OST Anglo-Indians, after living many years in India, return to their native country with the idea that the music of Hindostan consists of the noisy twanging of stringed instruments, jangling of ankle bells, and banging of drums. Very few have troubled themselves to consider the important part played by music in the lives of the various nations occupying the vast territories between the Himalayas and Cape Comorin.

Foreigners are treated by the natives to noisy performances because they are thought to be lovers of harsh sounds, possibly owing to the prominence of brass instruments in our military bands, the only European music with which they are familiar. Moreover, we must take into account that the scales and chords, which make the harmonies so pleasant to Western ears, sound just as discordant to Eastern nations as their musical combinations do to ourselves.

The Vedas, or sacred books of the Brahmins, give very strict directions about the music of the various religious festivals. It is ordered to consist almost always of soft, mild melodies, dying dreamily away, accompanied by the gentle tinkling of cymbals. The Vedic chant, sung by the priests, was written some three thousand years ago, and has still a wonderful effect on the minds of educated Hindus.

In very early times the art of music was reduced to an elaborate system, and the study of it seems to have been general until the first Mohammedan invasion in the eleventh century. From this time the whole country was a scene of war between rival princes, and amid fighting and bloodshed for many centuries the peaceful arts had little chance of flourishing.

Aurungzebe, the last great Mogul emperor, put an end to the Court music, which had probably reached a very low level in his day. It was his custom to assure his people of his safety by showing himself daily to them at a certain window, and some musicians, thinking to arouse his sympathy, brought beneath this window a funeral bier, and set up a doleful wailing. Distracted by the noise, the emperor appeared and demanded what it all meant? 'Melody is dead,' was the dejected reply, 'and we are taking it to the graveyard.' 'Very good,' answered the annoyed ruler; 'make the grave so deep that neither voice nor echo may ever again be heard.' And so Court ceremonials were deprived of music for the future.

The 'bin,' or 'vina,' may be regarded as the national instrument of India. Legend says that it was invented by Nareda, the son of Brahma. In painting and sculpture Nareda is usually represented as playing on this instrument. One of the old PÂli books, written about the time of our Lord's birth, gives a description of the 'vina,' and the carving of the most ancient instruments differs little from that of those made at the present time.

The 'bin' is made of wood, and has seven strings, two of steel, the rest of silver, and these are plucked by the two first fingers of the performer, who wears little metal shields made for the purpose. It is tuned by pegs, and has two gourds suspended below, each usually measuring about fourteen inches across. These, being of irregular shape and gaily coloured, give a very picturesque look to the instrument.

Another favourite instrument is the 'kimmori.' This also derives its sounding powers from gourds, of which three are usually slung from the tube forming the body. It is said by the natives to have been invented by one of the singers of the 'Brahma Loka,' or heaven of the Brahmins. The 'kimmori' is made of a pipe of bamboo or blackwood, with frets or screws, which should be fashioned of the scales of the pangolin, or scaly ant-eater, though more often they are made of bone or metal. It has only two strings, one touching the frets, the other carried above them. The tail-piece is always carved like the breast of a kite, and the instrument is frequently found sculptured on ancient temples and shrines, especially in Mysore, in the south of Hindustan.

In the Old Testament, mention is made of a musical instrument called kimor, which was probably the same as the kimmori, both being of great antiquity, and most likely of Aryan construction.

Helena Heath.