Autumn was at hand. All day it had rained, but now, as night fell and Janet went homeward, the white mist from the river was creeping stealthily over the city, disguising the familiar and sordid landmarks. These had become beautiful, mysterious, somehow appealing. The electric arcs, splotches in the veil, revealed on the Common phantom trees; and in the distance, against the blurred lights from the Warren Street stores skirting the park could be seen phantom vehicles, phantom people moving to and fro. Thus, it seemed to Janet, invaded by a pearly mist was her own soul, in which she walked in wonder,—a mist shot through and through with soft, exhilarating lights half disclosing yet transforming and etherealizing certain landmark's there on which, formerly, she had not cared to gaze. She was thinking of Ditmar as she had left him gripping his chair, as he had dismissed her for the day, curtly, almost savagely. She had wounded and repelled him, and lingering in her was that exquisite touch of fear—a fear now not so much inspired by Ditmar as by the semi-acknowledged recognition of certain tendencies and capacities within herself. Yet she rejoiced in them, she was glad she had hurt Ditmar, she would hurt him again. Still palpitating, she reached the house in Fillmore Street, halting a moment with her hand on the door, knowing her face was flushed, anxious lest her mother or Lise might notice something unusual in her manner. But, when she had slowly mounted the stairs and lighted the gas in the bedroom the sight of her sister's clothes cast over the chairs was proof that Lise had already donned her evening finery and departed. The room was filled with the stale smell of clothes, which Janet detested. She flung open the windows. She took off her hat and swiftly tidied herself, yet the relief she felt at Lise's absence was modified by a sudden, vehement protest against sordidness. Why should she not live by herself amidst clean and tidy surroundings? She had begun to earn enough, and somehow a vista had been opened up—a vista whose end she could not see, alluring, enticing…. In the dining-room, by the cleared table, her father was reading the Banner; her mother appeared in the kitchen door.

"What in the world happened to you, Janet?" she exclaimed.

"Nothing," said Janet. "Mr. Ditmar asked me to stay—that was all. He'd been away."

"I was worried, I was going to make your father go down to the mill. I've saved you some supper."

"I don't want much," Janet told her, "I'm not hungry."

"I guess you have to work too hard in that new place," said Hannah, as she brought in the filled plate from the oven.

"Well, it seems to agree with her, mother," declared Edward, who could always be counted on to say the wrong thing with the best of intentions. "I never saw her looking as well—why, I swan, she's getting real pretty!"

Hannah darted at him a glance, but restrained herself, and Janet reddened as she tried to eat the beans placed before her. The pork had browned and hardened at the edges, the gravy had spread, a crust covered the potatoes. When her father resumed his reading of the Banner and her mother went back into the kitchen she began to speculate rather resentfully and yet excitedly why it was that this adventure with a man, with Ditmar, made her look better, feel better,—more alive. She was too honest to disguise from herself that it was an adventure, a high one, fraught with all sorts of possibilities, dangers, and delights. Her promotion had been merely incidental. Both her mother and father, did they know the true circumstances,—that Mr. Ditmar desired her, was perhaps in love with her—would be disturbed. Undoubtedly they would have believed that she could "take care" of herself. She knew that matters could not go on as they were, that she would either have to leave Mr. Ditmar or—and here she baulked at being logical. She had no intention of leaving him: to remain, according to the notions of her parents, would be wrong. Why was it that doing wrong agreed with her, energized her, made her more alert, cleverer, keying up her faculties? turned life from a dull affair into a momentous one? To abandon Ditmar would be to slump back into the humdrum, into something from which she had magically been emancipated, symbolized by the home in which she sat; by the red-checked tablecloth, the ugly metal lamp, the cherry chairs with the frayed seats, the horsehair sofa from which the stuffing protruded, the tawdry pillow with its colours, once gay, that Lise had bought at a bargain at the Bagatelle…. The wooden clock with the round face and quaint landscape below—the family's most cherished heirloom—though long familiar, was not so bad; but the two yellowed engravings on the wall offended her. They had been wedding presents to Edward's father. One represented a stupid German peasant woman holding a baby, and standing in front of a thatched cottage; its companion was a sylvan scene in which certain wooden rustics were supposed to be enjoying themselves. Between the two, and dotted with flyspecks, hung an insurance calendar on which was a huge head of a lady, florid, fluffy-haired, flirtatious. Lise thought her beautiful.

