THE OLD TOLBOOTH.

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The genius of Scott has shed a peculiar interest upon this ancient structure, whose cant name of the Heart of Mid-Lothian has given a title to one of his happiest novels. It stood in a singular situation, occupying half the width of the High Street, elbow to elbow, as it were, with St Giles’s Church. Antique in form, gloomy and haggard in aspect, its black stanchioned windows opening through its dingy walls like the apertures of a hearse, it was calculated to impress all beholders with a due and deep sense of what was meant in Scottish law by the squalor carceris. At the west end was a projecting ground-floor, formed of shops, but presenting a platform on which executions took place. The building itself was composed of two parts, one more solid and antique than the other, and much resembling, with its turret staircase, one of those tall, narrow fortalices which are so numerous in the Border counties. Indeed, the probability is that this had been a kind of peel or house of defence, required for public purposes by the citizens of Edinburgh when liable to predatory invasions. Doubtless the house or some part of it was of great antiquity, for it was an old and ruinous building in the reign of Mary, and only narrowly saved at that time from destruction. Most likely it was the very pretorium burgi de Edinburgi in which a parliament assembled in 1438 to deliberate on the measures rendered necessary by the assassination of the poet-king, James I. In those simple days great and humble things came close together: the house which contained parliaments upstairs, presented shops in the lower story, and thus drew in a little revenue to the magistrates. Here met the Court of Session in its earliest years. Here Mary assembled her parliaments; and here—on the Tolbooth door—did citizens affix libels by night, charging the Earl of Bothwell with the murder of Darnley. Long, long since all greatness had been taken away from the old building, and it was condemned to be a jail alone, though still with shops underneath. At length, in 1817, the fabric was wholly swept away, in consequence of the erection of a better jail on the Calton Hill. The gateway, with the door and padlock, was transferred to Abbotsford, and, with strange taste on the part of the proprietor, built into a conspicuous part of that mansion.

EDINBURGH
from the Calton Hill.

Page 83.

The principal entrance to the Tolbooth, and the only one used in later days, was at the bottom of the turret next the church. The gateway was of tolerably good carved stone-work, and occupied by a door of ponderous massiness and strength, having, besides the lock, a flap-padlock, which, however, was generally kept unlocked during the day. In front of the door there always paraded, or rather loitered, a private of the town-guard, with his rusty red clothes and Lochaber axe or musket. The door adjacent to the principal gateway was, in the final days of the Tolbooth, ‘Michael Ketten’s Shoe-shop,’ but had formerly been a thief’s hole. The next door to that, stepping westward, was the residence of the turnkey; a dismal, unlighted den, where the gray old man was always to be found, when not engaged in unlocking or closing the door. The next door westward was a lock-up house, which in later times was never used. On the north side, towards the street, there had once been shops, which were let by the magistrates; but these were converted, about the year 1787, into a guard-house for the city-guard, on their ancient capitol in the High Street being destroyed for the levelling of the streets. The ground-floor, thus occupied for purposes in general remote from the character of the building, was divided lengthwise by a strong partition wall; and communication between the rooms above and these apartments below was effectually interdicted by the strong arches upon which the superstructure was reared.

On passing the outer door—where the rioters of 1736 thundered with their sledge-hammers, and finally burnt down all that interposed between them and their prey—the keeper instantly involved the entrant in darkness by reclosing the gloomy portal. A flight of about twenty steps then led to an inner door, which, being duly knocked at, was opened by a bottle-nosed personage, denominated Peter, who, like his sainted namesake, always carried two or three large keys. You then entered the Hall, which, being free to all the prisoners except those of the East End, was usually filled with a crowd of shabby-looking but very merry loungers. A small rail here served as an additional security, no prisoner being permitted to come within its pale. Here also a sentinel of the city-guard was always walking, having a bayonet or ramrod in his hand. The Hall, being also the chapel of the jail, contained an old pulpit of singular fashion—such a pulpit as one could imagine John Knox to have preached from; which, indeed, he was traditionally said to have actually done. At the right-hand side of the pulpit was a door leading up the large turnpike to the apartments occupied by the criminals, one of which was of plate-iron. The door was always shut, except when food was taken up to the prisoners. On the west end of the hall hung a board, on which were inscribed the following emphatic lines:

‘A prison is a house of care,
A place where none can thrive,
A touchstone true to try a friend,
A grave for men alive—
Sometimes a place of right,
Sometimes a place of wrong,
Sometimes a place for jades and thieves,
And honest men among.’[62]

