CHAPTER II. FUN IN CAMP.

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Weary and monotonous indeed, would be many of the days spent in camp by the soldier, did not something crop out of an amusing nature, either in the proper members of the camp or in some of its motley group of followers.

One such safety-valve was found in a stout, unctuous darkey, who seemed to be the “right hand man” of our regimental sutler. Worthy Oscar! I know not whether thou dost still walk on this earth of ours, or hast entered the spirit land which so many of thy brave fellow-Africans reached, who with a more warlike spirit than thine, died on fields of duty and glory. Peace to thee, in any event, for none more faithfully performed his duty.On one occasion, however, the “even tenor of his way” was rudely broken in upon, to the great amusement of the large number who happened to be in view of that part of the camp at the time. It seems that a private soldier of mischievous propensities had been for some time teasing our colored friend by thrusting a burning twig from the camp fire into his face; yet during the ordeal he had kept his patience, and only tried to get rid of his tormentor by entreaties. Suddenly he turns upon him, forbearance having ceased to be a virtue in the case, and the two fall heavily to the ground; Oscar having decidedly the advantage of his enemy, which he as decidedly keeps. The roar of laughter which followed this unexpected discomfiture was probably more pleasant to the ears of Oscar than to those of his antagonist.

Another case in which our hero was concerned related to the legitimate business of the sutler’s tent, and was told in Company E to the amusement of many, by poor Hunter, who afterwards while in the performance of duty at the Shenandoah, fell through an opening in the bridge in an unguarded moment and was drowned.The story was something like this: “Well yer see de feller he comes up ’mongst de crowd, an’ says he, I wants a fried pie. So I takes de fried pie an’ hands it to him, an’ looks for de money; but somehow de feller gits shook up in de crowd, an’ I hav’nt seen him; nor de money, nor de fried pie since.” This was given with capital powers of imitation, and never failed to “bring down the house.”

There is something which irresistably appeals, in many phases of the African character, to our American sense of humor. At the same time we discover running through it a vein of sentiment, which blending with the other, dignifies the effect.

“’Way down upon de Swanee Riber,
Far, far away;
Dere’s where my heart am turning eber,
Dere’s where de old folks stay.
When I was in de fields a hoeing,
Near set ob sun;
So glad to hear de horn a blowing,
Telling dat de work was done.
O, den de darkies frolic sweetly,
Banjo in tune;
Dinah and Phillis dressed so neatly,
Dance by de big round moon.”


                                                                                                                                                                                                                                                                                                           

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