The room was ugly. She had long known that, but tonight the realization came to her that what she chiefly resented in it was the note it proclaimed—the note of a mute acquiescence, without protest or struggle, in what life might send. It reflected accurately the attitude of her parents, particularly of her father. With an odd sense of detachment, of critical remoteness and contempt she glanced at him as he sat stupidly absorbed in his newspaper, his face puckered, his lips pursed, and Ditmar rose before her—Ditmar, the embodiment of an indomitableness that refused to be beaten and crushed. She thought of the story he had told her, how by self-assertion and persistence he had become agent of the Chippering Mill, how he had convinced Mr. Stephen Chippering of his ability. She could not think of the mill as belonging to the Chipperings and the other stockholders, but to Ditmar, who had shaped it into an expression of himself, since it was his ideal. And now it seemed that he had made it hers also. She regretted having repulsed him, pushed her plate away from her, and rose.

"You haven't eaten anything," said Hannah, who had come into the room.
"Where are you going?"

"Out—to Eda's," Janet answered….

"It's late," Hannah objected. But Janet departed. Instead of going to Eda's she walked alone, seeking the quieter streets that her thoughts might flow undisturbed. At ten o'clock, when she returned, the light was out in the diningroom, her sister had not come in, and she began slowly to undress, pausing every now and then to sit on the bed and dream; once she surprised herself gazing into the glass with a rapt expression that was almost a smile. What was it about her that had attracted Ditmar? No other man had ever noticed it. She had never thought herself good looking, and now—it was astonishing!—she seemed to have changed, and she saw with pride that her arms and neck were shapely, that her dark hair fell down in a cascade over her white shoulders to her waist. She caressed it; it was fine. When she looked again, a radiancy seemed to envelop her. She braided her hair slowly, in two long plaits, looking shyly in the mirror and always seeing that radiancy….

Suddenly it occurred to her with a shock that she was doing exactly what she had despised Lise for doing, and leaving the mirror she hurried her toilet, put out the light, and got into bed. For a long time, however, she remained wakeful, turning first on one side and then on the other, trying to banish from her mind the episode that had excited her. But always it came back again. She saw Ditmar before her, virile, vital, electric with desire. At last she fell asleep.

Gradually she was awakened by something penetrating her consciousness, something insistent, pervasive, unescapable, which in drowsiness she could not define. The gas was burning, Lise had come in, and was moving peculiarly about the room. Janet watched her. She stood in front of the bureau, just as Janet herself had done, her hands at her throat. At last she let them fall, her head turning slowly, as though drawn, by some irresistible, hypnotic power, and their eyes met. Lise's were filmed, like those of a dog whose head is being stroked, expressing a luxuriant dreaminess uncomprehending, passionate.

"Say, did I wake you?" she asked. "I did my best not to make any noise—honest to God."

"It wasn't the noise that woke me up," said Janet.

"It couldn't have been."

"You've been drinking!" said Janet, slowly.

Lise giggled.

"What's it to you, angel face!" she inquired. "Quiet down, now, and go bye-bye."

Janet sprang from the bed, seized her by the shoulders, and shook her.
She was limp. She began to whimper.

"Cut it out—leave me go. It ain't nothing to you what I do—I just had a highball."

Janet released her and drew back.

"I just had a highball—honest to God!"

"Don't say that again!" whispered Janet, fiercely.

"Oh, very well. For God's sake, go to bed and leave me alone—I can take care of myself, I guess—I ain't nutty enough to hit the booze. But I ain't like you—I've got to have a little fun to keep alive."

"A little fun!" Janet exclaimed. The phrase struck her sharply. A little fun to keep alive!

With that same peculiar, cautious movement she had observed, Lise approached a chair, and sank into it,—jerking her head in the direction of the room where Hannah and Edward slept.

"D'you want to wake 'em up? Is that your game?" she asked, and began to fumble at her belt. Overcoming with an effort a disgust amounting to nausea, Janet approached her sister again, little by little undressing her, and finally getting her into bed, when she immediately fell into a profound slumber. Janet, too, got into bed, but sleep was impossible: the odour lurked like a foul spirit in the darkness, mingling with the stagnant, damp air that came in at the open window, fairly saturating her with horror: it seemed the very essence of degradation. But as she lay on the edge of the bed, shrinking from contamination, in the throes of excitement inspired by an unnamed fear, she grew hot, she could feel and almost hear the pounding of her heart. She rose, felt around in the clammy darkness for her wrapper and slippers, gained the door, crept through the dark hall to the dining-room, where she stealthily lit the lamp; darkness had become a terror. A cockroach scurried across the linoleum. The room was warm and close, it reeked with the smell of stale food, but at least she found relief from that other odour. She sank down on the sofa.

