 16 had perisht Malone MS. 22. 57 Orig., as often, 'malecontents'. This piece is one of King's few attempts to play the 'dog'. It is, as one would expect, not very happy, but it might be worse. Madam Gabrina, Or the Ill-favour'd Choice. Con mala Muger el remedio Mucha Tierra por el medio. I have oft wond'red why thou didst elect Thy mistress of a stuff none could affect, That wore his eyes in the right place. A thing Made up, when Nature's powers lay slumbering. One, where all pregnant imperfections met To make her sex's scandal: Teeth of jet, Hair dy'd in orp'ment, from whose fretful hue Canidia her highest witchcrafts drew. A lip most thin and pale, but such a mouth 10Which like the poles is stretched North and South A face so colour'd, and of such a form, As might defiance bid unto a storm: And the complexion of her sallow hide Like a wrack'd body wash'd up by the tide: Eyes small: a nose so to her vizard glued As if 'twould take a Planet's altitude. Last for her breath, 'tis somewhat like the smell That does in Ember weeks on Fish-street dwell; Or as a man should fasting scent the Rose 20Which in the savoury Bear-garden grows. If a Fox cures the paralytical, Hadst thou ten palsies, she'd outstink them all. But I have found thy plot: sure thou didst try To put thyself past hope of jealousy: And whilst unlearned fools the senses please, Thou cur'st thy appetite by a disease; As many use, to kill an itch withal, Quicksilver or some biting mineral. Dote upon handsome things each common man 30With little study and less labour can; But to make love to a deformity, Only commends thy great ability, Who from hard-favour'd objects draw'st content, As estriches from iron nutriment. Well, take her, and like mounted George, in bed Boldly achieve thy Dragon's maiden-head: Where (though scarce sleep) thou mayst rest confident None dares beguile thee of thy punishment: The sin were not more foul that he should commit, 40Than is that She with whom he acted it. Yet take this comfort: when old age shall raze, Or sickness ruin many a good face, Thy choice cannot impair; no cunning curse Can mend that night-piece, that is, make her worse. Madam Gabrina] 7 'Orp[i]ment' = yellow arsenic—then, and to some extent still, used as a gold-dye. 39 Malone MS. 22 omits that. 41 It is curious that King, who has elsewhere followed Spenser in the matter of eye-rhyme pretty closely, did not spell 'raze', 'race', which was a very usual form and perhaps, as in 'race-ship', the commoner pronunciation.—The whole poem is one of his most disappointing. His Spanish distich—which (adopting Mr. Browning's use of 'fix') might be paraphrased: If a bad woman once has fix'd you, Put many a mile of ground betwixt you— says nothing about mere ugliness; while, on the other hand, King does not utilize the prescription of absence as the only cure for ill-placed love. He has at first sight simply added (though, as one would expect, not in the most offensive form) another to the far too numerous dull and loathsome imitations of one of Horace's rare betrayals of the fact that he was not a gentleman. But see on next.
The Defence. Piensan los Enamorados Que tienen los otros los ojos quebrantados. Why slightest thou what I approve? Thou art no Peer to try my love, Nor canst discern where her form lies, Unless thou saw'st her with my eyes. Say she were foul and blacker than The Night, or sunburnt African, If lik'd by me, 'tis I alone Can make a beauty where was none; For rated in my fancy, she 10Is so as she appears to me. But 'tis not feature, or a face, That does my free election grace, Nor is my liking only led By a well-temper'd white and red; Could I enamour'd grow on those, The Lily and the blushing Rose United in one stalk might be As dear unto my thoughts as she. But I look farther, and do find 20A richer beauty in her mind; Where something is so lasting fair, As time or age cannot impair. Hadst thou a perspective so clear, Thou couldst behold my object there; When thou her virtues shouldst espy, They'd force thee to confess that I Had cause to like her, and learn thence To love by judgement, not by sense. The Defence.] This is very much better, though we need not have had to wade through the other poem to get to it. It has neither the conciseness nor the finish of Ausonius's triumphant confession to Crispa, but is good enough. The Spanish heading here, which in the original has an unnecessary comma at otros and an unnecessary divorce of space between quebranta and dos, may be roughly rendered: For it is still the lover's mind That all, except himself, are blind. The piece is also assigned to Rudyard. Mr. Thorn-Drury notes a variant at ll. 23-8 of some interest from Parnassus Biceps, where the title is 'A Lover to one dispraising his Mistress': so clear That thou couldst view my object there; When thou her virtues didst espy, Thou 'ldst wonder and confess that I Had cause to like; and learn from hence To love.
To One demanding why Wine sparkles. So diamonds sparkle, and thy mistress' eyes; When 'tis not fire but light in either flies. Beauty not thaw'd by lustful flames will show Like a fair mountain of unmelted snow: Nor can the tasted vine more danger bring Than water taken from the crystal spring, Whose end is to refresh and cool that heat Which unallay'd becomes foul vice's seat: Unless thy boiling veins, mad with desire 10Of drink, convert the liquor into fire. For then thou quaff'st down fevers, thy full bowls Carouse the burning draughts of Portia's coals. If it do leap and sparkle in the cup, 'Twill sink thy cares, and help invention up. There never yet was Muse or Poet known Not dipt or drenched in this Helicon. But Tom! take heed thou use it with such care As witches deal with their familiar. For if thy virtue's circle not confine 20And guard thee from the Furies rais'd by wine, 'Tis ten to one this dancing spirit may A Devil prove to bear thy wits away; And make thy glowing nose a map of Hell Where Bacchus' purple fumes like meteors dwell. Now think not these sage morals thee invite To prove Carthusian or strict Rechabite; Let fool's be mad, wise people may be free, Though not to license turn their liberty. He that drinks wine for health, not for excess, 30Nor drowns his temper in a drunkenness, Shall feel no more the grape's unruly fate, Then if he took some chilling opiate. To One demanding, &c.] If not exactly Poetry, this is at least sense, as was once remarked (or in words to that effect), with 'Latin' for 'Poetry', by the late Professor Nettleship, with regard to a composition not in verse. Malone MS. 22, fol. 24, has an earlier draft of this poem, commencing: We do not give the wine a sparkling name, As if we meant those sparks implied a flame; The flame lies in our blood: and 'tis desire Fed by loose appetite sets us on fire, and concluding with lines 29-32. By occasion of the Young Prince his happy Birth. [Charles II. Born May 29, 1630.] At this glad triumph, when most poets use Their quill, I did not bridle up my Muse For sloth or less devotion. I am one That can well keep my Holy-days at home; That can the blessings of my King and State Better in pray'r than poems gratulate; And in their fortunes bear a loyal part, Though I no bonfires light but in my heart. Truth is, when I receiv'd the first report 10Of a new star risen and seen at Court; Though I felt joy enough to give a tongue Unto a mute, yet duty strook me dumb: And thus surpris'd by rumour, at first sight I held it some allegiance not to write. For howe'er children, unto those that look Their pedigree in God's, not the Church book, Fair pledges are of that eternity Which Christians possess not till they die; Yet they appear, view'd in that perspective 20Through which we look on men long since alive, Like succours in a Camp, sent to make good Their place that last upon the watches stood. So that in age, or fate, each following birth Doth set the parent so much nearer earth: And by this grammar we our heirs may call The smiling Preface to our funeral. This sadded my soft sense, to think that he Who now makes laws, should by a bold decree Be summon'd hence, to make another room, 30And change his royal palace for a tomb. For none ere truly lov'd the present light, But griev'd to see it rivall'd by the night: And if 't be sin to wish that light extinct, Sorrow may make it treason but to think't. I know each malcontent or giddy man, In his religion, with the Persian Adores the rising Sun; and his false view Best likes, not what is best, but what is new. O that we could these gangrenes so prevent 40(For our own blessing, and their punishment), That all such might, who for wild changes thirst, Rack'd on a hopeless expectation, burst, To see us fetter time, and by his stay To a consistence fix the flying day; And in a Solstice by our prayers made, Rescue our Sun from death or envy's shade. But here we dally with fate, and in this Stern Destiny mocks and controls our wish; Informing us, if fathers should remain 50For ever here, children were born in vain; And we in vain were Christians, should we In this world dream of perpetuity. Decay is Nature's Kalendar; nor can It hurt the King to think he is a man; Nor grieve, but comfort him, to hear us say That his own children must his sceptre sway. Why slack I then to contribute a vote, Large as the kingdom's joy, free as my thought? Long live the Prince! and in that title bear 60The world long witness that the King is here: May he grow up, till all that good he reach Which we can wish, or his Great Father teach: Let him shine long, a mark to land and main, Like that bright spark plac'd nearest to Charles' Wain, And, like him, lead succession's golden team, Which may possess the British diadem. But in the mean space, let his Royal Sire, Who warms our hopes with true Promethean fire, So long his course in time and glory run, 70Till he estate his virtue on his son. So in his father's days this happy One Shall crowned be, yet not usurp the Throne; And Charles reign still, since thus himself will be Heir to himself, through all posterity. By occasion, &c. 8 Orig. 'bone-fires', as often, the spelling being accepted by recent authorities as etymological. But bones do not make good fires: 'bane-fire', the acknowledged Northern form, which has been held to support this origin, is a very likely variant of' bale-fire', and the obvious 'bon-fire' in the holiday sense is by no means so absurd as it has been represented to be. 10 This 'new star' occurs again and again in courtly verse throughout Charles's life and at his death, but the accounts of it are uncomfortably conflicting. Some say that Venus was visible all day long—a phenomenon of obvious application; others make it Mercury—whereto also an application, at which the person concerned would have laughed very genially, is possible. But neither is a 'new star'; and the miracle is perhaps more judiciously put as that of a star, no matter what, shining brightly at noonday. 22 that] MS. 'who'. 27 'sadded' has some interest. 47 'But here we with fate dally' Malone MS. 22. 50 were born] MS. 'would live'—not so well. 57 vote] In the sense of votum = 'wish'. 60 long] MS. 'glad'. 63 long] MS. 'forth'. 70 MS. 'virtues'. Upon the King's happy return from Scotland. So breaks the day, when the returning Sun Hath newly through his winter tropic run, As You (Great Sir!) in this regress come forth From the remoter climate of the North. To tell You now what cares, what fears we past, What clouds of sorrow did the land o'er-cast, Were lost, but unto such as have been there, Where the absented Sun benights the year: Or have those countries travel'd, which ne'er feel 10The warmth and virtue of his flaming wheel. How happy yet were we! that when You went, You left within Your Kingdom's firmament A Partner-light, whose lustre may despise The nightly glimm'ring tapers of the skies, Your peerless Queen; and at each hand a Star, Whose hopeful beams from You enkindled are. Though (to say truth) the light, which they could bring, Serv'd but to lengthen out our evening. Heaven's greater lamps illumine it; each spark 20Adds only this, to make the sky less dark. Nay, She, who is the glory of her sex, Did sadly droop for lack of Your reflex: Oft did She her fair brow in loneness shroud, And dimly shone, like Venus in a cloud. Now are those gloomy mists dry'd up by You, As the world's eye scatters the ev'ning dew: And You bring home that blessing to the land, Which absence made us rightly understand. Here may You henceforth stay! there need no charms 30To hold You, but the circle of her arms, Whose fruitful love yields You a rich increase, Seals of Your joy, and of the kingdom's peace. O may those precious pledges fix You here, And You grow old within that crystal sphere! Pardon this bold detention. Else our love Will merely an officious trouble prove. Each busy minute tells us, as it flies, That there are better objects for Your eyes. To them let us leave You, whilst we go pray, 40Raising this triumph to a Holy-day. And may that soul the Church's blessing want, May his content be short, his comforts scant, Whose bosom-altar does no incense burn, In thankful sacrifice for Your return. Upon the King's happy return, &c.] Hannah notes that this appears with variants, but signed, in MS. Ashm. 38, fol. 51. I have not thought it necessary to collate this version from a work described by good authorities as 'a bad MS.'. The piece itself, however, with others of King's, may well have been in Dryden's mind when he composed his own batch of Restoration welcome-poems to Charles II and Clarendon, within three or four years of the publication of these. There is no plagiarism: Heaven forbid that I should take part in plagiarism-hunting. But there is a sort of resemblance in form and tone (especially in the use of 'You' and 'Your' as pivots), and (though with great improvement) in versification.—The capital Y's here are almost complete in the original, and I have completed them.
