The London book-season of 1820 was a dull one. The number of books published was very small, and there were but few extraordinary good or extraordinary bad ones amongst them. All the 'reviewers' were at their wits' end; for wit, sharp as a razor, must get dull over books undeserving of praise, yet incapable of being 'cut up' with due brilliancy of style. Into this mournful critical desert, there fell like manna the 'Poems descriptive of rural life and scenery.' Mr. John Taylor and his literary coadjutors had taken great pains to spread the news far and wide that a new Burns had been discovered on the margin of the Lincolnshire fens, and was to be publicly exhibited before a most discerning public. There were low rumours, besides, that William Gifford intended to place the new Burns on the pedestal of the 'Quarterly,' spreading the fame of the humble poet into the most distant regions. Accordingly, when the first volume of Clare's poems was published, on the 16th of January, 1820, there was an immediate rush to the shop of Messrs. Taylor and Hessey, in Fleet Street. Before many days were over, a first edition was exhausted; and before many weeks were gone, all the critical reviews began singing the praises of the book. The 'Gentleman's Magazine,' leading the van, got, eloquent over 'the unmixed and unadulterated impression of the loveliness of nature,' contrasting it with 'the riches, rules, and prejudices of literature;' the latter being in allusion to a quarrel which the learned editor had just had with some learned fellow-editors. Next followed the 'New Monthly Magazine,' the reviewer of which informed a discerning public that 'Clare is strictly a descriptive poet, and his daily occupation in the fields has given him manifest advantages.' This profound remark made great impression, and was quoted by Messrs. Taylor and Hessey in all their prospectuses; not even the deepest thinkers disputing the thesis that if Clare had been born and lived all his life in a cellar in the Seven Dials, his rural poetry might be less truthful. The 'London Magazine,' belonging to the publishers of Clare's poems, came modestly behind in critical praise, contenting itself, in a review of five pages, with giving plentiful extracts from the book, putting forward, at the same time, a somewhat undignified appeal to public charity. The demand for the pence and shillings of the charitable was, as stated in the review, 'made by one who has counselled and superintended this interesting publication,' and the same authority piteously invoked the aid of the nobility and gentry for 'this poor young man.' When Clare came to see this article, some months after its publication, he burst into a fit of indignation, and wrote an angry letter to Mr. Drury; but with the sole result of hearing, on his next visit to the Stamford Public Library, that he was not only a very poor, but a very ungrateful young man.

The 'Eclectic Review,' reviewed Clare in a very flattering article; and the 'Antijacobin Review,' 'Baldwin's London Magazine,' and a host of other periodicals, followed suit, all dwelling upon the luminous aspect of the poems, with pauperism as dark background. Last in the list, but greatest, came the 'Quarterly,' with William Gifford at the helm. The 'Quarterly Review' of May, 1820, actually devoted nine pages to a description and praise of Clare's poems, speaking of them as the most interesting literary production of the day. The review was supposed to be written by Mr. Gilchrist; but it was generally understood that the editor of the 'Quarterly' himself corrected and altered the article, strengthening its praise, and putting in some hearty, honest words about Clare as a man, as well as a poet. Perhaps of all living authors, William Gifford best understood John Clare, and felt thorough, and entire sympathy with the attempt of this noble soul to struggle into light, through all the haze of printers, publishers, and reviewers. Very likely he might have loved Clare as a brother—had the poet not been an author. William Gifford, as Southey truly remarks, 'had a heart full of kindness for all living creatures, except authors; them he regarded as a fishmonger regards eels, or as Izaak Walton did slugs, worms, and frogs.' Nevertheless, the 'Quarterly Review' praised Clare in a way which quite astonished the book-makers of the day. After comparing him with Burns and Bloomfield, and dwelling upon the fact that his social position was far lower than that of either these two poets, the writer in the 'Quarterly'—here Mr. Gifford himself—gave some sound advice to Clare. 'We entreat him,' the article ran, 'to continue something of his present occupations; to attach himself to a few in the sincerity of whose friendship he can confide, and to suffer no temptations of the idle and the dissolute to seduce him from the quiet scenes of his youth to the hollow and heartless society of cities; to the haunts of men who would court and flatter him while his name was new, and who, when they had contributed to distract his attention and impair his health, would cast him off unceremoniously to seek some other novelty.' These words of true advice proved almost prophetic in the life of the poet.