Her sister was drunk. That in itself was terrible enough, yet it was not the drunkenness alone that had sickened Janet, but the suggestion of something else. Where had Lise been? In whose company had she become drunk? Of late, in contrast to a former communicativeness, Lise had been singularly secretive as to her companions, and the manner in which her evenings were spent; and she, Janet, had grown too self-absorbed to be curious. Lise, with her shopgirl's cynical knowledge of life and its pitfalls and the high valuation at which she held her charms, had seemed secure from danger; but Janet recalled her discouragement, her threat to leave the Bagatelle. Since then there had been something furtive about her. Now, because that odour of alcohol Lise exhaled had destroyed in Janet the sense of exhilaration, of life on a higher plane she had begun to feel, and filled her with degradation, she hated Lise, felt for her sister no strain of pity. A proof, had she recognized it, that immorality is not a matter of laws and decrees, but of individual emotions. A few hours before she had seen nothing wrong in her relationship with Ditmar: now she beheld him selfish, ruthless, pursuing her for one end, his own gratification. As a man, he had become an enemy. Ditmar was like all other men who exploited her sex without compunction, but the thought that she was like Lise, asleep in a drunken stupor, that their cases differed only in degree, was insupportable.

At last she fell asleep from sheer weariness, to dream she was with Ditmar at some place in the country under spreading trees, Silliston, perhaps—Silliston Common, cleverly disguised: nor was she quite sure, always, that the man was Ditmar; he had a way of changing, of resembling the man she had met in Silliston whom she had mistaken for a carpenter. He was pleading with her, in his voice was the peculiar vibrancy that thrilled her, that summoned some answering thing out of the depths of her, and she felt herself yielding with a strange ecstasy in which were mingled joy and terror. The terror was conquering the joy, and suddenly he stood transformed before her eyes, caricatured, become a shrieking monster from whom she sought in agony to escape…. In this paralysis of fear she awoke, staring with wide eyes at the flickering flame of the lamp, to a world filled with excruciating sound—the siren of the Chippering Mill! She lay trembling with the horror of the dream-spell upon her, still more than half convinced that the siren was Ditmar's voice, his true expression. He was waiting to devour her. Would the sound never end?…

Then, remembering where she was, alarmed lest her mother might come in and find her there, she left the sofa, turned out the sputtering lamp, and ran into the bedroom. Rain was splashing on the bricks of the passage-way outside, the shadows of the night still lurked in the corners; by the grey light she gazed at Lise, who breathed loudly and stirred uneasily, her mouth open, her lips parched. Janet touched her.

"Lise—get up!" she said. "It's time to get up." She shook her.

"Leave me alone—can't you?"

"It's time to get up. The whistle has sounded."

Lise heavily opened her eyes. They were bloodshot.

"I don't want to get up. I won't get up."

"But you must," insisted Janet, tightening her hold. "You've got to—you've got to eat breakfast and go to work."

"I don't want any breakfast, I ain't going to work any more."

A gust of wind blew inward the cheap lace curtains, and the physical effect of it emphasized the chill that struck Janet's heart. She got up and closed the window, lit the gas, and returning to the bed, shook Lise again.

"Listen," she said, "if you don't get up I'll tell mother what happened last night."

"Say, you wouldn't—!" exclaimed Lise, angrily.

"Get up!" Janet commanded, and watched her rather anxiously, uncertain as to the after effects of drunkenness. But Lise got up. She sat on the edge of the bed and yawned, putting her hand to her forehead.

"I've sure got a head on me," she remarked.

Janet was silent, angrier than ever, shocked that tragedy, degradation, could be accepted thus circumstantially. Lise proceeded to put up her hair. She seemed to be mistress of herself; only tired, gaping frequently. Once she remarked:—"I don't see the good of getting nutty over a highball."

Seeing that Janet was not to be led into controversy, she grew morose.

Breakfast in Fillmore Street, never a lively meal, was more dismal than usual that morning, eaten to the accompaniment of slopping water from the roofs on the pavement of the passage. The indisposition of Lise passed unobserved by both Hannah and Edward; and at twenty minutes to eight the two girls, with rubbers and umbrellas, left the house together, though it was Janet's custom to depart earlier, since she had farther to go. Lise, suspicious, maintained an obstinate silence, keeping close to the curb. They reached the corner by the provision shop with the pink and orange chromos of jellies in the window.

"Lise, has anything happened to you?" demanded Janet suddenly. "I want you to tell me."

"Anything happened—what do you mean? Anything happened?"

"You know very well what I mean."

"Well, suppose something has happened?" Lise's reply was pert, defiant. "What's it to you? If anything's happened, it's happened to me—hasn't it?"

Janet approached her.

"What are you trying to do?" said Lise. "Push me into the gutter?"