To the Queen at Oxford. Great Lady! that thus, quite against our use, We speak your welcome by an English Muse, And in a vulgar tongue our zeals contrive, Is to confess your large prerogative, Who have the pow'rful freedom to dispense With our strict Rules, or Custom's difference. 'Tis fit, when such a Star deigns to appear, And shine within the academic sphere, That ev'ry college, grac'd by your resort, 10Should only speak the language of your Court; As if Apollo's learned quire, but You, No other Queen of the Ascendent knew. Let those that list invoke the Delphian name, To light their verse, and quench their doting flame; In Helicon it were high treason now, Did any to a feign'd Minerva bow; When You are present, whose chaste virtues stain The vaunted glories of her maiden brain. I would not flatter. May that diet feed 20Deform'd and vicious souls; they only need Such physic, who, grown sick of their decays, Are only cur'd with surfeits of false praise; Like those, who, fall'n from youth or beauty's grace, Lay colours on, which more belie the face. Be You still what You are; a glorious theme For Truth to crown. So when that diadem Which circles Your fair brow drops off, and time Shall lift You to that pitch our prayers climb; Posterity will plait a nobler wreath, 30To crown Your fame and memory in death. This is sad truth and plain, which I might fear Would scarce prove welcome to a Prince's ear; And hardly may you think that writer wise, Who preaches there where he should poetize; Yet where so rich a bank of goodness is, Triumphs and Feasts admit such thoughts as this, Nor will your virtue from her client turn, Although he bring his tribute in an urn. Enough of this: who knows not when to end 40Needs must, by tedious diligence, offend. Tis not a poet's office to advance The precious value of allegiance. And least of all the rest do I affect To word my duty in this dialect. My service lies a better way, whose tone Is spirited by full devotion. Thus, whilst I mention You, Your Royal Mate, And Those which your blest line perpetuate, I shall such votes of happiness rehearse, 50Whose softest accents will out-tongue my verse. To the Queen at Oxford.] This poem was omitted in Hannah's MS., and it is in no way clear to what visit it refers. The absence of any reference to politics shows that it cannot have been Henrietta's residence at Merton during the Rebellion. 29 plait] Orig 'plat'. A Salutation of His Majesty's ship The Sovereign. Move on, thou floating trophy built to Fame! And bid her trump spread thy majestic name; That the blue Tritons, and those petty Gods Which sport themselves upon the dancing floods, May bow, as to their Neptune, when they feel The awful pressure of thy potent keel. Great wonder of the time! whose form unites In one aspect two warring opposites, Delight and horror; and in them portends 10Diff'ring events both to thy foes and friends; To these thy radiant brow, Peace's bright shrine, Doth like that golden constellation shine, Which guides the seaman with auspicious beams, Safe and unshipwrack'd through the troubled streams. But, as a blazing meteor, to those It doth ostents of blood and death disclose. For thy rich decks lighten like Heaven's fires, To usher forth the thunder of thy tires. O never may cross wind, or swelling wave, 20Conspire to make the treach'rous sands thy grave: Nor envious rocks, in their white foamy laugh, Rejoice to wear thy loss's Epitaph. But may the smoothest, most successful gales Distend thy sheet, and wing thy flying sails: That all designs which must on thee embark, May be securely plac'd, as in the Ark. May'st thou, where'er thy streamers shall display, Enforce the bold disputers to obey: That they, whose pens are sharper than their swords, 30May yield in fact, what they denied in words. Thus when th' amazed world our seas shall see Shut from usurpers, to their own Lord free, Thou may'st, returning from the conquered main, With thine own triumphs be crown'd Sovereign. A Salutation, &c.] The Sovereign, Sovereign of the Seas, or Royal Sovereign (I am not sure what name she bore during the Rebellion) is one of the famous literary ships of the English Navy. She was built in 1637 at Woolwich by Phineas and Peter Pett out of a whole year's ship-money; and if the means for raising her cost (£80,000) were unpopular, a great deal of pride was taken in the ship herself. Thomas Heywood wrote an account of her which has been frequently quoted. See, for instance, Mr. David Hannay's Short History of the Royal Navy, i. 172, 173. She was of 1637 tons burthen; was pierced for 98 great guns with many smaller murdering-pieces and chasers; and was most elaborately decorated, with carved stern, galleries, black and gold angels, trophies and emblems of all sorts—besides a baker's dozen of allegorical, mythological, and historical statues of personages from Cupid to King Edgar on horseback, as figureheads and elsewhere. She fought all through the Dutch wars; escaped the disgraceful disaster in the Medway; distinguished herself at La Hogue, where a great part is assigned to her by some accounts in chasing Tourville's Soleil Royal ashore; and was burnt by accident, not long after, at Chatham in 1696—her sixtieth year. 11 The 'radiant brow' is of course the gilded figurehead group. There was no actual 'Peace' among the allegories, but the Cupid, a 'child bridling a lion', might perhaps stand for her. 18 'Tire' is of course 'tier': the Sovereign was a three-decker. Professor Skeat approves the spelling, which occurs in Milton and elsewhere. But some would have a special word 'tire', not for the row but the actual 'fire' or 'shooting' (tir) of the guns—which would do well enough here. 19-22 King's own age would, after the event, have instanced this as an example of Fate granting prayers to the letter yet evading them in the spirit. The Sovereign did escape wind and wave, sand and rock, as well as the enemy, but only to perish otherwise. 24 'Sheets' in plural in Hannah's MS. Another in the Ashmolean collection 'clo[a]th[e]s'—a good naval technicality. 27-34 Referring to the Mare Clausum dispute and the English insistence on the lowering of foreign flags. An Epitaph on his most honoured friend, Richard, Earl of Dorset. [Died March 28, 1624.] Let no profane ignoble foot tread near This hallow'd piece of earth: Dorset lies here. A small sad relique of a noble spirit, Free as the air, and ample as his merit; Whose least perfection was large, and great Enough to make a common man complete. A soul refin'd and cull'd from many men, That reconcil'd the sword unto the pen, Using both well. No proud forgetting Lord, 10But mindful of mean names, and of his word. One that did love for honour, not for ends, And had the noblest way of making friends By loving first. One that did know the Court, Yet understood it better by report Than practice, for he nothing took from thence But the king's favour for his recompense. One for religion, or his country's good, That valu'd not his fortune, nor his blood. One high in fair opinion, rich in praise, 20And full of all we could have wish'd, but days. He that is warn'd of this, and shall forbear To vent a sigh for him, or lend a tear; May he live long and scorn'd, unpitied fall, And want a mourner at his funeral. An Epitaph.] This Dorset was the third earl, Richard. As a very young man he married the famous Lady Anne Clifford, whose ill-luck in husbands may have been partly caused, but must have been somewhat compensated, by her masterful temper. Dorset, who died young, was both a libertine and a spendthrift; but King seems to have thought well enough of him not only to write this epitaph, but to lend him, or guarantee for him, a thousand pounds (quite £3,000 to-day), which he had at any rate not got back thirty years afterwards. The present piece appears, with variants, in Corbet's Poems, but King seems to have the better claim. Hannah gives a considerable body of various readings from the Corbet version and one in the Ashmole MS. 38, but it hardly seems worth while to burden the page-foot with them, for the epitaph is mere 'common-form' and of no special interest. The Exequy. Accept, thou Shrine of my dead Saint, Instead of dirges this complaint; And for sweet flowers to crown thy hearse, Receive a strew of weeping verse From thy griev'd friend, whom thou might'st see Quite melted into tears for thee. Dear loss! since thy untimely fate, My task hath been to meditate On thee, on thee: thou art the book, 10The library, whereon I look, Though almost blind. For thee (lov'd clay) I languish out, not live, the day, Using no other exercise But what I practise with mine eyes: By which wet glasses, I find out How lazily time creeps about To one that mourns; this, only this, My exercise and bus'ness is: So I compute the weary hours 20With sighs dissolved into showers. Nor wonder, if my time go thus Backward and most preposterous; Thou hast benighted me; thy set This eve of blackness did beget, Who wast my day (though overcast, Before thou hadst thy noon-tide past), And I remember must in tears, Thou scarce hadst seen so many years As day tells hours. By thy clear Sun, 30My love and fortune first did run; But thou wilt never more appear Folded within my hemisphere, Since both thy light and motion Like a fled star is fall'n and gone, And 'twixt me and my soul's dear wish The earth now interposed is, Which such a strange eclipse doth make, As ne'er was read in almanac. I could allow thee, for a time, 40To darken me and my sad clime, Were it a month, a year, or ten, I would thy exile live till then; And all that space my mirth adjourn, So thou wouldst promise to return; And putting off thy ashy shroud, At length disperse this sorrow's cloud. But woe is me! the longest date Too narrow is to calculate These empty hopes: never shall I 50Be so much blest as to descry A glimpse of thee, till that day come, Which shall the earth to cinders doom, And a fierce fever must calcine The body of this world, like thine, My Little World! That fit of fire Once off, our bodies shall aspire To our souls' bliss: then we shall rise, And view ourselves with clearer eyes In that calm region, where no night 60Can hide us from each other's sight. Meantime, thou hast her, Earth; much good May my harm do thee. Since it stood With Heaven's will, I might not call Her longer mine, I give thee all My short-liv'd right and interest In her, whom living I lov'd best: With a most free and bounteous grief, I give thee, what I could not keep. Be kind to her, and prithee look 70Thou write into thy Dooms-day book Each parcel of this rarity, Which in thy casket shrin'd doth lie: See that thou make thy reck'ning straight, And yield her back again by weight; For thou must audit on thy trust Each grain and atom of this dust, As thou wilt answer Him that lent, Not gave thee, my dear monument. So close the ground, and 'bout her shade 80Black curtains draw;—my Bride is laid. Sleep on, my Love, in thy cold bed, Never to be disquieted! My last good night! Thou wilt not wake, Till I thy fate shall overtake: Till age, or grief, or sickness, must Marry my body to that dust It so much loves; and fill the room My heart keeps empty in thy tomb. Stay for me there; I will not fail 90To meet thee in that hollow vale: And think not much of my delay; I am already on the way, And follow thee with all the speed Desire can make, or sorrows breed. Each minute is a short degree, And ev'ry hour a step towards thee. At night, when I betake to rest, Next morn I rise nearer my West Of life, almost by eight hours' sail 100Than when sleep breath'd his drowsy gale. Thus from the Sun my bottom steers, And my day's compass downward bears: Nor labour I to stem the tide, Through which to Thee I swiftly glide. 'Tis true, with shame and grief I yield, Thou, like the van, first took'st the field, And gotten hast the victory, In thus adventuring to die Before me, whose more years might crave 110A just precedence in the grave. But heark! My pulse, like a soft drum, Beats my approach, tells Thee I come; And slow howe'er my marches be, I shall at last sit down by Thee. The thought of this bids me go on, And wait my dissolution With hope and comfort. Dear (forgive The crime), I am content to live Divided, with but half a heart, 120Till we shall meet and never part. The Exequy.] This beautiful poem (which bore in Hannah's MS. the sub-title, itself not unmemorable, 'To his Matchless never-to-be forgotten Friend') makes, with 'Tell me no more', King's chief claim to poetic rank. It is not—he never is—splendid, or strange, or soul-shaking; but for simplicity, sincerity, tenderness, and grace—nay, as the time went, nature—it has, in its modest way, not many superiors. Versions are found in Ashmole MS. 36, fol. 253, and Rawlinson Poet. MS. 160. fol. 41 verso. 36 The] All three MSS. read 'An', which, considering the obvious double meaning of 'earth', is perhaps better. 67-8 Assonance, though not elsewhere unknown, is not common in King. 81 seq. If the last paragraph has seemed to any to approach 'False Wit' this ought to make amends. And so with the conclusion.
The Anniverse. An Elegy. So soon grown old! hast thou been six years dead? Poor earth, once by my Love inhabited! And must I live to calculate the time To which thy blooming youth could never climb, But fell in the ascent! yet have not I Studied enough thy loss's history. How happy were mankind, if Death's strict laws Consum'd our lamentations like the cause! Or that our grief, turning to dust, might end 10With the dissolved body of a friend! But sacred Heaven! O, how just thou art In stamping death's impression on that heart, Which through thy favours would grow insolent, Were it not physic'd by sharp discontent. If, then, it stand resolv'd in thy decree, That still I must doom'd to a desert be, Sprung out of my lone thoughts, which know no path But what my own misfortune beaten hath;— If thou wilt bind me living to a corse, 20And I must slowly waste; I then of force Stoop to thy great appointment, and obey That will which nought avails me to gainsay. For whilst in sorrow's maze I wander on, I do but follow life's vocation. Sure we were made to grieve: at our first birth, With cries we took possession of the earth; And though the lucky man reputed be Fortune's adopted son, yet only he Is Nature's true-born child, who sums his years 30(Like me) with no arithmetic but tears. The Anniverse.] Not quite so good as The Exequy, but not bad. The Hannah-Pickering MS. had a few variants, not worth entering here in most cases. 19 corse] This word had odd luck in a well-printed book, and a generally well-written MS., for it shows in the one as 'coarse', in the other as 'course'—both errors not infrequent at the time. 22 avails] This is the MS. reading: the book has 'avail'. 26 took] MS. 'take'. On Two Children, dying of one disease, and buried in one grave. Brought forth in sorrow, and bred up in care, Two tender children here entombed are: One place, one sire, one womb their being gave, They had one mortal sickness, and one grave. And though they cannot number many years In their account, yet with their parent's tears This comfort mingles; Though their days were few, They scarcely sin, but never sorrow knew; So that they well might boast, they carried hence 10What riper ages lose, their innocence. You pretty losses, that revive the fate, Which, in your mother, death did antedate, O let my high-swoln grief distil on you The saddest drops of a parental dew: You ask no other dower than what my eyes Lay out on your untimely exequies: When once I have discharg'd that mournful score, Heav'n hath decreed you ne'er shall cost me more, Since you release and quit my borrow'd trust, 20By taking this inheritance of dust. On Two Children, &c.] The number of King's children is uncertain, but as the eldest certainly died before the mother, and his sons lived, one nearly as long as the Bishop, the other a little longer, Hannah seems justified in arguing from this piece that there were five. A Letter. I ne'er was dress'd in forms; nor can I bend My pen to flatter any, nor commend, Unless desert or honour do present Unto my verse a worthy argument. You are my friend, and in that word to me Stand blazon'd in your noblest heraldry; That style presents you full, and does relate The bounty of your love, and my own fate, Both which conspir'd to make me yours. A choice, 10Which needs must, in the giddy people's voice, That only judge the outside, and, like apes, Play with our names, and comment on our shapes, Appear too light: but it lies you upon, To justify the disproportion. Truth be my record, I durst not presume To seek to you, 'twas you that did assume Me to your bosom. Wherein you subdu'd One that can serve you, though ne'er could intrude Upon great titles; nor knows how t' invade 20Acquaintance: Like such as are only paid With great men's smiles; if that the passant Lord Let fall a forc'd salute, or but afford The nod regardant. It was test enough For me, you ne'er did find such servile stuff Couch'd in my temper; I can freely say, I do not love you in that common way For which Great Ones are lov'd in this false time: I have no wish to gain, nor will to climb; I cannot pawn my freedom, nor outlive 30My liberty, for all that you can give. And sure you may retain good cheap such friends, Who not your fortune make, but you, their ends. I speak not this to vaunt in my own story, All these additions are unto your glory; Who, counter to the world, use to elect, Not to take up on trust, what you affect. Indeed 'tis seldom seen that such as you Adopt a friend, or for acquaintance sue; Yet you did this vouchsafe, you did descend 40Below yourself to raise an humble friend, And fix him in your love: where I will stand The constant subject of your free command. Had I no airy thoughts, sure you would teach Me higher than my own dull sphere to reach: And, by reflex, instruct me to appear Something (though coarse and plain) fit for your wear. Know, best of friends, however wild report May justly say, I am unapt to sort With your opinion or society 50(Which truth would shame me, did I it deny), There 's something in me says, I dare make good, When honour calls me, all I want in blood. Put off your giant titles, then I can Stand in your judgement's blank an equal man. Though hills advanced are above the plain, They are but higher earth, nor must disdain Alliance with the vale: we see a spade Can level them, and make a mount a glade. Howe'er we differ in the Heralds' book, 60He that mankind's extraction shall look In Nature's rolls, must grant we all agree In our best part's immortal pedigree: You must by that perspective only view My service, else 'twill ne'er show worthy you. You see I court you bluntly, like a friend, Not like a mistress; my Muse is not penn'd For smooth and oily flights: and I indent To use more honesty than compliment. But I have done; in lieu of all you give, 70Receive his thankful tribute, who must live Your vow'd observer, and devotes a heart Which will in death seal the bold counterpart. A Letter.] I do not know any clue to the object of this epistle. King, like most churchmen of distinction at the time, was on familiar terms with divers 'persons of quality'. But it might be a mere literary exercise—a 'copy of verses'. 23 'Nod regardant' is good. It shows, with 'passant' just before that his own reference to heraldry was still floating in King's mind. 54 Either of two of the numerous senses of 'blank' would come in here. One is tabula rasa, the judgement being obscured by no prepossession; the other 'bull's-eye' or 'target'. 59 Orig. as usual, 'Heralds', with no apostrophe to make case or number. If anybody prefers 'herald's' I have no objection. 