Mary Raymond wondered, as she walked up the steps of Gray Gables, between Constance and Marjorie, and into the brightly lighted reception hall, how she could manage to endure the long evening ahead of her. She was seized with an insane desire to break from Marjorie's light hold on her arm and rush out of the house of this girl who had stolen her dearest possession, Marjorie's friendship. How well she remembered the day on which Marjorie had received the blue dress which Constance was wearing so unconcernedly. It had come by express in a huge white pasteboard box, while she and Marjorie were seated on the Deans' step engaged in one of their long confabs. How excited they had been over it! How they had exclaimed as Marjorie drew the blue Mary forced herself to smile and reply to the friendly greeting of Miss Allison, who stood in the big, old-fashioned hall helping to receive her niece's guests. A moment more and she was surrounded by Geraldine Macy, Irma Linton and Susan Atwell, who had come forth in a body from the long, palm-decorated parlor off the hall to welcome her, accompanied by a singularly handsome youth, a very tall, merry-faced young man and a black-haired, blue-eyed lad, with clean cut, sensitive features. She was presented in turn to Harold Macy, Sherman Norwood, known as the Crane to his intimate associates, and Lawrence Armitage. "So, you are Marjorie's friend, Mary Raymond, of whom she has spoken to me so often," smiled Hal Macy. "We are very glad to welcome you to Sanford, Miss Raymond." "Thank you," Mary returned, almost forgetting her first bitter moment. Hal Macy's direct hand-clasp and frank, bright smile of welcome stamped him with sincerity and truth. She liked equally well Once inside the drawing-room, which had been transformed into an impromptu ball-room by taking up the rugs and moving the piano to one end of it, introductions followed in rapid succession. "Mary, you must meet my foster father." Constance slipped her arm through Mary's and conducted her to the piano where stood a man with an immense shock of snow-white hair, sorting high piles of music arranged on top. "Father." The man at the piano wheeled at the sound of the soft voice. His stern, almost sad face broke into a radiant smile that completely transformed it. "This is Mary Raymond. Mary, my father, Mr. Stevens," introduced Constance. "And this is my uncle, Mr. Roland." Both men bowed and took Mary's hand in turn, expressing their pleasure at meeting her. Old John Roland's faded blue eyes contained a puzzled look. "You are very familiar," he said. "Where have I seen you before?" "Look sharply, Uncle John," laughed Marjorie, who had joined them. "You have never seen Mary before. She is like someone you know." "'Someone you know,'" repeated the old man faithfully. He would never outgrow his quaint habit Mary eyed him curiously. Then her gaze rested on Mr. Stevens. What peculiar persons they were. And Marjorie had never written her of them. They must have a strange history. She made up her mind that she would never ask her fickle chum about them. She would find out whatever she wished to know from others. Now that she was a pupil of Sanford High she would soon become acquainted with girls of her class other than those she had already met. Perhaps she might learn to like some one better than—— Her sober reflections stopped there. She could not bring herself to the point of breaking her long comradeship with the girl who had failed her. Uncle John Roland was still staring at her and smilingly shaking his gray head. "I don't know. I can't think, and yet——" Suddenly a jubilant little shout rent the air, causing the group about the piano to smile. In the same instant Mary felt a small hand slip into hers. "I knew you comed to see Charlie again. Charlie wouldn't go to bed because Connie said you'd surely come. Charlie loves you a whole lot. You look like Connie." "Look like Connie," muttered Uncle John. Then his faded eyes flashed sudden intelligence. "I know. Of course she's like Connie. I guessed it, didn't I?" He glanced triumphantly at Marjorie. "So you did, Uncle John," nodded Marjorie brightly. Mr. Stevens gazed searchingly at the young girl so like his foster daughter. Mary felt her color rising under that penetrating gaze. It was as though this dreamy-eyed man with the dark, sad face had read her very soul. For a brief instant she sensed dimly the ignobleness of her jealousy of his daughter. She felt that she would rather die than have him know it. Perhaps, after all, she was in the wrong. She would try to dismiss it and do her best to enter into the spirit of the merry-making. An impatient tug at her hand caused her to remember Charlie's presence. "Talk to me," demanded the child. "Connie says I have to go to bed in a minute, so hurry up." Mary stooped and wound her arms about the tiny, insistent youngster. She clasped Charlie tightly to her and kissed his eager face. And that embrace sealed the beginning of an affection between them, the very purity of which was one day to lead her from the terrible Valley of Doubt into the sunlight of belief. "Now you've done it," was Marjorie's merry accusation. "You've stolen my cavalier. Oh, Charlie, I thought I was your very best girl." She made reproachful eyes at Charlie, who, delighted at receiving so much attention, sidled over to her with a ridiculous air of importance and took her hand. "Everybody likes Charlie," he observed complacently. "Now he can stay up all night and listen to the band." "You'd go to sleep and never hear the band at all," laughed Constance. "No, Charlie must go to bed and sleep and sleep, or he will never grow big