"I guess you're there already," said Janet.

Lise was roused to a sudden pitch of fury. She turned on Janet and thrust her back.

"Well, if I am who's going to blame me?" she cried. "If you had to work all day in that hole, standing on your feet, picked on by yaps for six a week, I guess you wouldn't talk virtuous, either. It's easy for you to shoot off your mouth, you've got a soft snap with Ditmar."

Janet was outraged. She could not restrain her anger.

"How dare you say that?" she demanded.

Lise was cowed.

"Well, you drove me to it—you make me mad enough to say anything. Just because I went to Gruber's with Neva Lorrie and a couple of gentlemen—they were gentlemen all right, as much gentlemen as Ditmar—you come at me and tell me I'm all to the bad." She began to sob. "I'm as straight as you are. How was I to know the highball was stiff? Maybe I was tired—anyhow, it put me on the queer, and everything in the joint began to tango 'round me—and Neva came home with me."

Janet felt a surge of relief, in which were mingled anxiety and resentment: relief because she was convinced that Lise was telling the truth, anxiety because she feared for Lise's future, resentment because Ditmar had been mentioned. Still, what she had feared most had not come to pass. Lise left her abruptly, darting down a street that led to a back entrance of the Bagatelle, and Janet pursued her way. Where, she wondered, would it all end? Lise had escaped so far, but drunkenness was an ominous sign. And "gentlemen"? What kind of gentlemen had taken her sister to Gruber's? Would Ditmar do that sort of thing if he had a chance?

The pavement in front of the company boarding-houses by the canal was plastered with sodden leaves whipped from the maples by the driving rain in the night. The sky above the mills was sepia. White lights were burning in the loom rooms. When she reached the vestibule Simmons, the watchman, informed her that Mr. Ditmar had already been there, and left for Boston.

Janet did not like to acknowledge to herself her disappointment on learning that Ditmar had gone to Boston. She knew he had had no such intention the night before; an accumulated mail and many matters demanding decisions were awaiting him; and his sudden departure seemed an act directed personally against her, in the nature of a retaliation, since she had offended and repulsed him. Through Lise's degrading act she had arrived at the conclusion that all adventure and consequent suffering had to do with Man—a conviction peculiarly maddening to such temperaments as Janet's. Therefore she interpreted her suffering in terms of Ditmar, she had looked forward to tormenting him again, and by departing he had deliberately balked and cheated her. The rain fell ceaselessly out of black skies, night seemed ever ready to descend on the river, a darkness—according to young Mr. Caldwell—due not to the clouds alone, but to forest fires many hundreds of miles away, in Canada. As the day wore on, however, her anger gradually gave place to an extreme weariness and depression, and yet she dreaded going home, inventing things for herself to do; arranging and rearranging Ditmar's papers that he might have less trouble in sorting them, putting those uppermost which she thought he would deem the most important. Perhaps he would come in, late! In a world of impending chaos the brilliantly lighted office was a tiny refuge to which she clung. At last she put on her coat and rubbers, faring forth reluctantly into the wet.

At first when she entered the bedroom she thought it empty, though the gas was burning, and them she saw Lise lying face downward on the bed. For a moment she stood still, then closed the door softly.

"Lise," she said.

"What?"

Janet sat down on the bed, putting out her hand. Unconsciously she began to stroke Lise's hand, and presently it turned and tightened on her own.

"Lise," she said, "I understand why you—" she could not bring herself to pronounce the words "got drunk,"—"I understand why you did it. I oughtn't to have talked to you that way. But it was terrible to wake up and see you."

For awhile Lise did not reply. Then she raised herself, feeling her hair with an involuntary gesture, regarding her sister with a bewildered look, her face puckered. Her eyes burned, and under them were black shadows.

"How do you mean—you understand?" she asked slowly. "You never hit the booze."

Even Lise's language, which ordinarily offended her, failed to change her sudden impassioned and repentant mood. She was astonished at herself for this sudden softening, since she did not really love Lise, and all day she had hated her, wished never to see her again.

"No, but I can understand how it would be to want to," Janet said. "Lise,
I guess we're searching—both of us for something we'll never find."

Lise stared at her with a contracted, puzzled expression, as of a person awaking from sleep, all of whose faculties are being strained toward comprehension.

"What do you mean?" she demanded. "You and me? You're all right—you've got no kick coming."

"Life is hard, it's hard on girls like us—we want things we can't have."
Janet was at a loss to express herself.

"Well, it ain't any pipe dream," Lise agreed. Her glance turned involuntarily toward the picture of the Olympian dinner party pinned on the wall. "Swells have a good time," she added.