67 indent] In the sense of 'contract', 'engage'. An Acknowledgement. My best of friends! what needs a chain to tie One by your merit bound a votary? Think you I have some plot upon my peace, I would this bondage change for a release? Since 'twas my fate your prisoner to be, Heav'n knows I nothing fear, but liberty. Yet you do well, that study to prevent, After so rich a stock of favour spent On one so worthless, lest my memory 10Should let so dear an obligation die Without record. This made my precious Friend Her token, as an antidote, to send, Against forgetful poisons; That as they Who Vespers late, and early Mattins say Upon their beads, so on this linked score In golden numbers I might reckon o'er Your virtues and my debt, which does surmount The trivial laws of popular account: For that, within this emblematic knot, 20Your beauteous mind, and my own fate, is wrote. The sparkling constellation which combines The lock, is your dear self, whose worth outshines Most of your sex; so solid and so clear You like a perfect diamond appear; Casting, from your example, fuller light Than those dim sparks which glaze the brow of night, And gladding all your friends, as doth the ray Of that East-star which wakes the cheerful day. But the black map of death and discontent 30Behind that adamantine firmament, That luckless figure, which, like Calvary, Stands strew'd and copied out in skulls, is I: Whose life your absence clouds, and makes my time Move blindfold in the dark ecliptic line. Then wonder not, if my removed Sun So low within the western tropic run; My eyes no day in this horizon see, Since where You are not, all is night to me. Lastly, the anchor which enfast'ned lies 40Upon a pair of deaths, sadly applies That Monument of Rest, which harbour must Our ship-wrackt fortunes in a road of dust. So then, how late soe'er my joyless life Be tired out in this affection's strife: Though my tempestuous fancy, like the sky, Travail with storms, and through my wat'ry eye, Sorrow's high-going waves spring many a leak; Though sighs blow loud, till my heart's cordage break; Though Faith, and all my wishes prove untrue, 50Yet Death shall fix and anchor Me with You. 'Tis some poor comfort, that this mortal scope Will period, though never crown, my Hope. An Acknowledgement.] This is evidently of the same class as the last poem, if not as evidently addressed to the same person. The recipient of the Letter might be of either sex, for 'mistress' in l. 66 (v. sup.) is not quite decisive in the context. This 'precious Friend' is definitely feminine. Nineteenth—I do not know about twentieth—century man would have been a little uncomfortable about receiving from a lady a gold chain with a grouped diamond pendant, welcome as the enclosed 'lock' might be. But, as Scott and others have long ago remarked, there was none of this false pride in the seventeenth, and you might even take money from the beloved. The combination of death's heads, equally of the time, is more of all time. The Acquittance. Not knowing who should my acquittance take, I know as little what discharge to make. The favour is so great, that it outgoes All forms of thankfulness I can propose. Those grateful levies which my pen would raise, Are stricken dumb, or buried in amaze. Therefore, as once in Athens there was shown An Altar built unto the God Unknown, My ignorant devotions must by guess 10This blind return of gratitude address, Till you vouchsafe to show me where and how I may to this revealed Goddess bow. The Acquittance.] This group of poems is so obviously a group that Hannah's principles of selection in rejecting the present piece and admitting the others may seem unreasonably 'undulating and diverse'. I suppose he thought it rather profane for a bishop even in futuro, and perhaps rather ambiguous in other ways. But though King became a bishop there is no chance of my becoming an archdeacon, and I think the piece rather pretty. The Forfeiture. My Dearest, To let you or the world know What debt of service I do truly owe To your unpattern'd self, were to require A language only form'd in the desire Of him that writes. It is the common fate Of greatest duties, to evaporate In silent meaning, as we often see Fires by their too much fuel smother'd be: Small obligations may find vent, and speak, 10When greater the unable debtor break. And such are mine to you, whose favour's store Hath made me poorer then I was before; For I want words and language to declare How strict my bond, or large your bounties are. Since nothing in my desp'rate fortune found, Can payment make, nor yet the sum compound; You must lose all, or else of force accept The body of a bankrupt for your debt. Then, Love, your bond to execution sue, 20And take myself, as forfeited to you. The Forfeiture.] This piece, which Hannah did not find in his MS., is almost certainly connected with the preceding, and, I think, with An Acknowledgement and The Departure, if not also with A Letter. The suggested unreality in this Letter disappears to a large extent in them, which is not unnatural. 9-10 An ingenious adaptation of Curae leves, &c. The Departure. An Elegy. Were I to leave no more than a good friend, Or but to hear the summons to my end, (Which I have long'd for) I could then with ease Attire my grief in words, and so appease That passion in my bosom, which outgrows The language of strict verse or largest prose. But here I am quite lost; writing to you, All that I pen or think is forc'd and new. My faculties run cross, and prove as weak 10T' indite this melancholy task, as speak: Indeed all words are vain; well might I spare This rend'ring of my tortur'd thoughts in air, Or sighing paper. My infectious grief Strikes inward, and affords me no relief, But still a deeper wound, to lose a sight More lov'd than health, and dearer than the light. But all of us were not at the same time Brought forth, nor are we billeted in one clime. Nature hath pitch'd mankind at several rates, 20Making our places diverse as our fates. Unto that universal law I bow, Though with unwilling knee, and do allow Her cruel justice, which dispos'd us so That we must counter to our wishes go. 'Twas part of man's first curse, which order'd well, We should not alway with our likings dwell. 'Tis only the Triumphant Church where we Shall in unsever'd neighbourhood agree. Go then, best soul, and, where You must appear, 30Restore the day to that dull hemisphere. Ne'er may the hapless night You leave behind Darken the comforts of Your purer mind. May all the blessings wishes can invent Enrich your days, and crown them with content. And though You travel down into the West, May Your life's Sun stand fixed in the East, Far from the weeping set; nor may my ear Take in that killing whisper, You once were. Thus kiss I Your fair hands, taking my leave, 40As prisoners at the bar their doom receive. All joys go with You: let sweet peace attend You on the way, and wait Your journey's end. But let Your discontents and sourer fate Remain with me, borne off in my retrait. Might all your crosses, in that sheet of lead Which folds my heavy heart, lie buried: 'Tis the last service I would do You, and the best My wishes ever meant, or tongue profest. Once more I take my leave. And once for all, 50Our parting shows so like a funeral, It strikes my soul, which hath most right to be Chief Mourner at this sad solemnity. And think not, Dearest, 'cause this parting knell Is rung in verses, that at Your farewell I only mourn in poetry and ink: No, my pen's melancholy plummets sink So low, they dive where th' hid affections sit, Blotting that paper where my mirth was writ. Believe 't, that sorrow truest is, which lies 60Deep in the breast, not floating in the eyes: And he with saddest circumstance doth part, Who seals his farewell with a bleeding heart. The Departure.] The special title of this poem was not in Hannah's MS. 6 largest] MS. 'larger'. 47 An irregular line of this kind (for it is practically an Alexandrine) is so very rare in King that one suspects an error, but Hannah notes no MS. variant. Many, perhaps most, contemporary poets would not have hesitated at 'serv'ce', which with 'I'd' adjusts the thing; but our Bishop is seldom rough and still seldomer licentious. 53 this] MS. 'the'. 56 Orig. 'plommets'. Paradox. That it is best for a Young Maid to marry an Old Man. Fair one, why cannot you an old man love? He may as useful, and more constant prove. Experience shows you that maturer years Are a security against those fears Youth will expose you to; whose wild desire As it is hot, so 'tis as rash as fire. Mark how the blaze extinct in ashes lies, Leaving no brand nor embers when it dies Which might the flame renew: thus soon consumes 10Youth's wand'ring heat, and vanishes in fumes. When age's riper love unapt to stray Through loose and giddy change of objects, may In your warm bosom like a cinder lie, Quick'ned and kindled by your sparkling eye. 'Tis not deni'd, there are extremes in both Which may the fancy move to like or loathe: Yet of the two you better shall endure To marry with the cramp than calenture. Who would in wisdom choose the Torrid Zone 20Therein to settle a plantation? Merchants can tell you, those hot climes were made But at the longest for a three years' trade: And though the Indies cast the sweeter smell, Yet health and plenty do more Northward dwell; For where the raging sunbeams burn the earth, Her scorched mantle withers into dearth; Yet when that drought becomes the harvest's curse, Snow doth the tender corn most kindly nurse: Why now then woo you not some snowy head 30To take you in mere pity to his bed? I doubt the harder task were to persuade Him to love you: for if what I have said In virgins as in vegetals holds true, He'll prove the better nurse to cherish you. Some men we know renown'd for wisdom grown By old records and antique medals shown; Why ought not women then be held most wise Who can produce living antiquities? Besides if care of that main happiness 40Your sex triumphs in, doth your thoughts possess, I mean your beauty from decay to keep; No wash nor mask is like an old man's sleep. Young wives need never to be sunburnt fear, Who their old husbands for umbrellas wear: How russet looks an orchard on the hill To one that 's water'd by some neighb'ring drill? Are not the floated meadows ever seen To flourish soonest, and hold longest green? You may be sure no moist'ning lacks that bride, 50Who lies with winter thawing by her side. She should be fruitful too as fields that join Unto the melting waste of Apennine. Whilst the cold morning-drops bedew the rose, It doth nor leaf, nor smell, nor colour lose; Then doubt not, Sweet! Age hath supplies of wet To keep You like that flower in water set. Dripping catarrhs and fontinells are things Will make You think You grew betwixt two springs. And should You not think so, You scarce allow 60The force or merit of Your marriage-vow; Where maids a new creed learn, and must from thence Believe against their own or others' sense. Else love will nothing differ from neglect, Which turns not to a virtue each defect. I'll say no more but this; you women make Your children's reck'ning by the almanac. I like it well, so you contented are, To choose their fathers by that kalendar. Turn then, old Erra Pater, and there see 70According to life's posture and degree, What age or what complexion is most fit To make an English maid happy by it; And You shall find, if You will choose a man, Set justly for Your own meridian, Though You perhaps let One and Twenty woo, Your elevation is for Fifty-Two. Paradox. That it is best, &c.] After Hannah's omission of The Acquittance it is not surprising that he did not give this or the next—though a greater excess of prudishness appears in the exclusion of The Change, and one begins to think that something more than accident, indolence, or business prevented the appearance of the promised second volume. But if there is some nastiness there is very little naughtiness in them. 33 Some have thought 'vegetal', which was not uncommon in the seventeenth century, a better form than 'vegetable', though this latter has prevailed. It is the French word, and though in Latin there is no 'vegetalis' and there is 'vegetabilis', yet this latter has quite a different sense. 44 Orig. has 'umbrellaes', not 'umbrellos' (or -oes), which seems to be the older form. 46 It would be pardonable to suppose 'drill' an error for 'rill'. But the word is unquestionably used in the sense by Sandys and Jeremy Taylor, and seems to be the same as the slightly older 'trill' in the sense of 'trickle'. Paradox. That Fruition destroys Love. Love is our Reason's Paradox, which still Against the judgement doth maintain the will: And governs by such arbitrary laws, It only makes the act our liking's cause: We have no brave revenge, but to forgo Our full desires, and starve the tyrant so. They whom the rising blood tempts not to taste, Preserve a stock of love can never waste; When easy people who their wish enjoy, 10Like prodigals at once their wealth destroy. Adam till now had stay'd in Paradise Had his desires been bounded by his eyes. When he did more than look, that made th' offence, And forfeited his state of innocence. Fruition therefore is the bane t' undo Both our affection and the subject too. 'Tis Love into worse language to translate, And make it into Lust degenerate: 'Tis to dethrone, and thrust it from the heart, 20To seat it grossly in the sensual part. Seek for the star that 's shot upon the ground, And nought but a dim jelly there is found. Thus foul and dark our female stars appear, If fall'n or loos'ned once from Virtue's Sphere. Glow-worms shine only look'd on, and let lie, But handled crawl into deformity: So beauty is no longer fair and bright, Than whilst unstained by the appetite: And then it withers like a blasted flower, 30Some pois'nous worm or spider hath crept o'er. Pygmalion's dotage on the carved stone, Shows amorists their strong illusion. Whilst he to gaze and court it was content, He serv'd as priest at Beauty's monument: But when by looser fires t' embraces led, It prov'd a cold hard statue in his bed. Irregular affects, like madmen's dreams Presented by false lights and broken beams, So long content us, as no near address 40Shows the weak sense our painted happiness. But when those pleasing shadows us forsake, Or of the substance we a trial make, Like him, deluded by the fancy's mock, We shipwrack 'gainst an alabaster rock. What though thy mistress far from marble be? Her softness will transform and harden thee. Lust is a snake, and Guilt the Gorgon's head, Which Conscience turns to stone, and Joys to lead. Turtles themselves will blush, if put to name 50The act, whereby they quench their am'rous flame. Who then that 's wise or virtuous, would not fear To catch at pleasures which forbidden were, When those which we count lawful, cannot be Requir'd without some loss of modesty? Ev'n in the marriage-bed, where soft delights Are customary and authoriz'd rites; What are those tributes to the wanton sense, But toleration of Incontinence? For properly you cannot call that Love 60Which does not from the soul, but humour move. Thus they who worship'd Pan or Isis' Shrine, By the fair front judg'd all within divine: Though ent'ring, found 'twas but a goat or cow To which before their ignorance did bow. Such temples and such goddesses are these Which foolish lovers and admirers please: Who if they chance within the shrine to pry, Find that a beast they thought a Deity. Nor makes it only our opinion less 70Of what we lik'd before, and now possess; But robs the fuel, and corrupts the spice Which sweetens and inflames Love's sacrifice, After fruition once, what is Desire But ashes kept warm by a dying fire? This is (if any) the Philosopher's Stone Which still miscarries at projection. For when the Heat ad Octo intermits, It poorly takes us like Third Ague fits, Or must on embers as dull drugs infuse, 80Which we for med'cine not for pleasure use. Since lovers' joys then leave so sick a taste, And soon as relish'd by the sense are past; They are but riddles sure, lost if possest, And therefore only in reversion best. For bate them expectation and delay, You take the most delightful scenes away. These two such rule within the fancy keep, As banquets apprehended in our sleep; After which pleasing trance next morn we wake 90Empty and angry at the night's mistake. Give me long dreams and visions of content, Rather than pleasures in a minute spent. And since I know before, the shedding rose In that same instant doth her sweetness lose, Upon the virgin-stock still let her dwell For me, to feast my longings with her smell. Those are but counterfeits of joy at best, Which languish soon as brought unto the test. Nor can I hold it worth his pains who tries 100To in that harvest which by reaping dies. Resolve me now what spirit hath delight, If by full feed you kill the appetite? That stomach healthi'st is, that ne'er was cloy'd, Why not that Love the best then, ne'er enjoy'd? Since nat'rally the blood, when tam'd or sated, Will cool so fast it leaves the object hated. Pleasures, like wonders, quickly lose their price When Reason or Experience makes us wise. To close my argument then. I dare say 110(And without Paradox) as well we may Enjoy our Love and yet preserve Desire, As warm our hands by putting out the fire. Paradox. That Fruition, &c.] Put less tersely but perhaps better by Dryden's most original heroine, Doralice, in Marriage À la Mode, 'The only way to keep us true to each other is never to enjoy'. The notion is old enough, and several other seventeenth-century poets have treated it. 22 Nobody has ever assigned a (to me, at least) plausible reason for this universal fancy of the seventeenth century about the jellification of shooting-stars. It is curious, but not inexplicable, that Browne does not touch it. 31 King has very coolly turned the Pygmalion story upside down to suit his thesis. 50 The talking and blushing turtle (i.e. dove) is another remarkable poetical licence. 77 Heat ad Octo] An obviously alchemical phrase which I have not interpreted. 100 in] Orig. 'inne' = 'get in'. Cf. All's Well that Ends Well, 1. iii, 'to in the crop'. The Change. El sabio muda conscio: El loco persevera. We lov'd as friends now twenty years and more: Is't time or reason, think you, to give o'er? When, though two prenti'ships set Jacob free, I have not held my Rachel dear at three. Yet will I not your levity accuse; Continuance sometimes is the worse abuse. In judgement I might rather hold it strange, If, like the fleeting world, you did not change: Be it your wisdom therefore to retract, 10When perseverance oft is folly's act. In pity I can think, that what you do Hath Justice in't, and some Religion too; For of all virtues Moral or Divine, We know, but Love, none must in Heaven shine: Well did you the presumption then foresee Of counterfeiting immortality: Since had you kept our loves too long alive, We might invade Heaven's prerogative; Or in our progress, like the Jews, comprise 20The Legend of an earthly Paradise. Live happy, and more prosperous in the next. You have discharg'd your old friend by the text. Farewell, fair Shadow of a female faith, And let this be our friendship's Epitaph: Affection shares the frailty of our fate, When (like ourselves) 'tis old and out of date: 'Tis just all human loves their period have, When friends are frail and dropping to the grave. The Change.] This poem is almost less of a commonplace than any of King's, and the expression is vigorous. The nearest parallel I know to it is Crabbe's 'Natural Death of Love', and like that it has a curious, if not cheerful, ring of actuality. But the case is more unusual. The Spanish motto (rather dog-Spanish in original) means: 'The wise man changes consciously: the fool [or, rather, madman] perseveres.' 22 by the text] = 'formally'? as it were, 'by the card'. Or perhaps with direct reference to the motto.
