In Northern Spain.

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THE great bulk of the Spanish people know as little of Galicia and the neighbouring Principality of the Asturias as the average Englishman knows of the Hebrides. Nor can they judge of the inhabitants of these provinces from the few individual Galicians who emigrate to Madrid any more than we in England can form an idea of Italians from the specimens who perambulate the London streets with a piano organ and a monkey. The MadrileÑo comes across a few Galicians in the capital engaged in menial services, and speaking a harsh, strange patois, which he finds some difficulty in understanding; but the Gallegan in exile is a very different person from the man you meet in his own land of rain and mist, where the scenery is exquisite, the hotels are famously bad, and devotion is the chief recreation of the community. At home these people are poor, but hardy; possessing little intelligence, but great capacity for work; knowing little comfort, but nursing a passionate attachment for the country of their birth. Many of the young women are remarkably handsome, but drudgery and hardship early tell their tale, and very few of them retain their good looks beyond the age of twenty. The country, for the most part, is poor to barrenness; the peasantry work day and night for mere subsistance; the cottages, which do duty for bedroom and nursery, stable, kitchen, rabbit hutch, pigsty and parlour, are damp and dirty, and destitute of beds or chimneys. The climate is rainy, the surface is mountainous, and the roads are generally bad. Small wonder is it that muleteers and commercial travellers constitute the principal visitors to Galicia—for those who have a soul above scenery, and an ambition beyond fishing, the country is practically without attraction.

The single province of Oviedo, which constitutes the principality of the Asturias, harbours a people who have remained unconquered alike by Roman and Moor. There is protection, if not complete safety, in a country of mountain and valley, of damp and cold; and the Asturians have ever been able to spread themselves over the land and farm their straggling holdings in comparative security. They have cultivated maize for their staple food, poached the hills and rivers for game and fish, cultivated the art of dancing, and lived in terror of the evil eye from the most ancient times; and despite damp, hard fare, and harder toil, they have learnt

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REDONDELA (PROVINCE OF PONTEVEDRA)—GENERAL VIEW.

the secret of longevity and the charm of a gracious civility of manner. Minerals in abundance are common to both Asturias and Galicia; and while the former is the richer in coal and iron, the latter has been worked for gold, silver, and tin from the time of the Roman occupation. It is on their mineral resources that these provinces will have to depend for their future prosperity.

After the cities of the South—Barcelona, Toledo, Granada, or even modern Madrid—the Northern towns are small, shabby, and unimportant. CoruÑa, the chief seaport of Galicia, though interesting to Englishmen as being the landing place in Spain of John of Gaunt, and the harbour from which the invincible Armada sailed to conquer and Romanise Great Britain, is a place of only secondary importance. The city was founded by the Phoenicians; its name is probably derived from Columna, the Phoenician Pharos, or lighthouse; and its famous lighthouse, the Tower of Hercules, has had its counterpart from the earliest days. The Phoenicians, who made gain rather than discovery the aim of all their expeditions, were attracted to Galicia and to the province of Orense particularly by reason of its rich deposits of tin. CoruÑa in ancient days was the principal port of the North-west Coast, and the most westerly town in Europe. It is still the chief military station in Northern Spain, and ranks as a commercial city of the first importance.

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CORUÑA—GENERAL VIEW TAKEN FROM THE OLD TOWN.

The hill-girt city of Santiago, though knowing nothing of commercial prestige, and having no part in the military system of the country, is to the traveller of far more interest than the capital of the province. For dead as it now appears to be, with the hand of death on its crooked, branching streets, and its crazy, deformed squares, which echo the pilgrims’ footfalls to the deaf ears of the dead, it was at one time the most celebrated religious centre in Spain—the goal of fanatics from every corner of Europe, the Mecca of countless thousands of theologians, and the tomb of one of the personal companions of Christ. Although the ancient glory of Santiago has departed, although

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PONTEVEDRA—GENERAL VIEW.

