Cloak and Spurs of St. Ferdinand and Visigothic Bit,

Don Bernardo Guillen de Entenza, 13th century,

Don Guillelmo Ramon de Moncada, Seneschal of Catalonia, died circa 1280,

Don Juan Alphonso, Lord of Ajofrin, died about 1386,

Sword and Scabbard, probably belonging to St. Ferdinand,

The Lobera of St. Ferdinand,

Sword and Scabbard that probably belonged to St. Ferdinand,

Pedro I, King of Castile,

Effigy of St. Ferdinand, King of Spain,

Sepulchral Effigy of Don Bernardo de Anglesola, circa 1384,

Bit, believed to have belonged to Witiza, King of the Visigoths,

Helmet-crest of Martin I of Aragon,

Pontifical Sword presented by Pope Eugene IV to John II of Castile,

Fifteenth Century War Sword, probably belonged to Ferdinand the Catholic,

Ceremonial Sword of Ferdinand and Isabella,

Fifteenth Century Sword of unknown Origin,

Juan Pacheco, Marquis of Villena, Grand Master of St. James, died 1474,

War Sword of the Gran Capitan, Gonzalo Fernandez de Cordoba (1453-1515),

Sword of the Cardinal Infante Fernando, Brother of Philip IV,

War Sword of Ferdinand the Catholic,

Armet, early 16th century (closed),

The Same (open),

Armet, late 15th century and beginning of 16th century,

Armour of Philip the Handsome,

Tilting Armour of Philip the Handsome,

Tilting Armour of Philip the Handsome,

Tilting Armour of Philip the Handsome,

Tilting Armour of Philip the Handsome,

Tilting Armour, early 16th century, attributed in the 1849 Catalogue to Maximilian of Austria,

‘Caperuza’ of Philip I of Castile,

Helmet with unusually large Shutter, late 15th century,

Late 15th century Helmet in the Moorish Style. It is the only one of its kind in the Armoury,

Spanish Man-at-arms, 15th century,

Spanish Man-at-arms, 15th century (back view),

Spanish Crossbowman, 15th century,

Spanish Crossbowman, 15th century (back view),

Spanish Halberdier, 15th century,

Spanish Halberdier, 15th century (back view),

Mace-bearer of the 16th century, with Surcoat displaying the Arms of Castile and Leon,

A King of Arms,

Royal Tilting Armour of Charles V,

War Armour of Charles V,

War Armour of the Emperor Charles V (1517),

Tilting Harness of Charles V,

Tilting Armour of Charles V,

Tilting Harness of Charles V, made by Colman Helmschmied,

Oak-leaf Suit with Lamboys of Charles V,

Figure showing Pieces of the Oak-leaf Armour,

Tilting Harness of Charles V,

Foot Armour, with Lamboys, belonging to Charles V, with reinforcing Pieces for Helmet,

Foot Armour of Charles V, made by Helmschmied in 1526,

Armour presented to Charles V by the Duke of Mantua,

Armour presented to Charles V by the Duke of Mantua,

CornucopiÆ Armour of Charles V,

War Harness of Charles V,

Italian Armour of Charles V,

Armour of Charles V (work of Negroli),

Foot Armour of Charles V,

Armour of Charles V (1541),

Armour of Charles V, probably made by Negroli,

Charles V at MÜhlberg,

Armour of Charles V (pieces of the MÜhlberg Harness),

Pieces of the MÜhlberg Harness of Charles V,

Harness composed of pieces of the MÜhlberg Harness (1547),

Armour of Charles V, with Lamboys,

MÜhlberg Armour of Charles V,

Armour of Charles V, after the Roman style,

Equestrian Armour of Charles V,

Armour of Charles V, made by Colman (1849 Catalogue),

Armour of Charles V., Augsburg or Nuremburg make (1849 Catalogue),

Equestrian Armour of the Marquis of Villena, 16th century,

Foot Armour of Philip II, made by Desiderius Colman,

Foot Armour of Philip II, made by Desiderius Colman,

Armour of Prince Philip (II), of German make,

Armour of Prince Philip (II), made in Germany in 1549,

Armour made for Prince Philip (II) by Wolf of Landshut (1550),

Parade Armour of Philip II,

Parade Armour of King Sebastian of Portugal,

Suit made for Prince Philip (II) at Augsburg in 1552,

Gorget of Philip II, when heir-apparent, for parade (1552). It has the collar of the Golden Fleece,