To my Sister Anne King, who chid me in verse for being angry. Dear Nan, I would not have thy counsel lost, Though I last night had twice so much been crost; Well is a passion to the market brought, When such a treasure of advice is bought With so much dross. And couldst thou me assure, Each vice of mine should meet with such a cure, I would sin oft, and on my guilty brow Wear every misperfection that I owe, Open and visible; I should not hide 10But bring my faults abroad: to hear thee chide In such a note, and with a quill so sage, It passion tunes, and calms a tempest's rage. Well, I am charm'd, and promise to redress What, without shrift, my follies do confess Against myself: wherefore let me entreat, When I fly out in that distemper'd heat Which frets me into fasts, thou wilt reprove That froward spleen in poetry and love: So though I lose my reason in such fits 20Thou'lt rhyme me back again into my wits. To my Sister, &c.] Anne King, afterwards Mrs. Dutton and Lady Howe. Howell, the epistoler, admitted her (in rather execrable verse) to that Tenth Museship which has had so many fair incumbents. Izaak Walton left her a ring and called her 'a most generose and ingenious Lady'. The verses assigned to her, which may be found in Hannah's notes, are not of the worst Tenth Muse quality. 2 It has been observed, once or twice, that a placid and philosophical temper does not seem to have been one of the Bishop's gifts, and he here acknowledges the fact. 8 'Owe', as so often noted, = 'own'. 17 And seems to have done due penance for it. An Elegy upon the immature loss of the most vertuous Lady Anne Rich. [Died August 24, 1638.] I envy not thy mortal triumphs, Death (Thou enemy to Virtue, as to breath), Nor do I wonder much, nor yet complain The weekly numbers by thy arrow slain. The whole world is thy factory, and we, Like traffic, driven and retail'd by Thee: And where the springs of life fill up so fast, Some of the waters needs must run to waste. It is confess'd, yet must our griefs dispute 10That which thine own conclusion doth refute, Ere we begin. Hearken! for if thy ear Be to thy throat proportion'd, thou canst hear. Is there no order in the work of Fate? Nor rule, but blindly to anticipate Our growing seasons? or think'st thou 'tis just, To sprinkle our fresh blossoms with thy dust, Till by abortive funerals, thou bring That to an Autumn, Nature meant a Spring? Is't not enough for thee, that wither'd age 20Lies the unpitied subject of thy rage; But like an ugly amorist, thy crest Must be with spoils of Youth and Beauty drest? In other camps, those which sat down to-day March first to-morrow, and they longest stay, Who last came to the service: but in thine, Only confusion stands for discipline. We fall in such promiscuous heaps, none can Put any diff'rence 'twixt thy rear or van; Since oft the youngest lead thy files. For this, 30The grieved world here thy accuser is, And I a plaintiff, 'mongst those many ones, Who wet this Lady's urn with zealous moans; As if her ashes, quick'ning into years, Might be again embodied by our tears. But all in vain; the moisture we bestow Shall make as soon her curled marble grow, As render heat or motion to that blood, Which through her veins branch't like an azure flood; Whose now still current in the grave is lost, 40Lock'd up, and fetter'd by eternal frost. Desist from hence, doting Astrology! To search for hidden wonders in the sky; Or from the concourse of malignant stars, Foretell diseases, gen'ral as our wars: What barren droughts, forerunners of lean dearth, Threaten to starve the plenty of the earth: What horrid forms of darkness must affright The sickly world, hast'ning to that long night Where it must end. If there no portents are, 50No black eclipses for the Kalendar, Our times sad annals will rememb'red be I' th' loss of bright Northumberland and Thee: Two stars of Court, who in one fatal year By most untimely set drop'd from their sphere. She in the winter took her flight, and soon As her perfections reach'd the point of noon, Wrapt in a cloud, contracted her wish'd stay Unto the measure of a short-liv'd day. But Thou in Summer, like an early rose, 60By Death's cold hand nipp'd as Thou didst disclose, Took'st a long day to run that narrow stage, Which in two gasping minutes summ'd thy age. And, as the fading rose, when the leaves shed, Lies in its native sweetness buried, Thou in thy virtues bedded and inhearst, Sleep'st with those odours thy pure fame disperst, Where till that Rising Morn thou must remain, In which thy wither'd flowers shall spring again, And greater beauties thy wak'd body vest, 70Than were at thy departure here possest. So with full eyes we close thy vault. Content (With what thy loss bequeaths us) to lament, And make that use of thy griev'd funeral, As of a crystal broken in the fall; Whose pitied fractures, gather'd up, and set, May smaller mirrors for thy sex beget; There let them view themselves, until they see The end of all their glories shown in Thee. Whilst in the truth of this sad tribute, I 80Thus strive to canonize thy memory. Elegy on Lady Anne Rich.] Properly Lady Rich, who had been Lady Anne Cavendish. Her brother Charles was that leader of the 'Ca'ndishers' in Lincolnshire whose defeat and death at Gainsborough, after repeated victories in the spring and summer of 1643, was one of the first and most serious blows to the Royal cause. Waller wrote epitaphs both on him and on his sister, but the best on her is Sidney Godolphin's (v. sup., vol. ii, p. 248). She is one of the candidates for the personage of Waller's 'Amoret', and was not impossibly King's 'A. R.' (v. sup., p. 172). 4 MS. 'arrows'. 38 Which] MS. 'Once'. 48 MS. 'hasting'. 52 Northumberland] Lady Anne Cecil, first wife of Algernon Percy, tenth Earl. 55 winter] December 6, 1637. An Elegy upon Mrs. Kirk, unfortunately drowned in Thames. For all the shipwracks, and the liquid graves Lost men have gain'd within the furrow'd waves, The Sea hath fin'd, and for our wrongs paid use, When its wrought foam a Venus did produce. But what repair wilt thou, unhappy Thames, Afford our loss? thy dull unactive streams Can no new beauty raise, nor yet restore Her who by thee was ravish'd from our shore: Whose death hath stain'd the glory of thy flood, 10And mix'd the guilty channel with her blood. O Neptune! was thy favour only writ In that loose element where thou dost sit? That, after all this time, thou shouldst repent Thy fairest blessing to the continent? Say, what could urge this Fate? is Thetis dead, Or Amphitrite from thy wet arms fled? Wast thou so poor in Nymphs, that thy moist love Must be maintain'd with pensions from above? If none of these, but that, whilst thou didst sleep 20Upon thy sandy pillow in the deep, This mischief stole upon us; may our grief Waken thy just revenge on that sly thief, Who, in thy fluid empire, without leave, And unsuspected, durst her life bereave. Henceforth, invert thy order, and provide In gentlest floods a pilot for our guide. Let rugged seas be lov'd, but the brook's smile Shunn'd like the courtship of a crocodile; And where the current doth most smoothly pass, 30Think for her sake, that stream Death's looking-glass, To show us our destruction is most near, When pleasure hath begot least sense of fear. Else break thy forked sceptre 'gainst some rock, If thou endure a flatt'ring calm to mock Thy far-fam'd pow'r, and violate that law Which keeps the angry Ocean in awe. Thy trident will grow useless, which doth still Wild tempests, if thou let tame rivers kill. Meantime, we owe thee nothing. Our first debt 40Lies cancell'd in thy wat'ry cabinet. We have for Her thou sent'st us from the main, Return'd a Venus back to thee again. An Elegy upon Mrs. Kirk, &c.] This and the following were not in Hannah's MS. He, perhaps not quite accurately, regards this as King's only indulgence in what he also regarded as 'the frigid and artificial style popular among his contemporaries'. But he thought it better than the companion piece in Heath's Clarastella (v. inf.). From this latter we learn that Mrs. Kirk was one of the numerous victims of 'shooting the bridge'. The piece is frigid enough certainly, but rather from want of 'conceit' than because of it. (Mr. Thorn-Drury has reminded me of Glapthorne's two elegies on the same subject. They form the last contents of the 1874 reprint and give more detail in their title, 'On the noble and much to be lamented Mrs. Anne Kirk, wife to Mr. Geo. Kirk, Gent. of the Robes and of his Majesty's Bed Chamber, who was unfortunately drowned passing London Bridge, July 6. 1641'.) 3 fin'd] = 'paid fine', as often. An Elegy upon the death of Mr. Edward Holt. Whether thy father's, or disease's rage, More mortal prov'd to thy unhappy age, Our sorrow needs not question; since the first Is known for length and sharpness much the worst. Thy fever yet was kind; which the ninth day For thy misfortunes made an easy way. When th' other barbarous and hectic fit, In nineteen winters did not intermit. I therefore vainly now not ask thee why 10Thou didst so soon in thy youth's mid-way die: But in my sense the greater wonder make, Thy long oppressed heart no sooner brake. Of force must the neglected blossom fall, When the tough root becomes unnatural, And to his branches doth that sap deny, Which them with life and verdure should supply. For parents' shame, let it forgotten be, And may the sad example die with thee. It is not now thy grieved friend's intent 20To render thee dull Pity's argument. Thou hast a bolder title unto fame, And at Edge Hill thou didst make good the claim; When, in thy Royal Master's cause and war, Thy ventur'd life brought off a noble scar. Nor did thy faithful services desist, Till death untimely strook thee from the list. Though in that prouder vault, then, which doth tomb Thy ancestors, thy body find not room, Thine own deserts have purchas'd thee a place, 30Which more renowned is than all thy race; For in this earth thou dost ennobled lie With marks of valour and of loyalty. Mr. Edward Holt.] Holt was King's brother-in-law, having married his sister Elizabeth (v. sup., p. 173). He died at Oxford in 1643 while attending the King as Groom of the Bedchamber, and was buried in the Cathedral. His father, who outlived him, was a Baronet, and is again abused by King in his will as having been 'implacable'; but the Bishop apparently thought better of his nephew Sir Robert, who was a stout Royalist and churchman both before and after the Restoration. Walton dedicated his Life of Donne to this Sir Robert Holt. His much-abused grandfather had at any rate set the example of loyalty, and is said to have been plundered or extortioned by Parliamentary 'contributions' or 'compositions' to the amount of about £20,000. To my dead friend Ben. Jonson. [Died August 6, 1637.] I see that wreath, which doth the wearer arm 'Gainst the quick strokes of thunder, is no charm To keep off Death's pale dart. For, Jonson, then Thou hadst been number'd still with living men. Time's scythe had fear'd thy laurel to invade, Nor thee this subject of our sorrow made. Amongst those many votaries who come To offer up their garlands at thy tomb; Whilst some more lofty pens, in their bright verse 10(Like glorious tapers flaming on thy hearse), Shall light the dull and thankless world to see, How great a maim it suffers, wanting thee; Let not thy learned shadow scorn, that I Pay meaner rites unto thy memory; And since I nought can add but in desire, Restore some sparks which leap'd from thine own fire. What ends soever others' quills invite, I can protest, it was no itch to write, Nor any vain ambition to be read, 20But merely love and justice to the dead, Which rais'd my fameless Muse; and caus'd her bring These drops, as tribute thrown into that spring, To whose most rich and fruitful bead we owe The purest streams of language which can flow. For 'tis but truth, thou taught'st the ruder age To speak by grammar, and reform'dst the stage: Thy comic sock induc'd such purged sense, A Lucrece might have heard without offence. Amongst those soaring wits that did dilate 30Our English, and advance it to the rate And value it now holds, thyself was one Help'd lift it up to such proportion; That thus refin'd and rob'd, it shall not spare With the full Greek or Latin to compare. For what tongue ever durst, but ours, translate Great Tully's eloquence, or Homer's state? Both which in their unblemish'd lustre shine, From Chapman's pen, and from thy Catiline. All I would ask for thee, in recompense 40Of thy successful toil and time's expense, Is only this poor boon; that those who can Perhaps read French, or talk Italian, Or do the lofty Spaniard affect, To show their skill in foreign dialect, Prove not themselves so unnaturally wise, They therefore should their mother-tongue despise (As if her poets, both for style and wit, Not equall'd, or not pass'd, their best that writ), Until by studying Jonson they have known 50The height and strength and plenty of their own. Thus in what low earth or neglected room Soe'er thou sleep'st, thy book shall be thy tomb. Thou wilt go down a happy corse, bestrew'd With thine own flowers; and feel thyself renew'd, Whilst thy immortal, never-with'ring bays Shall yearly flourish in thy readers' praise. And when more spreading titles are forgot, Or spite of all their lead and cere-cloth rot, Thou wrapp'd and shrin'd in thine own sheets wilt lie, 60A relic fam'd by all posterity. Ben. Jonson.] In orig., as so often, 'Johnson'. A contribution to Jonsonus Virbius, which, printed nearly twenty years before these Poems, has one slight variant = 'that' for 'who' in l. 7. 5 scythe] Orig. 'sithe', which some great ones (including even the other Johnson) will have to be the proper spelling, and which is certainly usual in Middle English. But 'scythe' is consecrated by the only Sainte Ampoule of orthography—usage; 'sithe' also means 'a path' and 'a sigh', and may be mistaken for 'since', while 'scythe' is unmistakable. And for my part, if I may not have 'scythe' I stickle for 'sigÐe'—the undoubted original. 38 It was a little dangerous, in Ben's lifetime, to praise others in company with him. But King here corroborates Drummond's Conversations, in which Ben is made to speak well of Chapman on several occasions, and (more particularly) to declare his Iliad, or part of it, 'well done'. 42 It is rather curious that Drummond (in one of those Marginalia in which he relieves his feelings somewhat subacidly) declares that his robustious guest 'neither understood French nor Italian'. An Elegy upon Prince Henry's death [Died Nov. 6, 1612.] Keep station, Nature, and rest, Heaven, sure On thy supporters' shoulders, lest, past cure, Thou dash'd in ruin fall, by a grief's weight Will make thy basis shrink, and lay thy height Low as the centre. Hark! and feel it read Through the astonish'd Kingdom, Henry's dead. It is enough; who seeks to aggravate One strain beyond this, prove[s] more sharp his fate Than sad our doom. The world dares not survive 10To parallel this woe's superlative. O killing Rhetoric of Death! two words Breathe stronger terrors than plague, fire, or swords Ere conquer'd. This were epitaph and verse, Worthy to be prefix'd in Nature's hearse, Or Earth's sad dissolution; whose fall Will be less grievous, though more general: For all the woe ruin e'er buried Sounds in these fatal accents, Henry's dead. Cease then, unable Poetry; thy phrase 20Is weak and dull to strike us with amaze Worthy thy vaster subject. Let none dare To copy this sad hap, but with despair Hanging at his quill's point. For not a stream Of ink can write, much less improve, this theme. Invention highest wrought by grief or wit Must sink with him, and on his tombstone split; Who, like the dying Sun, tells us the light And glory of our Day set in his Night. Prince Henry.] Besides composing these English verses King contributed two Latin sets to Justa Oxoniensium, one of several Oxford tombeaux for the Prince who was taken away from the evil to come. The present poem appears to me (though, of course, the high-strung character of the mourning seems to have been both general and sincere) to be much more 'frigid and artificial' than the Mrs. Anne Kirk. Hannah gives several variants, not merely from his usual MS. but from Malone 21. I have taken those which seem to have some point. 5-6 For 'Hark ... dead.' the Malone reading is: Death and horror wed To vent their teeming mischief: Henry's dead. The other MS., for l. 6, has: Through the astonisht world, Henry is dead. 11 Malone MS. 'Compendious Eloquence of Death', &c. 18 For the first half, Malone MS. 'lies in this narrow compass'; the other, 'throngs' for 'lies'.
