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I can endure a melancholy man, but not a melancholy child; the former, in whatever slough he may sink, can raise his eyes either to the kingdom of reason or of hope; but the little child is entirely absorbed and weighed down by one black poison-drop of the present. Think of a child led to the scaffold, think of Cupid in a Dutch coffin; or watch a butterfly, after its four wings have been torn off, creeping like a worm, and you will feel what I mean. But wherefore? The first has been already given; the child, like the beast, only knows purest, though shortest sorrow; one which has no past and no future; one such as the sick man receives from without, the dreamer from himself into his asthenic brain; finally, one with the consciousness not of guilt, but of innocence. Certainly, all the sorrows of children are but shortest nights, as their joys are but hottest days; and indeed both so much so, that in the latter, often clouded and starless time of life, the matured man only longingly remembers his old childhood's pleasures, while he seems altogether to have forgotten his childhood's grief. This weak remembrance is strangely contrasted with the opposing one in dreams and fevers in this respect, that in the two last it is always the cruel sorrows of childhood which return; the dream this mock-sun of childhood—and the fever, its distorting glass—both draw forth from dark corners the fears of defenceless childhood, which press and cut with iron fangs into the prostrate soul. The fair scenes of dreams mostly play on an after-stage, whereas the frightful ones choose for theirs the cradle and the nursery. Moreover, in fever, the ice-hands of the fear of ghosts, the striking one of the teachers and parents, and every claw with which fate has pressed the young heart, stretch themselves out to catch the wandering man. Parents, consider then, that every childhood's Rupert—the name given in Germany to the fictitious being employed to frighten children into obedience—even though it has lain chained for tens of years, yet breaks loose and gains mastery over the man so soon as it finds him on a sick-bed. The first fright is more dangerous the sooner it happens: as the man grows older, he is less and less easily frightened; the little cradle or bed-canopy of the child is more easily quite darkened than the starry heaven of the man.—Jean Paul Richter.