DUMPLING .

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I Shall begin with his Motto, which says, What is better than a Pudding? The Body owns its Power, the Mind, its Delicacy; it will give Youth to grey Hairs, and Life to the most Desponding: Therefore are Pudding Eaters of great Use in State Affairs.

This Quotation is of a Piece with his Motto to the Tale of a Tub, and other Writings; altogether Fictitious and Drole: he adds to the Jest, by putting an Air of Authority or genuine Quotation from some great Author; when alas! the whole is mere Farce and Invention.

The Dedication is one continued Sneer upon Authors, and their Patrons, and seems to carry a Glance of Derision towards Men of Quality in General; by setting a Cook above them, as a more useful Member in a body Politick. Some will have this Braund, to be Sir ****, others Sir ****, others Sir ****; but I take it to be more Railery than Mystery, and that Mr. Braund, at the Rummer in Queen-street, is the Person; who having pleas’d the Author in two or three Entertainments, he, with a View truly Epicurean, constitutes him his MÆcenas; as being more agreeable to him than a whole Circle of Stars and Garters, of what Colour or Denomination soever.

In his Tale of a Tub, he has a fling at Dependance, and Attendance, where he talks of a Body worn out with Poxes ill cured, and Shooes with Dependance, and Attendance. Not having the Book by me, Iam forced to quote at Random, but I hope the courteous Reader will bear me out. He complains of it again in this Treatise, and makes a Complement to Mr. Austin, Mr. Braund’s late Servant; who keeps the Braund’s Head in New Bond-street, near Hanover-Square; aHouse of great Elegance, and where he used frequently to dine.

The Distinction of Brand, Braund, and Barnes, is a Banter on Criticks, and Genealogists, who make such a Pother about the Orthography of Names and Things, that many Times, three Parts in four of a Folio Treatise, is taken up in ascertaining the Propriety of a Syllable, by which Means the Reader is left undetermined; having nothing but the various Readings on a single Word, and that probably, of small Importance.

I heartily wish some of these Glossographists would oblige the World with a Folio Treatise or two, on the Word Rabbet: We shall then know whether it is to be spelt with an e, or an i. For, to the Shame of the English Tongue and this learned Age, our most eminent Physicians, Surgeons, Anatomists and Men Midwives, have all been to seek in this Affair.

St. AndrÉ,
Howard,
Braithwaite,
Ahlers and
Manningham,
Spell it with ane. Douglas
and the
Gentleman
who calls himself

Gulliver,
Spell it with ani.

And some of these great Wits, have such short Memories, that they spell it both Ways in one and the same Page.

The Master-Key to this Mystery, is the Explanation of its Terms; for Example, by Dumpling is meant a Place, or any other Reward or Encouragement. APudding signifies a P——t, and sometimes a C——tee. ADumpling Eater, is a Dependant on the Court, or, in a Word, any one who will rather pocket an Affront than be angry at a Tip in Time. ACook is a Minister of State. The Epicurean and Peripatetic Sects, are the two Parties of Whigg and Tory, who both are greedy enough of Dumpling.

The Author cannot forbear his old Sneer upon Foreigners, but says, in his 1st Page, “That finding it a Land of Plenty, they wisely resolved never to go home again,” and in his 2d, “Nay, so zealous are they in the Cause of Bacchus, that one of the Chief among them, made a Vow never to say his Prayers till he has a Tavern of his own in every Street in London, and in every Market-Town in England”: If he does not mean Sir J—— T—— Iknow not who he means.

By the Invention of Eggs, Page4. is meant Perquisites. “He cannot conclude a Paragraph in his 5th Page, without owning he received that important Part of the History of Pudding, from old Mr. Lawrence of Wilsden Green, the greatest Antiquary of the present Age.”

This old Lawrence is a great Favourite of the D—s; he is a facetious farmer, of above eighty Years of Age, now living at Wilsden Green, near Kilburn in Middlesex, the most rural Place I ever saw: exactly like the Wilds of Ireland. It was here the D—noften retired incog. to amuse himself with the Simplicity of the Place and People; where he got together all that Rigmayroll of Childrens talk, which composes his Namby Pamby. Old Lawrence told me, the D—nhas sate several Hours together to see the Children play, with the greatest Pleasure in Life: The rest he learned from the old Nurses thereabouts, of which there are a great many, with whom he would go and smoke a Pipe frequently, and cordially; not in his Clergyman’s Habit, but in a black Suit of Cloth Clothes, and without a Rose in his Hat: Which made them conclude him to be a Presbyterian Parson.