A part of the hall on the north side was partitioned off into two small rooms, one of which was the captain’s pantry, the other his counting-room. In the latter hung an old musket or two, a pair of obsolete bandoleers, and a sheath of a bayonet, intended, as one might suppose, for his defence against a mutiny of the prisoners. Including the space thus occupied, the hall was altogether twenty-seven feet long by about twenty broad. The height of the room was twelve feet. Close to the door, and within the rail, was a large window, thickly stanchioned; and at the other end of the hall, within the captain’s two rooms, was a double window of a somewhat extraordinary character. Tradition, supported by the appearance of the place, pointed out this as having formerly been a door by which royalty entered the hall in the days when it was the Parliament House. It is said that a kind of bridge was thrown between this aperture and a house on the other side of the street, and that the sovereign, having prepared himself in that house to enter the hall in his state robes, proceeded at the proper time along the arch—an arrangement by no means improbable in those days of straitened accommodation.

The window on the south side of the hall overlooked the outer gateway. It was therefore employed by the inner turnkey as a channel of communication with his exterior brother when any visitor was going out. He used to cry over this window, in the tone of a military order upon parade: ‘Turn your hand,’ whereupon the gray-haired man on the pavement below opened the door and permitted the visitor, who by this time had descended the stair, to walk out.

The floor immediately above the hall was occupied by one room for felons, having a bar along part of the floor, to which condemned criminals were chained, and a square box of plate-iron in the centre, called THE CAGE, which was said to have been constructed for the purpose of confining some extraordinary culprit who had broken half the jails in the kingdom. Above this room was another of the same size, also appropriated to felons.

The larger and western part of the edifice, of coarser and apparently more modern construction, contained four floors, all of which were appropriated to the use of debtors, except a part of the lowest one, where a middle-aged woman kept a tavern for the sale of malt liquors. A turnpike stair gave access to the different floors. As it was narrow, steep, and dark, the visitor was assisted in his ascent by a greasy rope, which, some one was sure to inform him afterwards, had been employed in hanging a criminal. In one of the apartments on the second floor was a door leading out to the platform whereon criminals were executed, and in another, on the floor above, was an ill-plastered part of the wall covering the aperture through which the gallows was projected. The fourth flat was a kind of barrack, for the use of the poorest debtors.

There was something about the Old Tolbooth which would have enabled a blindfolded person led into it to say that it was a jail. It was not merely odorous from the ordinary causes of imperfect drainage, but it had poverty’s own smell—the odour of human misery. And yet it did not seem at first a downcast scene. The promenaders in the hall were sometimes rather merry, cutting jokes perhaps upon Peter’s nose, or chatting with friends on the benches regarding the news of the day. Then Mrs Laing drove a good trade in her little tavern; and if any messenger were sent out for a bottle of whisky—why, Peter never searched pockets. New men were hailed with:

‘Welcome, welcome, brother debtor,
To this poor but merry place;
Here nor bailiff, dun, nor fetter,
Dare to show his gloomy face.’

They would be abashed at first, and the first visit of wife or daughter, coming shawled and veiled, and with timorous glances, into the room where the loved object was trying to become at ease with his companions, was always a touching affair. But it was surprising how soon, in general, all became familiar, easy, and even to appearance happy. Each had his story to tell, and sympathy was certain and liberal. The whole management was of a good-natured kind, as far as a regard to regulations would allow. It did not seem at all an impossible thing that a debtor should accommodate some even more desolate friend with a share of his lodging for the night, or for many nights, as is said to have been done in some noted instances, to which we shall presently come.

It was natural for a jail of such old standing to have passed through a great number of odd adventures, and have many strange tales connected with it. One of the most remarkable traits of its character was a sad liability to the failure of its ordinary powers of retention when men of figure were in question. The old house had something like that faculty attributed by Falstaff to the lion and himself—of knowing men who ought not to be too roughly handled. The consequence was that almost every criminal of rank confined in it made his escape. Lord Burleigh, an insane peer, who, about the time of the Union, assassinated a schoolmaster who had married a girl to whom he had paid improper addresses, escaped, while under sentence of death, by changing clothes with his sister. Several of the rebel gentlemen confined there in 1716 were equally fortunate; a fact on which there was lately thrown a flood of light, when I found, in a manuscript list of subscriptions for the relief of the other rebel gentlemen at Carlisle, the name of the Guidman of the Tolbooth—so the chief-keeper was called—down for a good sum. I am uncertain to which of all these personages the following anecdote, related to me by Sir Walter Scott, refers.