its broad-flagged pavements are no longer thronged by the feet of the devout, and it has been much shorn of its former civil and religious dignities, the city is still the See of an Archbishop with a cathedral, two allegiate churches, and fifteen parishes. The cathedral is erected on the site of the chapel which was erected by Alonso II. to mark the spot where Theodomer, Bishop of Iria Flavia, is said to have discovered the body of St. James the Apostle; and the city, which sprang up around the memorial, bears the Spanish name for St. James the Elder. The original cathedral, which was finished in 879, consecrated in 899, and destroyed by the Moors in 997, was replaced by the present edifice in 1078. Whether one believes or not the tradition of the foundation of the cathedral—which, by the way, is no mere tradition in the mind of the Galician—one cannot but regard this mighty pile of stone with awe, and recognise in it the expression of an influence which was once felt throughout the Christian world. Even to-day it is one of the most frequented pilgrim-resorts in Europe.

One passes through Pontevedra, a picturesque granite town, with arcaded streets and ancient houses bearing armorial shields, on the journey to Vigo. Here, as everywhere on the Galician coast line, the parish priest goes down to the shore one day in every year and blesses the sea; here also the oysters are excellent and abundant, and here the watchman’s night chant is heard in the streets. The call of the sereno, or watchman, who dates from the building of the ancient walls of Pontevedra, and the chapel of Alonso II. of Santiago, seems to catch the imagination of the traveller, and hurl him back into the mediÆval ages, when life was a state that men fought to retain, and religion was a power for which they laid it down. The sereno, with his theatrical cloak wrapped about him, his axe-headed staff, his lantern, his majestic stalking walk, and his thrilling chant, “Ave Maria Purissima. Son las diez y sereno,” seemed to me impressive, unreal, almost fantastic. At ten o’clock he passed me in the deserted square, at eleven he was offering up his quavering invocation beneath my window. Galicia has little in common with the towns of the South—it retires to rest early in order to be up betimes.

At Vigo a small fragment of the ancient sea walls yet remain, but the ruins that Lord Cobham made of the town in 1719 have been obliterated, and in place of the fortified port, which Drake visited in 1585 and 1589, we have a thriving, modernised town. Vigo is an important place of call for Mediterranean steamers, it is one of the chief centres of the cattle trade export to London, and the port of the mineral provinces of Pontevedra and Orense.

The town of Orense, the capital of its province, is reached by the magnificent old bridge that spans the river MiÑo. Though now deprived of three of its arches, which were removed to give the road more width, and also of the ancient castle which defended the entrance, it continues to attract the attention of the traveller on account of its elegant and bold construction, its ample proportions and majestic appearance. Tradition says it is Roman, but many learned writers find nothing to confirm this assertion. It is quite likely that a bridge existed there previously; but the present one, it would appear, was built by order of Bishop Lorenzo during the first half of the thirteenth century, and has since undergone many alterations, including those to the largest arch, which is more than forty-three metres in width, and the reconstruction of which was completed about the middle of the fifteenth century. In the Roman days Orense was celebrated for its warm baths. These three springs, which are still in existence, flow copiously from fountains one above another, but the waters have lost their medicinal virtues—it is

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VIGO—VIEW FROM THE CASTLE.

only a supposition that they ever possessed any—and are now used for domestic purposes. The present cathedral, which is an obvious imitation of the cathedral at Santiago, was raised in 1220. The cathedral, the warm springs, and the bridge over the MiÑo, comprise the three marvels of the city.

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GIJON—THE WHARF.

Equally ancient, but in many ways more interesting, is the capital town of Lugo. It boasts a cathedral which shares with San Isidoro of LeÓn the immemorial right to have the consecrated Host always exposed; Roman walls in an excellent state of preservation that entirely surround the city, and an establishment of baths. The bath-house contains 200 beds; and the springs, which contain nitre and antimony, are good for cutaneous diseases and rheumatism. The river MiÑo, which is the glory not only of Lugo but of Galicia, rises in the mountains, some nineteen miles from the city.

As the centre of a beautiful and variegated country, which affords good sport for the angler, and scenery of enchanting loveliness to attract the artist, Oriedo, the capital of the Astionas, has its charms; but the seaport of Gijon, with its tobacco manufactory, its railway workshops, its iron foundry, and glass and pottery works, is a much more thriving and important town. Gijon, like Santander, is a flourishing port; and both have gained immensely in importance of late years. While the latter, with its handsome modern houses, makes a more splendid show, its drainage and sanitary arrangements leave much to be desired, and the harbour at low water is sometimes most offensive. Both towns are of Roman origin, but Gijon is the most pleasantly situated on a projecting headland beneath the shelter of the hill of Santa Catalina, and the harbour is the safest on the North Coast. It exports apples and nuts in enormous quantities, coal, and iron, and jet; while its shores are much frequented by bathers during the summer months.