Saddle-plate belonging to the same Armour as the preceding,

Equestrian Armour of Philip II, made by Sigmund Wolf of Landshut,

Tilting Armour, made for Prince Philip (II) by Wolf of Landshut (1554),

‘Burgundy Cross’ Armour of Philip II,

The ‘Burgundy Cross’ Suit of Philip II,

‘Burgundy Cross’ Armour of Philip II,

Armour of King Philip II,

Complete Armour of Prince Charles, son of Philip II,

Suit presented to Philip II by the Conde de Nieva,

Armour of Philip II, engraved with the Royal Arms of England,

Armour of King Sebastian of Portugal,

Armour of King Sebastian of Portugal (2nd view),

Armour of King Sebastian of Portugal (3rd view),

Armour of King Sebastian (details),

Armour of King Sebastian, back plate (details),

Equestrian Parade Armour of Philip III,

Armour of Philip III, made by Lucio Picinino of Milan,

Armour presented by the Archduke Albert to Philip III,

Half Suit made at Pamplona for Philip III,

War Armour, early 17th century, Milanese make,

Half Armour of Prince Filippo Emmanuele of Savoy, early 17th century,

Armour of Prince Filippo Emmanuele of Savoy (1586-1605),

Milanese Armour of King Philip IV,

Armour sent from Flanders in 1624 by the Infanta Isabel Clara Eugenia to Philip IV,

Armour ascribed to King Philip IV,

Armour made at Pamplona for the Duke of Savoy, 1620,

Armour ascribed, on doubtful authority, to Diego Garcia de Paredes,

Armour ascribed to Don Alonso Cespedes, the Castilian Alcides, died 1569,

Armour of Fernando d’Alarcon, 16th century (1849 Catalogue),

Half Armour of the Third Count of Altamira (1849 Catalogue),

Half Armour of John of Aldana (1849 Catalogue),

Half Armour of Alfonso d’Avalos, nephew of the Marquis of Pescara (1849 Catalogue),

Milanese Armour of the famous Warrior Antonio de Leiva (1849 Catalogue),

Half Armour of the Poet Garcilaso de la Vega (1849 Catalogue),

Armour of Luis Hurtado de Mendoza (1849 Catalogue),

Complete Armour of the Marquis of Pescara, General of Charles V (1849 Catalogue),

Half Armour of Juan de Padilla, beheaded by order of Charles V in 1520 (1849 Catalogue),

Half Armour of Juan Arias de Avila, Count of PuÑonrostro (1849 Catalogue),

Coat of Mail ascribed to Alfonso V of Aragon and I of Sicily (1849 Catalogue),

Harness ascribed to Charles V (1849 Catalogue),

Harness ascribed to Charles V (1849 Catalogue),

Armour of John Frederick, Elector of Saxony, taken at the Battle of MÜhlberg, 1547,

Armour of the Elector John Frederick, the Magnanimous, Duke of Saxony, taken at MÜhlberg,

Brigantine of Milanese make which belonged to the Emperor Maximilian,

Mark on the Breastplate of a Child’s Corselet (17th century),

Signature of the noted Engraver of Augsburg, Daniel Hopfer, with date,

Monogram of Guidobaldo II, Duke of Arbino, on Suit A 188,

Inside of Brigantine of Maximilian I, with Arms of Austria and Burgundy,

Milanese Brigantine which belonged to Charles V,

Milanese Brigantine which belonged to Charles V,

Boy’s Half Armour which belonged to Philip III,

Shield. Subject: Gods overwhelming the Moors,

Boy’s Half Armour which belonged to Philip III,

Boy’s Half Armour, made in Italy for the Infante, afterwards Philip III,

Boy’s Half Armour, made for the Infante, afterwards Philip III (second view),

Half Armour presented to the Infante, afterwards Philip III, by the Duke of Terranova,

Milanese Armour presented to the Infante, afterwards Philip III, by the Duke of Terranova,

Armour of the Infante, afterwards Philip III, Milanese make (second view),

Boy’s Half Armour, with Medallion on Breastplate of Mutius Scaevola,

Boy’s Half Armour, made for the Infante Fernando, Son of Philip III,

Half Armour belonging to Prince Philip, afterwards Philip IV,

Boy’s Half Armour, Milanese make (late 16th century),

Boy’s Half Armour,

Boy’s Half Armour, end of 16th century (Italian),

Boy’s Half Armour,

Gorget. Subject: The Siege of Ostend, 1601,

Gorget of Philip II Subject: The Battle of Nieuport,

Superb pair of Gauntlets belonging to Charles V,

Light War-Armour of Charles V, Corselet and Armlet of rare form, also two Helmets,