It was contrived that the prisoner should be conveyed out of the Tolbooth in a trunk, and carried by a porter to Leith, where some sailors were to be ready with a boat to take him aboard a vessel about to leave Scotland. The plot succeeded so far as the escape from jail was concerned, but was knocked on the head by an unlucky and most ridiculous accident. It so happened that the porter, in arranging the trunk upon his back, placed the end which corresponded with the feet of the prisoner uppermost. The head of the unfortunate man was therefore pressed against the lower end of the box, and had to sustain the weight of the whole body. The posture was the most uneasy imaginable. Yet life was preferable to ease. He permitted himself to be taken away. The porter trudged along with the trunk, quite unconscious of its contents, and soon reached the High Street. On gaining the Netherbow he met an acquaintance, who asked him where he was going with that large burden. To Leith, was the answer. The other inquired if the job was good enough to afford a potation before proceeding farther upon so long a journey. This being replied to in the affirmative, and the carrier of the box feeling in his throat the philosophy of his friend’s inquiry, it was agreed that they should adjourn to a neighbouring tavern. Meanwhile, the third party, whose inclinations had not been consulted in this arrangement, was wishing that it were at once well over with him in the Grassmarket. But his agonies were not destined to be of long duration. The porter in depositing him upon the causeway happened to make the end of the trunk come down with such precipitation that, unable to bear it any longer, the prisoner screamed out, and immediately after fainted. The consternation of the porter on hearing a noise from his burden was of course excessive; but he soon recovered presence of mind enough to conceive the occasion. He proceeded to unloose and to burst open the trunk, when the hapless nobleman was discovered in a state of insensibility. As a crowd collected immediately, and the city-guard were not long in coming forward, there was of course no further chance of escape. The prisoner did not recover from his swoon till he had been safely deposited in his old quarters; but, if I recollect rightly, he eventually escaped in another way.

In two very extraordinary instances an escape from justice has, strange as it may appear, been effected by means of the Old Tolbooth. At the discovery of the Rye-House Plot, in the reign of Charles II., the notorious Robert Fergusson, usually styled ‘The Plotter,’ was searched for in Edinburgh, with a view to his being subjected, if possible, to the extreme vengeance of the law. It being known almost certainly that he was in town, the authorities shut the gates, and calculated securely upon having him safe within their toils. The Plotter, however, by an expedient worthy of his ingenious character, escaped by taking refuge in the Old Tolbooth. A friend of his happened to be confined there at the time, and was able to afford protection and concealment to Fergusson, who, at his leisure, came abroad, and betook himself to a place of safer shelter on the Continent. The same device was practised in 1746 by a gentleman who had been concerned in the Rebellion, and for whom a hot search had been carried on in the Highlands.

The case of Katherine Nairne, in 1766, excited in no small degree the attention of the Scottish public. This lady was allied, both by blood and marriage, to some respectable families. Her crime was the double one of poisoning her husband and having an intrigue with his brother, who was her associate in the murder. On her arrival at Leith in an open boat, her whole bearing betrayed so much levity, or was so different from what had been expected, that the mob raised a cry of indignation, and were on the point of pelting her, when she was with some difficulty rescued from their hands by the public authorities. In this case the Old Tolbooth found itself, as usual, incapable of retaining a culprit of condition. Sentence had been delayed by the judges on account of the lady’s pregnancy. The midwife employed at her accouchement (who continued to practise in Edinburgh so lately as the year 1805) had the address to achieve a jail-delivery also. For three or four days previous to that concerted for the escape, she pretended to be afflicted with a prodigious toothache, went out and in with her head enveloped in shawls and flannels, and groaned as if she had been about to give up the ghost. At length, when the Peter of that day had become so habituated to her appearance as not very much to heed her exits and her entrances, Katherine Nairne one evening came down in her stead, with her head wrapped all round with the shawls, uttering the usual groans, and holding down her face upon her hands, as with agony, in the precise way customary with the midwife. The inner doorkeeper, not quite unconscious, it is supposed, of the trick, gave her a hearty thump upon the back as she passed out, calling her at the same time a howling old Jezebel, and wishing she would never come back to trouble him any more. There are two reports of the proceedings of Katherine Nairne after leaving the prison. One bears that she immediately left the town in a coach, to which she was handed by a friend stationed on purpose. The coachman, it is said, had orders from her relations, in the event of a pursuit, to drive into the sea, that she might drown herself—a fate which was considered preferable to the ignominy of a public execution. The other story runs that she went up the Lawnmarket to the Castle-hill, where lived Mr ——, a respectable advocate, from whom, as he was her cousin, she expected to receive protection. Being ignorant of the town, she mistook the proper house, and applied at that of the crown agent,[63] who was assuredly the last man in the world that could have done her any service. As good luck would have it, she was not recognised by the servant, who civilly directed her to her cousin’s house, where, it is said, she remained concealed many weeks.[64] Her future life, it has been reported, was virtuous and fortunate. She was married to a French gentleman, became the mother of a large family, and died at a good old age. Meanwhile, Patrick Ogilvie, her associate in the dark crime which threw a shade over her younger years, suffered in the Grassmarket. He had been a lieutenant in the —— regiment, and was so much beloved by his fellow-soldiers, who happened to be stationed at that time in Edinburgh Castle, that the public authorities judged it necessary to shut them up in a fortress till the execution was over lest they might have attempted a rescue.

