The Social Merry-Go-Round

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The artist is the director, the book a many-colored whirligig. Group after group revolves before us, while the artist smiles with an arch, faintly satiric smile, pointing out to us the weaknesses of the participants in this sacred social world, a delightfully gay throng, constantly occupied in singing, cajoling, feasting, playing, and dancing. Each of the characters in this book recognizes only one duty toward himself—not to be bored—and one law toward his neighbors—not to bore them. The wheel of the merry-go-round turns again; color is blurred with color; figure succeeds figure. Montez, Monsieur, montez, Madame. The show begins.


The Drawings by
FISH
The Prose Precepts by
DOROTHY PARKER
GEORGE S. CHAPPELL
and
FRANK CROWNINSHIELD


G. P. PUTNAM’S SONS · NEW YORK and LONDON
The Knickerbocker Press


Theatre box

A HINT TO HIGHWAYMEN

Copyright, 1915, 1916, 1917, 1918, 1919, 1920, by the
VANITY FAIR PUBLISHING COMPANY, INC.
Copyright, 1920, by G. P. PUTNAM’S SONS


                                                                                                                                                                                                                                                                                                           

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