This Mention of old Lawrence, is in Ridicule to a certain great Artist, who wrote a Treatise upon the Word Connoisseur (or a Knower) and confesses himself to have been many Years at a loss for a Word to express the Action of Knowing, till the great Mr. Prior gave him Ease, by furnishing him with the Word Connoissance. Our D—nhad drawn a Drole, Parallel to this, viz. Boudineur, aPudding Pyeman; and Boudinance, the making of Pudding Pies: But several Men of Quality begging it off, it was, at their Request, scratch’d out, but my Friend, the Amanuensis, remembers particularly its being originally inserted.

If the Reader should ask, Who is that K— John mentioned in the fourth Page, and which I ought to have taken in its Place. Ibeg leave to inform him, that by K. John is meant the late Q. ——, with whom the D— of M—— was many Years in such great Favour, that he was nick named K. John; it was in that Part of the Q—’s Reign, that Sir John Pudding, by whom is meant **** you know who, came in Favour; it is true, the Name is odd, and seems to carry an Air of Ridicule with it, but the Character given him by this allegorical Writer, is that of an able Statesman, and an honest Man.

And here, begging Mr. D—n’s Pardon, I cannot but think his Wit has out run his Judgment; for he puts the Cart before the Horse, and begins at the latter Part of Sir **** Administration: But this might be owing to too plentiful a Dinner, and too much of the Creature. Be that as it will, Imust follow my Copy, and explain it as it lies. Proceed we therefore to the Dissertation, Page6.

“But what rais’d our Hero most in the Esteem of this Pudding-eating Monarch, was his second Edition of Pudding, he being the first that ever invented the Art of broiling Puddings, which he did to such Perfection, and so much to the King’s liking (who had a mortal Aversion to cold Pudding) that he thereupon instituted him Knight of the Gridiron, and gave him a Gridiron of Gold, the Ensign of that Order; which he always wore as a Mark of his Sovereign’s Favour.”

If this does not mean the late Revival of an ancient Order of Knighthood, Inever will unriddle Mystery more: To prove which, we need but cross over to the next Page, where he tells us, “Sir John had always a Squire, who followed him, bearing a huge Pair of Spectacles to saddle his Honour’s Nose.” Diss. Page7.

After this, he very severely runs upon those would-be Statesmen, who put themselves in Competition with his Favourite, Sir ****, with whom he became exceeding intimate, and almost inseperable, all the Time he was in England.

The Story of the Kit Cat Club, Dick Estcourt, and Jacob Tonson, is a mere Digression; and nothing more to the Purpose, than that we may imagine it came uppermost. He returns to his Subject in his 9th Page.

“Now it was Sir John’s Method, every Sunday Morning, to give the Courtiers a Breakfast; which Breakfast was every Man his Dumpling, and Cup of Wine: For you must know, he was Yeoman of the Wine-Cellar at the same Time.”

The Breakfast is Sir *** Levee, the Yeomanship of the Wine-Cellar, is the ***.

The Author of the Dissertation, is a very bad Chronologist; for at Page 10. we are obliged to go back to the former Reign, where we shall find the lubberly Abbots (i.e.) the High Church Priests, misrepresenting Sir John’s Actions, and never let the Q—— alone, till poor Sir John was discarded.

“This was a great Eye-sore, and Heart-burning to some lubberly Abbots, who lounged about the Court; they took it in great Dudgeon they were not invited, and stuck so close to his Skirts, that they never rested till they outed him. They told the King, who was naturally very hasty, that Sir John, made-away with his Wine, and feasted his Paramours at his Expence; and not only so, but they were forming a Design against his Life, which they in Conscience ought to discover: That Sir John was not only an Heretic, but an Heathen; nay, worse, they fear’d he was a Witch, and that he had bewitch’d his Majesty into that unaccountable Fondness for a Pudding-Maker. They assured the King, that on a Sunday Morning, instead of being at Mattins, he and his Trigrimates got together hum jum, all snug, and perform’d many hellish and diabolical Ceremonies. In short, they made the King believe that the Moon was made of Green-Cheese: And to shew how the Innocent may be bely’d, and the best Intentions misrepresented, they told the King, That he and his Associates offered Sacrifices to Ceres: When, alas, it was only the Dumplings they eat.

