Original Picture: Turin (tu´´rin) Gallery, Turin, Italy. Artist: Sir Anthony Van Dyck (van dik´´). Birthplace: Antwerp, Belgium. Dates: Born, 1599; died, 1641. Questions to arouse interest. What are these three little children doing? Who are they? Did you ever have your picture taken? Where did you go to have it taken? Where do you think these children are? Why did they not go to a photographer as we do? Who, do you suppose, brought them to the studio? How are they dressed? How long do you suppose these children had to stand to have their picture painted? How did the photographer tell you to stand? What is the baby holding in his hands? What do you see on the rug in front of the little girl? Why do you suppose the dog sits so quietly near Prince Charles? Which child should you like best to play with? Who painted this picture? Do you like it? why? The story of the picture. Once there lived a very beautiful queen and a very proud king. They had three beautiful children, whom they loved very dearly. They were very proud of these children, and gave them everything they could to make them happy. The child standing so straight with his hand It was great fun to climb up into this seat, where they were just as high up as the birds. On windy days the big tree would rock back and forth just like a swing. One day they were having a good time in the park when they were told their mother wanted them. They were to be dressed to go and have their pictures painted. There were no cameras in those days, so there was no photograph gallery to go to. But instead, there was a great artist whose name was Sir Anthony Van Dyck. He painted beautiful pictures with oil paints. Prince Charles had already had his picture painted so many It must have taken a long time before the children were dressed and ready to go. "Baby Stuart," as people loved to call little Prince James, wore blue silk, trimmed with lace. His brother wore rose-colored silk, with a large lace collar and cuffs. I don't see how he could run or even walk in such a long, heavy dress; do you? It looks as if it were his very best dress. Probably he had a shorter one to play in. How strange it seems that both the boys wear bonnets tied under their chins, while the little girl does not. Perhaps they did not want to spoil her pretty curls. Princess Mary's dress is white satin, trimmed with lace. She looks like a grown-up lady in that dress. People said she looked just like her lovely queen mother. No doubt her mother curled her hair and put the string of pearl beads When at last they were all ready, the boats were waiting for them. Several ladies went with the queen, so it was quite a party. It was a beautiful ride down the river to Sir Anthony The great Sir Anthony Van Dyck himself came out to meet them. He was glad to have three such lovely children to paint. He was very fond of children and then, too, he always liked to have a great many people about him. When the party entered his studio,—the room where Van Dyck painted,—they found many people already there. The ladies wore beautiful dresses and the men, too, were dressed in velvets and silks, and carried shining swords. Sir Anthony Van Dyck had a very large, fine dog, and as soon as the dog saw the children he came right up to them. He seemed to like Prince Charles best, and sat beside him all the time his picture was being painted. He liked to feel the soft stroke of Prince Charles's kind hand. Baby Stuart stands upon a raised platform and his head is almost as high as his sister's. He looks a little shy as he stands there, holding his apple tight in his chubby little hands. His sister Mary must have held some roses in her hand and dropped them. Can you see them on the rug, in front of her? If Baby Stuart should drop his apple, perhaps the dog would bring it to him. The children stood still almost half an hour that day before the artist said, "That will do"; and they came several times before Sir Anthony Van Dyck could finish painting their faces. Then he told their mother to send him the three little dresses the children were wearing, and he would paint them without the children. You may be sure the children were glad they did not need to stand while the dresses were being painted. Sir Anthony Van Dyck painted a curtain just back of the children, and through the window we see a rosebush which may be the one from which the little Princess Mary picked her roses. The great artist painted many pictures of these three children, but the king and queen liked this one best of all. A long time after this picture was painted the father, King Charles I, was beheaded by When Princess Mary was only ten years old she was married to the Prince of Orange, who was then only fifteen years of age. But she lived in her own home until she grew up. When at last she did go to live in her husband's country every one was glad to see her, for she was such a good and wise princess. She often helped her brothers, too, for it seemed as if they were always in trouble. Baby Stuart grew up to be a great naval officer, who fought and won battles on a big boat at sea. When his brother, King Charles II, died, he became King James II. When you look at this picture of Baby Stuart you feel sure he will grow up to be a good king. But, do you know, he was not a good king. The people did not like him at all, and even drove him out of the country. But we like to think of him always as a pretty baby whose These three children liked to play and have a good time just as much as we do. It would be great fun to visit them and play with them, would it not? Questions to help the pupil understand the picture. Whose children are these? Where did they live? Where did they play? Which one is Prince Charles? Tell about him. When he grew up what did he become? What kind of a king was he? What kind of dogs were named after him? why? How is he dressed in this picture? Whose dog is he petting? Who stands next to him? What color is Princess Mary's dress? Whom did she look like? Why do you suppose she does not wear a cap or bonnet like her brothers? How is her hair combed? How old was she when she married the Prince of Orange? What kind of a princess was she? Whom did she help? Upon what is Baby Stuart standing? What color is his dress? When he grew up, what did he become? What kind of a king was he? How old was he when this picture was painted? Where was it painted? Who brought the children to the studio? How did they bring them? Who met them at the landing? What kind of a place was this studio? How long did the children stand? What helped to keep them from getting tired? After Sir Anthony Van Dyck had painted their faces, what did he say To the Teacher: Allow the children to act out the story. They will enjoy representing the children at play in the park, getting dressed for their picture, and finally posing for it. Wrapping paper or even common newspapers may be used to make the stiff, long skirts and the caps. A make-believe boat is satisfactory. A kindergarten stool will do for the platform on which Baby Stuart is standing. The story of the artist. Sir Anthony Van Dyck's father kept a silk store and sold beautiful silks to rich people. He met so many fine folks that he tried to be like them himself, and soon had as fine manners as the best of them. This made him just a little bit too proud, so that he no longer cared to have anything to do with any one who was common or poor. The boy Anthony grew up with something of the same feeling. When he was very little he did not like to play with other boys, but preferred to sit in his father's shop where the great ladies came to buy silk. He liked to have them smile at him, and to smile shyly back at them. Anthony's mother made the most exquisite embroidery and painted beautiful flowers. She gave the little boy his first lessons in painting. There were a good many boys in the class. One day their teacher, Rubens, went out for a long walk. He always locked the door of his private studio and no one else had a key, except a servant. The boys wanted so much to see what was in that room that they finally persuaded the servant to let them in. Once inside the studio, they crowded close around the new picture Rubens was painting, and one of the boys was pushed against it. His coat sleeve rubbed off the chin and arm of the Virgin the artist was painting. The boys were terribly frightened, and did not know what to do. Finally they decided that the chin and arm must be painted in again. All said that Anthony could do it better than any of the rest. So well did he paint that even Rubens did not know anything had happened. When he did find out about it he was so pleased to know Sir Anthony Van Dyck went on many long journeys to see the work of other artists. He had eleven brothers and sisters, for whom he was always doing helpful things. He admired beautiful silks, satins, velvets, and lace, and liked best to paint people wearing fine clothes. He did it so well, too, that all the people of King Charles's court wanted him to paint their portraits. He could always make them good looking, for even if they had very ugly faces, he painted such beautiful clothes on them that they made lovely pictures. He must have loved children, for all his paintings of them look as if he did. Questions about the artist. Who painted this picture? Tell about his mother and father. What did Sir Anthony Van Dyck like to do when he was a little boy? Who taught him to draw? With what great artist did he study when he was older? What happened to one of Rubens's pictures? Who painted it over again? Why did Rubens not scold him? What did Sir Anthony Van Dyck like to paint best? What makes you think he must have loved children? |