Here is the history of a man without a history. As far back as I can remember, I can see in the great court of honour of the Manor, devoted to plebeian uses since the Revolution, Six Cents, the sawyer, silently occupied with making boards out of the trunks of poplars, elms, and oaks, which at the end of my last vacation I had left green and living, filled with the song of birds, and whose corpses I found on my return tragically piled up for the posthumous torture by which man pursues his work of death-dealing civilization.

Jacques Barbot, commonly called Six Cents, was in those days the representative of industry in the rural world; he typified man in the first stage above the purely agricultural labourer of olden times. To prepare the raw material for the next man to use was his social function. He had certainly never given thought to this, any more than to the cruel fate which makes of man the first victim of his inventions, pregnant though they be of future benefit. For how many centuries the grinding of wheat chained the slave to the millstone, until the day dawned when the beast of burden, the wind, water and steam, came to take his place. Even to-day, how much serf's labour still awaits the ingenuity of future liberators!

It is certain that Six Cents, although he expressed his views to nobody, for discretion of thought was chief among his characteristics, did not feel himself a slave, in his quiet patience under the common subjugation of labour. As it happened, the machine which set him free promptly dealt him his death blow.

Employee and employer as well, he hired a comrade, whose pay was nearly equal to his own, and all the year round, in the cold and the rain, the sun or the wind, he matched himself with untiring energy against the wide-branched giants, and defeated those adversaries. The ever-renewed struggle against the eternal resistance of the woody monsters made up his entire life. Beyond that, no horizon, no thought; his was the unconsciousness of the soul in the making. Gladstone, stupidly and without the excuse of necessity, used to hack down the noble leafy creations that form so great a part of the earth's beauty. Six Cents, as insensible as he to the esthetic aspect of tree life, engaged in a mortal combat to wrest his living from the obstinate fibres clinging to life with obscure yet tenacious vitality.

On winter days, favourable for felling trees, the executioners would arrive on the spot, axe in hand, to carry out the death sentence pronounced by interest against life and beauty. In the desolate country, overflown by bands of crows with their ill-omened croaking, the strokes of the sinister axe would echo far around, as they accomplished their work of death. The tall trunk rocks at each deeper entering of the iron, while the plumy branches beat the air in shudders of agony. The rope fastened to the top of the tree grows taut—a sharp blow, followed by a long wail, and the groaning colossus falls heavily to earth. Like a hero on the fields of Ilion hurling himself upon the spoils of the vanquished foe, Six Cents on the instant is chopping, cutting, trimming, drawing lines where the saw is to divide the tree into logs. Soon the stripped shaft, chained to the sawing trestle, will show on its length as well as its girth black lines, drawn straight by aid of a string for the sawyer's reliance in guiding the steel teeth.

One man stands above and one below the trestle. The thin notched blade, working its way forward with a soft swish muffled by the sawdust, rises and falls with the rhythmic motion of the bodies alternately bending down and straightening up. From a distance you see two men in front of each other, one facing earthward, the other skyward, and perpetually bowing as if in mutual greeting. When the entire existence of a human being has for its sole activity an incessant bowing, not even to the tree about to die, but to its corpse, into which he is driving the iron a little further with each courteous gesture, there results a monotony of sensation, of thought (if the two words may be used in this connection,) progressively benumbing the spirit, or reducing it to the minimum of cogitation compatible with a continuance of life. The inert intelligence becomes atrophied. What is the mentality of the slave harnessed to the millstone? Not greatly superior to that of the beast of burden substituted for him. Six Cents, slaughtering his trees, took from them only vegetative life. His victims unconsciously revenged themselves by bringing him down through the continuity of enforced labour to the lowest rank of conscious life.

One must not suppose that Six Cents was stupid. His countenance, with its regular features, was frank and open. His eyes, which though lacking in fire were gentle and appeared to dwell on something far away, reminded one of those of certain dogs, "very intelligent," but incapable of any effort beyond primitive comprehension. He was not a mere animal, but simply an undeveloped man. He did not know how to read, nor had he ever stopped to wonder what might be contained in a book. To saw to-day, to saw to-morrow: a narrow cycle of dull thoughts brought him continually back to his starting point. The wide gray velvet trousers from the pocket of which protruded the points of a pair of compasses distinguished him from tillers of the soil. The stamp of science and art was upon him, but so rudimentary, that the appropriate mechanical gesture was the Ultima Thule of his attainment. The smooth-shaven face, framed in long gray locks, under a cloth cap in the fashion of Louis XI, inspired respect by its placid gravity. His slow, heavy step could be heard on the road as he went silently to his work, whereas the plowmen, exchanging greetings as they passed one another, urged on their beasts with shouts, held them back with oaths, or brightened the day with love songs. Presently, they would be turning over their furrows, still shouting, still swearing, and still singing, followed by the feathered host, to whom the plowshare furnishes inexhaustible feasts. During this, Six Cents, at the foot of the trestle, gazing upward open mouthed, without sound, his attention centred upon not departing from the straight line, would stretch to full height with arms extended, then stoop to the ground as if to touch it, bend over only to lift himself, and lift himself only to bend again.

