The double apartment in Dragon Court, swept by such vagrant July breezes as wandered into the heated city, had become lively with preparations for departure. Barres fussed about, collecting sketching paraphernalia, choosing brushes, colours, canvases, field kits, and costumes from his accumulated store, and boxing them for transportation to Foreland Farms, with the languid assistance of Aristocrates. Westmore had only to ship a modelling stand, a handful of sculptors’ tools, and a ton or two of Plasteline, an evil-smelling composite clay, very useful to work with. But the storm centre of preparation revolved around Dulcie. And Thessalie, enchanted with her new rÔle as adviser, bargainer, and purchaser, and always attaching either Westmore or Barres to her skirts when she and Dulcie sallied forth, was selecting and accumulating a charming and useful little impedimenta. For the young girl had never before owned a single pretty thing, except those first unpremeditated gifts of Barres’, and her happiness in these expeditions was alloyed with trepidation at Thessalie’s extravagance, and deep misgivings concerning her ultimate ability to repay out of the salary allowed her as a private model. Intoxicated by ownership, she watched Thessalie and Selinda laying away in her brand-new trunk the lovely He had begun to laugh when she opened the subject: “Thessa is managing it,” he said. “It looks like a lot of expense, but it isn’t. Don’t worry about it, Sweetness.” “I do worry——” “Now, what a ridiculous thing to do!” he interrupted. “It’s merely advanced salary—your own money. I told you to blow it; I’m responsible. And I shall arrange it so you won’t notice that you are repaying the loan. All I want you to do is to have a good time about it.” “I am having a good time—when it doesn’t scare me to spend so much for——” “Can’t you trust Thessa and me?” The girl dropped to her knees beside his chair in a swift passion of gratitude: “Oh, I trust you—I do——” But she could not utter another word, and only pressed her face against his arm in the tense silence of emotions which were too powerful to express, too deep and keen to comprehend or to endure. And she sprang to her feet, flushed, confused, turning from him as he retained one hand and drew her back: “Dear child,” he said, in his pleasant voice, “this is really a very little thing I do for you, compared to the help you have given me by hard, unremitting, uncomplaining physical labour and endurance. There is no harder work than holding a pose for painter or “I am in yours. You made me.” “You always say that. It’s foolish. You made yourself, Dulcie. You are making yourself all the while. Why, good heavens!—if you hadn’t had it in you, somehow, to ignore your surroundings—take the school opportunities offered you—close your eyes and ears to the sights and sounds and habits of what was supposed to be your home——” He checked himself, thinking of Soane, and his brogue, and his ignorance and his habits. “How the devil you escaped it all I can’t understand,” he muttered to himself. “Even when I first knew you, there was nothing resembling your—your father about you—even if you were almost in rags!” “I had been with the Sisters until I went to high school,” she murmured. “It makes a difference in a child’s mind what is said and thought by those around her.” “Of course. But, Dulcie, it is usually the unfortunate rule that the lower subtly contaminates the higher, even in casual association—that the weaker gradually undermines the stronger until it sinks to lesser levels. It has not been so with you. Your clear mind remained untarnished, your aspiration uncontaminated. Somewhere within you had been born the quality of recognition; and when your eyes opened on better things you recognised them and did not forget after they disappeared——” Again he ceased speaking, aware, suddenly, that for He began to speak again, before he knew he was speaking—indeed, as though within him somewhere another man were using his lips and voice as vehicles: “You know, Dulcie, it’s not going to end—our companionship. Your real life is all ahead of you; it’s already beginning—the life which is properly yours to shape and direct and make the most of. “I don’t know what kind of life yours is going to be; I know, merely, that your career doesn’t lie down