Ladies Sutherland and Glenorchy—The Pin or Risp. This eminent person—a cadet of the ancient house of Mar (born 1680, died 1763)—had his town mansion in an obscure recess of the High Street called Mylne Square, In his Mylne Square mansion Lord Alva’s two step-daughters were married; one to become Countess of Sutherland, the other Lady Glenorchy. There was something very striking in the fate of Lady Sutherland and of the earl, her husband—a couple distinguished as much by personal elegance and amiable character as by lofty rank. Lady Sutherland was blessed with a temper of extraordinary sweetness, which shone in a face of so much beauty as to have occasioned admiration where many were beautiful—the coronation of George III. and his queen. The happiness of the young pair had been increased by the birth of a daughter. One unlucky day his lordship, coming after dinner into the drawing-room at Dunrobin a little flushed with wine, lifted up the infant above his head by way of frolic, when, sad to tell, he dropped her by accident on the floor, and she received injuries from which she never recovered. This incident had such an effect upon his lordship’s spirits that his health became seriously affected, so as finally to require a journey to Bath, where he was seized with an infectious fever. For twenty-one successive days and nights he was attended by his wife, then pregnant, till she herself caught the fatal distemper. The countess’s death was concealed from his lordship; ‘In pity, Heaven bestowed An early doom: lo, on the self-same bier, A fairer form, cold by her husband’s side, And faded every charm. She died for thee, For thee, her only love. In beauty’s prime, In youth’s triumphant hour, she died for thee. Bring water from the brook, and roses spread O’er their pale limbs; for ne’er did wedded love To one sad grave consign a lovelier pair, Of manners gentler, or of purer heart!’ Lady Glenorchy, the younger sister of Lady Sutherland, was remarkable for her pious disposition. Exceedingly unfortunate in her marriage, she was early taught to seek consolation from things ‘not of this world.’ I have been told that nothing could have been more striking than to hear this young and beautiful creature pouring forth her melodious notes and hymns, while most of her sex and age at that time exercised their voices only upon the wretched lyrics imported from Vauxhall and Ranelagh, or the questionable verses of Ramsay and his contemporaries. She met with her rich reward, even in this world; for she enjoyed the applause of the wealthy and the blessings of the poor, with that supreme of all pleasures—the conviction that the eternal welfare of those in whose fate she was chiefly interested was forwarded, if not perfected, by her precepts and example. It is not unworthy of notice, in this record of all that is old and quaint in our city, that the Lord Justice-clerk’s house was provided with a pin or risp, instead of the more modern convenience—a knocker. The Scottish ballads, in numberless passages, make reference to this article: no hero in those compositions ever comes to his mistress’s door but he tirles at the pin. What, then, was a pin? It was a small slip or bar of iron, starting out from the door vertically, serrated on the side towards the door, and provided with a small ring, which, being drawn roughly along the serrations or nicks, produced a harsh and grating sound, to summon the servant to open. Another term for the article was a crow. In the fourth eclogue of Edward Fairfax, a production of the reign of James VI. and I., quoted in the Muses’ Library, is this passage: ‘Now, farewell Eglon! for the sun stoops low, And calling guests before my sheep-cot’s door; Now clad in white, I see my porter-crow; Great kings oft want these blessings of the poor;’ with the following note: ‘The ring of the door, called a crow, and when covered with white linen, denoted the mistress of the house was in travel.’ It is quite appropriate to this explanation that a small Latin vocabulary, published by Andrew Simpson in 1702, places among the parts of a house, ‘Corvex—a clapper or ringle.’ Hardly one specimen of the pin, crow, or ringle now survives in the Old Town. They were almost all disused many years ago, when knockers were generally substituted as more stylish. Knockers at that time did not long remain in repute, though they have never been altogether superseded, even by bells, in the Old Town. The comparative merit of knockers and pins was for a long time a controversial point, and many knockers got their heads twisted off in the course of the dispute. Pins were, upon the whole, considered very inoffensive, decent, old-fashioned things, being made of a modest metal, and making little |