And what of the interludes between work hours? There is the cheer of the coarse but comforting repast, with the zest of its thin, sourish white wine "warming to the heart"—the walk from work to food and from food to work; sleep, when strength is spent, and rising when it would be pleasant to go on sleeping. On Sundays, there is first and foremost the joy of doing nothing, then there are the heavy conversations during which no one has anything to say, each having no interest in any but his own case, "feeling only his own ills," as the popular saying has it; there is the talk about the weather, the tedium of an idle day, occasionally the diversion of rural debate on the church square after mass; there is communion with the blessed bottle, substituting a paradise of dreams for the irksome reality of things. What further?

Married in a purely animal sense, as is the case with the majority of the human race, Six Cents lived in the relation of male to female with his "good wife," finding in marriage the advantage of partnership in labour. Were they faithful to each other? In a village these matters, which create so much commotion in the city, have small importance. People are too close to nature to resist the attraction of the moment. And I cannot see that the dwellers in cities set them such a shining example. The distraction of fairs is unknown to the sawyer who has nothing to sell. Thefts are too common, crimes too rare, they are not common subjects of conversation. Finally, to satisfy the rudimentary urge of idealism, there are politics and religion, represented by the mayor and the priest. From the pulpit fall incomprehensible words to which no one pays attention, since no one can see that they have any real effect upon anything whatsoever. Religion consists principally in believing that we must by means of certain ceremonies get on the right side of a God who will otherwise burn us up. At the approach of death one tries to get the balance in his favour at all costs. But this changes nothing in the conduct of life. Local politics are in general, as they are everywhere, a matter of business. The calculation can quickly be made as to the value of a vote on one side or the other. There is no other problem. This is how a great many Frenchmen still express the "national will" concerning the most important matters of politics and sociology. The point ever present to the mind is the question of remuneration. But the conditions determining the wages of labour escape the power of analysis of such fellows as Six Cents. What can they do but say "I work too much and earn too little," and stop, amazed before the insoluble puzzle.

One day, however, Six Cents heard news, when he happened to complain that "Boards did not find as good market as they used to." He was told about pines, and water power, and sawmills in Norway, and cheap transportation, a tale which he did not entirely understand, but from which he gathered that the evil was irremediable. He therefore resigned himself as he had always done, bowing under the inevitable. He earned less and still less, while working harder and harder because of arms grown weaker, and back grown stiff with the years. In spite of the kindly advice of philanthropical political economists, Six Cents, wearing out his body by continual labour, had no savings. He had no old sock filled with gold pieces against a rainy day, such as the simple like to believe in. Why economize, when one knows that a lifetime of pinching would lead to a ludicrously inadequate result?

Old age is upon him. Pitiless progress has done its work. Humble village craftsmen like Six Cents are out of date. The concentration of capital demands the mustering of labourers in the all-devouring factory. Six Cents looks on without understanding, without complaining. He has come to poverty, want. Utter destitution as he nears the grave seems to him but one fate-ordained calamity more to throw on the heap with the others. Is any one surprised at heat in summer and cold in winter? We must accept things as they come, and if nothing comes, still be content, since we cannot change the actual course of things. It is the same resignation as that of beasts under the whip. Six Cents' wife with a sack on her back goes from door to door begging for a crust or a few potatoes, grudgingly given to her. The sawyer does such small odd jobs as he finds to do. They keep alive, and at times appear contented. Seated on a stone at the threshold of his hut, Six Cents watches the world go by. The young come, merry, wilful, noisy. The aged pass, dejected, resigned, silent.

"With all the boards I have sawed," said he, the other day, "it will certainly be strange if four cannot be found to make my last home."

The history of a man without a history I have called this. But even without events, without passions, without desires, without revolts, without search for better things, and with the apathy of lifelong labour directed to no end, is it not still a history? The evolution of human society cannot be denied. But the time seems distant when men shall keep abreast in their progression. Up to the present time, what a lot of laggards! Consider the mental development of the cave man, chipping his flint, polishing his stone axe, sharpening his arrows, dividing his time between hunting and fighting, defending his hearth with vigilant effort, and trying to destroy the hearth of his neighbour, and then tell me whether the wretched man who spends all the days of his life sawing the same board, hammering the same iron-bar, turning the same crank of the same machine all day long—whether this man is intellectually superior to the cave man? All this, of course, must change. Let us, in order to help on the good work, take account as we go of the temporary conditions of human kind.