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SANTANDER—THE PORT.

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SANTANDER—GENERAL VIEW.

It is currently believed, and I have no reason to doubt the accuracy of the statement, that if a visitor in any town in England stops the first native he meets and inquires as to the objects of interest that the place possesses, he will be referred immediately to the principal hostelry of the town. If you wander in London, and ask your way about, you will be directed right across the city by references to public-houses, which are the only landmarks that the Cockney ever dreams of studying. In Spain, cathedrals are as ubiquitous as inns are in England. You may be sure of finding comfortable accommodation for man and beast in most English towns, and in the Peninsula you can be quite as confident of “bringing up” against a cathedral—if nothing else. In LeÓn, the capital of the province of the same name, and in Salamanca, the second city in the province, we find the same state of things existing—the cathedral first and the rest nowhere. Yet these two cities boast of a noble history of ancient splendour and old-time greatness, and with this—and their cathedrals—they appear to be content. LeÓn, in the time of Augustus, was the headquarters of the legion that defended the plains from the Asturian marauders; and when the Romans withdrew, it continued as an independent city to withstand the continued attacks of the Goths until 586. The city yielded to the Moor, was rescued by OrdoÑo I., and retaken by the Arabs with every accompaniment of inhuman atrocity. Its defences were rebuilt by Alonso V. nearly 400 years later, its houses were repeopled, and it continued to be the capital of the Kings of LeÓn until the court was removed to Seville by Don Pedro. Its present miserable condition is a lamentable appendix to such a history. Its streets are mean, its shops are miserable, and its inns are worse. Nothing is left to it but its cathedral.

LEÓN—THE CATHEDRAL.

This temple is truly an architectural wonder, combining the delicacy of the purest Gothic style with a solidity which has stood for centuries; the manner in which the problem of

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LEÓN—CLOISTER IN CATHEDRAL.

stability was solved is wonderful, the immense weights seeming to have no solid bases. The finest and most beautiful chiselled work is visible everywhere, and careful study is necessary in order to understand how the weight and strain of the arches were made to rest on their elegant buttresses. The origin of this magnificent temple is not quite clear, but many archÆologists believe that it was founded in the time of King OrdoÑo II. It is of irregular form, but the cathedral or nave, transept, and presbytery are in the form of a perfect Latin cross.

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LEÓN—THE CATHEDRAL CHOIR STALLS.

The windows are of colossal dimensions, and the ratablos and sculptures are notable. Among its many famous works the cloister must not be forgotten. It is an example of the transition style from ogive to renaissance, with large galleries, interesting groups of sculpture, and a beautiful door leading into the temple.

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LEÓN—VIEW TAKEN FROM THE CEMETERY.

Among all the choral stalls treasured in Spanish churches those in the cathedral at LeÓn stand out prominently. Unfortunately, the names of the master who designed them, and of the artists who assisted him to carry that marvel of ogive art into effect, are not known; but it must have been executed during the last thirty years of the fifteenth century, for it is known that in 1468 the necessary bulls were obtained from his holiness through Archbishop Antonio de Veneris in order to arrange means for meeting the cost of the stalls, and in 1481 the work was still proceeding.

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SALAMANCA—GENERAL VIEW.