“The Butter which was melted and poured over them, these vile Miscreants, called Libations: And the friendly Compotations of our Dumpling Eaters, were called Bacchanalian Rites. Two or three among them being sweet tooth’d, would strew a little Sugar over their Dumplings; this was represented as an Heathenish Offering. In short, not one Action of theirs, but which these rascally Abbots made criminal, and never let the King alone till Sir John was discarded; not but the King did it with the greatest Reluctance; but they made it a religious Concern, and he could not get off on’t.” Diss. pag.10.

All the World knows that the Tory Ministry got uppermost, for the four last Years of the Queen’s Reign, and by their unaccountable Management, teaz’d that good Lady out of her Life: Which occasion’d the D—nin his eleventh Page to say; “Then too late he saw his Error; then he lamented the Loss of Sir John; and in his latest Moments, would cry out, Oh! that I had never parted from my dear Jack-Pudding! Would I had never left off Pudding and Dumpling! then I had never been thus basely poison’d! never thus treacherously sent out of the World!——Thus did this good King lament: But alas! to no purpose, the Priest had given him his Bane, and Complaints were ineffectual.”

This alludes to Sir **** Imprisonment and Disgrace in the Year —— Nay, so barefaced is the D—nin his Allegory, that he tells us, in his 12th Page, Norfolk was his Asylum. This is as plain as the Nose on a Man’s Face! The subsequent Pages are an exact Description of the Ingratitude of Courtiers; and his Fable of the Court Pudding, Page13. is the best Part of the whole Dissertation.

One would imagine the D—n had been at Sea, by his writing Catharping-Fashion, and dodging the Story sometimes Twenty-Years backwards, at other Times advancing as many; so that one knows not where to have him: for in his fifteenth Page, he returns to the present Scene of Action, and brings his Hero into the Favour of K—— Harry, alias **** who being sensible of his Abilities, restores him into Favour, and makes Use of his admirable Skill in Cookery, alias State Affairs.

“Not one of the King’s Cooks could make a Pudding like Sir John; nay, though he made a Pudding before their Eyes, yet they, out of the very same Materials, could not do the like: Which made his old Friends, the Monks, attribute it to Witchcraft and it was currently reported the Devil was his Helper. But good King Harry was not to be fobb’d off so; the Pudding was good, it sat very well on his Stomach, and he eat very savourly, without the least Remorse of Conscience.” Diss. Page15.

This seems to hint at the Opposition Sir **** met with from the contrary Party, and how sensible the K—— was, that they were all unable to hold the Staff in Competition with him.

After this the D—n runs into a whimsical Description of his Heroes personal Virtues; but draws the Picture too much Alla Carraccatura, and is, in my Opinion, not only a little too familiar, but wide of his Subject. For begging his Deanship’s Pardon, he mightily betrays his Judgment, when he says, Sir John was no very great Scholar, whereas all Men of Learning allow him to be a most excellent one; but as we may suppose he grew pretty warm by this Time with the Booksellers Wine, he got into his old Knack of Raillery, and begins to run upon all Mankind: In this Mood he falls upon C—— J——n, and Sir R—— Bl——re, apair of twin Poets, who suck’d one and the same Muse. After this he has a Fling at Handel, Bononcini and Attilio, the Opera Composers; and a severe Sneer on the late High-Church Idol, Sacheverel. As for Cluer, the Printer, any Body that knows Music, or Bow Church Yard, needs no farther Information.

And now he proceeds to a Digression, which is indeed the Dissertation it self; proving all Arts and Sciences to owe their Origin and Existence to Pudding and Dumpling (i.e.) Encouragement. His Hiatus in the 20th Page, Icould, but dare not Decypher.