"Maybe they pay for it, too," said Janet.

"I wouldn't holler about paying—it's paying and not getting the goods," declared Lise.

"You'll pay, and you won't get it. That kind of life is—hell," Janet cried.

Self-centered as Lise was, absorbed in her own trouble and present physical discomfort, this unaccustomed word from her sister and the vehemence with which it was spoken surprised and frightened her, brought home to her some hint of the terror in Janet's soul.

"Me for the water wagon," she said.

Janet was not convinced. She had hoped to discover the identity of the man who had taken Lise to Gruber's, but she did not attempt to continue the conversation. She rose and took off her hat.

"Why don't you go to bed?" she asked. "I'll tell mother you have a headache and bring in your supper."

"Well, I don't care if I do," replied Lise, gratefully.

Perhaps the most disconcerting characteristic of that complex affair, the human organism, is the lack of continuity of its moods. The soul, so called, is as sensitive to physical conditions as a barometer: affected by lack of sleep, by smells and sounds, by food, by the weather—whether a day be sapphire or obsidian. And the resolutions arising from one mood are thwarted by the actions of the next. Janet had observed this phenomenon, and sometimes, when it troubled her, she thought herself the most inconsistent and vacillating of creatures. She had resolved, far instance, before she fell asleep, to leave the Chippering Mill, to banish Ditmar from her life, to get a position in Boston, whence she could send some of her wages home: and in the morning, as she made her way to the office, the determination gave her a sense of peace and unity. But the northwest wind was blowing. It had chased away the mist and the clouds, the smoke from Canada. The sun shone with a high brilliancy, the elms of the Common cast sharp, black shadow-patterns on the pavements, and when she reached the office and looked out of his window she saw the blue river covered with quicksilver waves chasing one another across the current. Ditmar had not yet returned to Hampton. About ten o'clock, as she was copying out some figures for Mr. Price, young Mr. Caldwell approached her. He had a Boston newspaper in his hand.

"Have you seen this article about Mr. Ditmar?" he asked.

"About Mr. Ditmar? No."

"It's quite a send-off for the Colonel," said Caldwell, who was wont at times to use the title facetiously. "Listen; `One of the most notable figures in the Textile industry of the United States, Claude Ditmar, Agent of the Chippering Mill.'" Caldwell spread out the page and pointed to a picture. "There he is, as large as life."

A little larger than life, Janet thought. Ditmar was one of those men who, as the expression goes, "take" well, a valuable asset in semi-public careers; and as he stood in the sunlight on the steps of the building where they had "snap-shotted" him he appeared even more massive, forceful, and preponderant than she had known him. Beholding him thus set forth and praised in a public print, he seemed suddenly to have been distantly removed from her, to have reacquired at a bound the dizzy importance he had possessed for her before she became his stenographer. She found it impossible to realize that this was the Ditmar who had pursued and desired her; at times supplicating, apologetic, abject; and again revealed by the light in his eyes and the trembling of his hand as the sinister and ruthless predatory male from whom—since the revelation in her sister Lise she had determined to flee, and whom she had persuaded herself she despised. He was a bigger man than she had thought, and as she read rapidly down the column the fascination that crept over her was mingled with disquieting doubt of her own powers: it was now difficult to believe she had dominated or could ever dominate this self-sufficient, successful person, the list of whose achievements and qualities was so alluringly set forth by an interviewer who himself had fallen a victim.

The article carried the implication that the modern, practical, American business man was the highest type as yet evolved by civilization: and Ditmar, referred to as "a wizard of the textile industry," was emphatically one who had earned the gratitude of the grand old Commonwealth. By the efforts of such sons she continued to maintain her commanding position among her sister states. Prominent among the qualities contributing to his success was open-mindedness, "a willingness to be shown," to scrap machinery when his competitors still clung to older methods. The Chippering Mill had never had a serious strike, —indication of an ability to deal with labour; and Mr. Ditmar's views on labour followed: if his people had a grievance, let them come to him, and settle it between them. No unions. He had consistently refused to recognize them. There was mention of the Bradlaugh order as being the largest commission ever given to a single mill, a reference to the excitement and speculation it had aroused in trade circles. Claude Ditmar's ability to put it through was unquestioned; one had only to look at him,—tenacity, forcefulness, executiveness were written all over him…. In addition, the article contained much material of an autobiographical nature that must—Janet thought—have been supplied by Ditmar himself, whose modesty had evidently shrunk from the cruder self-eulogy of an interview. But she recognized several characteristic phrases.