stairs in the superintendent’s lodgings. And this life of ours here in the studio is only temporary, only a phase of your development toward clearer aims, higher aspiration, nobler effort. “Tranquillity, self-respect, intelligent responsibility, the happiness of personal independence are the prizes: the path on which you have started leads to the only pleasure man has ever really known—labour.” He looked down at her hand lying within his own, stroked the slender fingers thoughtfully, noticing the whiteness and fineness of them, now that they had rested for three months from their patient martyrdom in Soane’s service. “I’ll talk to my mother and sister about it,” he concluded. “All you need is a start in whatever you’re going to do in life. And you bet you’re going to get it, Sweetness!” He patted her hand, laughed, and released it. She Perhaps aware that her overcharged heart was meddling with her voice, he merely smiled as he watched her moving slowly back to Thessalie’s room, where the magic trunk was being packed. Then he turned to his letters again. One was from his mother:
The letter was what he had expected. But, as always, it made him very grateful. “Wonderful mother I have,” he murmured, opening another letter from his father:
He laughed; this letter so perfectly revealed his father. “Dad and his trout and his birds and his pines and his eternally accursed hired help,” he said to himself, “Dad and his monocle and his immaculate attire—the finest man who ever fussed!” And he laughed tenderly to himself as he broke the seal of his sister’s brief note:
Barres pocketed his sheaf of letters and began to stroll about the studio, whistling the air of some recent musical atrocity. Westmore, in his own room, composing verses—a secret vice unsuspected by Barres—bade him “Shut up!”—the whistling no doubt ruining his metre. But Barres, with politest intentions, forgot himself so many times that the other man locked up his “Lines to Thessalie when she was sewing on a button for me,” and came into the studio. “Where is she?” he inquired naÏvely. “Where’s who?” demanded Barres, still sensitive over the increasing intimacy of this headlong young man and Thessalie Dunois. “Thessa.” “In there fussing with Dulcie’s togs. Go ahead in, if you care to.” “Is your stuff packed up?” Barres nodded: “Is yours?” “Most of it. How many trunks is Thessa taking?” “How do I know?” said Barres, with a trace of irritation. “She’s at liberty to take as many as she likes.” Westmore didn’t notice the irritation; his mind was entirely occupied by Thessalie—an intellectual condition Probably Dulcie noticed it, too, but gave no sign, except when the serious grey eyes stole toward Barres at times, as though vaguely apprehensive that he might not be entirely in sympathy with Westmore’s enchanted state of mind. As for Thessalie, though Westmore’s naÏve and increasing devotion could scarcely escape her notice, it was utterly impossible to tell how it affected her—whether, indeed, it made any impression at all. For there seemed to be no difference in her attitude toward these two men; it was plain enough that she liked them both—that she believed in them implicitly, was happy with them, tranquil now in her new security, and deeply penetrated with gratitude for their kindness to her in her hour of need. “Come on in,” coaxed Westmore, linking his arm in Barres’, and counting on the latter to give him countenance. The arm of Barres remained rigid and unresponsive, but his legs were reluctantly obliging and carried him along with Westmore to what had been his own room before Thessalie had installed herself there. And there she was on her knees, amid a riot of lingerie and feminine effects, while Dulcie lovingly smoothed out and folded object after object which Selinda placed between layers of pale blue tissue paper in the trunks. “How are things going, Thessa?” inquired Westmore, in the hearty, cheerful voice of the intruder who hopes to be made welcome. But her attitude was discouraging. “You know you are only in the way,” she said. “Drive him out, Dulcie!” Dulcie laughed and looked at them both with shyly friendly eyes: “Is my trousseau not beautiful?” she asked. “If you’ll step outside I’ll put on a hat and gown for you——” “Oh, Dulcie!” protested Thessalie, “I want you to dawn upon them, and