The cloud that had hung over Walna Scar broke above the valley, and a heavy rain-storm, with low mutterings of distant thunder, drove the pleasure-people from the meadow to the booth. It was a long canvas tent with a drinking-bar at one end, and stalls in the corners for the sale of gingerbreads and gimcracks. The grass under it was trodden flat, and in patches the earth was bare and wet beneath the trapesing feet of the people. They were a mixed and curious company. In a ring that was cleared by an athletic plowman the fiddler-postman of Newlands, Tom o' Dint, was seated on a tub turned bottom up. He was a little man with bowed legs and feet a foot long. "Now, lasses, step forret! Dunnot be blate. Come along with ye, any as have springiness in them!" The rough invitation was accepted without too much timidity by several damsels dressed in gorgeous gowns and bonnets. Then up and down, one, two, three, cut and shuffle, cross, under, and up and down again. "I'll be mounting my best nag and comin' ower to Scara Crag and tappin' at your window some neet soon," whispered a young fellow to the girl he had just danced with. She laughed a little mockingly. "Your best nag, Willy?" "Weel—the maister's." She laughed again, and a sneer curled her lip. "You Colebank chaps are famous sweethearts, I hear. Fare-te-weel, Willy." And she twisted on her heel. He followed her up. "Dunnet gowl, Aggy. Mappen I'll be maister man mysel' soon." Aggy pushed her way through the crowd and disappeared. "She's packed him off wi' a flea in his ear," said an elderly man standing near. "Just like all the lave of them," said another, "snurling up her neb at a man for lack of gear. Why didna he brag of some rich uncle in Austrilly?" "Ey, and stuff her with all sorts of flaitchment and lies. Then all the lasses wad be glyming at him." The dance spun on. "Why, it's a regular upshot, as good as Carel fair," said one of the girls. "Bessie, you're reet clipt and heeled for sure," responded her companion. Bessie's eyes sparkled with delight at the lusty compliment paid to her dancing, and she opened her cloak to cool herself, and also to show the glittering locket that hung about her neck. "It's famish, this fashion," muttered the elderly cynic. "It must tak' a brave canny fortune." "Shaf, man, the country's puzzen'd round with pride," answered his gossip. "Lasses worked in the old days. Now they never do a hand's turn but washin' and bleachin' and starchin' and curlin' their polls." "Ey, ey, there's been na luck in the country since the women-folk began to think shame of their wark." The fiddler made a squeak on two notes that sounded like kiss-her, and from a corner of the booth there came a clamorous smack of lips. "I saw you sweetheartin' laal Bessie," said one of the fellows to another. "And I saw you last night cutteran sa soft in the meadow. Nay, dunnot look sa strange. I never say nowt, not I. Only yon mother of Aggy's, she's a famous fratcher, and dunnot you let her get wind. She brays the lasses, and mappen she'll bray somebody forby." While the dancing proceeded there was a noisy clatter of glasses and a mutter of voices in the neighborhood of the bar. "The varra crony one's fidgin to see! Gie us a shak' of thy daddle!" shouted a fellow with a face like a russet apple. "Come, Dick, let's bottom a quart together. Deil tak' the expense." "Why, man, and wherever hasta been since Whissen Monday?" "Weel, you see, I went to the fair and stood with a straw in my mouth, and the wives all came round, and one of them said, 'What wage do you ask, canny lad?' 'Five pounds ten,' I says. 'And what can you do?' she says. 'Do?' I says, 'anything from plowing to threshing and nicking a nag's tail,' I says. 'Come, be my man,' she says. But she was like to clem me, so I packed up my bits of duds and got my wage in my reet-hand breek pocket, and here I am." The dancing had finished, and a little group was gathered around the fiddler's tub. "Come thy ways; here's Tom o' Dint conjuring, and telling folk what they are thinking." "That's mair nor he could do for the numskulls as never think." "He bangs all the player-folk, does Tom." "Who's yon tatterdemalion flinging by the newspaper and bawling, 'The country's going to the dogs?'" "That's Grey Graham, setting folk by the lug with his blusteration." "Mess, lads, but he'd be a reet good Parli'ment man to threep about the nation." "Weel, I's na pollytishun, but if it's tearin' and snappin' same as a terrier that mak's a reet good Parli'ment man, I reckon not all England could bang him." "And that's not saying nowt, Sim. I've heard Grey Graham on the ballot till it's wet him through to the waistcoat." "Is that Mister Paul Ritson and Mistress Lowther just run in for shelter?" "Surely; and a reet bonny lass she is." "And he's got larnin' and manners too." "Ey, he's of the bettermer sort, is Paul." "Does she live at the parson's—Parson Christian's?" "Why, yes, man; it's only naturable—he's her guardian." "And what a man he is, to be sure." "Ey, we'll never see his like again when he's gone." "Nay, not till the water runs up bank and trees grow down bank." "And what a scholar, and no pride neither, and what's mair in a parson, no greed. Why, the leal fellow values the world and the world's gear not a flea." "Contentment's a kingdom, as folk say, and religion is no worse for a bit o' charity." There was a momentary pressure of the company toward the mouth of the booth, where Gubblum Oglethorpe reappeared with his pack swung from his neck in front of him. The girls gathered eagerly around. "What have you to-day, Gubblum?" "Nay, nowt for you, my dear. You're one of them that allus looks best with nothing on." "Oh, Gubblum!" The compliment was certainly a dubious one. "Only your bits of shabby duds—that's all that pretty faces like yours wants." "Oh, Gubblum!" The peddler was evidently a dear, simple soul. "Lord bless you, yes; what's in here," slapping his pack contemptuously, "it's only for them wizzent old creatures up in London—them 'at have faces like the map of England when it shows all the lines of the railways—just to make them a bit presentable, you know. And there is no knowing what some of these things won't do to mak' a body smart—what with