PREFACE.

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The personal life of William Morris is already known to us through Mr. Mackail’s admirable biography as fully, probably, as we shall ever know it. My own endeavour has been to present a picture of Morris’s busy career perhaps not less vivid for the absence of much detail, and showing only the man and his work as they appeared to the outer public.

I have used as a basis for my narrative, the volumes by Mr. Mackail; William Morris, his Art, his Writings, and his Public Life, by Aymer Vallance; The Books of William Morris, by H. Buxton Forman; numerous articles in periodicals, and Morris’s own varied works.

I wish to express my indebtedness to Mr. Bulkley of 42 East 14th Street, New York City, for permission to reproduce a number of Morris patterns in his possession, notably a fragment of the St. James’s wall-paper.

Much material for the letter-press and for the illustrations I have obtained through the Boston Public Library. The Froissart pages were found there and most of the Kelmscott publications from which I have quoted.

The bibliography is that prepared by Mr. S. C. Cockerell for the last volume of Mr. Morris issued by the Kelmscott Press, under the title of A Note by William Morris on His Aims in Founding the Kelmscott Press. To the Cockerell bibliography have been added a few notes of my own.

E. L. C.

Brooklyn, Sept. 10, 1902.


CONTENTS.

CHAPTER PAGE
I. Boyhood 1
II. Oxford Life 21
III. From Rossetti to the Red House 46
IV. Morris and Company 69
V. From the Red House to Kelmscott 96
VI. Poetry 114
VII. Public Life and Socialism 146
VIII. Public Life and Socialism (Continued) 174
IX. Literature of the Socialist Period 194
X. The Kelmscott Press 219
XI. Later Writings 239
XII. The End 255
Bibliography 269
Index 291


ILLUSTRATIONS.

Page
William Morris
From Life.
Frontispiece
Title-page of “The Oxford and Cambridge Magazine” 32
Portrait of Rossetti
By Watts.
36
Illustration by Rossetti to “The Lady of Shalott” in the Moxon “Tennyson.”
The Head of Launcelot is a Portrait of Morris
42
Portrait of Jane Burden (Mrs. Morris)
By Rossetti
58
Wall-Paper and Cotton-Print Designs 60
“Acanthus” Wall-Paper
“Pimpernel” Wall-Paper
“African Marigold” Cotton-Print
“These designs must not be taken as exact as to colour afterwards
used, Mr. Morris using the colours to his hand and afterwards
superintending the actual colouring in the course of manufacture,
in most cases many experimental trials being made before the
desired colouring was actually decided upon.”
Reproduced from examples obtained by courtesy of Mr. A. E. Bulkley.
The Morris designs in this book were reproduced by
permission of Messrs. Morris & Company.
“The Strawberry Thief” Design for Cotton-Print 66
Tulip Design for Axminster Carpet 70
Peacock Design for Coarse Wool Hangings 72
Painted Wall Decoration Designed by Morris 76
Painted Wall Decoration Designed by Morris 80
Design for St. James’s Palace Wall-Paper
Reproduced from sample obtained through courtesy of Mr. Bulkley.
82
Early Design for Morris Wall-Paper “Daisy and Columbine” 84
Chrysanthemum Design for Wall-Paper 84
Anemone Pattern for Silk and Wool Curtain Material 88
Portion of Hammersmith Carpet 90
Secretary Designed by the Morris Co.
In possession of Mr. Bulkley.
94
Sofa Designed by the Morris Co.
In possession of Mr. Bulkley.
94
Illustration by Burne-Jones for Projected Edition of “The Earthly Paradise,”
Cut on Wood by Morris Himself
98
Kelmscott Manor House. Two views 100
Design by Rossetti for Window Executed by Morris & Co. (“The Parable of
the Vineyard”)
110
Design by Rossetti for Stained-Glass Window Executed by the Morris Co.
(“The Parable of the Vineyard”)
110
Morris’s Bed, with Hangings Designed by Himself and Embroidered by his
Daughter
114
Kelmscott Manor House from the Orchard 118
Portrait of Edward Burne-Jones
By Watts.
120
William Morris 130
Picture by Rossetti in which the Children’s Faces are Portraits of May Morris 148
Honeysuckle Design for Linen 162
Washing Cloth at the Merton Abbey Works 174
Merton Abbey Works 174
Portrait of Mrs. Morris
By Rossetti.
200
Study of Mrs. Morris
Made by Rossetti for picture called “The Day Dream.”
216
Kelmscott Types 220
Page from Kelmscott “Chaucer.” Illustration by Burne-Jones. Border and
Initial Letter by Morris
222
Title-page of the Kelmscott “Chaucer” 224
The Smaller Kelmscott Press-Mark 228
The Larger Kelmscott Press-Mark 228
Drawing by Morris of the Letter “h” for Kelmscott Type, with Notes and
Corrections
228
Specimen Page from the Kelmscott “Froissart”
Projected Edition
234


                                                                                                                                                                                                                                                                                                           

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