Caldwell, watching her as she read, was suddenly fascinated. During a trip abroad, while still an undergraduate, he had once seen the face of an actress, a really good Parisian actress, light up in that way; and it had revealed to him, in a flash, the meaning of enthusiasm. Now Janet became vivid for him. There must be something unusual in a person whose feelings could be so intense, whose emotions rang so true. He was not unsophisticated. He had sometimes wondered why Ditmar had promoted her, though acknowledging her ability. He admired Ditmar, but had no illusions about him. Harvard, and birth in a social stratum where emphasis is superfluous, enabled him to smile at the reporter's exuberance; and he was the more drawn toward her to see on Janet's flushed face the hint of a smile as she looked up at him when she had finished.

"The Colonel hypnotized that reporter," he said, as he took the paper; and her laugh, despite its little tremor, betrayed in her an unsuspected, humorous sense of proportion. "Well, I'll take off my hat to him," Caldwell went on. "He is a wonder, he's got the mill right up to capacity in a week. He's agreed to deliver those goods to the Bradlaughs by the first of April, you know, and Holster, of the Clarendon, swears it can't be done, he says Ditmar's crazy. Well, I stand to lose twenty-five dollars on him."

This loyalty pleased Janet, it had the strange effect of reviving loyalty in her. She liked this evidence of Dick Caldwell's confidence. He was a self-contained and industrious young man, with crisp curly hair, cordial and friendly yet never intimate with the other employer; liked by them—but it was tacitly understood his footing differed from theirs. He was a cousin of the Chipperings, and destined for rapid promotion. He went away every Saturday, it was known that he spent Sundays and holidays in delightful places, to return reddened and tanned; and though he never spoke about these excursions, and put on no airs of superiority, there was that in his manner and even in the cut of his well-worn suits proclaiming him as belonging to a sphere not theirs, to a category of fortunate beings whose stumbles are not fatal, who are sustained from above. Even Ditmar was not of these.

"I've just been showing a lot of highbrows through the mill," he told
Janet. "They asked questions enough to swamp a professor of economics."

And Janet was suddenly impelled to ask:—"Will you take me through sometime, Mr. Caldwell?"

"You've never been through?" he exclaimed. "Why, we'll go now, if you can spare the time."

Her face had become scarlet.

"Don't tell Mr. Ditmar," she begged. "You see—he wanted to take me himself."

"Not a word," Caldwell promised as they left the office together and went downstairs to the strong iron doors that led to the Cotton Department. The showing through of occasional visitors had grown rather tiresome; but now his curiosity and interest were aroused, he was conscious of a keen stimulation when he glanced at Janet's face. Its illumination perplexed him. The effect was that of a picture obscurely hung and hitherto scarcely noticed on which the light had suddenly been turned. It glowed with a strange and disturbing radiance….

As for Janet, she was as one brought suddenly to the realization of a miracle in whose presence she had lived for many years and never before suspected; the miracle of machinery, of the triumph of man over nature. In the brief space of an hour she beheld the dirty bales flung off the freight cars on the sidings transformed into delicate fabrics wound from the looms; cotton that only last summer, perhaps, while she sat typewriting at her window, had been growing in the fields of the South. She had seen it torn by the bale-breakers, blown into the openers, loosened, cleansed, and dried; taken up by the lappers, pressed into batting, and passed on to the carding machines, to emerge like a wisp of white smoke in a sliver and coil automatically in a can. Once more it was flattened into a lap, given to a comber that felt out its fibres, removing with superhuman precision those for the finer fabric too short, thrusting it forth again in another filmy sliver ready for the drawing frames. Six of these gossamer ropes were taken up, and again six. Then came the Blubbers and the roving frames, twisting and winding, the while maintaining the most delicate of tensions lest the rope break, running the strands together into a thread constantly growing stronger and finer, until it was ready for spinning.