The article in the 'Quarterly Review' had the immediate effect of making John Clare the lion of the day. Rossini set one of his songs to music; Madame Vestris recited others before crowded audiences at Covent Garden, and the chief talk of London for the season was about the verses of the 'Northamptonshire peasant.' His fame descended to Northamptonshire itself, and far into the misty realm of the fen-bound regions. The Right Honourable Charles William, Viscount Milton, was somewhat startled on the waves of this fame reaching Milton Park. The idea that for one five-pound note he might have secured part of this high renown to himself, figuring in the 'Quarterly Review' as a noble patron of literature, and protector of heaven-horn genius slumbering in obscurity, made him feel intensely vexed with himself. Reflecting upon the subject, it struck his lordship that it would be best to take Clare still under his protection, in view of new editions open to dedication. Full of this idea, a messenger was despatched at once to Helpston, with a gracious order that the poet should present himself on the following morning before the noble Viscount. John Clare, remembering but too keenly the past, was unwilling to obey his lordship's command; but the tears of his father and mother made him change his resolution. Consequently, on the morning appointed, a Sunday, he went to Milton Park, and having had the honour of lunching with the footmen in the kitchen, was ushered into the presence of his lordship. Viscount Milton was exceedingly affable, took Clare by the hand, sat him down on a stool, and at once explained to him why his letter respecting the dedication of the poems had not been answered. His lordship had been excessively busy at the time, making preparations for a journey, and in the hurry of these labours had unfortunately forgotten to send a reply. Now her ladyship entered the room, in turn addressing the poet. After questioning him on all points, birth, parentage, weekly income, religion, moral feelings, and state of health, Clare was finally asked whether he had found already a patron. His vacant look expressed that he did not know even the meaning of the word patron. To the plainer question, whether some nobleman or gentleman of the neighbourhood had promised him anything, Clare truthfully replied in the negative. There was nobody who had made offers of assistance, except Mr. Edward Drury, bookseller, of Stamford; and his promises, John was sorry to say, were rather vague. Thereupon the noble viscount warned Clare to be on his guard against all publishers and booksellers; not explaining, however, how to protect himself, or how to do without them. Meanwhile the Earl Fitzwilliam had entered the room, and added his voice to that of his son in a warning against booksellers. After a little more conversation, Lord Milton put his hand in his pocket, and withdrawing a quantity of gold, threw it into Clare's lap. John was humbled and confused beyond measure. His first impulse was to return the money instantaneously; but a moment's thought convinced him that this would be excessively rude, and he contented himself, therefore, with a feeble protest against his lordship's kindness. He now left, making an awkward bow, his pockets heavy under the weight of gold, and his brain heavier under a feeling of deep humiliation, akin to shame. However, this feeling was dispelled in the fresh outer air. He thought of his poor father and mother at home, and the comfort all his gold would bring them; and getting almost joyful at the thought, sat down at the roadside to count his golden sovereigns. There were seventeen pieces, all bright and new, fresh from the Mint. Clare had not had so much money in his possession in all his life, and he got frightened almost in looking at the glittering treasure before him. To secure it well, he took off his neck-tie, wrapped the sovereigns in it, and ran home as fast as his legs would carry him. There were happy faces that night in the little cottage at Helpston.