In his 22nd Page, he lashes the Authors who oppose the Government; such as the Craftsman, Occasional Writer, and other Scribblers, past, present, and to come. The Dumpling-Eaters Downfal, is a Title of his own Imagination; Ihave run over all Wilford’s Catalogues, and see no Mention made of such a Book: All that Paragraph therefore is a mere Piece of Rablaiscism.

In his 23d Page, he has another confounded Fling at Foreigners; and after having determinately dubb’d his Hero, the Prince of Statesmen, he concludes his Dissertation with a Mess of Drollery, and goes off in a Laugh.

In a Word, the whole Dissertation seems calculated to ingratiate the D—nin Sir **** Favour; he draws the Picture of an able and an honest Minister, painful in his Countries Service, and beloved by his Prince; yet oftentimes misrepresented and bely’d: Nay, sometimes on the Brink of Ruin, but always Conqueror. The Fears, the Jealousies, the Misrepresentations of an enraged and disappointed Party, give him no small Uneasiness to see the Ingratitude of some Men, the Folly of others, who shall believe black to be white, because prejudiced and designing Knaves alarm ’em with false Fears. We see every Action misconstrued, and Evil made out of Good; but as the best Persons and Things are subject to Scandal and Ridicule; so have they the Pleasure of Triumphing in the Truth, which always will prevail.

I take the Allegory of this Dissertation to be partly Historical, partly Prophetical; the D—nseeming to have carried his View, not only to the present, but even, succeeding Times. He sets his Hero down at last in Peace, Plenty, and a happy Retirement, not unrelented by his Prince; his Honesty apparent, his Enemies baffled and confounded, and his Measures made the Standard of good Government; and a Pattern for all just Ministers to follow.

Thus, gentle Reader, have I, at the Expence of these poor Brains, crack’d this thick Shell, and given thee the Kernel. If any should object, and say this Exposition is a Contradiction to the D—n’s Principles; Iassure such Objector, that the D—nis an errant Whig by Education, and Choice: He may indeed cajole the Tories with a Belief that he is of their Party; but it is all a Joke, he is a Whig, and I know him to be so; Nay more, Ican prove it, and defy him to contradict me; did he not just after his Arrival and Promotion in Ireland, writing to one of his intimate Friends in London, conclude his Letter in this Manner?

Thus Dear **** from all that has occur’d, you must conclude me a Tory in every Thing, but my Principle, which is yet as unmoved, as, that Iam,

Yours, &c.

This Letter, his Tale of a Tub, and in a Word, all his Invectives against Enthusiasm and Priestcraft, plainly prove him to be no Tory; and if his Intimacy, not only with Sir **** himself, but most of the prime Men in the Ministry, cannot prove him a Whig, Ihave no more to say.

FINIS.

Advertisement to the Curious.

T he Author is Night and Day at Work (in order to get published before the Spaniards have raised the Siege of Gibraltar) aTreatise, entituled, Truth brought to light, or D—nS——t’s Wilsden Prophecy unfolded; being a full Explanation of a Prophetical Poem, called Namby Pamby, which, by most People, is taken for a Banter on an eminent Poet, now in Ireland; when in Fact, it is a true Narrative of the Siege of Gibraltar, the Defeat of the Spaniards, and Success of the British Arms. The Author doubts not in this Attempt to give manifest Proof of his Abilities, and make it apparent to all Mankind, that he can see as clearly through a Milstone, as any other Person can through the best Optic Martial or Scarlet ever made; and that there is more in many Things, not taken Notice of, than the Generality of People are awareof.