An Elegy upon S. W. R. [Sir W. Raleigh? Executed Oct. 29, 1618.] I will not weep, for 'twere as great a sin To shed a tear for thee, as to have bin An actor in thy death. Thy life and age Was but a various scene on fortune's stage, With whom thou tugg'st and strov'st ev'n out of breath In thy long toil: ne'er master'd till thy death; And then, despite of trains and cruel wit, Thou didst at once subdue malice and it. I dare not then so blast thy memory 10As say I do lament or pity thee. Were I to choose a subject to bestow My pity on, he should be one as low In spirit as desert;—that durst not die, But rather were content by slavery To purchase life: or I would pity those, Thy most industrious and friendly foes; Who, when they thought to make thee scandal's story, Lent thee a swifter flight to Heav'n and glory;— That thought, by cutting off some wither'd days 20(Which thou couldst spare them), to eclipse thy praise; Yet gave it brighter foil, made thy ag'd fame Appear more white and fair, than foul their shame: And did promote an execution Which (but for them) Nature and Age had done. Such worthless things as these were only born To live on Pity's alms (too mean for scorn). Thou diedst an envious wonder, whose high fate The world must still admire, scarce imitate. S. W. R.] The initials are not in MS., and the identification, though almost certain, is a conjecture of Hannah's. Almost every line fits Raleigh. 27 envious] Spenser has this sense, to which in some cases the original 'invidious' comes very close. An Elegy upon the L. Bishop of London, John King. [Died on Good Friday, 1621.] Sad relic of a blessed soul! whose trust We sealed up in this religious dust: O do not thy low exequies suspect, As the cheap arguments of our neglect. 'Twas a commanded duty, that thy grave As little pride as thou thyself should have. Therefore thy covering is an humble stone, And but a word for thy inscription. When those that in the same earth neighbour thee, 10Have each his chronicle and pedigree: They have their waving pennons and their flags (Of matches and alliance formal brags), When thou (although from ancestors thou came, Old as the Heptarchy, great as thy name,) Sleep'st there inshrin'd in thy admired parts, And hast no heraldry but thy deserts. Yet let not them their prouder marbles boast, For they rest with less honour, though more cost. Go, search the world, and with your mattocks wound 20The groaning bosom of the patient ground: Dig from the hidden veins of her dark womb All that is rare and precious for a tomb; Yet when much treasure, and more time, is spent, You must grant his the nobler monument, Whose Faith stands o'er him for a hearse, and hath The Resurrection for his epitaph. John King.] Hannah thought this piece in bad taste, and a neglect of the dead Bishop's wishes. As epitaphs go this seems rather severe. 8 but a word] Resurgam. Orig. note. 9 neighbour] In St. Paul's. 13 ancestors] The Kings of Devonshire referred to in Introduction. Upon the death of my ever desired friend, Doctor Donne, Dean of Paul's. [Died March 31, 1631.] To have lived eminent, in a degree Beyond our loftiest flights, that is, like thee; Or t' have had too much merit is not safe; For such excesses find no epitaph. At common graves, we have poetic eyes, Can melt themselves in easy elegies; Each quill can drop his tributary verse, And pin it, with the hatchments, to the hearse: But at thine, poem or inscription 10(Rich soul of wit and language!) we have none; Indeed a silence does that tomb befit, Where is no herald left to blazon it. Widow'd invention justly doth forbear To come abroad, knowing thou art not here, Late her great patron; whose prerogative Maintain'd and cloth'd her so, as none alive Must now presume to keep her at thy rate, Though he the Indies for her dower estate: Or else that awful fire, which once did burn 20In thy clear brain, now fall'n into thy urn, Lives there to fright rude empirics from thence, Which might profane thee by their ignorance. Who ever writes of thee, and in a style Unworthy such a theme, does but revile Thy precious dust, and wake a learned spirit Which may revenge his rapes upon thy merit. For all a low-pitch'd fancy can devise, Will prove, at best, but hallow'd injuries. Thou, like the dying swan, didst lately sing 30Thy mournful dirge in audience of the king; When pale looks, and faint accents of thy breath, Presented so to life that piece of death, That it was fear'd and prophesied by all Thou thither cam'st to preach thy funeral. O! hadst thou in an elegiac knell Rung out unto the world thine own farewell; And in thy high victorious numbers beat The solemn measure of thy griev'd retreat, Thou might'st the poet's service now have miss'd, 40As well as then thou didst prevent the priest: And never to the world beholden be So much as for an epitaph for thee. I do not like the office. Nor is 't fit, Thou, who didst lend our age such sums of wit, Shouldst now reborrow from her bankrupt mine That ore to bury thee, which once was thine. Rather still leave us in thy debt; and know (Exalted soul!) more glory 'tis to owe Unto thy hearse what we can never pay, 50Than with embased coin those rites defray. Commit we then thee to thyself: nor blame Our drooping loves, which thus to thine own fame Leave thee executor; since, but thy own, No pen could do thee justice, nor bays crown Thy vast desert; save that, we nothing can Depute to be thy ashes' guardian. So jewellers no art or metal trust To form the diamond, but the diamond's dust. Dr. Donne.] This is also found in some editions of Donne's Poems and in Walton's Life, and Hannah took repeated pains to record the variants. I have borrowed those which seemed of importance. King's friendship with Donne (whose executor he was) was peculiarly intimate, as Walton, a friend of both, elaborately testifies. But the greatest of the many great Deans of St. Paul's was certainly 'beyond' King's 'loftiest flights' (or, as Walton read, 'thoughts'), and the Bishop is here below even these. 8 pin it] This was literally done. 30 Refers to Donne's last sermon at Court, to his long illness, and to the ghastly pallor perpetuated by the famous picture of him in his shroud. 37 'High victorious numbers' is not bad, and the whole passage does bare justice to Donne's mastery of the graver epicede, which equalled Jonson's of the lighter. 41 beholden] Some versions have the common form 'beholding'. 44 'Wit'—in that seventeenth-century sense of which Sir Henry Craik has so well defined the object—'not to excite laughter but to compel attention'—was regarded, and rightly, as Donne's special glory, and the best thing written on his death was Carew's A king who ruled as he thought fit The universal monarchy of Wit. 49 For 'Unto thy hearse' the Walton version reads 'Thy memory'. An Elegy upon the most victorious King of Sweden, Gustavus Adolphus. [Killed at the battle of LÜtzen, Nov. 6, 1632.] Like a cold fatal sweat which ushers death, My thoughts hang on me, and my lab'ring breath Stopp'd up with sighs, my fancy, big with woes, Feels two twinn'd mountains struggle in her throes,— Of boundless sorrow one,—t' other of sin;— For less let no one rate it, to begin Where honour ends.—In great Gustavus' flame, That style burnt out, and wasted to a name, Does barely live with us. As when the stuff 10That fed it, fails, the taper turns to snuff, With this poor snuff, this airy shadow, we Of Fame and Honour must contented be; Since from the vain grasp of our wishes fled Their glorious substance is, now He is dead. Speak it again, and louder, louder yet; Else, whilst we hear the sound, we shall forget What it delivers. Let hoarse rumour cry, Till she so many echoes multiply, Those may like num'rous witnesses confute 20Our unbelieving souls, that would dispute And doubt this truth for ever. This one way Is left our incredulity to sway; To waken our deaf sense, and make our ears As open and dilated as our fears; That we may feel the blow, and feeling, grieve, At what we would not fain, but must believe. And in that horrid faith, behold the world From her proud height of expectation hurl'd, Stooping with him, as if she strove to have 30No lower centre now than Sweden's grave. O could not all thy purchas'd victories Like to thy fame thy flesh immortalize? Were not thy virtue nor thy valour charms To guard thy body from those outward harms Which could not reach thy soul? could not thy spirit Lend somewhat which thy frailty might inherit From thy diviner part, that Death, nor Hate, Nor Envy's bullets e'er could penetrate? Could not thy early trophies in stern fight 40Torn from the Dane, the Pole, the Moscovite? Which were thy triumph's seeds, as pledges sown, That when thy honour's harvest was ripe grown, With full-summ'd wing thou falcon-like wouldst fly, And cuff the Eagle in the German sky: Forcing his iron beak and feathers feel They were not proof 'gainst thy victorious steel. Could not all these protect thee? or prevail To fright that coward Death, who oft grew pale To look thee and thy battles in the face? 50Alas! they could not: Destiny gives place To none; nor is it seen that princes' lives Can saved be by their prerogatives. No more was thine; who, clos'd in thy cold lead, Dost from thyself a mournful lecture read Of man's short-dated glory: learn, you kings, You are, like him, but penetrable things; Though you from demi-gods derive your birth You are at best but honourable earth: And howe'er sifted from that coarser bran, 60Which does compound and knead the common man, Nothing's immortal, or from earth refin'd About you, but your office and your mind. Here then break your false glasses, which present You greater than your Maker ever meant: Make truth your mirror now, since you find all That flatter you, confuted by his fall. Yet, since it was decreed, thy life's bright Sun Must be eclips'd ere thy full course was run, Be proud thou didst, in thy black obsequies, 70With greater glory set, than others rise. For in thy death, as life, thou heldest one Most just and regular proportion. Look how the circles drawn by compass meet Indivisibly joined, head to feet, And by continued points which them unite, Grow at once circular and infinite: So did thy Fate and Honour now contend To match thy brave beginning with thy end. Therefore thou hadst, instead of passing bells, 80The drums' and cannons' thunder for thy knells; And in the field thou didst triumphing die, Closing thy eyelids with a victory: That so by thousands who there lost their breath, King-like thou might'st be waited on in death. Lived Plutarch now, and would of Caesar tell, He could make none but Thee his parallel; Whose tide of glory, swelling to the brim, 90Needs borrow no addition from him. When did great Julius, in any clime, Achieve so much, and in so small a time? Or if he did, yet shalt Thou in that land Single, for him, and unexampled stand. When o'er the Germans first his Eagle towr'd, What saw the legions which on them he pour'd? But massy bodies, made their swords to try, Subjects, not for his fight, but slavery. In that so vast expanded piece of ground 100(Now Sweden's theatre and tomb), he found Nothing worth Caesar's valour or his fear, No conqu'ring army, nor a Tilly there, Whose strength, nor wiles, nor practice in the war Might the fierce torrent of thy triumphs bar, But that thy winged sword twice made him yield, Both from his trenches beat, and from the field. Besides, the Roman thought he had done much, Did he the bank of Rhenus only touch. But though his march was bounded by the Rhine, 110Not Oder nor the Danube thee confine; And, but thy frailty did thy fame prevent, Thou hadst thy conquests stretch'd to such extent, Thou might'st Vienna reach, and after span From Mulda to the Baltic Ocean. But death hath spann'd thee: nor must we divine What heir thou leav'st to finish thy design, Or who shall thee succeed, as champion For liberty and for religion. Thy task is done; as in a watch, the spring, 120Wound to the height, relaxes with the string: So thy steel nerves of conquest, from their steep Ascent declin'd, lie slack'd in thy last sleep. Rest then, triumphant soul! for ever rest! And, like the Phoenix in her spicy nest, Embalm'd with thine own merit, upward fly, Born in a cloud of perfume to the sky. Whilst as in deathless urns, each noble mind Treasures thy ashes which are left behind. And if perhaps no Cassiopeian spark 130(Which in the North did thy first rising mark) Shine o'er thy hearse; the breath of our just praise Shall to the firmament thy virtues raise; Then fix, and kindle them into a star, Whose influence may crown thy glorious war. ——O Fam ingens, ingentior armis, Rex Gustave, quibus Coelo te laudibus aequem? Virgil. Aeneid. lib. 2. [11?] Gustavus Adolphus.] This piece had been previously printed in the Swedish Intelligencer, 1633, with other elegies on the subject, one of which (in Malone MS. 21) is also ascribed to King, but without any other evidence, and (as Hannah seems to be right in thinking) very improbably. He gives some variants, only two of which seem to me important enough to reproduce. There are also versions in Rawlinson Poetic MS. 26, fol. 51, and 160, fol. 39. 4 throes] Orig. 'throws'. 6-7 Hannah in his note, though in his text he had followed 1657, as above, prefers the reading of the Intelligencer—a full-stop at 'it', and 'To begin', which is to a certain extent supported by a capitalized 'To' in his MS., though there is not a full-stop. He has two notes on the subject, and for a moment I was perplexed. But I feel certain that the 1657 text is right. Hannah's parallel from King's prose, 'I begin there where all must end', is specious, but not convincing. On the other hand, 'To begin, &c.' is wanted to complete 'for less' and to explain 'sin'. Honour, as the next sentence further tells us, perished with Gustavus, and it is a solecism to attempt to continue it in verse. This is, in the Archdeacon's words elsewhere, 'frigid and artificial' enough; but it is also sufficiently 'metaphysical'. 