The Old Tolbooth was the scene of the suicide of Mungo Campbell while under sentence of death (1770) for shooting the Earl of Eglintoune. In the district where this memorable event took place, it is somewhat remarkable that the fate of the murderer was more generally lamented than that of the murdered person. Campbell, though what was called ‘a graceless man,’ was rather popular in his profession of exciseman, on account of his rough, honourable spirit, and his lenity in the matter of smuggling. Lord Eglintoune, on the contrary, was not liked, on account of his improving mania, which had proved a serious grievance to the old-fashioned farmers of Kyle and Cunningham. There was one article, called rye-grass, which he brought in amongst them, and forced them to cultivate; and black prelacy itself had hardly, a century before, been a greater evil. Then, merely to stir them up a little, he would cause them to exchange farms with each other; thus giving their ancient plenishings, what was doubtless much wanted, an airing, but also creating a strong sense that Lord Eglintoune was ‘far ower fashious.’ His lordship had excited some scandal by his private habits, which helped in no small degree to render unpopular one who was in reality an amiable and upright gentleman. He was likewise somewhat tenacious about matters respecting game—the besetting weakness of British gentlemen in all ages. On the other hand, Campbell, though an austere and unsocial man, acted according to popular ideas both in respect of the game and excise laws. The people felt that he was on their side; they esteemed him for his integrity in the common affairs of life, and even in some degree for his birth and connections, which were far from mean. It was also universally believed, though erroneously, that he had only discharged his gun by accident, on falling backward, while retreating before his lordship, who had determined to take it from him. In reality, Mungo, after his fall, rose on his elbow and wilfully shot the poor earl, who had given him additional provocation by bursting into a laugh at his awkward fall. The Old Tolbooth was supposed by many, at the time, to have had her usual failing in Mungo’s case. The interest of the Argyll family was said to have been employed in his favour; and the body which was found suspended over the door, instead of being his, was thought to be that of a dead soldier from the Castle substituted in his place. His relations, however, who were very respectable people in Ayrshire, all acknowledged that he died by his own hand; and this was the general idea of the mob of Edinburgh, who, getting the body into their hands, dragged it down the street to the King’s Park, and, inspired by different sentiments from those of the Ayrshire people, were not satisfied till they got it up to the top of Salisbury Crags, from which they precipitated it down the Cat Nick.

Deacon Brodie’s Keys and Dark-Lantern.

One of the most remarkable criminals ever confined in the Old Tolbooth was the noted William Brodie. This was a man of respectable connections, and who had moved in good society all his life, unsuspected of any criminal pursuits. It is said that a habit of frequenting cock-pits was the first symptom he exhibited of a decline from rectitude. His ingenuity as a mechanic gave him a fatal facility in the burglarious pursuits to which he afterwards addicted himself. It was then customary for the shopkeepers of Edinburgh to hang their keys upon a nail at the back of their doors, or at least to take no pains in concealing them during the day. Brodie used to take impressions of them in putty or clay, a piece of which he would carry in the palm of his hand. He kept a blacksmith in his pay, who forged exact copies of the keys he wanted, and with these it was his custom to open the shops of his fellow-tradesmen during the night. He thus found opportunities of securely stealing whatever he wished to possess. He carried on his malpractices for many years, and never was suspected till, having committed a daring robbery upon the Excise Office in Chessels’s Court, Canongate, some circumstances transpired which induced him to disappear from Edinburgh. Suspicion then becoming strong, he was pursued to Holland, and taken at Amsterdam, standing upright in a press or cupboard. At his trial, Henry Erskine, his counsel, spoke very eloquently in his behalf, representing, in particular, to the jury how strange and improbable a circumstance it was that a man whom they had themselves known from infancy as a person of good repute should have been guilty of such practices as those with which he was charged. He was, however, found guilty, and sentenced to death, along with his accomplice Smith. At the trial he had appeared in a full-dress suit of black clothes, the greater part of which was of silk, and his deportment throughout the affair was composed and gentlemanlike. He continued during the period which intervened between his sentence and execution to dress well and keep up his spirits. A gentleman of his acquaintance, calling upon him in the condemned room, was surprised to find him singing the song from the Beggars’ Opera, ‘’Tis woman seduces all mankind.’ Having contrived to cut out the figure of a draughtboard on the stone floor of his dungeon, he amused himself by playing with any one who would join him, and, in default of such, with his right hand against his left. This diagram remained in the room where it was so strangely out of place till the destruction of the jail. His dress and deportment at the gallows (October 1, 1788) displayed a mind at ease, and gave some countenance to the popular notion that he had made certain mechanical arrangements for saving his life. Brodie was the first who proved the excellence of an improvement he had formerly made on the apparatus of the gibbet. This was the substitution of what is called the drop for the ancient practice of the double ladder. He inspected the thing with a professional air, and seemed to view the result of his ingenuity with a smile of satisfaction. When placed on that insecure pedestal, and while the rope was adjusted round his neck by the executioner, his courage did not forsake him. On the contrary, even there he exhibited a sort of levity; he shuffled about, looked gaily around, and finally went out of the world with his hand stuck carelessly into the open front of his vest.

