The Mint—Robert Cullen—Lord Chancellor Loughborough. The Cunyie House, as the Scottish Mint used to be called, was near Holyrood Palace in the days of Queen Mary. In the regency of Morton a large house was erected for it in the Cowgate, where it may still be seen, BE. MERCYFULL. TO. ME. O. GOD. 1574. In the reign of Charles II. other buildings were added behind, forming a neat quadrangle; and here was the Scottish coin produced till the Union, when a separate coinage was given up and this establishment abandoned; though, to gratify prejudice, the offices were still kept up as sinecures. This court with its buildings was a sanctuary for persons prosecuted for debt, as was the King’s Stables, a mean place at the west end of the Grassmarket. There was, however, a small den near the top of the oldest building, lighted by a small window looking up the Cowgate, which was used as a jail for debtors or other delinquents condemned by the Mint’s own officers. In the western portion of the old building, accessible by a stair from the court, is a handsome room with an alcove ceiling, and lighted by two handsomely proportioned windows, which is known to have been the council-room of the Mint, being a portion of the private mansion of the master. Here, in May 1590, on a Sunday evening, the town of Edinburgh entertained the Danish lords who accompanied James VI. and his queen from her native court—namely, Peter Monk, the admiral of Denmark; Stephen Brahe, captain of Eslinburg [perhaps a relative of Tycho?]; Braid Ransome Maugaret; Nicholaus Theophilus, Doctor of Laws; Henry Goolister, captain of Bocastle; William Vanderwent; and some others. For this banquet, ‘maid in Thomas Aitchinsoune, master of the cunyie-house lugeing,’ it was ordered In the latter days of the Mint as an active establishment, the coining-house was in the ground-floor of the building, on the north side of the court; in the adjoining house, on the east side, was the finishing-house, where the money was polished and fitted for circulation. The chief instruments used in coining were a hammer and steel dies, upon which the device was engraved. The metal, being previously prepared of the proper fineness and thickness, was cut into longitudinal slips, and a square piece being cut from the slip, it was afterwards rounded and adjusted to the weight of the money to be made. The blank pieces of metal were then placed between two dies, and the upper one was struck with a hammer. After the Restoration another method was introduced—that of the mill and screw, which, modified by many improvements, is still in use. At the Union, the ceremony of destroying the dies of the Scottish coinage took place in the Mint. After being heated red-hot in a furnace, they were defaced by three impressions of a broad-faced punch, which were of course visible on the dies as long as they existed; but it must be recorded that all these implements, which would now have been great curiosities, are lost, and none of the machinery remains but the press, which, weighing about half a ton, was rather too large to be readily appropriated, or perhaps it would have followed the rest. The floors over the coining-house—bearing the letters, C. R. II., surmounting a crown, and the legend, GOD SAVE THE KING, 1674, originally the mansion of the master—were latterly occupied by the eminent Dr Cullen, whose family were all born here, and who died here himself in 1792. ROBERT CULLEN.Robert Cullen, the son of the physician, made a great impression on Edinburgh society by his many delightful social qualities, and particularly his powers as a mimic of the Mathews genus. He manifested this gift in his earliest years, to the no small discomposure of his grave old father. One evening, when Dr Cullen was going to the theatre, Robert entreated to be taken along with him, In maturer years, Cullen could not only mimic any voice or mode of speech, but enter so thoroughly into the nature of any man that he could supply exactly the ideas which he was likely to use. His imitations were therefore something much above mimicries—they were artistic representations of human character. He has been known in a social company, where another individual was expected, to stand up, in the character of that person, and return thanks for the proposal of his health; and this was done so happily that when the individual did arrive and got upon his legs to speak for himself, the company was convulsed with an almost exact repetition of what Cullen had previously uttered, the manner also and every inflection of the voice being precisely alike. In relating anecdotes, of which he possessed a vast store, he usually prefaced them with a sketch of the character of the person referred to, which greatly increased the effect, as the story then told characteristically. These sketches were remarked to be extremely graphic and most elegantly expressed. When a young man, residing with his father, he was very intimate with Dr Robertson, the Principal of the university. To show that Robertson was not likely to be easily imitated, it may be mentioned, from the report of a gentleman who has often heard him making public orations, that when the students observed him pause for a word, and would themselves mentally supply it, they invariably found that the word which he did use was different from that which they had hit upon. Cullen, however, could imitate him to the life, either in his more formal speeches or in his ordinary discourse. He would often, in entering a house which the Principal was in the habit of visiting, assume his voice in the lobby and stair, and when arrived at the drawing-room door, astonish the family by turning out to be—Bob Cullen. Lord Greville, a pupil of the Principal’s, having been one night detained at a protracted debauch, where Cullen was also present, the latter gentleman next morning got admission to the bedroom of the Mr Cullen entered at the Scottish bar in 1764, and, distinguishing himself highly as a lawyer, was raised to the bench in 1796, when he took the designation of Lord Cullen. He cultivated elegant literature, and contributed some papers of acknowledged merit to the Mirror and Lounger; but it was in conversation that he chiefly shone. The close adjoining to the Mint contains several old-fashioned houses of a dignified appearance. In a floor of one bearing the date 1679, and having a little court in front, Alexander Wedderburn, Earl of Rosslyn and Lord Chancellor of England, resided while at the Scottish bar. This, as is well known, was a very brief interval; for a veteran barrister having one day used the term ‘presumptuous boy’ with reference to him, and his own caustic reply having drawn upon him a rebuke from the bench, he took off his gown, and making a bow, said he would never more plead where he was subjected to insult, but would seek a wider field for his exertions. His subsequent rapid rise at the English bar is matter of history. It is told that, returning to Edinburgh at the end of his life, after an absence of many years, he wished to see the house where he had lived while a Scotch advocate. Too infirm to walk, he was borne in a chair to the foot of the Mint Close to see this building. One thing he was particularly ‘Pert at the bar, and in the senate loud.’ About midway up the close is a turreted mansion, accessible from Hyndford’s Close, and having a tolerably good garden connected with it. This was, in 1742, the residence of the Earl of Selkirk; subsequently it was occupied by Dr Daniel Rutherford, professor of botany. Sir Walter Scott, who, being a nephew of that gentleman, was often in the house in his young days, communicated to me a curious circumstance connected with it. It appears that the house immediately adjacent was not furnished with a stair wide enough to allow of a coffin being carried down in decent fashion. It had, therefore, what the Scottish law calls a servitude upon Dr Rutherford’s house, conferring the perpetual liberty of bringing the deceased inmates through a passage into that house and down its stair into the lane. |