^[1]That Cremona instruments were held in high estimation during the reign of Charles II, is proved by the following entry in the Enrolments of the Audit Office, 1662, vol. vi: “These are to require you to pay, or cause to be paid to John Bannister, one of his Majesties musicians in ordinary, the some of fourty poundes for two cremona violins, by him bought and delivered for his Majesties service as may appear by the bill annexed, and also tenn pounds for strings for two years, ending 24th June, 1662. And this shall be your warrant, etc.”

^[2]In early English times the word “crowd” was often used instead of fiddle.

^[3]This Act was repealed by 12 Ann Stat. 2, C. 23.

^[4]James Sherard, an Englishman, also composed several sonatas, so nearly equal to Corelli’s, and resembling them so perfectly in style, that they might have been taken for that composer’s.

^[5]Michael Corette was an organist in Paris in 1738. He wrote several treatises on music.