ILLUSTRATIONS

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g@html@files@63255@63255-h@63255-h-6.htm.html#plt_092" class="pginternal">Church of San Pedro de Los Huertos,
92
General View of the Convent of San Marcos, 93
Principal FaÇade of the Convent of San Marcos, 94
Detail of the FaÇade of the Convent of San Marcos, 95
Entrance to the Convent of San Marcos, 96
Detail of the FaÇade of the Convent of San Marcos, 97
Detail of the FaÇade of the Convent of San Marcos, 98
Detail of the FaÇade of the Convent of San Marcos, 99
Detail of the FaÇade of the Convent of San Marcos, 100
Detail of the FaÇade of the Convent of San Marcos, 101
Sacristy in the Convent of San Marcos, 102
Stalls in the Convent of San Marcos, 103
Church of San Marcos: Detail of the Choir, 104
Church of San Marcos: Detail of the Choir Stalls, 105
Church of San Marcos: Detail of the Stalls, 106
Church of San Marcos: Detail of the Choir Stalls, 107
Church of San Marcos: Detail of the Choir, 108
Provincial Museum of San Marcos: Tray, Crucifix, and Vase, 109
Provincial Museum of San Marcos: Cross of Santiago de PeÑalva, 110
Provincial Museum of San Marcos: Christ in the Byzantine Style, and the Virgin in the Gothic Style, 111
Provincial Museum of San Marcos: San Francisco, 112
Don OrdoÑo II. presenting his Palace to the Virgin, 113
Standard of Alfonso VII., Emperor, now belonging to the Illustrious Families of Leon, 114
Tower of the Ponces, 115
Las Casas Consistoriales, 116
House of the Guzmanes, 117
188
Cathedral: Puerta Alta de la Coroneria, 189
Cathedral: Puerta Alta de la Coroneria, 190
Cathedral: The Famous Coffer of the Cid, 191
Cathedral: Central Dome in the Cross-aisle, 192
Cathedral: Processional Door in the Cloisters, 193
Cathedral: Entrance to the Cloisters, 194
Cathedral: Detail of the Door leading to the Gothic Cloisters, 195
Cloisters of the Cathedral, 196
The Lower Cloisters. Eleventh Century, 197
Cathedral: The Cloisters, 198
Cathedral: The Cloisters, 199
Cathedral: The Cloisters, 200
Cathedral: Detail of the Cloisters, 201
Cathedral: Bas-relief in the Lower Cloisters. Eleventh Century, 202
Cathedral: Bas-reliefs in the Lower Cloisters. Eleventh Century, 203
Cathedral: Soffits of Cloister Arches and Ornaments from Doors, 204
San Fernando and DoÑa Beatriz of Swabia in the Cathedral Cloisters, 205
Cathedral: Longitudinal Section of the Cloisters. Eleventh Century, 206
Cathedral: Details of the Sepulchre of Don Fernando Diez de Fuente-Pelayo, 207
Niches with Tombs in the Cathedral Cloisters, 208
Cathedral: Puerta Del Sarmental, 209
Cathedral: Sepulchre of Don Fernando Diez de Fuente-Pelayo, Abbot of St. Martin, 210
Details of Screens in the Cathedral, 211
Cathedral: El Cristo de Los Huevos, 212
Cathedral: Sepulchre of Archbishop Luis de AcuÑa, 213
Cathedral: Sepulchre of the Founder of the Cathedral, 358
Principal Nave in the Cathedral, 359
Cathedral: View of the Cross-aisle, 360
Cathedral: Entrance to the Chapel of the Bishop of Seville, Don Diego de Anaya, 361
Cathedral: View of the Sacristy, 362
Cathedral: Chapel in the Cloisters, 363
Chapel of St. Barbara in the Cathedral Cloisters, 364
Cathedral: Dome of the Tower of the ‘Gallo,’ 365
Cathedral: General View of the Puerta del Nacimiento, 366
Cathedral: Gate of the Nativity, 367
Cathedral: Gate of St. Clement, 368
Cathedral: Gate of the ‘Ramos,’ 369
Cathedral: Gate of the Patio Chico, 370
Cathedral: Right-hand Gate; or, Gate of the Bishop, 371
Cathedral: The Beheading of St. John Baptist. (By Jac. Geronimo Espinosa), 372
Cathedral: The Virgin holding the Dead Body of her Divine Son. (PietÁ in wood, by Salvador Carmona), 373
Cathedral: Wooden Crucifix with which the troops of the Cid were harangued. The Smaller Crucifix the Cid carried beneath his Armour, 374
Cathedral: Chair and Table in the Chapter Hall, 375
General View of the Church of Santo Domingo, 376
Detail of the FaÇade of Santo Domingo, 377
FaÇade of the Church of Santo Domingo, 378
Detail of the FaÇade of Santo Domingo, 379
Cloisters of Santo Domingo, 380
Interior of the Church of Santo Domingo, 381
Arches in the Choir of the Church of Santo Domingo, 382
Interior View of the Sacristy of Santo Domingo, 383
Door of the Conference Hall of Santo Domingo, 454
River Gate through which Hannibal entered, 455
House of DoÑa Maria the Brave, 456
Avenue of the Campo of San Francisco, 457
Statue of Fr. Luis de Leon, 458
The Pacification of the Factions of Salamanca. A Relief by Don Aniceto Marinas, 459
Market, Province of Salamanca: ‘A Bad Bargain,’ by J. Aranjo, 460
Peasants’ Dance, by D. Fierros, 461
Charro, or Peasant of the Province, 462

Leon, Burgos, and Salamanca

                                                                                                                                                                                                                                                                                                           

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