Armet, with reinforcing Pieces,

A curious Bevor in two Pieces, nailed on Leather,

Charles V’s Tilting Helmet,

Helmet belonging to the ‘K.D.’ Suit,

Helmet of Charles V,

Burgonet, by Colman,

Morion of Charles V,

Cabasset and Leg Armour of a Spanish Pikeman, late 15th century,

Tilting Helmet of Charles V,

Helmet of Charles V,

Helmet of Charles V,

‘Dolphin’ Helmet of Charles V,

Helmet made by Negroli of Milan,

Burgonet of Charles V,

Burgonet of Charles V, with Bevor bought from Sir Richard Wallace,

Burgonet of Charles V, with Bevor not belonging to Helmet,

Corselet of Charles V,

Gauntlet of Philip II,

Helmet of Philip II,

Helmet of Philip II, made at Augsburg in 1549, belonging to the suit A 239,

Helmet of Philip II, made by Wolf of Landshut in 1554,

Burgonet of King Sebastian of Portugal,

Burgonet of King Sebastian of Portugal,

Burgonet made for Philip III by Lucio Picinino,

Helmet of Philip III, with three beautiful Masks on Visor, Nape, and Front; probably Italian, late 16th century,

Burgonet, the missing parts of which are in the Kensington Museum, London,

Helmet for the Duke of Savoy (front view),

Helmet for the Duke of Savoy (side view),

Cabasset presented to Philip IV by the Infanta Isabel Eugenia,

Helmet with movable Visor, made in Pamplona, apparently for the Duke of Savoy, 1620,

Burgonet, early 17th century, belonged to Philip IV,

Helmet of Philip IV, presented to him with other Armour by the Infanta Isabel Eugenia,

Cabasset presented to Philip IV by the Infanta Isabel Eugenia,

Morion, which belonged to Philip III when a Boy. Subject: The Goddess of Plenty,

Morion, given to Philip III when a Child by the Duke of Terranova,

Burgonet of Charles V, designed by Giulio Romano,

Burgonet of Charles V, designed by Giulio Romano (second side),

Burgonet, 16th century. Subject: Bacchus and Ariadne (left side),

Burgonet, 16th century. Subject: Silenus supported by Bacchus,

Burgonet, 16th century. Subject: The Wooden Horse of Troy (left side),

Burgonet, 16th century. Subject: The Judgment of Paris (right side),

Milanese Salade, 15th century,

Moorish Salade, ascribed to Philip I,

Spanish Morion, early 16th century, with the Inscription, ‘Non Timeo Milia Populi,’

Roman Helmet (Charles V),

Mask on Shoulder-Guard of Charles V’s Roman Suit,

Cabasset which belonged to Philip the Handsome,

Late 15th century Helmet, probably belonged to Philip the Handsome,

Spanish Foot-Soldier’s Morion, early 16th century,

Parade Headpiece of Charles V,

Parade Headpiece, middle 16th century (origin unknown),

Parade Burgonet, made for Charles V by the Negrolis in 1545,

Helmet, middle of 16th century,

Steel Cap belonging to Charles V,

Burgonet of Charles V, made by Negroli,

Helmet of Francis I of France, taken at the Battle of Pavia,

Helmet of Francis I of France, taken at the Battle of Pavia,

Helmet which belonged to Prince Baltasar Carlos, 1629-1646,

Burgonet ascribed on insufficient grounds to Antonio de Leyva (16th century),

Satin and Velvet Turban found in the Palace of Mustafa, Bey of Oran, in 1722,

Steel Turban of Ali Pasha, Turkish Admiral at Lepanto,

Turkish Helmet taken at Lepanto,

Helmet of Philip III,

Helmet of the 16th century,

Helmet of Charles V, belonging to the CornucopiÆ Suit,

Helmet of Charles V, belonging to the CornucopiÆ Suit,

Salade, with detachable decorative Pieces (belonged to Maximilian I or Philip I),

Helmet of Ali Pasha, Turkish Admiral, defeated at Lepanto,

Morion and Arm-guard of Charles V,

Shield used in Tilting,

Shield used in Tilting, designed by Hopfer,

Shield designed by Hopfer,

Shield, with a Mask in Relief, belonging to the Harness of Charles V, A 149-156,

Shield of Philip II, belonging to the Armour A 217-230,

Shield of the Emperor Charles V, belonging to the Harness A 159-163,

Shield of Philip II,

German Shield, 16th century, by Desiderio Colman: War, Peace, Wisdom, and Strength,