10 Orig. has full-stop at 'snuff', but this (which Hannah keeps and does not comment on) leaves nothing to complete 'as'. 11 airy] For the 'ayerie' of edition and Malone MS., the Intelligencer, and Rawlinson MS. 160 have 'fiery'—I think, in the context, better. 96. Orig. note. Magis triumphati quam victi. Tacit. de Mor. Ger. 135-7 The end quotation (from Aen. xi. 124-5) is not in MS. To my Noble and Judicious Friend Sir Henry Blount upon his Voyage. Sir, I must ever own myself to be Possess'd with human curiosity Of seeing all that might the sense invite By those two baits of profit and delight: And since I had the wit to understand The terms of native or of foreign land; I have had strong and oft desires to tread Some of those voyages which I have read. Yet still so fruitless have my wishes prov'd, 10That from my Country's smoke I never mov'd: Nor ever had the fortune (though design'd) To satisfy the wand'rings of my mind. Therefore at last I did with some content, Beguile myself in time, which others spent; Whose art to provinces small lines allots, And represents large kingdoms but in spots. Thus by Ortelius and Mercator's aid Through most of the discover'd world I stray'd. I could with ease double the Southern Cape, 20And in my passage Afric's wonders take: Then with a speed proportion'd to the scale Northward again, as high as Zemla sail. Oft hath the travel of my eye outrun (Though I sat still) the journey of the Sun: Yet made an end, ere his declining beams Did nightly quench themselves in Thetis' streams. Oft have I gone through Egypt in a day, Not hinder'd by the droughts of Lybia; In which, for lack of water, tides of sand 30By a dry deluge overflow the land. There I the Pyramids and Cairo see, Still famous for the wars of Tomombee, And its own greatness; whose immured sense Takes forty miles in the circumference. Then without guide, or stronger caravan Which might secure the wild Arabian, Back through the scorched deserts pass, to seek Once the world's Lord, now the beslaved Greek, Made by a Turkish yoke and fortune's hate 40In language as in mind, degenerate. And here all wrapp'd in pity and amaze I stand, whilst I upon the Sultan gaze; To think how he with pride and rapine fir'd So vast a territory hath acquir'd; And by what daring steps he did become The Asian fear, and scourge of Christendom: How he achiev'd, and kept, and by what arts He did concentre those divided parts; And how he holds that monstrous bulk in awe, 50By settled rules of tyranny, not Law: So rivers large and rapid streams began, Swelling from drops into an Ocean. Sure who e'er shall the just extraction bring Of this gigantic power from the spring; Must there confess a higher Ordinance Did it for terror to the earth advance. For mark how 'mongst a lawless straggling crew, Made up of Arab, Saracen, and Jew, The world's disturber, faithless Mahomet 60Did by impostures an opinion get: O'er whom he first usurps as Prince, and than As prophet does obtrude his Alcoran. Next, how fierce Ottoman his claim made good From that unblest religion, by blood; Whilst he the Eastern kingdoms did deface, To make their ruin his proud Empire's base. Then like a comet blazing in the skies, How death-portending Amurath did rise, When he his horned crescents did display 70Upon the fatal plains of Servia; And farther still his sanguine tresses spread, Till Croya life and conquests limited. Lastly, how Mahomet thence styl'd the Great, Made Constantine's his own Imperial seat; After that he in one victorious bond Two Empires grasp'd, of Greece and Trebizond. This, and much more than this, I gladly read, Where my relators it had storyed; Besides that people's manners and their rites, 80Their warlike discipline and order'd fights; Their desp'rate valour, hard'ned by the sense Of unavoided Fate and Providence: Their habit, and their houses, who confer Less cost on them than on their sepulchre: Their frequent washings, and the several bath Each Meschit to itself annexed hath: What honour they unto the Mufty give, What to the Sovereign under whom they live: What quarter Christians have; how just and free 90To inoffensive travellers they be: Though I confess, like stomachs fed with news, I took them in for wonder, not for use, Till your experienc'd and authentic pen Taught me to know the places and the men; And made all those suspected truths become Undoubted now, and clear as axiom. Sir, for this work more than my thanks is due; I am at once inform'd and cur'd by you. So that, were I assur'd I should live o'er 100My periods of time run out before; Ne'er needed my erratic wish transport Me from my native lists to that resort, Where many at outlandish marts unlade Ingenuous manners, and do only trade For vices and the language. By your eyes I here have made my full discoveries; And all your countries so exactly seen, As in the voyage I had sharer been. By this you make me so; and the whole land 110Your debtor: which can only understand How much she owes you, when her sons shall try The solid depths of your rare history, Which looks above our gadders' trivial reach, The commonplace of travellers, who teach But table-talk; and seldomly aspire Beyond the country's diet or attire; Whereas your piercing judgement does relate The policy and manage of each State. And since she must here without envy grant 120That you have further journey'd the Levant Than any noble spirit by her bred Hath in your way as yet adventured; I cannot less in justice from her look, Than that she henceforth canonize your book A rule to all her travellers, and you The brave example; from whose equal view Each knowing reader may himself direct, How he may go abroad to some effect, And not for form: what distance and what trust 130In those remoter parts observe he must: How he with jealous people may converse, Yet take no hurt himself by that commerce. So when he shall embark'd in dangers be, Which wit and wary caution not foresee; If he partake your valour and your brain, He may perhaps come safely off again, As you have done; though not so richly fraught As this return hath to our staple brought. I know your modesty shuns vulgar praise, 140And I have none to bring; but only raise This monument of Honour and of Love, Which your long known deserts so far improve, They leave me doubtful in what style to end, Whether more your admirer or your friend. Sir Henry Blount, &c.] Blount (1602-82) was of Trinity College, Oxford, published his Voyage to the Levant in 1636, and was knighted four years later. He was a good Royalist in the early days of the Rebellion, but something of a renegade later. His book has been variously judged, but was very popular, and was translated into more than one foreign language. 61 'Than' for 'then' as often. 76 Orig. 'Trabezond', which at any rate keeps closer than the usual form to Trapezus. 86 'Meschit' = of course 'mosque'. The form seems to be nearest to the Spanish mezquita. 102 lists] Here in the sense (akin to the flannelly one) of boundary, as in Hamlet, IV. v. 99, 'The ocean, overpeering of his list', and several other Shakespearian places. 124-5 canonize ... rule] A play of words. To my honoured Friend Mr. George Sandys. It is, Sir, a confess'd intrusion here That I before your labours do appear, Which no loud herald need, that may proclaim Or seek acceptance, but the Author's fame. Much less that should this happy work commend, Whose subject is its licence, and doth send It to the world to be receiv'd and read, Far as the glorious beams of truth are spread. Nor let it be imagin'd that I look 10Only with custom's eye upon your book; Or in this service that 'twas my intent T' exclude your person from your argument: I shall profess, much of the love I owe, Doth from the root of our extraction grow; To which though I can little contribute, Yet with a natural joy I must impute To our tribe's honour, what by you is done Worthy the title of a Prelate's son. And scarcely have two brothers farther borne 20A father's name, or with more value worn Their own, than two of you; whose pens and feet Have made the distant points of Heav'n to meet; He by exact discoveries of the West, Yourself by painful travels in the East Some more like you might pow'rfully confute Th' opposers of Priests' marriage by the fruit. And (since 'tis known for all their straight vow'd life, They like the sex in any style but wife) Cause them to change their cloister for that state 30Which keeps men chaste by vows legitimate: Nor shame to father their relations, Or under nephews' names disguise their sons. This child of yours, born without spurious blot, And fairly midwiv'd as it was begot, Doth so much of the parent's goodness wear, You may be proud to own it for your heir. Whose choice acquits you from the common sin Of such, who finish worse than they begin: You mend upon yourself, and your last strain 40Does of your first the start in judgement gain; Since what in curious travel was begun, You here conclude in a devotion. Where in delightful raptures we descry As in a map, Sion's chorography Laid out in so direct and smooth a line, Men need not go about through Palestine: Who seek Christ here will the straight road prefer, As nearer much than by the Sepulchre. For not a limb grows here, but is a path; 50Which in God's City the blest centre hath: And doth so sweetly on each passion strike, The most fantastic taste will somewhat like. To the unquiet soul Job still from hence Pleads in th' example of his patience. The mortified may hear the wise King preach, When his repentance made him fit to teach. Nor shall the singing Sisters be content To chant at home the Act of Parliament, Turn'd out of reason into rhyme by one 60Free of his trade, though not of Helicon, Who did in his poetic zeal contend Others' edition by a worse to mend. Here are choice Hymns and Carols for the glad, With melancholy Dirges for the sad: And David (as he could his skill transfer) Speaks like himself by an interpreter. Your Muse rekindled hath the Prophet's fire, And tun'd the strings of his neglected lyre; Making the note and ditty so agree, 70They now become a perfect harmony. I must confess, I have long wish'd to see The Psalms reduc'd to this conformity: Grieving the songs of Sion should be sung In phrase not diff'ring from a barbarous tongue. As if, by custom warranted, we may Sing that to God we would be loath to say. Far be it from my purpose to upbraid Their honest meaning, who first offer made That book in metre to compile, which you 80Have mended in the form, and built anew: And it was well, considering the time, Which hardly could distinguish verse and rhyme. But now the language, like the Church, hath won More lustre since the Reformation; None can condemn the wish or labour spent Good matter in good words to represent. Yet in this jealous age some such there be, So without cause afraid of novelty, They would not (were it in their pow'r to choose) 90An old ill practice for a better lose. Men who a rustic plainness so affect, They think God served best by their neglect. Holding the cause would be profan'd by it, Were they at charge of learning or of wit. And therefore bluntly (what comes next) they bring Coarse and unstudied stuffs for offering; Which like th' old Tabernacle's cov'ring are, Made up of badgers' skins, and of goat's hair. But these are paradoxes they must use 100Their sloth and bolder ignorance t'excuse. Who would not laugh at one will naked go, 'Cause in old hangings truth is pictur'd so? Though plainness be reputed honour's note, They mantles use to beautify the coat; So that a curious (unaffected) dress Adds much unto the body's comeliness: And wheresoe'er the subject's best, the sense Is better'd by the speaker's eloquence. But, Sir, to you I shall no trophy raise 110From other men's detraction or dispraise: That jewel never had inherent worth, Which ask'd such foils as these to set it forth. If any quarrel your attempt or style, Forgive them; their own folly they revile. Since, 'gainst themselves, their factious envy shall Allow this work of yours canonical. Nor may you fear the Poet's common lot, Read, and commended, and then quite forgot: The brazen mines and marble rocks shall waste, 120When your foundation will unshaken last. 'Tis Fame's best pay, that you your labours see By their immortal subject crowned be. For ne'er was writer in oblivion hid Who firm'd his name on such a Pyramid. Mr. George Sandys.] These verses appeared as commendatory to Sandys' well-known Paraphrase upon the Divine Psalms, 1648. Sandys was not only a friend of King (as of all his group), but, according to l. 14 of this piece, a relation: the exact connexion, however, was unknown to Hannah and Hooper, and is to me. Indeed, l. 18 might be taken to mean that we were not to look further for 'extraction' than to the fact that they were both sons of bishops. Hannah saw this, but drew the inference somewhat too positively. Mr. Percy Simpson has found the following variants in Sandys' own book: 25 might] would. 27 straight vow'd] strait-vow'd. 57-62 absent. 64 With] And skill] Art. 89 They would by no means (had they power to choose). 90 practice] Custom. 96 stuffs] stuff. 116 Allow] Confess. King may have retouched the piece. 23 Orig. note: [Sir Edwin Sandys' survey of Religion in the West] More properly entitled Europae Speculum (1559). 53 seq. In the original there are side-notes: 'Job', 'Ecclesiastes', 'The Act of Parliament for Public Thanksgiving on the fifth of November, set to a tune by H. Dod a tradesman of London, at the end of his Psalms, which stole from the Press Anno Domini 1620'; 'Hymns', 'Lamentations', 'Psalms', referring to other Paraphrases of Sandys on the various books named, and (in the third place) on certain Songs selected from other parts of the Bible. The unfortunate 'H. Dod a tradesman' may have had his Manes refreshed by a notice in the D.N.B. 70 It was too early for King to recognize, as has been done since, the reason of the 'perfect harmony' he relished as a fact in Sandys. That poet was one of the earliest after Fairfax, and probably before Beaumont or Waller, to master (though not always to practise) the stopped antithetic couplet which was conquering, and to conquer, public favour. 71 It were much to be desired (though Hannah did not think so) that King had allowed his wishes to be satisfied by Sandys' performance, without attempting competition. 79 The reference is, of course, to the universally heard of, but perhaps by extremely few read, 'Sternhold and Hopkins'. The actual terms of King's criticism are not very happy, but nobody then knew, or easily could know, much about literary history. It was a fifteenth- rather than a sixteenth-century fault 'hardly to distinguish verse and rhyme'. Where Sternhold and Hopkins—in common with much greater men, from Wyatt to Gascoigne—sometimes went wrong, was in their inability to attain anything but a 'butterwoman's rank to market'—a sing-song and soulless uniformity of cadence, and (a sin more specially their own) in the hopeless dullness and drabness of their diction.