NOTES TO DUMPLING

Pp.[ii].2-[iii].25. The information on Brand, Braund, and Marsh is confirmed by records in the Willesdon Public Library and by Lyson’s County of Middlesex.
P.2.30-31. Carey also attacks the Freemasons and Gormogons in Poems, ed. Wood, p.118.
P.5.3. Old Mr. Lawrence is mentioned several times (see particularly Key, pp.16-17). There was a farmer Lawrence of 70 in Willesdon at the time, but I have found no direct connection with an antiquary, with Swift’s Namby Pamby talk (see OED under Namby Pamby) and his Wilsden Prophecy; nor with Jonathan Richardson (see note to Key, p.17). On another level, the laziness attributed to Swift (Key, p.viii) and the gridiron here connected with the Kit Cat club are both commonly associated with Saint Lawrence.
P.6.11-12. “Bull and Mouth” refers to a tavern known as the Boulogne Mouth (John Timbs, Clubs and Club Life in London [London, 1872], p.529).
Pp.6.13-9.6. Knight of the Gridiron: Walpole was a member of the Kit Cat club, which originally met at the pie shop of Christopher Cat in Shire Lane. The “Second Edition” probably refers to the fact that the Order of the Bath was reintroduced for Walpole’s benefit in June 1724. (See also Key, p.19.) There is intentional confusion with Estcourt, who as providore of the Beefsteak club wore about his neck a small gridiron of silver and was made a Knight of Saint Lawrence. The Knights of the Toast were an associated group.The gridiron is a symbol both of gormandizing and of the roasting of Saint Lawrence.
P.9.9. J[acob] T[onson], the publisher, founded the Kit Cat club which also met at Tonson’s home in Barns Elms, and in Hampstead (which was only a few miles northeast of Willesdon).
P.11.15-18. King John is reputed either to have been poisoned or to have died from overeating at Swineshead Abbey (18-19 October 1216).
Pp.14.15-16.24. See also Key, pp.25-26. King Harry, at this point, would appear to be George I, with either Walpole or Marlborough as Sir John Pudding. Nevertheless, there are carefully interpolated overtones regarding Falstaff and Hal. “One knows not where to have him” (Key, p.25) is one of several apt Shakespearian allusions in the work.
Pp.17.25-18.26. In Dumpling, pp. 17-18, and Key, pp.26-27, the references are to the writers Sir R[ichard] B[lackmore] and C[harles] J[ohnso]n; opera in the hands of Nicolino, Senesino, Handel, Buononcini and Attilio; the high-church idol, Sacheverel (d. 1724); the Craftsman (founded to attack Walpole) and the Occasional Writer (Bolingbroke’s 4 pamphlets of Jan/Feb. 1727); and finally the discredited music printer, Cluer. Carey’s relationship to opera was ambivalent, but in Mocking is Catching he strongly attacked Senesino.
P.24.5-29. Matt. Prior (d. 1721), despite his aristocratic pretensions, had been earlier associated with the Rummer Tavern. He was a member of the Kit Cat club until he became a Tory for Dumpling.
P.[32].28. E[dmund] C[url] of the “ADVERTISEMENT” was a publisher notorious for stealing material. Carey complained frequently of his writings having been “fathered” by others.