John Clare's invitation to Milton Park created much astonishment in the village; but the wonder increased when, a few days after, another liveried messenger inquired his way to Clare's dwelling. The new envoy was of far more gorgeous aspect than the former one, being the representative of the greatest lord in the county, the most noble the Marquis of Exeter. His lordship had seen the 'Quarterly Review,' as well as Viscount Milton; and his lordship had learnt, moreover, that Clare had been called to Milton Park, for purposes easily imagined. The chief of the elder line of the Cecils thereupon determined not to be outdone by his petty Whig rivals, the Fitzwilliams, with which object in view he summoned the poet in his turn. The gorgeous scarlet messenger who arrived at Helpston, to the wonderment of the whole village, brought a letter from the Hon. Mr. Pierrepont, brother-in-law of the marquis, desiring Clare to make his appearance on the following morning, precisely at eleven o'clock, at Burghley Hall. To this summons there was no opposition on the part of Clare, for to resist the will of the Marquis of Exeter, within twenty miles of Stamford, was deemed nothing less than treason by any inhabitant of the district. John was ready to go to Burghley Hall the next morning; but it rained heavily, and the cobbler had not returned the shoes entrusted to him for mending. Could John present himself without shoes on a rainy morning, before the most noble the Marquis of Exeter? That was the question gravely debated between Parker Clare, his wife, and his son. It was decided that John could not go without shoes; and the village cobbler refusing to return his trust, because engaged in threshing, the important visit to Burghley Hall had to be postponed till the day after. John went quite early, trembling inwardly to show himself before the great lord, whose very valet was looked upon in the country as a man of high estate. His fears increased a thousandfold when arrived at the gate of the palatial residence, and being told, on giving his name to the porter, that he ought to have come the day before. On Clare making his excuse on account of the state of the weather, the high functionary got very angry. 'The weather?' he exclaimed, excitedly; 'you mean to say that you have not obeyed his lordship's commands simply because it was a wet day! I tell you, you ought to have come if it rained knives and forks.' This frightened Clare beyond measure; he turned round upon his heels and was about running away, when he was stopped by a footman. The arrival of Clare had just been announced to the marquis, and there was an order to admit him instantaneously to the presence of his lordship. So the tall footman, without further ceremony, took Clare by the arm, and hurried him up a marble staircase, through innumerable passages, and a maze of halls and corridors which quite bewildered the poor poet. The sound of his heavy hob-nailed shoes on the polished floor made him tremble, no less than the sight of his mud-bespattered garments among all the splendid upholstery, through which the gorgeous lackey was guiding his steps. At last, after a transit through painted halls which seemed endless, Clare stood before the noble marquis. His lordship received the humble visitor in a quiet, unaffected manner; and the mind of the poet was relieved of an immense burthen when he found the great lord to be a decidedly amiable and cheerful young man of his own age, with manners pleasantly contrasting with those of the aristocratic porter at the gate, and the splendid footman who had shown him the way. The marquis, with great tact, questioned Clare as to his antecedents; asked to see some of his manuscript verses—which the Hon. Mr. Pierrepont, in his summons, had ordered him to bring—and, having inspected these, informed the astonished poet that he would grant him an annuity of fifteen guineas for life. John Clare scarcely believed his own ears; the announcement of this liberality came so unexpected, and appeared to him so extraordinary, that he did not know what to say, or how to express his thanks. Quitting his lordship in utter confusion, he felt almost giddy on finding himself in the hall outside. There were immense passages stretching away to right and left, leading into unknown realms of magnificence, into which the poor poet was trembling to venture. The marquis, who, with great politeness, had accompanied his visitor to the door, on seeing his embarrassment undertook the part of guide, leading Clare to the outskirts of the palatial labyrinth, and here handing him over to a valet, with instructions to let his guest partake of the common dinner in the servants' hall. It was the third dinner in the hall of noble patrons to which Clare was ushered—clearly showing that, however much differing on other subjects, the admirers of high literature in Northamptonshire held that the true place of a rural poet was among the footmen and kitchen-maids.