Salamanca has a great name, a florid Gothic cathedral, and a square of handsome proportions and pleasant prospects. In other respects, it is quite without attractions. The streets are badly paved and dull, the climate is shrewd, and fuel, I was told, is scarce and expensive. Even the cathedral, though grand, is bare; and when one has visited the cathedral and lingered awhile in the pleasant garden of the Plaza Mayor—one of the largest and handsomest squares in Spain—and tested the accommodation of “La Comercio,” one can find little else to entrance one in the disappointing old city which was once a world-famed seat of learning. In the fifteenth century, when its university gave precedence to Oxford alone, it boasted of 10,000 students. In the following century its scholars had declined to one half that number, and to-day only some few hundred students are on its books. The sun of Salamanca commenced to set at a period of the world’s history that to all the rest of Europe was one of awakening and advancement. Decline and decay are writ large on the face of the city. From a distance its noble situation and fine buildings, built of beautiful creamy stone, gives the place an imposing and picturesque appearance. But though the shell of Salamanca remains, its spirit has departed. The ravages of the Romans, the Goths, the Moors, the Spaniards, and the ruin which the neighbourly French inflicted less than a hundred years ago, have left their cruel marks upon its historic walls. Salamanca is but a broken hulk spent by the storms that, from time to time, have devastated her. Her narrow, tortuous, ill-paved streets, which skirt its multitude of grandiose buildings, her squalor and poverty, her inferior art work, but even more the uncorrupted art of the grand old cathedral, all remind us of what Salamanca was, and turn our eyes backwards from what it is.

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SALAMANCA—VIEW OF THE COLLEGE FROM THE IRLANDESES.

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ZARAGOZA—“INDEPENDENCIA” PROMENADE.

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ZARAGOZA—PILAR CHURCH.

One must approach Zaragoza with one’s mind full of memories of heroes, queens, poets, and bandits that have been associated with this once mighty city, and one’s heart filled with sympathy and respect for the old, proud Aragon that flourished, and was illustrious in history while the Englanders still decorated themselves with blue paint, and were domiciled in caves. For Zaragoza is not altogether a gay or an exhilarating city. Many of the streets have a gloomy aspect, and the old houses are high, dark, and repellant. But the city is not only important as the seat of a university, an Audiencia, an archbishop, the captain-general of AragÓn, and other officials; it is also the junction of four railways, and its commercial progress has been steadily increasing of recent years. For Zaragoza is in reality two cities—the old part with ancient fortified houses, converted now into stables and wood stores, and the new part traversed by broad, well-paved, and excellently-lighted streets, and lined with modern buildings. Until the railway connected the city with Madrid and Barcelona, Zaragoza was as dead as Salamanca, and as dilapidated as LeÓn. But it has always held the advantage of those places in having two cathedrals to their one. The principal cathedral, that of La Seo, is a venerable Gothic pile occupying the site of a Moorish mosque, and its high arches have echoed many councils, and looked down on the solemn coronations of the kings of Aragon. More modern is the Cathedral El Pilar, so called from the identical pillar on which the Virgin descended from heaven. It was commenced on St. James’s Day, 1686, the work being designed and carried out by the famous Don Francisco Herrera, the architect. In the year 1753 King Ferdinand VI. instructed Ventura Rodriguex, the architect, to design and build a new church, as luxurious as possible, in which to instal the image without taking it out of its temple. This was done by erecting a small Corinthian temple under the magnificent cupola, which was ornamented with the richest marble and jasper that could be procured. On one of the altars of this temple, which is crowned with a magnificent silver canopy, reposes the venerated effigy, the jewels on which are of incalculable value.

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A FLEMISH DANCE.

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AT NUEVALOS.

The Stone Monastery at Nuevalos, on the right bank of the river from which it takes its name, is one of the places most worthy of a visit in the province of Zaragoza, not only on account of the building itself, which is of great historical interest, having been built in 1195, but for the delicious picturesqueness of the place. Surrounded by rocks, winding amidst thick woods and dashing into deep abysses, this river runs its erratic course, imparting life to a landscape which is, according to the noted poet, Don Ramon Campoamor, “an improved dream of Virgil.” Among its many picturesque waterfalls, the one called “La Caprichosa” is perhaps the most beautiful.

The dress of the Aragonese peasantry is peculiar and picturesque. The men, as a rule, wear no hats, but have instead a coloured handkerchief wound round the head, leaving the top bare. Their knee-breeches are slashed down the sides and tied by strings below the knee. The waistcoats are worn open. Round the waist they wind a wide sash, in the folds of which pipes, tobacco, money, and provisions are carried as safely as in a pocket. Their feet are shod with sandals, and they universally carry a blanket, which is thrown in a graceful manner over their shoulders.

                                                                                                                                                                                                                                                                                                           

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