THE COLOUR OF THE WEST The country all about Kilcoultra is typically wild and melancholy. The fields stretch, barren and yellowing, strewn with giant stones. Except where sombre belts of woodland mark the great estates, there is scarcely a tree to break the monotony; a monotony intensified by the low, unending lines of rough grey walls that border every road. But there is a kind of poetry even in this desolation, and a satisfaction to all who love the freedom of unbounded horizons. Then the mountains of Clare stretch their incomparable plum and grape colours against the sky. The colour of Ireland is a thing scarcely realized over here, where, somehow, hues seem washed out. “In England everything has got grey in it,” an artist friend of ours discontentedly avers. landscape with tree - two pages wide We are taken across the county to a castle standing by a lake, which is a place of wonder. It is a castle no older, in its mediÆval sturdiness, than the Gothic mansion we are staying in, but quite as convincingly built. Loughcool is a realm of beauty. At the end of the long approach the road rises very steeply through a stern grove of pines. All at once, as you approach the summit of this dark woodland, the ground breaks away abruptly on the right, and, between the pines, far, far below, lies the lake smiling, “We have given it up,” says the sensible chÂtelaine of Kilcoultra. We smiled privately. Villino Loki has at least some points of superiority. We made another expedition, over the border into County Clare. A white plastered pillared house this, dating from the terrible neo-Italian period of the end of the last century. There dwells an eccentric gentleman, one of the chief instigators of the Young Ireland movement; but he was unfortunately away. We visited the house, and were entertained by his housekeeper. This lady’s name was Mrs. Quinlan came creaking down in a flowing black silk, which brought me instantly back to the Sundays of my childhood and the genteel appearance of my mother’s maid. We sat in the early Victorian drawing-room and had tea and Albert biscuits, listening with unremitting amusement to the conversation between Miss Caroline and Mrs. Quinlan. Be it mentioned that the owner of Curriestown has long been a widower and that the question of his remarriage has never ceased to agitate the bosoms of his neighbours since the event, so many years ago, which qualified him once again for the matrimonial market. Mrs. Quinlan stood, her perfectly unwashed hands crossed on the last button of her black silk bodice; her faded face all over lines, querulous, good-humoured, quizzical, under the untidy wisps of her yellow-grey hair; and, while we ate and drank, she flowed continuously on, stimulated by a question here and there, or an appropriate comment. SPEAKING THE IRISH “And indeed, Miss Caroline, it’s very busy I am. For sure, didn’t the master wire there’d be twelve of them here the day after to-morrow? It’s getting all the rooms ready I am, and the Professor here and all. Not that he’s much trouble, the crathur. Them’s his shoes, in the hall beyant. I’m sorry he’s out, then, for it’s the queer-looking body he is. He’s wearing the kilt, ye know, Miss Carrie. And not a word out of him but Irish! Musha, I don’t know what he’d be saying!—It’s a deal of store they do be setting on speaking the Irish now, Miss.” Here Mrs. Quinlan, seized with a paroxysm of silent laughter, “The master’s wild about it, God help him!” she proceeds presently. “But sure, I do be tellin’ him, I’m too old to be thinkin’ about that kind of thing at my time of life. Troth, and it’s queer times we do be having! Isn’t the master bringing back a black lady on us!” “A black lady?” ejaculated Miss Carrie, startled out of her placidity. “Good gracious, Mrs. Quinlan!” “Indeed, and it’s true. A rale black lady I hear she is, and it’s in Paris he met her.” “In Paris!” It seemed a strange place from which to bring a black lady. We were all full of the liveliest interest. “I suppose,” says Miss Caroline, “you mean a very dark lady, Mrs. Quinlan—a brunette?” “I do not, then—rale black she is, I’m told. Out of the Indies, or Africa, or some of them places.” “Dear me!” Our hostess is much puzzled. “Is he thinking of marrying her, Mrs. Quinlan?” “I wouldn’t put it past him. I wouldn’t put anything past him, Miss Carrie!” A black lady! Was this to be the end of twenty-five years’ expectation? “Well, now, and is he bringing her with him to-morrow night?” “Och, maybe he is! He’s coming by the midnight train, Miss Carrie, and the Lord knows what time in the world they’ll be up here.” “Oh, he must mean to marry her!” says Miss Carrie, and Mrs. Quinlan