enough and strong enough to play in the band." The half pout on Charlie's babyish mouth, born of Constance's dread edict, died suddenly. Even the joys of staying up all night were not to be compared with the glories of that far-off future. "All right, I'll go," he sighed. "But you and Marjorie must come again soon in the daytime when I don't have to go to bed. I'll play a new piece for you on my fiddle. Uncle John says it's a marv'lus compysishun." A burst of laughter rose from the group around him at this calm statement. After kissing everyone in his immediate vicinity, Charlie made a quaint little bow and marched off beside Constance, well pleased with himself. "Isn't he a perfect darling?" was Mary's involuntary tribute. "Yes, I adore Charlie," returned Marjorie. "I used to feel so dreadfully for him when he was crippled. Isn't it splendid, Mr. Stevens, to see him so well and lively?" She turned radiantly to the white-haired musician. His face lighted again in that wonderful smile. He was about to answer Marjorie, when Constance, who had seen Charlie to the door where he had been taken in charge by a white-capped nurse, returned to them, saying: "What shall we have first, girls, a one step?" "Oh, yes, do!" exclaimed Jerry Macy, who had come up in time to hear Constance's question, in "Mr. Seabrooke, Miss Raymond," introduced Jerry. The freckled-faced boy put on a preternaturally solemn expression and begged the pleasure of the first dance with Mary. Mr. Stevens had already handed the old violinist the music for the dance and placed his own score in position upon the piano. The slow, fascinating strains of the one step rang out and a great scurrying for partners began. Marjorie found herself dancing off with Hal Macy, while Lawrence Armitage swung Constance into the rapidly growing circle of dancers. Irma Linton and the Crane danced together, while Jerry Macy, who danced extremely well for a stout girl, was claimed by Arthur Standish, one of her brother's classmates. Once the hop had fairly begun, dance followed dance in rapid succession. Much to Mary's secret satisfaction there were no gaps in her programme. As it was, there were no wall flowers. An even number of boys and girls had been invited and every one had put in an appearance. At eleven o'clock a dainty repast, best calculated to suit the appetites of hungry school girls and boys, was served at small tables on the side veranda, which extended almost the length of the house. It was not until after supper, when the dancing The two girls had slipped away to Constance's pretty blue and white bedroom to repair a torn frill of Marjorie's gown. "Isn't it splendid that we can have a minute to ourselves?" laughed Constance. "I'm glad you happened to need repairing. I hope Mary is having a good time. As long as it's her party I'm anxious that she should enjoy herself." "Of course she's having a good time. How could she help it?" returned Marjorie staunchly. "All the boys have been perfectly lovely to her and so have the girls. I knew everyone would like her. You and Mary and I will have lots of fun going about together this winter." Constance smiled an answer to Marjorie's joyous prediction. Then her pretty face sobered. "Marjorie," she said, then paused. Marjorie glanced up from the flounce she was setting to rights. Something in Constance's tone commanded her attention. "What is it, Connie?" "Have you ever said anything to Mary about you—and me—and things last year?" "Why, no. I wouldn't think of doing so unless I asked you if I might. I——" "Please don't, then," interrupted Constance. "I had rather she didn't know. It is all past, and, as long as so few persons know about it, don't you think it would be better to let it rest?" Marjorie bent her head over her work to conceal the sudden disturbing flush that rose to her face. "It isn't as though it is something which Mary ought to know," continued Constance, quite unaware of Marjorie's inward agitation. "It wouldn't make her happier to learn it and—and—she might not think so well of me. I wish her to like me, Marjorie, just because she is your dearest friend. Don't you think I am right about it? You wouldn't care to have even the friend of your best friend know all the little intimate details of your life. Now, would you?" Constance slipped to her knees beside Marjorie, one arm across her shoulder, and regarded her with pleading eyes. Marjorie stared thoughtfully into the earnest face of the girl at her side. What should she say? If she told Constance that Mary had twice asked questions regarding her affairs, Constance might think Mary unduly curious. Perhaps, after all, silence was wisest. Mary might forget all about it, and, in any case, she was far too sensible to feel hurt or indignant "Promise me, Marjorie, that you won't say anything," urged Constance. Her natural reticence made her dread taking even Mary into confidence regarding herself. "I promise, Connie," said Marjorie with a half sigh. "There, I guess that flounce will stay in place. I've sewed it over and over." The two girls returned to the dance floor arm in arm. Mary Raymond's blue eyes were turned on them resentfully as they entered the room. They had been having a talk together, and hadn't asked her to join them. Then her face cleared. She thought she knew what that talk was about. Marjorie had been asking Constance's permission to tell her everything. She would hear the great secret on the way home, no doubt. Her spirits rose at the prospect of the comfy chat they would have in the automobile and for the rest of the evening she put aside all doubts and fears, and danced as only sweet and seventeen can. |