The Woes of Esay. Woe to the worldly men, whose covetous Ambition labours to join house to house, Lay field to field, till their enclosures edge The plain, girdling a country with one hedge: That leave no place unbought, no piece of earth Which they will not engross, making a dearth Of all inhabitants, until they stand Unneighbour'd, as unblest, within their land. This sin cries in God's ear, who hath decreed 10The ground they sow shall not return the seed. They that unpeopled countries to create Themselves sole Lords,—made many desolate To build up their own house,—shall find at last Ruin and fearful desolation cast Upon themselves. Their mansion shall become A desert, and their palace prove a tomb. Their vines shall barren be, their land yield tares; Their house shall have no dwellers, they no heirs. Woe unto those, that with the morning Sun 20Rise to drink wine, and sit till he have run His weary course; not ceasing until night Have quench'd their understanding with the light: Whose raging thirst, like fire, will not be tam'd, The more they pour, the more they are inflam'd. Woe unto them that only mighty are To wage with wine; in which unhappy war They who the glory of the day have won, Must yield them foil'd and vanquish'd by the tun. Men that live thus, as if they liv'd in jest, 30Fooling their time with music and a feast; That did exile all sounds from their soft ear But of the harp, must this sad discord hear Compos'd in threats. The feet which measures tread Shall in captivity be fettered: Famine shall scourge them for their vast excess; And Hell revenge their monstrous drunkenness; Which hath enlarg'd itself to swallow such, Whose throats ne'er knew enough, though still too much. Woe unto those that countenance a sin, 40Siding with vice, that it may credit win By their unhallow'd vote: that do benight The truth with error, putting dark for light, And light for dark; that call an evil good, And would by vice have virtue understood: That with their frown can sour an honest cause, Or sweeten any bad by their applause. That justify the wicked for reward; And, void of moral goodness or regard, Plot with detraction to traduce the fame 50Of him whose merit hath enroll'd his name Among the just. Therefore God's vengeful ire Glows on his people, and becomes a fire, Whose greedy and exalted flame shall burn, Till they like straw or chaff to nothing turn. Because they have rebell'd against the right, To God and Law perversely opposite, As plants which Sun nor showers did ever bless, So shall their root convert to rottenness; And their succession's bud, in which they trust, 60Shall (like Gomorrah's fruit) moulder to dust. Woe unto those that, drunk with self-conceit, Value their own designs at such a rate Which human wisdom cannot reach; that sit Enthron'd, as sole monopolists of wit; That outlook reason, and suppose the eye Of Nature blind to their discovery, Whilst they a title make to understand Whatever secret's bosom'd in the land. But God shall imp their pride, and let them see 70They are but fools in a sublime degree: He shall bring down and humble those proud eyes, In which false glasses only they look'd wise; That all the world may laugh, and learn by it, There is no folly to pretended wit. Woe unto those that draw iniquity With cords, and by a vain security Lengthen the sinful trace, till their own chain Of many links, form'd by laborious pain, Do pull them into Hell; that, as with lines 80And cart-ropes, drag on their unwilling crimes: Who, rather than they will commit no sin, Tempt all occasions to let it in. As if there were no God, who must exact The strict account for every vicious fact; Nor judgement after death. If any be, Let him make speed (say they), that we may see. Why is his work retarded by delay? Why doth himself thus linger on the way? If there be any judge, or future doom, 90Let It and Him with speed together come. Unhappy men, that challenge and defy The coming of that dreadful Majesty! Better by much for you, he did reverse His purposed sentence on the Universe; Or that the creeping minutes might adjourn Those flames in which you, with the earth, must burn; That time's revolting hand could lag the year, And so put back his day which is too near. Behold his signs advanc'd like colours fly, 100To tell the world that his approach is nigh; And in a furious march, he's coming on Swift as the raging inundation, To scour the sinful world; 'gainst which is bent Artillery that never can be spent: Bows strung with vengeance, and flame-feather'd darts Headed with death, to wound transgressing hearts; His chariot wheels wrapp'd in the whirlwind's gyre, His horses hoov'd with flint, and shod with fire: In which amaze, where'er they fix their eye, 110Or on the melting earth, or up on high, To seek Heaven's shrunk lights, nothing shall appear, But night and horror in their hemisphere: Nor shall th' affrighted sense more objects know Than dark'ned skies above, and Hell below. The Woes of Esay.] It may seem strange that a man of poetical velleities, with the magnificent range of choice open to him in the Book of Isaiah, should choose these 'Woes' for verse-paraphrase. But the fact is interesting as combining with others, which have been pointed out here and there already, to show that King, at one time of his life, had leanings to that Puritan-popular temper which, from the days of Langland downwards, had shown itself in England. The couplet verse has some vigour. 84 The original apostrophation (kept by Hannah) of 'every' is 'e'ry'—interesting to compare with the common forms of 'e're' for 'ever' and 'ne're' for 'never'. N. E. D. traces it to the fifteenth century, and notes an eighteenth-century extension to 'e'ery'. An Essay on Death and a Prison. A prison is in all things like a grave, Where we no better privileges have Than dead men, nor so good. The soul once fled Lives freer now, than when she was cloistered In walls of flesh; and though she organs want To act her swift designs, yet all will grant Her faculties more clear, now separate, Than if the same conjunction, which of late Did marry her to earth, had stood in force, 10Uncapable of death, or of divorce: But an imprison'd mind, though living, dies, And at one time feels two captivities; A narrow dungeon which her body holds, But narrower body which herself enfolds. Whilst I in prison lie, nothing is free, Nothing enlarg'd, but thought and misery; Though every chink be stopp'd, the doors close barr'd, Despite of walls and locks, through every ward These have their issues forth; may take the air, 20Though not for health, but only to compare How wretched those men are who freedom want, By such as never suffer'd a restraint. In which unquiet travel could I find Aught that might settle my distemper'd mind, Or of some comfort make discovery, It were a voyage well employ'd: but I, Like our raw travellers that cross the seas To fetch home fashions, or some worse disease, Instead of quiet, a new torture bring 30Home t' afflict me, malice and murmuring. What is't I envy not? no dog nor fly But my desires prefer, and wish were I; For they are free, or, if they were like me, They had no sense to know calamity. But in the grave no sparks of envy live, No hot comparisons that causes give Of quarrel, or that our affections move Any condition, save their own, to love. There are no objects there but shades and night, 40And yet that darkness better than the light. There lives a silent harmony; no jar Or discord can that sweet soft consort mar. The grave's deaf ear is clos'd against all noise Save that which rocks must hear, the angel's voice: Whose trump shall wake the world, and raise up men Who in earth's bosom slept, bed-rid till then. What man then would, who on death's pillow slumbers, Be re-inspired with life, though golden numbers Of bliss were pour'd into his breast; though he 50Were sure in change to gain a monarchy? A monarch's glorious state compar'd with his, Less safe, less free, less firm, less quiet is. For ne'er was any Prince advanc'd so high That he was out of reach of misery: Never did story yet a law report To banish fate or sorrow from his Court; Where ere he moves, by land, or through the main, These go along, sworn members of his train. But he whom the kind earth hath entertain'd, 60Hath in her womb a sanctuary gain'd, Whose charter and protection arm him so, That he is privileg'd from future woe. The coffin 's a safe harbour, where he rides Land-bound, below cross winds, or churlish tides. For grief, sprung up with life, was man's half-brother, Fed by the taste, brought forth by sin, the mother. And since the first seduction of the wife, God did decree to grief a lease for life; Which patent in full force continue must, 70Till man that disobey'd revert to dust. So that life's sorrows, ratifi'd by God, Cannot expire, or find their period, Until the soul and body disunite, And by two diff'rent ways from each take flight. But they dissolved once, our woes disband, Th' assurance cancell'd by one fatal hand; Soon as the passing bell proclaims me dead, My sorrows sink with me, lie buried In the same heap of dust, the self-same urn 80Doth them and me alike to nothing turn. If then of these I might election make Whether I would refuse, and whether take, Rather than like a sullen anchorite I would live cas'd in stone, and learn to write A Prisoner's story, which might steal some tears From the sad eyes of him that reads or hears; Give me a peaceful death, and let me meet My freedom seal'd up in my winding sheet. Death is the pledge of rest, and with one bail 90Two prisons quits, the Body and the Jail. An Essay.] This piece stands to some work of Donne's much as others of King's do to the lyrics of the greater poet. The couplets are more enjambed than in The Woes of Esay, and the metaphysicality is of the satiric kind. It should not be needful, but may be well, to say that King had no actual experience of prisons. On the other side of the matter the piece might, but by no means need, belong to the series connected with his wife's death. The Labyrinth. Life is a crooked labyrinth, and we Are daily lost in that obliquity. 'Tis a perplexed circle, in whose round Nothing but sorrows and new sins abound. How is the faint impression of each good Drown'd in the vicious channel of our blood? Whose ebbs and tides by their vicissitude Both our great Maker and ourselves delude. O wherefore is the most discerning eye 10Unapt to make its own discovery? Why is the clearest and best judging mind In her own ills' prevention dark and blind? Dull to advise, to act precipitate, We scarce think what to do, but when too late. Or if we think, that fluid thought, like seed, Rots there to propagate some fouler deed. Still we repent and sin, sin and repent; We thaw and freeze, we harden and relent. Those fires, which cool'd to-day, the morrow's heat 20Rekindles. Thus frail nature does repeat What she unlearnt, and still, by learning on, Perfects her lesson of confusion. Sick soul! what cure shall I for thee devise, Whose leprous state corrupts all remedies? What medicine or what cordial can be got For thee, who poison'st thy best antidote? Repentance is thy bane, since thou by it Only reviv'st the fault thou didst commit. Nor griev'st thou for the past, but art in pain, 30For fear thou mayst not act it o'er again. So that thy tears, like water spilt on lime, Serve not to quench, but to advance the crime. My blessed Saviour! unto thee I fly For help against this homebred tyranny. Thou canst true sorrows in my soul imprint, And draw contrition from a breast of flint. Thou canst reverse this labyrinth of sin, My wild affects and actions wander in. O guide my faith! and, by thy grace's clew, 40Teach me to hunt that kingdom at the view Where true joys reign, which like their day shall last; Those never clouded, nor that overcast. The Labyrinth.] 12 her] our Malone MS. 22. 26 Orig. 'antidot', on the eye-[and ear]-system as before. Being waked out of my sleep by a snuff of candle which offended me, I thus thought. Perhaps 'twas but conceit. Erroneous sense! Thou art thine own distemper and offence. Imagine then, that sick unwholesome steam Was thy corruption breath'd into a dream. Nor is it strange, when we in charnels dwell, That all our thoughts of earth and frailty smell. Man is a Candle, whose unhappy light Burns in the day, and smothers in the night. 10And as you see the dying taper waste, By such degrees does he to darkness haste. Here is the diff'rence: When our bodies' lamps Blinded by age, or chok'd with mortal damps, Now faint, and dim, and sickly 'gin to wink, And in their hollow sockets lowly sink; When all our vital fires ceasing to burn, Leave nought but snuff and ashes in our urn: God will restore those fallen lights again, And kindle them to an eternal flame.