laughs again exhaustedly with an undercurrent We go through the house in Mrs. Quinlan’s wake. There is something that looks like a kitchen rubber laid over one corner of the mahogany table in the great red-papered dining-room; and on it a crusty loaf flanks a dim glass and a cracked plate. Mrs. Quinlan casts a phrase of explanation as she trails us around. “He do be looking for his bit of dinner early.” We presume “he” to be the “crathur that gives no trouble.” We pass through a bewildering series of bedrooms. The damp has been coming in very copiously at Curriestown. Mrs. Quinlan points out the worst places in each apartment as we go along: “Look athere, now! Just cast your eye on that, Miss Carrie, and sure it’s nothing to what’s behind the bed. If ye could see the way it is at the back of that press, Miss Carrie, you’d be hard set to believe it. Och, the house is in a tirrible state! Me heart’s broke pulling the furniture about, thrying to get them bad bits covered.” Some one suggests that perhaps the owner will have it painted for the black lady. But Honoria Quinlan is still of opinion that you couldn’t tell what he’d be at. On the way back we burst a tyre, not far from one of those hamlets which are typical of the western coast. Set in surroundings of the wildest beauty, it is practically deserted. The four walls of the ruined chapel gaping to the sky, and the long row of empty broken-down cottages testify still to the ruthless policy that laid the country Very soon, while the chauffeur worked at the wheel, a small knot of onlookers gathers about us; children with a tangled thatch of bleached hair, and eyes that look half-fiercely, half-appealingly out from under it. Black eyes they seem at first sight, set as they are with raven lashes. It is only on examination that you find them to be richly violet. There is an old man fantastically attired in a blanket laced with twine down to his knees. Such a creature of savage primitiveness he seems that one of the party is moved to ask him humorously if he has ever driven in a motor-car. He surveys us with his mild blue eyes that are as innocent as the child’s beside him, and shakes his shaggy white head. “Bedad, I have,” he then says unexpectedly. “And sure it never touched the ground at all but an odd time between here and Connemara.” CLARE ROADS Yet motor-cars must be very rare apparitions along these Clare roads; for at their approach the people fling themselves sideways into the ditches and against the walls, when they cannot escape through a gap into the fields. Even the dogs will flee. One poor Collie flattened himself on a bank in a paroxysm of terror that we cannot forget. When I remember how along the English roads my heart is for ever in my mouth over the callous indifference of the British cur, I realize that canine folk are very much like human beings when all is said and done. AN IRISH STRIKE We hurry away, much against our will, from these attractive scenes because of the breaking out of the railway strike. The newspapers are all very alarming, and we are threatened with being flung for an indefinite period upon the hospitality of our most hospitable friends. We do not fear for a minute that that would fail us, but we are due in England at appointed dates, and so we bustle off, “against the heart” as the French say. But when you make acquaintance with a strike from an Irish point of view, it seems one huge joke. Never did we make a journey to the sound of so much laughter as that day. Every station was crowded with soldiers, and all the inhabitants mustered on the platforms to exchange sallies with them. An eager, curious, good-humoured gathering greets and speeds the train which is supposed to be kept running at imminent risk of riot and peril. A very splendid looking police-inspector came into our carriage and had an animated conversation on the prospects with an elderly gentleman whom he addressed as “Judge.” Both seemed inspired with glee. When we arrived in Dublin there was indeed a slight drawback “Ah, will ye look at the gintleman! To think of the likes of him now, being put to carry the thrunks! Isn’t it ashamed of themselves they ought to be! Well done, Larry, it is a grand old boy ye are! Let me get a hould of the box, yer honour. Oh, begorra, isn’t it the stringth of ten ye do be having....” “And how do ye like Dublin now, Mr. Smith?” we heard a pretty Irish girl saying to a stalwart young British soldier on the platform. He was grinning down at her in stolid admiration. She herself had dove-like eyes and a dove-like cooing voice. We think he liked Dublin very much indeed. It was the laughing face behind the mask of tragedy. |