Caldwell stood close to her, shouting his explanations in her ear, while she strained to follow them. But she was bewildered and entranced by the marvellous swiftness, accuracy and ease with which each of the complex machines, fed by human hands, performed its function. These human hands were swift, too, as when they thrust the bobbins of roving on the ring-spinning frames to be twisted into yarn. She saw a woman, in the space of an instant, mend a broken thread. Women and boys were here, doffer boys to lift off the full bobbins of yarn with one hand and set on the empty bobbins with the other: while skilled workmen, alert for the first sign of trouble, followed up and down in its travels the long frame of the mule-spinner. After the spinning, the heavy spools of yarn were carried to a beam-warper, standing alone like a huge spider's web, where hundreds of threads were stretched symmetrically and wound evenly, side by side, on a large cylinder, forming the warp of the fabric to be woven on the loom. First, however, this warp must be stiffened or "slashed" in starch and tallow, dried over heated drums, and finally wound around one great beam from which the multitude of threads are taken up, one by one, and slipped through the eyes of the loom harnesses by women who sit all day under the north windows overlooking the canal—the "drawers-in" of whom Ditmar had spoken. Then the harnesses are put on the loom, the threads attached to the cylinder on which the cloth is to be wound. The looms absorbed and fascinated Janet above all else. It seemed as if she would never tire of watching the rhythmic rise and fall of the harnesses,—each rapid movement making a V in the warp, within the angle of which the tiny shuttles darted to and fro, to and fro, carrying the thread that filled the cloth with a swiftness so great the eye could scarcely follow it; to be caught on the other side when the angle closed, and flung back, and back again! And in the elaborate patterns not one, but several harnesses were used, each awaiting its turn for the impulse bidding it rise and fall!… Abruptly, as she gazed, one of the machines halted, a weaver hurried up, searched the warp for the broken thread, tied it, and started the loom again.

"That's intelligent of it," said Caldwell, in her ear. But she could only nod in reply.

The noise in the weaving rooms was deafening, the heat oppressive. She began to wonder how these men and women, boys and girls bore the strain all day long. She had never thought much about them before save to compare vaguely their drudgery with that from which now she had been emancipated; but she began to feel a new respect, a new concern, a new curiosity and interest as she watched them passing from place to place with indifference between the whirling belts, up and down the narrow aisles, flanked on either side by that bewildering, clattering machinery whose polished surfaces continually caught and flung back the light of the electric bulbs on the ceiling. How was it possible to live for hours at a time in this bedlam without losing presence of mind and thrusting hand or body in the wrong place, or becoming deaf? She had never before realized what mill work meant, though she had read of the accidents. But these people—even the children—seemed oblivious to the din and the danger, intent on their tasks, unconscious of the presence of a visitor, save occasionally when she caught a swift glance from a woman or girl a glance, perhaps, of envy or even of hostility. The dark, foreign faces glowed, and instantly grew dull again, and then she was aware of lurking terrors, despite her exaltation, her sense now of belonging to another world, a world somehow associated with Ditmar. Was it not he who had lifted her farther above all this? Was it not by grace of her association with him she was there, a spectator of the toil beneath? Yet the terror persisted. She, presently, would step out of the noise, the oppressive moist heat of the drawing and spinning rooms, the constant, remorseless menace of whirling wheels and cogs and belts. But they?… She drew closer to Caldwell's side.

"I never knew—" she said. "It must be hard to work here."

He smiled at her, reassuringly.

"Oh, they don't mind it," he replied. "It's like a health resort compared to the conditions most of them live in at home. Why, there's plenty of ventilation here, and you've got to have a certain amount of heat and moisture, because when cotton is cold and dry it can't be drawn or spin, and when it's hot and dry the electricity is troublesome. If you think this moisture is bad you ought to see a mill with the old vapour-pot system with the steam shooting out into the room. Look here!" He led Janet to the apparatus in which the pure air is forced through wet cloths, removing the dust, explaining how the ventilation and humidity were regulated automatically, how the temperature of the room was controlled by a thermostat.

"There isn't an agent in the country who's more concerned about the welfare of his operatives than Mr. Ditmar. He's made a study of it, he's spent thousands of dollars, and as soon as these machines became practical he put 'em in. The other day when I was going through the room one of these shuttles flew off, as they sometimes do when the looms are running at high speed. A woman was pretty badly hurt. Ditmar came right down."

"He really cares about them," said Janet. She liked Caldwell's praise of
Ditmar, yet she spoke a little doubtfully.

"Of course he cares. But it's common sense to make 'em as comfortable and happy as possible—isn't it? He won't stand for being held up, and he'd be stiff enough if it came to a strike. I don't blame him for that. Do you?"

Janet was wondering how ruthless Ditmar could be if his will were crossed…. They had left the room with its noise and heat behind them and were descending the worn, oaken treads of the spiral stairway of a neighbouring tower. Janet shivered a little, and her face seemed almost feverish as she turned to Caldwell and thanked him.

"Oh, it was a pleasure, Miss Bumpus," he declared. "And sometime, when you want to see the Print Works or the Worsted Department, let me know—I'm your man. And—I won't mention it."

She did not answer. As they made their way back to the office he glanced at her covertly, astonished at the emotional effect in her their tour had produced. Though not of an inflammable temperament, he himself was stirred, and it was she who, unaccountably, had stirred him: suggested, in these processes he saw every day, and in which he was indeed interested, something deeper, more significant and human than he had guessed, and which he was unable to define….