brooches and handkerchers and collars, and I don't know what." Gubblum's air of indifference had the extraordinary effect of bringing a dozen pairs of gloating eyes on the strapped pack. The face of the peddler wore an expression of bland innocence as he continued: "But bless you, I'm such a straightforward chap, or I'd make my fortune with the like of what's here." "Open your pack, Gubblum," said one of the fellows, Geordie Moore, prompted by sundry prods from the elbow of a little damsel by his side. The "straightforward chap" made a deprecatory gesture, and then yielded obligingly. While loosening the straps he resumed his discourse on his own general ignorance of business tactics, his ruinous honesty, and demoralizing sense of honor. "I'm not cute enough, that's my fault. I know the way to my mouth with a spoonful of poddish, and that's all. If I go further in the dark, I'm lost." Gubblum opened his pack and drew forth a red and green shawl of a hideous pattern. "Now, just to give you a sample. Here's a nice neat shawl that I never had no more nor two of. Well, I actually sold the fellow of that shawl for seven-and-sixpence." The look of amazement at his own shortcomings which sat on the child-like face of the peddler was answered by the expression of mock surprise in the face of Paul Ritson, who came up at the moment, took the shawl from Gubblum's outstretched arms, and said in a hushed whisper: "No, did you now?" Geordie Moore thereupon dived into his pocket, and brought out three half-crowns. "Here's for you, Gubblum; let's have it." "'Od bless me!" cried the elderly cynic, "but that Gubblum will never mak' his plack a bawbee." And Grey Graham, having disposed of the affairs of the nation and witnessed Geordie snap at the peddler's bait, cried out in a bitter laugh: "'There's little wit within his powe Just then a tumult arose in the vicinity of the bar. The two cronies were at open war. "Deuce take it! I had fifteen white shillin' in my reet-hand breek pocket, and where are they now?" "'Od dang thee! what should I know about your brass? You're kicking up a stour to waken a corp!" "I had fifteen white shillin' in my reet-hand breek pocket, I tell thee!" "What's that to me, thou poor shaffles? You're as drunk as muck. Do you think I've taken your brass? You've got a wrong pig by the lug if you reckon to come ower me!" "They were in my reet-hand breek pocket, I'll swear on it!" "What a fratchin'—try your left-hand breek pocket." The russet-faced plowman thrust his hand where directed and instantly a comical smile of mingled joy and shame overspread his countenance. There was a gurgling laugh, through which the voice of the peddler could be heard saying: "We'll mak' thee king ower the cockers, my canny lad." The canny lad was slinking away amid a derisive titter, when a great silence fell on the booth. Those in front fell back, and those behind craned their necks to see over the heads of the people before them. At the mouth of the booth stood the old Laird Fisher, his face ghastly pale, his eyes big and restless, the rain dripping from his long hair and beard. "They've telt me," he began in a strange voice, "they've telt me that my Mercy has gone off in the London train. I reckon they're mistook as to the lass, but I've come to see for mysel'. Is she here?" None answered. Only the heavy rain-drops that pattered on the canvas overhead broke the silence. Paul Ritson pushed his way through the crowd. "Mercy?—London? Wait, Matthew; I'll see if she's here." The Laird Fisher looked from face to face of the people about him. "Any on you know owt about her?" he asked in a low voice. "Why don't you speak, some on you? You shake your heads—what does that mean?" The old man was struggling to control the emotion that was surging in his throat. "No, Matthew, she's not here," said Paul Ritson. "Then maybe it's true," said Matthew, with a strange quiet. There was a pause. Paul was the first to shake off his surprise. "She might be at Little Town—in Keswick—twenty places." "She might be, Master Paul, but she's nowt o' the sort. She's on her way to London, Mercy is." It was Natt, the stableman at the Ghyll, who spoke. At that the old man's trance seemed to break. "Gone! Mercy gone! Gone without a word! Why? Where?" "She'd her little red bundle aside her; and she cried a gay bit to hersel' in the corner. I saw her mysel'." Paul's face became rigid with anger. "There's villainy in this—be sure of that!" he said, hotly. The laird rocked his head backward and forward, and his eyes swam with tears; but he stood in the middle as quiet as a child. "My laal Mercy," he said, faintly, "gone from her old father." Paul stepped to the old man's side, and put a great hand on his shoulder as softly as a woman might have soothed her babe. Then turning about, and glancing wrathfully in the faces around them, he said: "Some waistrel has been at work here. Who is he? Speak out. Anybody know?" No one spoke. Only the laird moaned feebly, and reeled like a drunken man. Then, with the first shock over, the old man began to laugh. What a laugh it was! "No matter," he said; "no matter. Now I've nowt left, I've nowt to lose. There's comfort in that, anyways. Ha! ha! ha! But my heart is like to choke for all. You say reet, Mr. Ritson, there's villainy in it." The old man's eyes wandered vacantly. "Her own father," he mumbled; "her lone old father—broken-hearted—him 'at loved her—no matter, I've nowt left to—Ha! ha! ha!" He tried to walk away jauntily, and with a ghastly smile on his battered face, but he stumbled and fell insensible into Paul's outstretched arms. They loosened his neckerchief and bathed his forehead. Just then Hugh Ritson strode into the tent, stepped up to the group, and looked down over the bent heads at the stricken father lying in his brother's arms. Paul's lips trembled and his powerful frame quivered. "Who knows but the scoundrel is here now?" he said; and his eyes traversed the men about him. "If he is, let him look at his pitiless work; and may the sight follow him to his death!" At that moment Hugh Ritson's face underwent an awful change. Then the old man opened his eyes in consciousness, and Hugh knelt before him and put a glass of water to his lips. |