NOTES TO THE KEY

Title Page “J. W.”: Dr. Wood suggests this is the fictitious John Walton of the “Proposals” at the end of Dumpling. My own preference is for Dr. John Woodward, the famous antiquarian and physician. As late as Fielding’s “Dedication” to Shamela, Woodward was being mocked for suggesting that the “Gluttony [which] is owing to the great Multiplication of Pastry-Cooks in the City” has “Led to the Subversion of Government....” (See Woodward’s The State of Physick and of Diseases [London, 1718], pp.194-196 and 200-201. Compare this with Dumpling, pp.22-23, on the Dumpling-Eaters Downfall, also pp.9 and 16, and Key, p.17.) Swift deals with “repletion” in Gulliver’s Travels (ed. Herbert Davis [Oxford, 1941], pp.253-254 and 262).
P.iii.1-22. L[intot] was Pope’s publisher. B[ooth], W[ilks], and C[ibber] were the managers of Drury Lane. The London Stage, Part 2: 1700-1729, ed. Emmett L. Avery (Carbondale, Ill., 1960), shows that J.M. Smythe’s Rival Modes was first played 27 January 1727 at Drury Lane; John Thurmond’s pantomime The Miser: Or Wagner and Abericock was first played 30 December 1726 at Drury Lane; and Lun’s pantomimes Harlequin a Sorcerer: With The Loves of Pluto and Proserpine and The Rape of Proserpine were first played at the Lincoln’s Inn Fields Theatre 21 January 1725 and 13 February 1727 respectively.
P.iv.16-25. The preface ends on a similar note to Carey’s Of Stage Tyrants (p.108).
P.[v].3-4. To “it never wants a Father,” compare Of Stage Tyrants (p.107).
P.vi.1-9. Swift’s “old Bookseller” had been T[ooke] (though there may be overtones here regarding Tonson). His new publisher was [Benjamin] M[otte].
Pp.viii.24-ix.14. The “Hackney Writer out of Temple Lane” could very well be Carey. (See Carey’s Records of Love [London, 1710], pp.175, 93, and 104.)
P.13.6-9. Carey’s poem “The Plague of Dependence” cautions: “You may dance out your shoes in attendance;/ [while you] .... wait for a court dependence” (p.90).
Pp.14.7-15.2. Here Carey cleverly ties in Swift’s surgeon Gulliver, through the “Pancake of Rabbets” (Dumpling, p.17), with the topical and notorious case of Mary Tofts, who in November 1726 was “delivered” of fifteen rabbits. All the people mentioned were connected with this case. Nathaniel St. AndrÉ was the surgeon and anatomist to the King, and Cyriacus Ahlers the King’s private surgeon; John Howard was the apothecary. The imposture was finally brought to light before Sir Richard Manningham (the famous man-midwife who probably influenced Sterne) and Dr. James Douglas. Among the many contemporary pamphlets on this subject is one by Thomas Braithwaite.
Pp.16.14-17.13. The following is a very revealing quotation from records in the Willesdon Public Library under F.A. Wood [not Dr. F.T. Wood], Willesdon I, 99: “These nurse children must have been sent from workhouses round Willesdon ... the parish must have become a baby farm.... The large number of deaths between 1702 and 1727 ought to have caused some official enquiry, which probably did take place, as after 1727 they soon ceased altogether.”
P.17.14-22. See Jonathan Richardson, Works, Strawberry Hill Press (London, 1792), pp.198-199: “...had the honour of a letter ... the term Connoisance was used.... Imust not conceal the name it was Mr. Prior.” Richardson, afrequent visitor to Hampstead, painted both Prior and Pope. His essay on “The Connoisseur” was frequently published.
P.18.6-22. See also p. 24 and passim. Robert Walpole was born and died at Houghton in Norfolk; he was helped up by Marlborough but lost power with him under the Tories. Walpole went to the Tower for five months in 1712 before going to his home county, where Defoe calls him “King Walpole in Norfolk.”
P.24.19-20. The “Fable of the Court Pudding” (see also Dumpling, pp.13-14) ties together both meanings of the scatological Latin-English pun on the title page of Dumpling.

WILLIAM ANDREWS CLARK
MEMORIAL LIBRARY

UNIVERSITY OF CALIFORNIA, LOS ANGELES

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The Augustan Reprint Society

PUBLICATIONS IN PRINT

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PUBLICATIONS IN PRINT

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16. Henry Nevil Payne, The Fatal Jealousie (1673).

18. Anonymous, “Of Genius,” in The Occasional Paper, Vol. III, No. 10 (1719), and Aaron Hill, Preface to The Creation (1720).

1949-1950

19. Susanna Centlivre, The Busie Body (1709).

20. Lewis Theobald, Preface to the Works of Shakespeare (1734).

22. Samuel Johnson, The Vanity of Human Wishes (1749), and two Rambler papers (1750).

23. John Dryden, His Majesties Declaration Defended (1681).

1950-1951

26. Charles Macklin, The Man of the World (1792).

1951-1952

31. Thomas Gray, An Elegy Wrote in a Country Churchyard (1751), and The Eton College Manuscript.

1952-1953

41. Bernard Mandeville, A Letter to Dion (1732).

1963-1964

104. Thomas D’Urfey, Wonders in the Sun; or, The Kingdom of the Birds (1706).

1964-1965

110. John Tutchin, Selected Poems (1685-1700).

111. Anonymous, Political justice (1736).

112. Robert Dodsley, An Essay on Fable (1764).

113. T. R., An Essay Concerning Critical and Curious Learning (1698).

114. Two Poems Against Pope: Leonard Welsted, One Epistle to Mr. A. Pope (1730), and Anonymous, The Blatant Beast (1742).