Shield of Philip III, musket-proof, belonging to the Harness A 354,

Shield. Subject: Alexander subduing Bucephalus,

Shield accompanying armour of Philip III, 1578-1621. In the centre, Alexander the Great subduing Bucephalus,

Shield which belonged to Philip III when a boy. Subject: Jupiter, Neptune, and Mars overwhelming the Moors,

Shield belonging to Prince Filippo Emmanuele of Savoy, 1588-1624 (Italian),

Helmet and Shield of Charles V,

Burgonet and Shield of Charles V,

Shield (Italian) with design representing the Abduction of Helen, 16th century,

Shield of Italian workmanship, 16th century,

The ‘Plus Ultra’ Shield, designed by Girolamo Romani,

Shield, early 17th century. Design: Warriors in combat,

Shield called ‘Plus Ultra,’ with Apotheosis of Charles V,

The Medusa Shield, made by Negroli for Charles V,

Shield of the Emperor Charles V, forming part of the MÜhlberg armour,

Italian Shield, Moorish style, 16th century,

Italian Shield, Moorish Style, 16th century,

Shield presented to Charles V by Don Ferdinando de Gonzaga,

Italian Shield, 16th century. Design: The Triumph of Love,

Shield of Augsburg make, 16th century,

Shield ascribed to the Marquis of Villena, 16th century,

Shield of the end of the 16th century,

Shield of Philip II,

Shield of the Milanese School, 16th century,

Shield, late 16th century. Design: The Medusa’s Head,

Shield representing Jupiter, Saturn, Venus and Cupid, Mercury, and Mars, 16th century,

Shield, the work of E. de Zuloaga, 19th century,

Unfinished Shield, the work of E. de Zuloaga, 19th century,

Shield, the work of E. de Zuloaga, 19th century,

Spanish Shield, 17th century. Design: The Judgment of Paris,

Shield presented to Philip III by the Duke of Savoy in 1603,

Shield presented to Philip III by the Duke of Savoy in 1603,

Moorish Leather Shield, end of 15th century,

Oval Leather Shield, late 16th century. The face decorated with admirable Mexican-Indian Feather-work,

Leather Shield, with the Arms of the Mendoza family,

Arms of King Francis I of France, taken at the battle of Pavia, 1525, by the troops of Charles V,

Shield and Sword of Francis I of France, taken at the battle of Pavia. Design: The Gallic Cock attacking a warrior and putting him to flight,

Sword of Hernando Cortes,

Sword of Philip II,

Sword of Gonsalvo de Cordoba,

Pistol and Axe combined, of Philip II,

Sword attributed to Hernando Cortes, conqueror of Mexico, 1485-1547,

Sword of Philip II, worn with parade armour,

Toledan Sword attributed to Philip II,

Toledan Sword of the Count of Corunna (16th century). The guard is one of the most beautiful in the armoury,

Sword of Philip II, with the mark of Clement Horn of Solingen,

Spanish Sword, middle of 16th century,

Spanish Sword, late 16th century. Bears mark of Juanes el Viejo,

Spanish Sword, late 16th century, made by Sebastian Hernandez of Toledo,

Sword of the Duke of Weimar, Commander of the Swedish Army, defeated at the Battle of Nordlingen, 1624,

Sword attributed to Philip III It bears the date 1604, Toledo make,

Sword attributed to Count de Lamos, 1576-1622, made by TomÁs de Ayala of Seville,

Persian Sword, 16th century, probably brought from Tunis by Charles V,

Stradiot’s Sabre, early 17th century, presented by the Duke of Savoy to Philip III (1603),

16th Century Cutlass,

War Sword of Charles V, Italian make,

Italian War Sword of Charles V,

Sword of Pizarro, Conqueror of Peru,

Knife used by the Carver at the King’s Table, as required by the etiquette of the House of Burgundy,

Dagger, early 16th century,

16th century Dagger, supposed to have belonged to Charles V,

War Saddle of Philip II, made by Desiderius Colman of Augsburg,

Pommel and Cantle of Saddle of Philip II,

Cantle-Plate of same Saddle,

Burr-Plate of Saddle,

Burr-Plate of Saddle,

Cantle-Plates of Saddle made by Lucio Picinino,

Cantle-Plate of same Saddle,