a dress rehearsal would spoil it all!” Westmore tiptoed around amid lovely, frail mounds of fabrics, until ordered to an empty chair and forbidden further motion. It was all the same to him, so long as his fascinated gaze could rest on Thessalie. Which further annoyed Barres, and he backed out and walked to the studio, considerably disturbed in his mind. “That man,” he thought, “is making an ass of himself, hanging around Thessa like a half-witted child. She can’t help noticing it, but she doesn’t seem to do anything about it. I don’t know why she doesn’t squelch him—unless she likes it——” But the idea was so unpleasant to Barres that he instantly abandoned that train of thought and prepared for himself a comfortable nest on the lounge, a pipe, and an uncut volume of flimsy summer fiction. In the middle of these somewhat sullen preparations, there came a ring at his studio door. Only the superintendent or strangers rang that bell as a rule, and Barres went to his desk, slipped his loaded pistol into his coat pocket, then walked to the door and opened it. Soane stood there, his face a shiny-red from drink, his legs steady enough. As usual when drunk, he was inclined to be garrulous. “What’s the matter?” inquired Barres in a low voice. “Wisha, Misther Barres, sorr, av ye’re not too busy f’r to——” “S-h-h! Don’t bellow at the top of your voice. Wait a moment!” He picked up his hat and came out into the corridor, closing the studio door behind him so that Dulcie, if she appeared on the scene, should not be humiliated before the others. Soane began again, but the other cut him short: “Don’t start talking here,” he said. “Come down to your own quarters if you’re going to yell your head off!” And he led the way, impatiently, down the stairs, past the desk where Miss Kurtz sat stolid and mottled-faced as a lump of uncooked sausage, and into Soane’s quarters. “Now, you listen to me first!” he said when Soane had entered and he had closed the door behind them. “You keep out of my apartment and out of Dulcie’s way, too, when you’re drunk! You’re not going to last very long on this job; I can see that plainly——” “Faith, sorr, you’re right! I’m fired out entirely this blessed minute!” “You’ve been discharged?” “I have that, sorr!” “What for? Drunkenness?” “Th’ divil do I know phwat for! Wisha, then, Misther Barres, is there anny harrm av a man——” “Yes, there is! I told you Grogan’s would do the trick for you. Now you’re discharged without a reference, I suppose.” Soane smiled airily: “Misther Barres, dear, don’t lave that worrit ye! I want no riference from anny landlord. Sure, landlords is tyrants, too! An’ phwat the divil should I be wantin’——” “What are you going to do then?” Soane hooked both thumbs into the armholes of his vest, and swaggered about the room: “God bless yer kind heart, sorr, I’ve a-plenty to do and more for good measure!” He came up to confront Barres, and laid a mysterious finger alongside his over-red nose and began to brag: “There’s thim in high places as looks afther the likes o’ me, sorr. There’s thim that thrusts me, thim that depinds on me——” “Have you another job?” Soane’s scorn was superb: “A job is ut? Misther Barres, dear, I was injuced f’r to accept a position of grave importance!” “Here in town?” “Somewhere around tin thousand miles away or thereabouts,” remarked Soane airily. “Do you mean to take Dulcie with you?” “Musha, then, Misther Barres, ’tis why I come to ye above f’r to ax ye will ye look afther Dulcie av I go away on me thravels?” “Yes, I will!... Where are you going? What is all this stuff you’re talking, anyway——” “Shtuff? God be good to you, it’s no shtuff I talk, Misther Barres! Sure, can’t a decent man thravel f’r to see the wurruld as God made it an’ no harrm in——” “Be careful what company you travel in,” said Barres, looking at him intently. “You have been travelling around New York in very suspicious company, Soane. I know more about it than you think I do. And it wouldn’t surprise me if you have a run-in with the police some day.” “The po-lice, sorr! Arrah, then, me fut in me hand an’ me tongue in me cheek to the likes o’ thim! An’ “What are you gabbling about, Soane? What’s all this boasting about?” “Gabble is ut? Is it boastin’ I am? Sorra the day! An’ there do be grand gintlemen and gay ladies to-day that shall