Sic Vita. King and Beaumont. [I.] Like to the falling of a star; Or as the flights of eagles are; Or like the fresh springs gaudy hue; Or silver drops of morning dew; Or like a wind that chafes the flood; Or bubbles which on water stood; Even such is man, whose borrow'd light Is straight call'd in, and paid to night. The wind blows out; the bubble dies; 10The Spring entomb'd in Autumn lies; The dew dries up; the star is shot; The flight is past; and man forgot. Wastell. [II.] Like as the damask rose you see; Or like the blossom on the tree; Or like the dainty flower of May; Or like the morning to the day; Or like the Sun; or like the shade; Or like the gourd which Jonas had; Even such is man, whose thread is spun, Drawn out, and cut, and so is done. The rose withers; the blossom blasteth; The flower fades; the morning hasteth; The sun sets; the shadow flies; The gourd consumes; and man he dies. [III.] Like to the Grass that's newly sprung; Or like a tale that's new begun; Or like the bird that's here to-day; Or like the pearled dew of May; Or like an hour; or like a span; Or like the singing of a swan; Even such is man, who lives by breath, Is here, now there, in life, and death. The grass withers; the tale is ended; The bird is flown; the dew's ascended; The hour is short; the span not long; The swan's near death; man's life is done. [IV.] Like to the bubble in the brook; Or, in a glass, much like a look; Or like a shuttle in weaver's hand; Or like the writing on the sand; Or like a thought; or like a dream; Or like the gliding of the stream; Even such is man, who lives by breath, Is here, now there, in life, and death. The bubble's cut; the look's forgot; The shuttle's flung; the writing's blot; The thought is past; the dream is gone; The water glides; man's life is done. [V.] Like to an arrow from the bow; Or like swift course of watery flow; Or like the time twixt flood and ebb; Or like the spider's tender web; Or like a race; or like a goal; Or like the dealing of a dole; Even such is man whose brittle state Is always subject unto fate. The arrow's shot; the flood soon spent; The time no time; the web soon rent; The race soon run; the goal soon won; The dole soon dealt; man's life first done. [VI.] Like to the lightning from the sky; Or like a post that quick doth hie; Or like a quaver in short song; Or like a journey three days long; Or like the snow when summer's come; Or like the pear; or like the plum; Even such is man, who heaps up sorrow, Lives but this day, and dies to-morrow, The lightning's past; the post must go; The song is short; the journey's so; The pear doth rot; the plum doth fall; The snow dissolves; and so must all. Quarles. Like to the damask Rose you see, &c. [VII.] Like to the blaze of fond delight; Or like a morning clear and bright; Or like a post; or like a shower; Or like the pride of Babel's Tower; Or like the hour that guides the time; Or like to beauty in her prime; Even such is man, whose glory lends His life a blaze or two, and ends. Delights vanish; the morn o'er casteth; The frost breaks; the shower hasteth; The Tower falls; the hour spends; The beauty fades; and man's life ends. Browne. [VIII.] Like to a silkworm of one year; Or like a wronged lover's tear; Or on the waves a rudder's dint; Or like the sparkles of a flint: Or like to little cakes perfum'd; Or fireworks made to be consum'd; Even such is man, and all that trust In weak and animated dust. The silkworm droops; the tear's soon shed; The ship's way lost; the sparkle dead; The cake is burnt; the firework done; And man as these as quickly gone. Strode. [IX.] Like to the rolling of an eye: Or like a star shot from the sky; Or like a hand upon a clock; Or like a wave upon a rock; Or like a wind; or like a flame; Or like false news which people frame; Even such is man, of equal stay Whose very growth leads to decay. The eye is turned; the star down bendeth; The hand doth steal; the wave descendeth; The wind is spent; the flame unfir'd; The news disprov'd; man's life expir'd. [X.] Like to an eye which sleep doth chain; Or like a star whose fall we faine [ = feign]; Or like a shade on A[t]haz' watch: Or like a wave which gulfs do snatch; Or like a wind or flame that's past; Or smother'd news confirm'd at last; Even so man's life, pawn'd in the grave, Waits for a rising it must have The eye still sees; the star still blazeth; The shade goes back; the wave escapeth; The wind is turn'd, the flame reviv'd, The news renew'd; and man new liv'd. Sic Vita.] On this famous piece see Introduction. Only the first form is attributed to King and appears in his Poems; but it also appears not merely in the singular higgledy-piggledy called the poems of Francis Beaumont, 1653, but in the earlier and better edition of 1640. Simon Wastell was a schoolmaster who had been at Queen's College, Oxford; and who in 1629 appended these sets of verses to a book then entitled Microbiblion. The first is claimed by Quarles, who also wrote another in the form. William Browne's version was not published till 1815, and the authors of the two from the Malone MS. are unknown. The group is probably the palmary example in English of that coterie-and school-verse which distinguished the seventeenth century. The King-Beaumont form is certainly the best and probably the original. (It will be observed that X is palinodic to the others. It is, with IX, attributed as a single piece to Strode and entitled 'On Death and Resurrection' in MS. Malone 16, fol. 35, and Dobell's Poetical Works of W. Strode).
My Midnight Meditation. Ill busi'd man! why shouldst thou take such care To lengthen out thy life's short kalendar? When every spectacle thou look'st upon Presents and acts thy execution. Each drooping season and each flower doth cry, Fool! as I fade and wither, thou must die. The beating of thy pulse (when thou art well) Is just the tolling of thy passing bell: Night is thy hearse, whose sable canopy 10Covers alike deceased day and thee. And all those weeping dews which nightly fall, Are but the tears shed for thy funeral. My Midnight Meditation.] 11 which] MS. 'that'. In Parnassus Biceps, p. 80, with title 'On Man': ll. 9-10 are absent from this version. Mr. Thorn-Drury thinks that this is Dr. John King's (so ascribed in Malone MS. 21, fol. 2b, and Mr. Dobell's MS. of Strode). A Penitential Hymn. Hearken, O God, unto a wretch's cries, Who low dejected at thy footstool lies. Let not the clamour of my heinous sin Drown my requests, which strive to enter in At those bright gates, which always open stand To such as beg remission at thy hand. Too well I know, if thou in rigour deal, I can nor pardon ask, nor yet appeal: To my hoarse voice, heaven will no audience grant, 10But deaf as brass, and hard as adamant Beat back my words; therefore I bring to thee A gracious Advocate to plead for me. What though my leprous soul no Jordan can Recure, nor floods of the lav'd Ocean Make clean? yet from my Saviour's bleeding side Two large and medicinable rivers glide. Lord, wash me where those streams of life abound, And new Bethesdas flow from ev'ry wound. If I this precious lather may obtain, 20I shall not then despair for any stain; I need no Gilead's balm, nor oil, nor shall I for the purifying hyssop call: My spots will vanish in His purple flood, And crimson there turn white, though wash'd with blood. See, Lord! with broken heart and bended knee, How I address my humble suit to Thee; O give that suit admittance to Thy ears, Which floats to Thee, not in my words, but tears: And let my sinful soul this mercy crave, 30Before I fall into the silent grave. A Penitential Hymn.] This piece is referred to by Anthony Wood as one of several 'anthems'. It was, he tells us, intended for Lenten use, and set by Dr. John Wilson, gentleman of the Chapel Royal. To this Dr. Wilson, Hannah thought that his collated MS. copy of King's Poems, which bears the name, had belonged, additional evidence being found in the curious fact that the Hymn appears in that copy out of order, and first. An Elegy occasioned by Sickness. Well did the Prophet ask, Lord, what is Man? Implying by the question none can But God resolve the doubt, much less define What elements this child of dust combine. Man is a stranger to himself, and knows Nothing so naturally as his woes. He loves to travel countries, and confer The sides of Heaven's vast diameter: Delights to sit in Nile or BÆtis' lap, 10Before he hath sail'd over his own map; By which means he returns, his travel spent, Less knowing of himself than when he went. Who knowledge hunt kept under foreign locks, May bring home wit to hold a paradox, Yet be fools still. Therefore, might I advise, I would inform the soul before the eyes: Make man into his proper optics look, And so become the student and the book. With his conception, his first leaf, begin; 20What is he there but complicated sin? When riper time, and the approaching birth Ranks him among the creatures of the earth, His wailing mother sends him forth to greet The light, wrapp'd in a bloody winding sheet; As if he came into the world to crave No place to dwell in, but bespeak a grave. Thus like a red and tempest-boding morn His dawning is: for being newly born He hails th' ensuing storm with shrieks and cries, 30And fines for his admission with wet eyes. How should that plant, whose leaf is bath'd in tears, Bear but a bitter fruit in elder years? Just such is this, and his maturer age Teems with event more sad than the presage. For view him higher, when his childhood's span Is raised up to youth's meridian; When he goes proudly laden with the fruit Which health, or strength, or beauty contribute; Yet,—as the mounted cannon batters down 40The towers and goodly structures of a town,— So one short sickness will his force defeat, And his frail citadel to rubbish beat. How does a dropsy melt him to a flood, Making each vein run water more than blood? A colic wracks him like a northern gust, And raging fevers crumble him to dust. In which unhappy state he is made worse By his diseases than his Maker's curse. God said in toil and sweat he should earn bread, 50And without labour not be nourished: There, though like ropes of falling dew, his sweat Hangs on his lab'ring brow, he cannot eat. Thus are his sins scourg'd in opposed themes, And luxuries reveng'd by their extremes. He who in health could never be content With rarities fetch'd from each element, Is now much more afflicted to delight His tasteless palate, and lost appetite. Besides, though God ordain'd, that with the light 60Man should begin his work, yet he made night For his repose, in which the weary sense Repairs itself by rest's soft recompense. But now his watchful nights and troubled days Confused heaps of fear and fancy raise. His chamber seems a loose and trembling mine; His pillow quilted with a porcupine; Pain makes his downy couch sharp thorns appear, And ev'ry feather prick him like a spear. Thus, when all forms of death about him keep, 70He copies death in any form, but sleep. Poor walking-clay! hast thou a mind to know To what unblest beginnings thou dost owe Thy wretched self? fall sick a while, and than Thou wilt conceive the pedigree of Man. Learn shalt thou from thine own anatomy, That earth his mother, worms his sisters be. That he's a short-liv'd vapour upward wrought, And by corruption unto nothing brought. A stagg'ring meteor by cross planets beat, 80Which often reels and falls before his set; A tree which withers faster than it grows; A torch puff'd out by ev'ry wind that blows; A web of forty weeks spun forth in pain, And in a moment ravell'd out again. This is the model of frail man: then say That his duration's only for a day: And in that day more fits of changes pass, Than atoms run in the turn'd hour-glass. So that th' incessant cares which life invade 90Might for strong truth their heresy persuade, Who did maintain that human souls are sent Into the body for their punishment: At least with that Greek sage still make us cry, Not to be born, or, being born, to die. But Faith steers up to a more glorious scope, Which sweetens our sharp passage; and firm hope Anchors our torn barks on a blessed shore, Beyond the Dead Sea we here ferry o'er. To this, Death is our pilot, and disease 100The agent which solicits our release. Though crosses then pour on my restless head, Or ling'ring sickness nail me to my bed: Let this my thought's eternal comfort be, That my clos'd eyes a better light shall see. And when by fortune's or by nature's stroke My body's earthen pitcher must be broke, My soul, like Gideon's lamp, from her crack'd urn Shall Death's black night to endless lustre turn. An Elegy, &c.] It is always well to placate Nemesis before finding fault with a fellow-creature's complaints. But this piece, like some others, does rather illustrate that 'tendency to grizzle' which has been noticed in the Introduction. It was no doubt natural to King, and was probably confirmed in him by his wife's early death. It is worth noticing that—a thing rare in his time—he never remarried. 33 this] MS. 'his'. 73 'Than' for 'then' is much rarer than the converse, though we have it once supra. It is odd too here, for 'then' would have done just as well. 90 'Their' = Origen and the Priscillianists. 93 Posidippus? But the thing was a commonplace. 94 Side-note in orig.: Non nasci, aut quam citissime mori. The Dirge. What is th' existence of Man's life But open war, or slumber'd strife? Where sickness to his sense presents The combat of the elements; And never feels a perfect peace, Till Death's cold hand signs his release. It is a storm, where the hot blood Outvies in rage the boiling flood; And each loud passion of the mind 10Is like a furious gust of wind, Which beats his bark with many a wave, Till he casts anchor in the grave. It is a flower, which buds and grows, And withers as the leaves disclose; Whose spring and fall faint seasons keep, Like fits of waking before sleep: Then shrinks into that fatal mould, Where its first being was enroll'd. It is a dream, whose seeming truth 20Is moraliz'd in age and youth: Where all the comforts he can share As wand'ring as his fancies are; Till in a mist of dark decay The dreamer vanish quite away. It is a dial, which points out The sun-set as it moves about: And shadows out in lines of night The subtile stages of Time's flight, Till all obscuring earth hath laid 30The body in perpetual shade. It is a weary interlude Which doth short joys, long woes include. The World the stage, the Prologue tears, The Acts vain hope, and varied fears; The Scene shuts up with loss of breath, And leaves no Epilogue but Death. The Dirge.] An obvious extension-variation of Sic Vita. 8 MS. 'Vies rages with'—rather well. 12 MS. 'cast'—perhaps better. 26 MS. 'His sun-set'. 27-8 These run in MS.: Whilst it demonstrates Time's swift flight In the black lines of shady night. 30 The] MS. 'His'. 35 MS. 'in loss'. An Elegy, occasioned by the loss of the most incomparable Lady Stanhope, daughter to the Earl of Northumberland. [Died November 29, 1654.] Light'ned by that dim torch our sorrow bears, We sadly trace thy coffin with our tears; And though the ceremonious rites are past Since thy fair body into earth was cast, Though all thy hatchments into rags are torn, Thy funeral robes and ornaments outworn; We still thy mourners, without show or art, With solemn blacks hung round about our heart, Thus constantly the obsequies renew, 10Which to thy precious memory are due. Yet think not that we rudely would invade The dark recess of thine untroubled shade, Or give disturbance to that happy peace, Which thou enjoy'st at full since thy release: Much less in sullen murmurs do complain Of His decree who took thee back again, And did, ere Fame had spread thy virtue's light, Eclipse and fold thee up in endless night. This, like an act of envy, not of grief, 20Might doubt thy bliss, and shake our own belief, Whose studied wishes no proportion bear With joys which crown thee now in glory's sphere. Know then, blest Soul! we for ourselves, not thee, Seal our woe's dictate by this elegy: Wherein our tears, united in one stream, Shall to succeeding times convey this theme, Worth all men's pity, who discern, how rare Such early growths of fame and goodness are. Of these, part must thy sex's loss bewail, 30Maim'd in her noblest patterns through thy fail; For 'twould require a double term of life To match thee as a daughter or a wife; Both which Northumberland's dear loss improve, And make his sorrow equal to his love. The rest fall for ourselves, who, cast behind, Cannot yet reach the peace which thou dost find; But slowly follow thee in that dull stage Which most untimely posted hence thy age. Thus, like religious pilgrims, who design 40A short salute to their beloved shrine, Most sad and humble votaries we come, To offer up our sighs upon thy tomb, And wet thy marble with our dropping eyes, Which, till the spring which feeds their current dries, Resolve each falling night and rising day, This mournful homage at thy grave to pay. An Elegy.] The subject of this was Anne Percy, daughter of the Northumberland whose personal umbrage or lukewarm loyalty so grievously affected the Royal cause, and the wife of that Philip Lord Stanhope who afterwards, and after her death, seems to have flirted with Lady Elizabeth Howard before she married Dryden. 28 early] Lady Stanhope was not twenty-one when she died, and had been married little more than two years.
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