"Vous me quittez, n'ayant pu voir Mon Âme À travers mon silence." Victor Hugo. I IT was Saturday morning. The few guests had departed by an early train. The painter cast a backward glance at Overleigh and the two figures standing together in the sunshine on the grey green steps which, with their wide hospitable balustrade, he had sketched so carefully. He was returning to the chastened joys of domestic life in London lodgings; to his pretty young jaded, fluffy wife, and fluffy, delicate child; to the Irish stew, and the warm drinking-water, As he drove away between the double row of beeches, with a hand on his boarded picture, the poor painter reflected that John was a fortunate kind of person. The dogcart was full of grapes and peaches and game. Perhaps the power to be generous is one of the most enviable attributes of riches. "Poor fellow!" said John, as he and Di turned back into the cool gloom of the white stone hall. "He has given granny the sketch of me," said Di. "He is a nice man, but after the first few days he hardly spoke to me, which I consider a bad sign in any one. It shows a want of discernment; don't you think so? Alas! we are going away this afternoon. I wish, John, you would try and look a little more moved at the prospect of losing us. It would be gratifying to think of you creeping on all-fours under a sofa after our departure, dissolved in tears." John winced, but the reflections of the night before had led to certain conclusions, and he answered lightly—that is, lightly for him, for he had not an airy manner at the best of times— "I am afraid I could not rise to tears. Would a shriek from the battlements do?" "I should prefer tears," said Di, who was in a foolish mood this morning, in which high spirits take the form of nonsense, looking at She looked very provoking as she stood poising herself on her slender feet on the low edge of the hearthstone, with one hand holding the stone paw of the ragged old Tempest lion carved on the chimney-piece. John looked at her with amused irritation, and wished—there is a practical form of repartee eminently satisfactory to the masculine mind which an absurd conventionality forbids—wished, but what is the good of wishing? "I must go and pack," said Di, with a sigh; "and see how granny is getting on. She is generally down before this. You "I will be about," said John. "If I am not in the library, look for me under the drawing-room sofa." Di laughed, and went lightly away across the grey and white stone flags. There was a lamentable discrepancy between his feelings and hers which outraged John's sense of proportion. He went into the study and sat down there, staring at the shelves of embodied thought and speculation and aspiration with which at one time he had been content to live, which, now that he had begun to live, seemed entirely beside the mark. Mrs. Courtenay was a person of courage and endurance, but even her powers had been sorely tried during the past week. She had been bored to the verge of distraction by the people of whom she had taken such a Di entered her grandmother's room, and found that conspirator sitting up in bed, looking with rueful interest at a boiled egg and untouched rack of toast on a tray before her. Mrs. Courtenay always breakfasted in bed, and could generally thank Providence for a very substantial meal. "Take the tray away, Brown," said Mrs. Courtenay, with an effort. "Why, you've not touched a single thing, ma'am," remarked Brown, reproachfully. "I have drunk a little coffee," said Mrs. Courtenay, faintly. "Granny, aren't you well?" asked Di. Brown removed the tray, which Mrs. Courtenay's eyes followed regretfully from the room. "I am not very well, my love," she replied, Di scrutinized her grandmother remorsefully. "I never noticed you were feeling ill when I came in before breakfast," she said. "My dear, you are generally the first to observe how I am," returned Mrs. Courtenay, hurriedly. "I was feeling better just then, but—and we are due at Carmyan to-day. It is very provoking." Di looked perturbed. "The others are gone," she said; "even the painter has just driven off. Do you think you will be able to travel by the afternoon, granny?" "I am afraid not," said Mrs. Courtenay, closing her eyes; "but I think—I feel sure I could go to-morrow." "To-morrow is Sunday." "Dear me! so it is," said Mrs. Courtenay, with mild surprise. "To-day is Saturday. It certainly is unfortunate. But after all," she continued, "it could not have happened at a better place. Miss Fane is a good-natured person and will quite understand, and John is a relation. Perhaps you had better tell Miss Fane I am feeling unwell, and ask her to come here; and before you go pull down the blinds half-way, and put that sheaf of her 'lost tribes' and 'unicorns' and 'stone ages' on the bed." What induced John to spend the whole of Saturday afternoon and the greater part of a valuable evening at a small colliery town some twenty miles distant, it would be hard to say. The fact that some days ago he had arranged to go there after the departure of his guests did not account for it, for he had John did not return to Overleigh till after ten o'clock. He told himself most of the way home that Miss Fane and Di would be sure not to sit up later than ten. He made up his mind that he should only arrive after they had gone to bed. As he drove up through the semi-darkness he looked eagerly And Mrs. Courtenay, who heard the wheels of his dogcart drive up just after Di had wished her "Good night," said aloud in the darkness the one word, "Idiot!" |