look for a roof an’ a sup o’ tay this day three weeks, when th’ fut o’ the tyrant is lifted from the neck of Ireland an’ the landlords is runnin’ for their lives——” “I thought so!” exclaimed Barres, disgusted. “An’ phwat was ye thinkin’, sorr?” “That your German friends at Grogan’s are stirring up trouble among the Irish. What’s all this nonsense, anyway? Are they trying to persuade you to follow the old Fenian tactics and raid Canada? Or is it an armed expedition to the Irish coast? You’d better be careful; they’ll only lock you up here, but it’s a hanging matter over there!” “Is it so?” grinned Soane. “It surely is.” “Well, then, be aisy, Misther Barres, dear. Av there’s hangin’ to be done this time, ’twill not be thim as wears the green that hangs!” Barres slowly shook his head: “This is German work. You’re sticking your neck into the noose.” “Lave the noose for the Clan-na-Gael to pull, sorr, an’ ’twill shqueeze no Irish neck!” “You’re a fool, Soane! These Germans are exploiting Soane deliberately winked at him. Then he burst into laughter and stood rocking there on heel and toe while his mirth lasted. But the inevitable Celtic reaction presently sobered him and switched him into a sombre recapitulation of Erin’s wrongs. And this tragic inventory brought the inevitable tears in time. And Woe awoke in him the memory of the personal and pathetic. The world had dealt him a wretched hand. He had sat in a crooked game from the beginning. The cards had been stacked; the dice were cogged. And now he meant to make the world disgorge—pay up the living that it owed him. Barres attempted to stem the flow of volubility, but it instantly became a torrent. Nobody knew the sorrows of Ireland or of the Irish. Tyranny had marked them for its own. As for himself—once a broth of a boy—he had been torn from the sacred precincts of his native shanty and consigned to a loveless, unhappy marriage. Then Barres listened without interrupting. But the woes of Soane became vague at that point. Veiled references to being “thrampled on,” to “th’ big house,” to “thim that was high an’ shtiff-necked,” abounded in an unconnected way. There was something about being a servant at the fireside of his own wife—a footstool Then Barres said: “Who is Dulcie, Soane?” The man, seated now on his bed, lifted a congested and stupid visage as though he had not comprehended. “Is Dulcie your daughter?” demanded Barres. Soane’s blue eyes wandered wildly in an agony of recollection: “Did I say she was not, sorr?” he faltered. “Av I told ye that, may the saints forgive me——” “Is it true?” “Ah, what was I afther sayin’, Misther——” “Never mind what you said or left unsaid! I want to ask you another question. Who was Eileen Fane?” Soane bounded to his feet, his blue eyes ablaze: “Holy Mother o’ God! What have I said!” “Was Eileen Fane your wife?” “Did I say her blessed name!” shouted Soane. “Sorra the sup I tuk that loosed the tongue o’ me this cursed day! ’Twas the dommed whishkey inside o’ me that told ye that—not me—not Larry Soane! Wurra the day I said it! An’ listen, now, f’r the love o’ God! Take pride to yourself, sorr, for all the goodness ye done to Dulcie. “An’ av I go, and I come no more to vex her, I thank God ’tis in a gintleman’s hands the child do be——” He choked; his marred hands dropped by his side, and he stared dumbly at Barres for a moment. Then: “Av I come no more, will ye guard her?” “Yes.” “Will ye do fair by her, Misther Barres?” “Yes.” “Call God to hear ye say ut!” “So—help me—God.” Soane dropped on to the bed and took his battered face and curly head between his hands. “I’ll say no more,” he said thickly. “Nor you nor she shall know no more. An’ av ye have guessed it out, kape it locked in. I’ll say no more.... I was good to her—in me own way. But ye cud see—anny wan with half a cock-eye cud see.... I was—honest—with her mother.... She made the bargain.... I tuk me pay an’ held me tongue.... ’Tis whishkey talks, not me.... I tuk me pay an’ I kept to the bargain.... Wan year.... Then—she was dead of it—like a flower, sorr—like the rose ye pull an’ lave lyin’ in the sun.... Like that, sorr—in a year.... An’ I done me best be Dulcie.... I done me best. An’ held to the bargain.... An’ done me best be Dulcie—little Dulcie—the wee baby that had come at last—her baby—Dulcie Fane!...” |