The Roman Games formed a part of religious worship, and were always consecrated to some god: they were either stated or vowed by generals in war, or celebrated on extraordinary occasions; the most celebrated were those of the circus.

Among them were first, chariot and horse races, of which the Romans were extravagantly fond. The charioteers were distributed into four parties or factions from the different colours of their dresses. The spectators favored one or other of the colours, as humor or caprice inclined them. It was not the swiftness of their horses, nor the art of the men that inclined them, but merely the dress. In the times of Justinian, no less than thirty thousand men are said to have lost their lives at Constantinople, in a tumult raised by contention among the partizans of the several colours.

The order in which the chariots or horses stood, was determined by lot, and the person who presided at the games gave the signal for starting, by dropping a cloth; then the chain of the hermuli being withdrawn, they sprung forward, and whoever first ran seven times round the course, was declared the victor; he was then crowned, and received a prize in money of considerable value.

Second; contests of agility and strength, of which there were five kinds; running, leaping, boxing, wrestling and throwing the discus or quoit. Boxers covered their hands with a kind of gloves, which had lead or iron sewed into them, to make the strokes fall with greater weight; the combatants were previously trained in a place of exercise, and restricted to a particular diet.

Third; what was called venatio, or the fighting of wild beasts with one another, or with men, called bestiarii, who were either forced to this by way of punishment, as the primitive christians often were, or fought voluntarily, either from a natural ferocity of disposition, or induced by hire. An incredible number of animals of various kinds, were brought from all quarters, for the entertainment of the people, at an immense expense; and were kept in enclosures called vivaria, till the day of exhibition. Pompey, in his second consulship, exhibited at once five hundred lions, and eighteen elephants, who were all despatched in five days.

Fourth; naumachia, or the representation of a sea fight; those who fought, were usually composed of captives or condemned malefactors, who fought to death, unless saved by the clemency of the emperors.

In the next class of games were the shows of gladiators; they were first exhibited at Rome by two brothers called Bruti, at the funeral of their father, and for some time they were only exhibited on such occasions; but afterwards, also by the magistrates, to entertain the people, chiefly at the saturnalia and feasts of Minerva.

Incredible numbers of men were destroyed in this manner; after the triumph of Trajan over the Dacians, spectacles were exhibited for one hundred twenty-three days, in which eleven thousand animals, of different kinds, were killed, and ten thousand gladiators fought, whence we may judge of other instances. The emperor Claudius, although naturally of a gentle disposition, is said to have been rendered cruel by often attending these spectacles.

Gladiators were at first composed of slaves and captives, or of condemned malefactors, but afterwards also of free born citizens, induced by hire or inclination.

When any gladiator was wounded, he lowered his arms as a sign of his being vanquished, but his fate depended on the pleasure of the people, who, if they wished him to be saved, pressed down their thumbs; if to be slain, they turned them up, and ordered him to receive the sword, which gladiators usually submitted to with amazing fortitude.

Such was the spirit engendered by these scenes of blood, that malefactors and unfortunate christians, during the period of the persecution against them, were compelled to risk their lives in these unequal contests; and in the time of Nero, christians were dressed in skins, and thus distinguished, were hunted by dogs, or forced to contend with ferocious animals, by which they were devoured.

The next in order were the dramatic entertainments, of which there were three kinds. First; comedy, which was a representation of common life, written in a familiar style, and usually with a happy issue: the design of it was, to expose vice and folly to ridicule.

Second; tragedy, or the representation of some one serious and important action; in which illustrious persons are introduced as heroes, kings, &c. written in an elevated style, and generally with an unhappy issue.

The great end of tragedy was to excite the passions; chiefly pity and horror: to inspire a love of virtue, and an abhorrence of vice.

The Roman tragedy and comedy differed from ours only in the chorus: this was a company of actors who usually remained on the stage singing and conversing on the subject in the intervals of the acts.

Pantomimes, or representations of dumb show, where the actors expressed every thing by their dancing and gestures, without speaking.

Those who were most approved, received crowns, &c. as at other games; at first composed of leaves or flowers, tied round the head with strings, afterwards of thin plates of brass gilt.

The scenery was concealed by a curtain, which, contrary to the modern custom, was drawn down when the play began, and raised when it was over.