1965-1966

115. Daniel Defoe and others, Accounts of the Apparition of Mrs. Veal.

116. Charles Macklin, The Covent Garden Theatre (1752).

117. Sir George L’Estrange, Citt and Bumpkin (1680).

118. Henry More, Enthusiasmus Triumphatus (1662).

119. Thomas Traherne, Meditations on the Six Days of the Creation (1717).

120. Bernard Mandeville, Aesop Dress’d or a Collection of Fables (1704).

1966-1967

123. Edmond Malone, Cursory Observations on the Poems Attributed to Mr. Thomas Rowley (1782).

124. Anonymous, The Female Wits (1704).

125. Anonymous, The Scribleriad (1742). Lord Hervey, The Difference Between Verbal and Practical Virtue (1742).

1967-1968

129. Lawrence Echard, Prefaces to Terence’s Comedies (1694) and Plautus’s Comedies (1694).

130. Henry More, Democritus Platonissans (1646).

132. Walter Harte, An Essay on Satire, Particularly on the Dunciad (1730).

1968-1969

133. John Courtenay, A Poetical Review of the Literary and Moral Character of the Late Samuel Johnson (1786).

134. John Downes, Roscius Anglicanus (1708).

135. Sir John Hill, Hypochondriasis, aPractical Treatise (1766).

136. Thomas Sheridan, Discourse ... Being Introductory to His Course of Lectures on Elocution and the English Language (1759).

137. Arthur Murphy, The Englishman From Paris (1736).

138. [Catherine Trotter], Olinda’s Adventures (1718).

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Publications in print are available at the regular membership rate of $5.00 yearly. Prices of single issues may be obtained upon request. Subsequent publications may be checked in the annual prospectus.


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REGULAR PUBLICATIONS FOR 1969-1970

139. John Ogilvie, An Essay on the lyric poetry of the ancients (1762). Introduction by Wallace Jackson.

140. A Learned Dissertation on Dumpling (1726) and Pudding burnt to pot or a compleat key to the Dissertation on Dumpling (1727). Introduction by Samuel L. Macey.

141. Selections from Sir Roger L’Estrange’s Observator (1681-1687). Introduction by Violet Jordain.

142. Anthony Collins, A Discourse concerning Ridicule and Irony in writing (1729). Introduction by Edward A. Bloom and Lillian D. Bloom.

143. A Letter from a clergyman to his friend, with an account of the travels of Captain Lemuel Gulliver (1726). Introduction by Martin Kallich.

144. The Art of Architecture, a poem. In imitation of Horace’s Art of poetry (1742). Introduction by William A. Gibson.


SPECIAL PUBLICATION FOR 1969-1970

Gerard Langbaine, An Account of the English Dramatick Poets (1691), Introduction by John Loftis. 2 Volumes. Approximately 600 pages. Price to members of the Society, $7.00 for the first copy (both volumes), and $8.50 for additional copies. Price to non-members, $10.00.


Already published in this series:

1. John Ogilby, The Fables of Aesop Paraphras’d in Verse (1668), with an Introduction by Earl Miner. 228 pages.

2. John Gay, Fables (1727, 1738), with an Introduction by Vinton A. Dearing. 366 pages.

3. The Empress of Morocco and Its Critics (Elkanah Settle, The Empress of Morocco [1673] with five plates; Notes and Observations on the Empress of Morocco [1674] by John Dryden, John Crowne and Thomas Snadwell; Notes and Observations on the Empress of Morocco Revised [1674] by Elkanah Settle; and The Empress of Morocco. AFarce [1674] by Thomas Duffett), with an Introduction by Maximillian E. Novak. 348 pages.

4. After THE TEMPEST (the Dryden-Davenant version of The Tempest [1670]; the “operatic” Tempest [1674]; Thomas Duffett’s Mock-Tempest [1675]; and the “Garrick” Tempest [1756]), with an Introduction by George Robert Guffey. 332 pages.

Price to members of the Society, $3.50 for the first copy of each title, and $4.25 for additional copies. Price to non-members, $5.00. Standing orders for this continuing series of Special Publications will be accepted. British and European orders should be addressed to B.H. Blackwell, Broad Street, Oxford, England.


*******

This and all associated files of various formats will be found in:
/2/8/1/0/28105

Updated editions will replace the previous one--the old editions will be renamed.

                                                                                                                                                                                                                                                                                                           

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