AGNOSTICISM, the ancient confession of ignorance, was a singularly sane and healthy thing so far as it went. Unfortunately it has not gone as far as the twentieth century. It has declared in all ages, as a heathen chief declared in the dark ages, that the life of a man is like the flight of a bird across a firelit room, because we know nothing of whence it comes or whither it goes. It would seem natural to apply it not only to man but to mankind. But the moderns do not apply the same principle but the very opposite principle. They specialize in the unknown origins and in the unknown future. They dwell on the prehistoric and on the post-historic or prophetic; and neglect only the historic. They will give a most detailed description of the habits of the bird when he was a sort of pterodactyl only faintly to be traced in a fossil. They will give an equally detailed description of the habits of the bird a hundred years hence, when he shall have turned into a super-bird, or the dove of universal peace. But the bird in the hand is worth far less to them than the two mysterious birds in these two impenetrable bushes. Thus they will publish a portrait with life, letters, and tabletalk of the Missing Link, although he is missing; they will publish a plan and documented history Mr. H. G. Wells has hit off his human habit in the account of a very human character, the American girl who glorifies Stonehenge in his last novel. I do not make Mr. Wells responsible for her opinions, though she is an attractive person and much too good for her Lothario. But she interests me here because she typifies very truly another variation upon this same tendency. To the prehistoric and the post-historic must be added a third thing, which may be called the unhistoric. I mean the bad teaching of real history that such intelligent people so often suffer. She sums up exactly what I mean when she says humorously that Stonehenge has been “kept from her,” that Notre Dame is far less important, and that this is the real starting-point of the “Mayflower.” Now the “Mayflower” is a myth. It is an For at least the old fables are faults on the right side. They are symbols of the truth and not of the opposite of the truth. They described Roland as brandishing his unbroken sword against the Moslems, but not in favour of the Moslems. And the New England Puritans would have regarded the establishment of real religious liberty exactly as Roland would have regarded the establishment of the religion of Mahound. The fables described Merlin as building a palace for a king and not a public hall for the London School of Economics. And it would be quite as sensible to read the Fabian politics of Mr. Sidney Webb into the local kingships of the Dark Ages, as to read anything remotely resembling modern liberality into the most savage of all the savage theological frenzies of the seventeenth century. Thus the “Mayflower” is not merely a fable, but is much more false than fables generally are. The revolt of the Puritans against the Stuarts was really a revolt against religious toleration. I do not say the Puritans were never persecuted by their opponents; but I do say, to their great honour and glory, that the Puritans never descended to the hypocrisy of pretending for a moment that they did not mean to persecute their opponents. And in the main their quarrel with the Stuarts was that the Stuarts would not persecute those opponents enough. Not only was it then the Catholics who were proposing toleration, but it was they who had already actually estab We have thus before us, in a very true and typical modern picture, the two essential parts of modern culture. It consists first of false history and second of fancy history. What the American tourist believed about Plymouth Rock was untrue; what she believed about Stonehenge was only unfounded. The popular story of Primitive Man cannot be proved. The popular story of Puritanism can be disproved. I can fully sympathize with Mr. Wells and his heroine in feeling the imaginative stimulus of mysteries like Stonehenge; but the imagination springs from the mystery; that is, the imagination springs from the ignorance. It is the very greatness of Stonehenge that there is very little of it left. It is its chief feature to be featureless. We are very naturally and rightly moved to mystical emotions about signals from so far away along the path of the past; but part of the poetry lies in our Notre Dame is not a myth. Notre Dame is not a theory. Its interest does not spring from ignorance but from knowledge; from a culture complicated with a hundred controversies and revolutions. It is not featureless, but carved into an incredible forest and labyrinth of fascinating features, any one of which we could talk about for days. It is not great because there is little of it, but great because there is a great deal of it. It is true that though there is a great deal of it, Puritans may not be allowed to see a great deal in it; whether they were those brought over in the “Mayflower” or only those brought up on the “Mayflower.” But that is not the fault of Notre Dame; but of the extraordinary evasion by which such people can dodge to right and left of it, taking refuge in things more recent or things more remote. Notre Dame, on its merely human side, is mediÆval civilization, and therefore not a fable or a guess but a great solid determining part of modern civilization. It is the whole modern debate about the guilds; for such cathedrals were built by the guilds. It is the whole modern question of religion and irreligion; for we know what religion it stands |