Brodie’s Close.

As its infirmities increased with old age, the Tolbooth showed itself incapable of retaining prisoners of even ordinary rank. Within the recollection of people living not long ago, a youth named Hay, the son of a stabler in the Grassmarket, and who was under sentence of death for burglary, effected his escape in a way highly characteristic of the Heart of Mid-Lothian, and of the simple and unprecise system upon which all public affairs were managed before the present age.

A few days before that appointed for the execution, the father went up to the condemned room, apparently to condole with his unhappy son. The irons had been previously got quit of by files. At nightfall, when most visitors had left the jail, old Hay invited the inner turnkey, or man who kept the hall-door, to come into the room and partake of some liquor which he had brought with him. The man took a few glasses, and became mellow just about the time when the bottle was exhausted and when the time of locking up the jail (ten o’clock at that period) was approaching. Hay expressed unwillingness to part at the moment when they were just beginning to enjoy their liquor; a sentiment in which the turnkey heartily sympathised. Hay took a crown from his pocket, and proposed that his friend should go out and purchase a bottle of good rum at a neighbouring shop. The man consented, and staggering away downstairs, neglected to lock the inner door behind him. Young Hay followed close, as had been concerted, and after the man had gone out, and the outer turnkey had closed the outer door, stood in the stair just within that dread portal, ready to spring into the street. Old Hay then put his head to the great window of the hall, and cried: ‘Turn your hand!’—the usual drawling cry which brought the outer turnkey to open the door. The turnkey came mechanically at the cry, and unclosed the outer door, when the young criminal sprang out, and ran as fast as he could down Beth’s Wynd, a lane opposite the jail. According to the plan which had been previously concerted, he repaired to a particular part of the wall of the Greyfriars Churchyard, near the lower gate, where it was possible for an agile person to climb up and spring over; and so well had every stage of the business been planned that a large stone had been thrown down at this place to facilitate the leap.

The youth had been provided with a key which could open Sir George Mackenzie’s mausoleum—a place of peculiar horror, as it was supposed to be haunted by the spirit of the bloody persecutor; but what will not be submitted to for dear life? Having been brought up in Heriot’s Hospital, in the immediate neighbourhood of the churchyard, Hay had many boyish acquaintances still residing in that establishment. Some of these he contrived to inform of his situation, enjoining them to be secret, and beseeching them to assist him in his distress. The Herioters of those days had a very clannish spirit—insomuch that to have neglected the interests or safety of any individual of the community, however unworthy he might be of their friendship, would have been looked upon by them as a sin of the deepest dye. Hay’s confidants, therefore, considered themselves bound to assist him by all means in their power. They kept his secret faithfully, spared from their own meals as much food as supported him, and ran the risk of severe punishment, as well as of seeing eldritch sights, by visiting him every night in his dismal abode. About six weeks after his escape from jail, when the hue and cry had in a great measure subsided, he ventured to leave the tomb, and it was afterwards known that he escaped abroad.

Sir George Mackenzie’s Mausoleum.

So ends our gossip respecting a building which has witnessed and contained the meetings of the Scottish parliament in the romantic days of the Jameses—which held the first fixed court of law established in the country—which was looked to by the citizens in a rude age as a fortified place for defence against external danger to their lives and goods—which has immured in its gloomy walls persons of all kinds liable to law, from the gallant Montrose and the faithful Guthrie and Argyll down to the humblest malefactor in the modern style of crime—and which, finally, has been embalmed in the imperishable pages of the greatest writer of fiction our country has produced.


                                                                                                                                                                                                                                                                                                           

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