Janet herself did not know why this intimate view of the mills, of the people who worked in them had so greatly moved her. All day she thought of them. And the distant throb of the machinery she felt when her typewriter was silent meant something to her now—she could not say what. When she found herself listening for it, her heart beat faster. She had lived and worked beside it, and it had not existed for her, it had had no meaning, the mills might have been empty. She had, indeed, many, many times seen these men and women, boys and girls trooping away from work, she had strolled through the quarters in which they lived, speculated on the lands from which they had come; but she had never really thought of them as human beings, individuals, with problems and joys and sorrows and hopes and fears like her own. Some such discovery was borne in upon her. And always an essential function of this revelation, looming larger than ever in her consciousness, was Ditmar. It was for Ditmar they toiled, in Ditmar's hands were their very existences, his was the stupendous responsibility and power.

As the afternoon wore, desire to see these toilers once more took possession of her. From the white cupola perched above the huge mass of the Clarendon Mill across the water sounded the single stroke of a bell, and suddenly the air was pulsing with sounds flung back and forth by the walls lining the river. Seizing her hat and coat, she ran down the stairs and through the vestibule and along the track by the canal to the great gates, which her father was in the act of unbarring. She took a stand beside him, by the gatehouse. Edward showed a mild surprise.

"There ain't anything troubling you—is there, Janet?" he asked.

She shook her head.

"I wanted to see the hands come out," she said.

Sometimes, as at present, he found Janet's whims unaccountable.

"Well, I should have presumed you'd know what they look like by this time. You'd better stay right close to me, they're a rough lot, with no respect or consideration for decent folks—these foreigners. I never could see why the government lets 'em all come over here." He put on the word "foreigners" an emphasis of contempt and indignation, pathetic because of its peculiar note of futility. Janet paid no attention to him. Her ears were strained to catch the rumble of feet descending the tower stairs, her eyes to see the vanguard as it came from the doorway—the first tricklings of a flood that instantly filled the yard and swept onward and outward, irresistibly, through the narrow gorge of the gates. Impossible to realize this as the force which, when distributed over the great spaces of the mills, performed an orderly and useful task! for it was now a turbid and lawless torrent unconscious of its swollen powers, menacing, breathlessly exciting to behold. It seemed to Janet indeed a torrent as she clung to the side of the gatehouse as one might cling to the steep bank of a mountain brook after a cloud-burst. And suddenly she had plunged into it. The desire was absurd, perhaps, but not to be denied,—the desire to mix with it, feel it, be submerged and swept away by it, losing all sense of identity. She heard her father call after her, faintly—the thought crossed her mind that his appeals were always faint,—and then she was being carried along the canal, eastward, the pressure relaxing somewhat when the draining of the side streets began.

She remembered, oddly, the Stanley Street bridge where the many streams met and mingled, streams from the Arundel, the Patuxent, the Arlington and the Clarendon; and, eager to prolong and intensify her sensations, hurried thither, reaching it at last and thrusting her way outward until she had gained the middle, where she stood grasping the rail. The great structure was a-tremble from the assault, its footpaths and its roadway overrun with workers, dodging between trolleys and trucks,—some darting nimbly, dinner pails in hand, along the steel girders. Doffer boys romped and whistled, young girls in jaunty, Faber Street clothes and flowered hats, linked to one another for protection, chewed gum and joked, but for the most part these workers were silent, the apathy of their faces making a strange contrast with the hurry, hurry of their feet and set intentness of their bodies as they sped homeward to the tenements. And the clothes of these were drab, save when the occasional colour of a hooded peasant's shawl, like the slightly faded tints of an old master, lit up a group of women. Here, going home to their children, were Italian mothers bred through centuries to endurance and patience; sallow Jewesses, gaunt, bearded Jews with shadowy, half-closed eyes and wrinkled brows, broad-faced Lithuanians, flat-headed Russians; swarthy Italian men and pale, blond Germans mingled with muddy Syrians and nondescript Canadians. And suddenly the bridge was empty, the army vanished as swiftly as it came!

Janet turned. Through the haze of smoke she saw the sun drop like a ball of fire cooled to redness, whose course is spent. The delicate lines of the upper bridge were drawn in sepia against crimson-gilt; for an instant the cupola of the Clarendon became jasper, and far, far above floated in the azure a cloud of pink jeweller's cotton. Even as she strove to fix these colours in her mind they vanished, the western sky faded to magenta, to purple-mauve; the corridor of the river darkened, on either side pale lights sparkled from the windows of the mills, while down the deepened blue of the waters came floating iridescent suds from the washing of the wools. It was given to her to know that which an artist of living memory has called the incommunicable thrill of things….